On July 20, 2024, the last surviving original member, Fakir, retired.[1] He died two days later.[2]
History
Early years
All four members of the group began their careers together while they were high-school students in Detroit. At the insistence of their friends, Pershing High students Levi Stubbs and Abdul "Duke" Fakir performed with Renaldo "Obie" Benson and Lawrence Payton from Northern High at a local birthday party. The quartet decided to remain together and named the group the Four Aims.[3] With the help of Payton's songwriter cousin Roquel Davis, the Aims signed to Chess Records in 1956, changing their name to the Four Tops to avoid confusion with the Ames Brothers.[3]
Over the next seven years, the Tops had unsuccessful tenures at Chess, Red Top, Riverside Records and Columbia Records.[3] Without any hit records to their name, they toured frequently, developing a polished stage presence and an experienced supper club act, as well as supporting Billy Eckstine. In 1963, Berry Gordy Jr., who had worked with Roquel "Billy" Davis as a songwriter in the late 1950s, convinced the Tops to join the roster of his growing Motown record company.[3]
In 1964, Motown's main songwriting and production team, Holland–Dozier–Holland, created a complete instrumental track without any idea of what to do with it. They decided to craft the song as a more mainstream pop song for the Four Tops and proceeded to create "Baby I Need Your Loving" from the instrumental track.[3] On its release in mid-1964, "Baby I Need Your Loving" made it to number 11 on the Billboard Hot 100.[3]
Holland–Dozier–Holland wrote most of Stubbs' vocals in a tenor range, near the top of his range, in order to get a sense of strained urgency in his gospelpreacher-inspired leads. They also wrote additional background vocals for a female group, the Andantes, on many of the songs, to add a high end to the low-voiced harmony of the Tops. Ivy Jo Hunter's "Loving You Is Sweeter Than Ever" (1966) was one of a few exceptions.[citation needed]
August 1966 brought the release of the Four Tops' all-time biggest hit and one of the most popular Motown songs ever. "Reach Out I'll Be There" reached number1 on the U.S. pop and R&B charts[4] and the UK chart and soon became the Tops' signature song.[3] It was almost immediately followed by the similar-sounding "Standing in the Shadows of Love"; its depiction of heartbreak reflecting the opposite of the optimism in "Reach Out". It was another Top10 hit for the Tops.[citation needed] The band recorded the first live album, Four Tops Live! at two dates in mid-1966 and Motown released the recording in November of that year.[5]
Performing at New Rochelle (New York) High School, c. 1967
The Top 10 U.S. hit "Bernadette" centered around a man's all-consuming obsession with his lover,[4] continued the Four Tops' successful run into April 1967, followed by the Top 20 hits "7-Rooms of Gloom", and "You Keep Running Away".[3] By now, the Tops were the most successful male Motown act in the United Kingdom (in the United States, they were second to the Temptations), and began experimenting with more mainstream pop hits. They scored hits with their versions of Tim Hardin's "If I Were a Carpenter" in late 1967 (mid-1968 in the U.S.) and the Left Banke's "Walk Away Renée" in early 1968.[3] These singles and the original "I'm in a Different World" were their last hits produced by Holland–Dozier–Holland, who left Motown in 1967 after disputes with Berry Gordy Jr.[3]
The 1971 single "A Simple Game" featured backing vocals from members of The Moody Blues.[3] The song did not fare well on the U.S. charts, but reached number three on the UK chart.[citation needed]
ABC/Dunhill Records and Casablanca Records
Motown as a company began to change during the early 1970s. Older acts such as Martha and the Vandellas and The Marvelettes were slowly moved aside or dropped to focus on newer acts, such as Michael Jackson and The Jackson 5, Rare Earth, and the now-solo Diana Ross. In addition, the company moved its operations from Detroit to Los Angeles, California, where Berry Gordy Jr. planned to break into the motion picture and television industries. In 1972, it was announced that the entire company would move west and that all its artists had to move as well. Many of the older Motown acts, already neglected by the label, opted to stay in Detroit, including The Funk Brothers studio backing band, Martha Reeves, and the Four Tops.[3]
The Tops departed Motown for ABC-Dunhill, where they were assigned to writer-producers Dennis Lambert and Brian Potter and the label's head of A&R, Steve Barri as producer, with The Tops' own Lawrence Payton later also serving as a producer and writer. He also took over lead vocal duties on several tracks.[citation needed]
The group's first release on the label, "Keeper of the Castle" (1972) was their first pop Top 10 hit since "Bernadette" in 1967. Follow-ups included the 1973 million-selling "Ain't No Woman (Like the One I've Got)", also a top 10 pop hit and their third R&B number 1, and the Top 20 hit, "Are You Man Enough" (1973), (from the 1973 movie Shaft in Africa).[3] "Sweet Understanding Love" (1973); "Midnight Flower (1974); and "One Chain Don't Make No Prison" (1974) all reached the R&B Top 10 between 1972 and 1974. Two ABC/Dunhill singles, 1974's "I Just Can't Get You Out of My Mind" and 1975's "Seven Lonely Nights" have become popular tunes in the southeast Beach/Shag Club Dance circuit.[citation needed]
After the release of "Catfish" (a top 10 R&B hit) in 1976, the major hits started to dry up and the Tops left ABC after an album recorded in Philadelphia with the MFSB musicians resulted in only minor chart success in 1978. The group disappeared from the recording scene until the early 1980s.[3] Signing a deal with Casablanca Records, the Tops made a comeback in 1981 with the number 1 R&B hit "When She Was My Girl".[3] Produced by David Wolfert, it just missed the Billboard pop Top 10, peaking at number 11. The group also scored a UK Top 10 hit with the song and had another hit there with the follow-up, "Don't Walk Away". In 1982, their song "Back to School Again" appeared in both the movie Grease 2 and its soundtrack.[citation needed]
Return to Motown
By 1983, The Tops had rejoined Motown,[3] where their former ABC-Dunhill producer, Barri was vice-president of A&R. They were featured on the company's 1983 television specialMotown 25: Yesterday, Today, Forever, taking part in one of the highlights of the show—a battle of the bands between The Tops and The Temptations, patterned after similar competitions Berry Gordy Jr. had staged during the 1960s.[3] Stubbs and Temptation Otis Williams decided the Temptations/Tops battle would be a good one to take on the road, and both groups began semi-regular joint tours.[citation needed]
The first of The Tops' albums under their new Motown contract was Back Where I Belong (1983).[3] A whole side of the album was produced by the Holland–Dozier–Holland production team, including the R&B Top 40 single "I Just Can't Walk Away".[3] Only one more Tops album would be released by Motown, Magic in 1985. The lead single from that album, "Sexy Ways", was almost a Top 20 R&B hit, peaking at number 21 in mid-1985. In July of that year, the group performed at the Live Aid concert, singing five of their hit songs.[citation needed]
The group re-entered the studio in 1986 with producer Wolfert, who had previously produced them in many non-Motown releases.[6] Despite working on the release for several months[7] and issuing the single "Hot Nights" in July,[8] the sessions did not result in a new album and the group signed to Arista Records in 1987.[9] The title track of 1988's Indestructible was the group's final Top 40 hit, reaching No. 35.[3] It was also featured in the 1988 science-fiction cop film Alien Nation. Another track, "Loco in Acapulco", written and produced by British pop musician Phil Collins and former Motown composer-producer Lamont Dozier, climbed into the UK Top 10 and made number 7 in early 1989.[3] The Arista contract provided an opportunity to pair Levi Stubbs with fellow Arista artist, another R&B vocalist from Detroit, Aretha Franklin, who was at the height of her own 1980s hit streak. This pairing resulted in the 1988 song "If Ever a Love There Was", which became a popular R&B and Adult Contemporary hit, as well as being featured on the soundtrack of the 1988 motion picture I'm Gonna Git You Sucka.[citation needed]
After completing their European tour in December 1988, the group was scheduled to return to the U.S. for Christmas on the ill-fated Pan Am Flight 103, which was destroyed over Lockerbie, Scotland, after a terrorist bomb was detonated on board.[10][11] The group missed the flight due to a last-minute invite and prolonged filming of their performance at the British television show Top of the Pops; they instead took a later British Airways flight.[citation needed]
Later years
From the late 1980s, the Four Tops focused on touring and live performances. The group made guest appearances on labelmate Aretha Franklin's 1989 release Through the Storm and the 1992 Grover Washington Jr. album Next Exit, but they recorded only one album, returning again to Motown for 1995's Christmas Here with You. On June20, 1997, 59-year-old Lawrence Payton died as a result of liver cancer, after singing for 44 years with the Four Tops who, unlike many other Motown groups, never had a single lineup change until then.[12] At first, Stubbs, Benson and Fakir toured as a trio called The Tops. In 1998, they recruited former member of the TemptationsTheo Peoples to restore the group to a quartet. By the turn of the century, Stubbs had become ill from cancer; Ronnie McNeir was recruited to fill the Lawrence Payton position and Peoples stepped into Stubbs' shoes as lead singer. Stubbs died on October 17, 2008, at his home in Detroit.[13]
The group was featured in several television specials during this time, including Motown 45, and several by PBS, including a 50th-anniversary concert dedicated to the group (available on DVD). The concert featured a brief appearance of Stubbs using a wheelchair, and a memorial to Payton announced by Benson. Benson appeared on one more PBS special and died on July 1, 2005 from lung cancer. He was replaced by Lawrence Payton, Jr. The final PBS special, titled Motown: The Early Years, featured a message of Benson's passing following the credits.[citation needed]
The Four Tops sang the National Anthem before the start of game 5 for the 2011 baseball American League Championship Series (ALCS) between the Texas Rangers and Detroit Tigers on October 13, 2011, in Detroit, Michigan. When singing the last line of "The Star-Spangled Banner", "... and the home of the brave", they quickly sang the words "Ain't No Country Like the One I Got", before singing the last word, "brave". The Four Tops were honored with an induction into the Rhythm & Blues Hall of Fame at the Inaugural ceremony held at Cleveland State University's Waetejen Auditorium on Saturday August 17, 2013.[citation needed]
The Four Tops career awards
The Four Tops have won many awards, including the following:
Levi Stubbs was an American baritone singer, widely known as the lead vocalist of the R&B group the Four Tops, that released a variety of Motown hit records during the 1960s and 1970s. He was noted for his powerful, emotional, dramatic. singing style. In 1990, Stubbs was inducted into the Rock and Roll Hall of Fame as a member of the Four Tops.
Lawrence Albert Payton Sr. was an American tenor, songwriter, vocal arranger, musician, and record producer for the popular Motown quartet, the Four Tops.
Abdul Kareem "Duke" Fakir was an American singer. He co-founded the Motown quartet the Four Tops and performed in an ensemble under that name from 1953 until shortly before his death. He was the group's last surviving original member.
Renaldo "Obie" Benson was an American soul and R&B singer and songwriter. He was best known as a founding member and the bass singer of Motown group the Four Tops, which he joined in 1953 and continued to perform with for over five decades, until April 8, 2005.
"I Can't Help Myself" is a 1965 song recorded by the Four Tops for the Motown label.
"Baby I Need Your Loving" is a 1964 hit single recorded by the Four Tops for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, the song was the group's first Motown single and their first pop Top 20 hit, making it to number 11 on the US Billboard Hot 100 and number four in Canada in the fall of 1964. It was also their first million-selling hit single.
"It's the Same Old Song" was recorded by the Four Tops for the Motown label. It was released in 1965 as the second single from their second album. Written and produced by Motown's main production team Holland–Dozier–Holland, the song is today one of The Tops' signatures, and was reportedly created—from initial concept to commercial release—in 24 hours. It reached #5 on the Billboard Hot 100 and #2 on the Billboard R&B chart. It also reached #34 in the UK.
"Bernadette" is a 1967 hit song recorded by the Four Tops for the Motown label. The song was written and composed by Holland–Dozier–Holland, Motown's main songwriting team, and produced by Brian Holland and Lamont Dozier.
"7 Rooms of Gloom" is a song originally recorded by the Motown Records vocal quartet the Four Tops. It was released as a single in 1967 on the Motown label and reached #14 on the Billboard Hot 100, and was a Top 10 R&B Hit, charting at #10. It was also a hit in the UK, their seventh, staying for nine weeks in the UK Singles Charts and reaching #12 and in the Netherlands where it made #23 in the Dutch Top 40.
"Loco in Acapulco" is a song by the Four Tops, released as a single in 1988. It was written and produced by Phil Collins and Lamont Dozier, for the soundtrack to the film Buster, that also starred Collins in the title role.
"When the Lovelight Starts Shining Through His Eyes" is a song written by Holland–Dozier–Holland and recorded in 1963 by the Motown singing group the Supremes. It is notable as the Supremes' first Billboard Hot 100 Top 40 recording, following seven previous singles between January 1961 and September 1963 which failed to enter the Top 40. The single is also notable as the first Supremes single written and produced by Holland–Dozier–Holland, who had previously created hits for Martha and the Vandellas and Mary Wells.
"Ask the Lonely" is a soul/pop ballad recorded by Motown singing group the Four Tops. Released as the group's third single, the single became the group's second successful single since signing with Motown in 1963. Released in 1965, the song rose to no. 24 on the pop chart and no. 9 on the R&B one. It is notable for being co-written by longtime Motown staffer Mickey Stevenson, as most of the group's hits on Motown were written and produced by Holland-Dozier-Holland. Levi Stubbs sang the lead, with The Andantes joining the other Tops on the background vocals. The music was performed by The Funk Brothers and the Detroit Symphony Orchestra provided the instrumentation.
Four Tops Second Album is a 1965 R&B studio album by vocal quartet the Four Tops. The album, released on the Motown record label, reached No. 3 on Billboard's Black Albums chart and No. 20 on the Billboard Top LPs chart. The album contains three hit singles. "I Can't Help Myself " reached No. 1 on both the Black Singles and Pop Singles charts, while "It's the Same Old Song" reached No. 2 and No. 5 respectively, and "Something About You" reached No. 9 and No. 19. In 1990, Motown bundled the Four Tops' first two albums together in a release titled Four Tops/Four Tops Second Album.
"Yesterday's Dreams" is a 1968 single recorded by The Four Tops for the Motown label. The song was written by Vernon Bullock, Jack Goga, Ivy Jo Hunter and Pam Sawyer. The single was one of the first the group released after the departure of Holland-Dozier-Holland, who had handled the majority of the Four Tops recordings prior to 1968. Released from the album of the same name, the song only became a modest hit on the US chart, peaking at #31 on Billboard's Best Selling Soul Singles chart and #49 on the Hot 100. Outside of the US, "Yesterday's Dreams" reached #23 in the UK.
The Ultimate Collection is a compact disc by The Four Tops, released on Motown Records, catalogue 314530825-2, in October 1997. It is a collection of singles comprising many of the group's greatest hits, with liner notes written by Stu Hackel.
Four Tops is the 1965 self-titled debut studio album by the American vocal group the Four Tops. The album was produced and mostly written by the Motown's main writing/producing team Holland-Dozier-Holland. Four Tops includes the singles "Baby I Need Your Loving", "Without the One You Love ", and "Ask the Lonely".
"Just One Last Look" is a 1966 song written and produced by Motown's main production team Holland–Dozier–Holland, and recorded by The Temptations for the Gordy (Motown) label, and The Four Tops for the main Motown label. Intended for release as a single for both, it was blocked from doing so and shelved.
"Without the One You Love (Life's Not Worth While)" is a song written by Holland–Dozier–Holland and released as a single in 1964 by the Motown singing group The Four Tops as the second single from their self-titled debut album, Four Tops. The group would later cover the song with The Supremes.
"Something About You" is a song written by Holland-Dozier-Holland and was first released by the Four Tops on their 1965 album Four Tops' Second Album.
Four Tops Live! is the first live album by American rhythm and blues vocal band The Four Tops, released on Motown in 1966. The album was recorded as part of a series of concerts by the record label featuring their premier artists held in Detroit and had positive critical and commercial reception.
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