Roger Harry DaltreyCBE (born 1 March 1944) is an English singer, musician and actor. He is the co-founder and lead singer of the rock band the Who.[1][2]
He was ranked number 61 on Rolling Stone's list of the 100 greatest singers of all time in 2008;[9]Planet Rock listeners voted him rock's fifth-greatest voice in 2009.[10] Daltrey has also been an actor and film producer, with roles in films, theatre, and television.
Early life
Daltrey was born on 1 March 1944 in Hammersmith Hospital, East Acton, London, during a World War II bombing raid.[11] He is the eldest of three children of Harry and Irene Daltrey, and has two younger sisters.[11] His father, an insurance clerk, was called up to fight in the Second World War, and three-month-old Roger and his mother were evacuated to a farm in Scotland.[11]
Daltrey attended Victoria Primary School and Acton County Grammar School in west London,[11] the same school Pete Townshend and John Entwistle attended.[11] He showed academic promise in the English state school system and was top of his class in the eleven-plus examination, after which he went to Grammar School.[12]
Daltrey's first guitar, a cherry red Stratocaster replica, he made himself in 1957.[13] He joined a skiffle group called the Detours who needed a lead singer, and produced it when they told him to bring a guitar. His father bought him an Epiphone guitar in 1959 and he became the band's lead guitarist.[11]
He also became the band's leader, and gained a reputation for using his fists to impose discipline. According to Townshend, Daltrey "ran things the way he wanted. If you argued with him, you usually got a bunch of fives,[14] [a hard punch]".[15] Daltrey explained, later in life, that this harsh approach came from the tough neighbourhood in which he had grown up, where arguments were resolved by fighting. He was expelled from school, and Townshend wrote in his autobiography, "until he was expelled, Roger had been a good pupil."[16]
They discovered in 1964 that another band was performing as the Detours, and discussed changing their name. Townshend suggested "the Hair" and Townshend's room-mate Richard Barnes suggested "The Who". The next morning, Daltrey made the decision for the band, saying "It's the Who, innit?"[17]
The Who
Overview
Townshend began writing original material for the band, and after their first hit single ("I Can't Explain") and record deal in early 1965, Daltrey's dominance of the band diminished.[18] The other members of the Who fired him from the band in late 1965 after he beat up their drummer, Keith Moon, for supplying illegal drugs to Townshend and Entwistle, but he was re-admitted to the band a week later on probation after he promised not to do it again. He recalled, "I thought if I lost the band, I was dead. If I didn't stick with the Who, I would be a sheet metal worker for the rest of my life."[19]
The band's second single, "Anyway, Anyhow, Anywhere", was a collaboration between Daltrey and Townshend.[20] While Townshend was developing into an accomplished composer, Daltrey was gaining a reputation as a singer and front-man. The Who's stage act was energetic, and Daltrey's habit of swinging the microphone around by its cord on stage became a signature move. His Townshend-inspired stuttering expression of youthful anger, frustration and arrogance in the band's breakthrough single, "My Generation", captured the revolutionary feeling of the 1960s for young people around the world and became a trademark sound. His scream near the end of "Won't Get Fooled Again" was a defining moment in rock and roll.[21]
By 1973, Daltrey was experiencing success with his solo projects and acting roles. While the other members of the band were recording the music for Quadrophenia, he took the opportunity to examine the Who's financial books and found they had fallen into disarray under the management of Kit Lambert and Chris Stamp. Lambert was Pete Townshend's artistic mentor, and challenging him led to renewed tension within the band. During a filming session, in an incident that Daltrey later claimed was overblown, Townshend and Daltrey argued over the schedule, Townshend hit Daltrey over the head with his guitar, and Daltrey responded by knocking Townshend unconscious with a single blow.[22]
The Who's drummer, Keith Moon, died in 1978. The band continued working after his death, but Daltrey thought that new drummer Kenney Jones had been the wrong choice.[24] The Who broke up in 1983 when Townshend felt that he could no longer write for them.[25]
The band reformed in 1989 for a 25th Anniversary Tour, which also celebrated the 20th anniversary of their rock opera Tommy. The tour featured a large backing band, with guest appearances by Steve Winwood, Patti LaBelle, Phil Collins, Elton John, and Billy Idol. Daltrey managed to complete the tour in spite of an abdominal ailment, for which he later received surgery.[26]
In 1996, Pete Townshend was approached to produce Quadrophenia for the Prince's Trust concert at Hyde Park, London. Daltrey agreed to help to produce a one-off performance, and the opera was to be performed with a large backing band. On the night before the show, Daltrey was struck in the face by a microphone stand swung by Gary Glitter and the accident fractured his eye socket. There was concern that he might not be able to perform, but Daltrey covered the bruises with an eye patch and completed the show as scheduled. Townshend took the production on tour in 1996–97 as the Who.[27]
After the success of the Quadrophenia tour, the band returned as the Who with a five-piece line-up for tours in 1999–2000, and they made a major impact at the Concert for New York City in 2002. After Entwistle's death in June 2002, Daltrey and Townshend decided to continue with an already planned tour, with bass player Pino Palladino taking Entwistle's place. They also completed a brief tour in 2004. In 2006, they released the Who's first studio album of new material in twenty-four years, Endless Wire, which led to suggestions that the much-discussed artistic tension in the Who lay between Daltrey and Townshend. The band undertook a world tour in 2006–07 in support of the album.[28]
In February 2010, Townshend and Daltrey, headlining as the Who, performed the half-time show at Super Bowl XLIV in Miami, Florida, and were seen by 105.97 million viewers across the world. In March 2010, Townshend and Daltrey, with an extensive backing band, performed Quadrophenia at the Royal Albert Hall in London as a tenth-anniversary charity benefit for the Teenage Cancer Trust. Eddie Vedder of Pearl Jam sang the part of the Godfather and Tom Meighan of Kasabian sang the part of Aceface.[29]
Songwriting
Daltrey wrote several songs in the band's catalogue during their early years:
"See My Way" (1966) – Daltrey's contribution to A Quick One.[31]
"Early Morning Cold Taxi" (1967) – Outtake from The Who Sell Out (later appearing as a bonus track on deluxe editions and on the 1994 box set Thirty Years of Maximum R&B), co-written with David "Cyrano" Langston.[32]
Daltrey also wrote a song titled "Crossroads Now" for the Who, which grew from an onstage jam in 1999.[34] Another Daltrey song, "Certified Rose", was rehearsed by the Who shortly before the death of John Entwistle. The band had intended to play it, as well as Townshend's "Real Good Looking Boy", during their 2002 tour, but it was dropped after Entwistle's death.[35] It was rumoured that a studio version had been recorded during the Endless Wire sessions which may have featured Entwistle's basslines from 2002, but Townshend later stated that no such recording had been made.[36] A more recent recording of "Certified Rose" was released on Daltrey's 2018 album, As Long As I Have You.[37]
Daltrey has released ten solo studio albums. The first, Daltrey (1973), was recorded during a hiatus in the Who's touring schedule. The best-selling single from the album, "Giving It All Away", peaked at No. 5 in the UK and the album, which introduced Leo Sayer as a songwriter, made the Top 50 in the United States. The inner sleeve photography showed a trompe-l'œil which referred to the Narcissus myth, as Daltrey's reflection in the water differed from his actual appearance. He also released a single in 1973, "Thinking", with "There is Love" on the B-side. The British release, with considerable airplay of "Giving It All Away" (first lines "I paid all my dues so I picked up my shoes, I got up and walked away") coincided with news reports of the Who being sued for unpaid damage to their hotel on a recent tour, which included a TV set thrown out of a window.[38]
Daltrey's second solo album, Ride a Rock Horse, was released in 1975. It was his second most commercially successful solo album.[citation needed]McVicar was a soundtrack album from the film of the same name, in which Daltrey starred and also co-produced; it featured all the other members of the Who (Townshend, Entwistle, and Kenney Jones). McVicar included two hit singles, "Free Me", and "Without Your Love", Daltrey's best-selling solo recording.[39]
His next album, Parting Should Be Painless, received negative reviews and was his poorest-selling studio album up to that point. In it, Daltrey had vented his frustrations after the break-up of the Who by assembling a set of roughly autobiographical songs. They included a track contributed by Bryan Ferry ("Going Strong"), and one contributed by the Eurythmics ("Somebody Told Me"). Daltrey said the album covered musical areas that he had wanted the Who to pursue.[40] The title track of the next album, Under a Raging Moon, was a tribute to the Who's drummer, Keith Moon, who had died in 1978 at the age of 32. On his Rocks in the Head album, Daltrey's voice ranged from a powerful bluesy growl in the style of Howlin' Wolf, to tender vocals shared with his daughter Willow on the ballad "Everything a Heart Could Ever Want".
To celebrate his 50th birthday in 1994, Daltrey performed two shows at Carnegie Hall in New York. A recording of the concerts was later issued on CD and video, entitled A Celebration: The Music of Pete Townshend and The Who, and is sometimes called Daltrey Sings Townshend. The success of these shows led to a US tour under the same name, featuring Pete Townshend's brother Simon on lead guitar. Phil Spalding played bass in the first half of each show and John Entwistle played bass in the second half. An Australian leg was considered but eventually scrapped.[citation needed]
A fan of Premier League football club Arsenal F.C., Daltrey wrote and performed a specially commissioned song, "Highbury Highs", for the 2006 Highbury Farewell ceremony after the final football match was played at the Highbury ground.[43] Daltrey's performance was part of Arsenal's celebration of the club's 93 years at Highbury as it prepared to move to a new stadium.[44]
On 15 March 2018, Daltrey announced the forthcoming release on 1 June of a new solo studio album, As Long as I Have You.[50] He appeared on BBC One's The Graham Norton Show on 13 April 2018 to promote the single taken from the album.[51]
In May 2021, Daltrey announced a return to touring, with the solo Live and Kicking Tour, starting in August 2021.[52] The tour was rescheduled and carried out during the summer of 2022.[53]
At Ronnie Scott's On Sunday October 19, 2003 – DVD
The Concert Monday 18th October 2004 – DVD
Old Billingsgate 09.05.06
Old Billingsgate 08.05.08
(Formed by Desmond and Roger Daltrey in 2003 to raise money for charitable causes. Aitch McRobbie, Allan Rogers, Gary Brooker, Gary Moore, Greg Lake, Lulu, Margo Buchanan, Nick Newall, Nikki Lamborn, Richard Desmond, Robert Plant, Roger Daltrey, Russ Ballard, Sam Brown, Simon Townshend, Steve Balsamo, Steve Smith, Zoot Money.) https://www.discogs.com/artist/12350440-The-RD-Crusaders
Collaborations
In 1998, Daltrey performed two songs with the Jim Byrnes Blues Band at the Los Angeles Highlander Convention.[54]
In November 2014, while staying at the Mar Hall Hotel in Bishopton, Renfrewshire ahead of the Who's gig at the SSE Hydro, Daltrey joined local band Milestone for an impromptu rendition of "I Can't Explain". The band were playing at a wedding reception in the hotel.[57]
Legacy
Daltrey singing with the Who in Hamburg, Germany, 1972
Pete Townshend said Daltrey had "almost invented the pseudo-messianic role taken up later by Jim Morrison and Robert Plant."[1] His stage persona earned him a position as one of the "gods of rock and roll".[2] He developed a trademark move of swinging and throwing his microphone through a complex sequence, matching these sequences with the tempo of the song that was being played, although Daltrey reduced the athleticism of his performances in later years. According to a review of the Who's performance at the Quart Festival in 2007:
Suddenly each and everyone stopped caring about the down-pouring rain. When the Who took the stage we couldn't do anything but to reach for the sky and howl. Anyone who has ever thought of calling these gods old men and dinosaurs should be deeply ashamed. The reports we've heard from around the world were true: Live rock doesn't get any better.[58]
Daltrey performing onstage at Maple Leaf Gardens in Toronto, Canada, 1976
Daltrey hand-built his first guitar from a piece of plywood, and he also built guitars for the band in the early days when they had little money to buy equipment.[59] As lead guitarist for the Detours, Daltrey played a 1961 Epiphone Wilshire solid-body electric guitar, which he later sold to Pete Townshend on an easy payment plan.[60][61] After he took over as the band's vocalist in the 1960s, and during the 1970s, Daltrey rarely played guitar on stage, except for a Martin acoustic guitar he used while promoting his solo album Daltrey.[62] He began playing guitar with the Who again during the band's tours in the 1980s, and used a Fender Esquire to play a second guitar part for the song "Eminence Front" on the Who's 1982, 1989 and later tours.[63] During the 1989 tour, Daltrey played a Gibson Chet Atkins SST guitar for the song "Hey Joe". During the Who's 1996–97 Quadrophenia tour, he played a Gibson J-200 acoustic guitar.[64]
After 1999, it became common for Daltrey to play guitar during both the Who and solo shows. He played a Versoul Buxom 6 handmade acoustic guitar on the Who's 2002 tour.[65] Daltrey owns a Gibson Everly Brothers Flattop acoustic guitar which he played on the Who and solo tours in the late first decade of the 21st century.[66] On his 2009 tour, he played Pete Townshend's "Blue, Red and Grey" on an Ashbury cutaway tenor EQ ukulele.[67]
Daltrey is among those who brought the harmonica into British popular music.[68] Harmonica brands he has used include Hohner and Lee Oskar.[69]
Daltrey uses Shure microphones. Their cords are taped to strengthen the connection to the microphone and to avoid cutting his hands when he swings and catches it. He commonly uses a standard Shure SM58,[70] but has also used Shure SM78 (in 1981), Shure model 565D Unisphere 1, and Shure model 548 Unidyne IV.[71] Daltrey also uses a hybrid monitoring system, with one in-ear monitor supplemented by floor wedges.[72]
Acting career
Daltrey prior to a screening of The Who Live at Kilburn 1977 at the ArcLight Sherman Oaks, 2008
List of acting performances in film and television
Daltrey contributed to a collection of childhood fishing stories published in 1996 entitled I Remember: Reflections on Fishing in Childhood.[73] In 2009, he contributed a foreword to Anyway, Anyhow, Anywhere: The Complete Chronicle of The Who 1958–1978 by Andrew Neill and Matt Kent.[74] In 2011, he wrote a tribute article in honour of the late Ken Russell which was published in Britain's Daily Express.[75]
In October 2018, Daltrey published his memoir, Thanks a Lot Mr. Kibblewhite: My Story.[76] The title is a reference to the man who threw him out of grammar school, enabling him to go into a successful music career.[77]
All of the Who's Encore Series profits go to young people's charities. Daltrey was instrumental in starting the Teenage Cancer Trust concert series in 2000, with the Who playing in 2000, 2002, 2004, 2007 and 2010, and Daltrey playing solo in 2011 and in 2015 as the Who. The annual concerts have raised over £20million. He has endorsed the Whodlums, a Who tribute band which raise money for the trust.[95]
Daltrey performed at the first ChildLine Rocks concert at London's the O2 on 13 March 2008.[96] In 2009, Daltrey was a judge for the 8th annual Independent Music Awards to support independent artists.[97][98] In the same year, he appeared on stage with Michael J. Fox for the "A Funny Thing Happened on the Way to Cure Parkinson's" benefit. In April 2010, he headlined the Imagine A Cure II show honouring the legacy of John Lennon, which raised money for the Puget Sound Affiliate of Susan G. Komen for the Cure breast cancer charity. In 2011, Daltrey became a patron of the Children's Respite Trust for children with disabilities.[99]
In 2011, Daltrey, Steven Tyler, and Julie Andrews provided funding for Robert S. Langer's research at the Massachusetts Institute of Technology into vocal cord repair for victims of cancer and other disorders.[100] On 4 November 2011, Daltrey and Pete Townshend launched the Daltrey/Townshend Teen and Young Adult Cancer Programme at the Ronald Reagan UCLA Medical Center in Los Angeles, to be funded by the Who's charity Teen Cancer America.[101] The launch, followed on 5 November by a fund-raising event, was also attended by Robert Plant, and Dave Grohl.[102] Daltrey also announced that a portion of ticket sales from his solo tours would go to fund the teen cancer centres. In 2012, he offered his support to a project helping unemployed young people in Heathfield, run by Tomorrow's People Trust.[103]
Political views
In 1970, Daltrey publicly supported The National Campaign for Freedom of Information, saying: "I come from a working-class background and I am proud of it, and I intend to fight for the workers' right to know. We all need to know what goes on behind the scenes that is causing this country's economic mess. When we have a Freedom of Information Act in this country we shall have restored our Right to Know the Truth and that will bring sanity to our tax laws."[104]
Daltrey was previously a supporter of the British Labour Party, but he withdrew his endorsement, citing his opposition to the "mass immigration" policies put in place under the Blair government.[105] In 2018, he criticised Labour leader Jeremy Corbyn, describing him as a "communist".[106]
Daltrey supported Britain leaving the European Union.[107] He wrote in The Mirror: "Whatever happens, our country should never fear the consequences of leaving. We went into the Common Market in 1973. Do you know what was going on before we went in? It was the 1960s. The most exciting time ever – Britain was Swinging. Films, Theatre, Fashion, Art and Music.... Britain was the centre of the world. You got that because Britain was doing its own thing. It was independent. Not sure we'll ever get that again when we're ruled by bureaucrats in the European Union."[108] He again criticised the EU in 2019, saying, "If you want to be signed up to be ruled by a fucking mafia, you do it. Like being governed by FIFA".[109]
In 2021, Daltrey criticised "the woke generation" in an interview with Zane Lowe's Apple Music 1 podcast, arguing that younger generations are limiting themselves by stifling and undoing creative freedoms that had emerged through the artistic revolutions of the 1960s. He elaborated by saying "It's terrifying, the miserable world they're going to create for themselves. I mean, anyone who's lived a life and you see what they're doing, you just know that it's a route to nowhere."[112][113]
Personal life
Daltrey has been married twice. In 1964 he married Jacqueline "Jackie" Rickman, and later that year their son, Simon, was born. They divorced in 1968. In 1967, another son, Mathias, was born, the result of an affair with Swedish model Elisabeth Aronsson. In 1968 he met Heather Taylor, a UK-born model living with her grandmother at the time, who supposedly was the subject of the 1967 Jimi Hendrix song "Foxy Lady".[114] Daltrey and Taylor have been married since 1971, and have three children: daughters Rosie Lea (born 1972) and Willow Amber (born 1975),[115] and son Jamie (born 1981), who runs Daltrey's trout farm near Burwash Common.[116][117]
On 1 March 1994, his 50th birthday, Daltrey received a letter from a woman who claimed to be his daughter from a brief relationship in the interval between his marriages.[118] Daltrey later met two more daughters who were born during this period in the late 1960s.[118] All three had been adopted, and had grown to adulthood before meeting their biological father. Daltrey stated that Heather had joined him in welcoming them to their extended family.[114] As well as his eight children, Daltrey has fifteen grandchildren.[119]
Daltrey announced onstage in 2018 that he had suffered hearing loss as a result of exposure to loud noise levels during performances and was now "very, very deaf". He urged audience members to use earplugs.
In 1978, during the recording of the Who's album Who Are You, Daltrey had throat surgery to remove nodules.[120] During a solo tour in 2009 he began finding it harder to reach the high notes. In December 2010 he was diagnosed with vocal cord dysplasia and consulted Steven M. Zeitels, director of the Massachusetts General Hospital Voice Center and professor at Harvard Medical School. Zeitels performed laser surgery to remove a possibly pre-cancerous growth.[121] Both surgeries were considered successful, and Daltrey has regular checks to monitor his condition.[122]
Daltrey has an allergy to cannabis that affects his singing voice. When second-hand marijuana smoke from an audience has affected his performance, he has occasionally interrupted the concert to request that people not smoke it.[123][124] Daltrey has stated that he has never taken hard drugs.[125][126]
The Who are an English rock band formed in London in 1964. Their classic lineup (1964–1978) consisted of lead vocalist Roger Daltrey, guitarist Pete Townshend, bassist John Entwistle and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century. Their contributions to rock music include the development of the Marshall stack, large public address systems, the use of synthesizers, Entwistle's and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk, power pop and mod bands. The Who were inducted into the Rock and Roll Hall of Fame in 1990.
John Alec Entwistle was an English musician, best known as the bass guitarist for the rock band the Who. Entwistle's music career spanned over four decades. Nicknamed "The Ox" and "Thunderfingers", he was the band's only member with formal musical training and also provided backing and occasional lead vocals. Entwistle was inducted into the Rock and Roll Hall of Fame as a member of the Who in 1990.
Peter Dennis Blandford Townshend is an English musician. He is the co-founder, guitarist, second lead vocalist and principal songwriter of the Who, one of the most influential rock bands of the 1960s and 1970s. His aggressive playing style and poetic songwriting techniques, with the Who and in other projects, have earned him critical acclaim.
Quadrophenia is the sixth studio album by the English rock band the Who, released as a double album on 26 October 1973 by Track Records. It is the group's third rock opera, the previous two being the "mini-opera" song "A Quick One, While He's Away" (1966) and the album Tommy (1969). Set in London and Brighton in 1965, the story follows a young mod named Jimmy and his search for self-worth and importance. Quadrophenia is the only Who album entirely written & composed by Pete Townshend.
The Who by Numbers is the seventh studio album by English rock band the Who, released on 3 October 1975 in the United Kingdom through Polydor Records, and on 6 October 1975 in the United States by MCA Records. It was named the tenth-best album of the year in The Village Voice Pazz & Jop critics poll.
It's Hard is the tenth studio album by English rock band the Who. Released in September 1982, it was the final Who album to feature bassist John Entwistle, who died in 2002. It was also the second and final Who studio album with drummer Kenney Jones, as well as the last to be released on Warner Bros. Records in the US. It was released on Polydor Records in the UK, peaking at No. 11, and on Warner Bros. in the US where it peaked at No. 8 on the Billboard Pop Albums chart. The US rights to both this album and Face Dances subsequently reverted to the band, who then licensed them to MCA Records for reissue. The album achieved gold status by the RIAA in the US in November 1982. It was their last album for over two decades until Endless Wire in 2006.
Who Are You is the eighth studio album by the English rock band the Who, released on 18 August 1978 by Polydor Records in the United Kingdom and on 21 August 1978 by MCA Records in the United States. Although the album received mixed reviews from critics, it was a commercial success, peaking at number 2 on the US charts and number 6 on the UK charts.
The discography of the English rock band the Who consists of 12 studio albums, 18 live albums, four soundtrack albums, 36 compilation albums, four extended plays, 58 singles and 25 video albums.
Simon Townshend is a British guitarist, singer and songwriter. He is the younger brother of the Who's guitarist Pete Townshend, and is most associated with The Who and the various side projects of its original members. Simon Townshend has also performed with numerous other acts including Pearl Jam, Dave Grohl and Jeff Beck.
"5:15" is a song written by Pete Townshend of British rock band The Who. Part of the band's second rock opera, Quadrophenia (1973), the song was also released as a single and reached No. 20 on the UK Singles Chart, while the 1979 re-release reached No. 45 on the Billboard Hot 100.
"The Real Me" is a song written by Pete Townshend on The Who's second full-scale rock opera, Quadrophenia in 1973. This is the second track on the album, although it is the first with lyrics. It concerns a boy named Jimmy, a young English Mod with four distinct personalities. The song describes how he angrily deals with several individuals to identify "the real me". The song was released as a single in the United States and Canada in 1974.
"Love, Reign o'er Me", subtitled "Pete's Theme", is a song by English rock band The Who. Written and composed by guitarist Pete Townshend, it was released on 27 October 1973 as the second single from the band's sixth studio album and second rock opera, Quadrophenia. It is the final song on the album, and has been a concert staple for years. The song peaked at number 76 on the US Billboard Hot 100 and number 54 on Cash Box.
My Generation: The Very Best of The Who is one of The Who's many greatest hits collections, released by Polydor Records internationally and MCA Records in the United States in 1996. Its release coincided with the release of the remastered original albums and thus contained the newly remastered versions of the songs, and some also remixed.
A Celebration: The Music of Pete Townshend and The Who, also known as Daltrey Sings Townshend, is a music event and a later live album by Roger Daltrey documenting a two-night concert at Carnegie Hall in February 1994.
"Drowned" is a song written by Pete Townshend, the guitarist for the Who, for their sixth album, Quadrophenia.
Who's Better, Who's Best: This Is the Very Best of the Who is a 1988 compilation album by the Who. A compilation of videos also titled Who's Better, Who's Best was released in 1988 as well.
Quadrophenia is a musical based on the sixth studio album by English rock band The Who, released on 19 October 1973, and a film of the same name, released in 1979. The album was the group's second full-length rock opera, and the story reveals social, musical and psychological events from an English teenager's perspective. The music and songs were composed by Pete Townshend and the story is set in London and Brighton in 1964 and '65.
Quadrophenia Live in London is a live release from British rock band, The Who. It documents their 8 July 2013 concert at London's Wembley Arena, the final show of their 2013 tour. It is available as a double-CD album, DVD, Blu-ray and deluxe box set and was released on 9 June 2014. The DVD debuted at number 1 on the Billboard Music Video Sales Chart.
↑ Forsyth, Frederick; Daltrey, Roger; Cribbins, Bernard; Melly, George (1996). I Remember: Reflections on Fishing in Childhood. Summersdale Publishers. ISBN978-1-873475-43-0.
↑ Neill, Andrew; Kent, Matthew (2009). Anyway, Anyhow, Anywhere: The Complete Chronicle of The Who 1958–1978.
↑ Gamboa, Glenn (21 May 2015). "The Who Hits 50 at Nassau Coliseum: Smoke Impacts Roger Daltrey's Voice". Newsday. Retrieved 23 April 2017. Daltrey has a well-known allergy to marijuana smoke that affects his throat and singing voice, a condition the band even emphasized during the informational slides it projected before its set.
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