Tour by The Who | |
Location |
|
---|---|
Associated album | Tommy |
Start date | 9 May 1969 [lower-alpha 1] |
End date | 20 December 1970 |
Legs | 6 |
No. of shows |
|
The Who concert chronology |
The Tommy Tour was a concert tour by the English rock band the Who. It was in support of their fourth album, the rock opera Tommy (1969), and consisted of concerts split between North America and Europe. Following a press reception gig, the tour officially began on 9 May 1969 and ended on 20 December 1970. The set list featured the majority of the songs from Tommy, as well as originals and covers.
After multiple rehearsals and warm-up gigs, the band played a private show at Ronnie Scott's Jazz Club, London in early May 1969 intended to preview Tommy to the press. Subsequently, the band toured North America playing the new album, which was well received by audiences. Following a UK tour, the band played the Tanglewood Music Shed and the Woodstock festival. After Woodstock, the band headlined the second Isle of Wight festival and played Tommy at the Concertgebouw in Amsterdam, one of the world's forefront opera houses. The band continued to tour North America, emphasized by eight shows done over the course of six days at the Fillmore East in New York City. The Who ended 1969 with tour of Europe that continued into 1970, including a show at the London Coliseum on 14 December, which was filmed for a possible future Tommy film.
The group began 1970 by bringing Tommy to various European opera houses. During their tour, the critically acclaimed live album Live at Leeds was recorded during a show at the University of Leeds Refectory, Leeds. After the European tour wrapped up, the band returned to the United States for a tour, starting with two shows at the Metropolitan Opera House, New York City in June. Following the tour, the band played several concerts in Europe, including a headlining appearance at the third Isle of Wight festival in August. The band ended the Tommy Tour with a benefit concert at the Roundhouse in London.
The Who's live set changed with the introduction of Pete Townshend's rock opera Tommy, which they had begun recording the previous autumn. [2] After a series of rehearsals and warm-up gigs, the band gave a preview concert to the press at London's Ronnie Scott's Jazz Club on 1 May. [3] Realising the opera's narrative was too difficult to comprehend, Townshend explained a synopsis of the story, before the Who played Tommy at roaring volume. [4] The next day, the band flew to New York to start the North American tour, commencing on 9 May at the Grande Ballroom in Detroit. [3] On 29 May, the band began a three-night residency at Chicago's Kinetic Playground. They noticed the audience would all stand up at the same time, and stay standing, indicating that live performances of Tommy had a positive reaction from audiences. [5] After finishing a series of tour dates in San Francisco during June, [5] the Who flew to London to do two shows for the Royal Albert Hall's Pop Proms concert series. The first show resulted into a fracas involving Teddy Boys who attempted to prevent the band from coming on stage, but the second show went smoothly as the Teds were satisfied with renditions of "Summertime Blues" and "Shakin' All Over". [6] On 10 August, the band suspended their UK tour to do two contracted appearances at the Tanglewood Music Shed and the Woodstock festival. [7]
After playing a show at Tanglewood on 12 August, the band flew to New York to play a set at Woodstock. Due to a fourteen-hour delay, the band became reluctant to play and demanded their $12,500 fee. [8] The Who were scheduled to perform the previous day, 16 August, but the festival ran late and they did not take to the stage until the early hours of the 17th. After playing "Pinball Wizard", Yippie founder Abbie Hoffman interrupted the show to protest the arrest of John Sinclair before getting kicked offstage by Townshend, and the sun rose almost as if on cue during "See Me, Feel Me". [9] [10] After returning to England, the band headlined the second Isle of Wight festival on 30 August. Though most media attention focused on Bob Dylan making his first British appearance in three years, the Who stole the show. Townshend later said, "We know that the stage act we had, with Tommy in it, would work under any circumstances, because it had worked many times on tour." [11]
The "world premiere" of Tommy took place on 29 September at the Concertgebouw in Amsterdam, one of the most prestigious opera houses in the world. During the band's entrance, drummer Keith Moon suffered an injury after knocking down two speaker cabinets. [11] The show later became a bootleg recording. [12] The band started another North American tour on 10 October at the Commonwealth Armory in Boston, emphasized by a six-night stand at the Fillmore East in New York City. One show at the Fillmore was attended by Leonard Bernstein, who praised the band for their new music. [13] The Who ended 1969 with a tour of Europe that continued into 1970, including a show at the London Coliseum on 14 December, which was filmed for a possible future Tommy feature. [14]
1970 began with the group bringing Tommy to various European opera houses, a trend they had begun in December 1969 when they performed at the London Coliseum. Included were January stops at the Théâtre des Champs-Élysées in Paris, the Royal Danish Theatre in Copenhagen, and three opera houses in West Germany. [15] The band then focused again on recording a live album. While performances on 14 February at the University of Leeds Refectory and 15 February at Hull City Hall were both recorded, only the Leeds recording was deemed suitable for release, as the bass track was inadvertently not captured during the first few songs at the Hull show. The result was the legendary Live at Leeds , which became a hallmark live rock album. [16]
After beginning recording sessions for a planned new album, the group returned to the United States for a 30-day tour in June and July to support Tommy. In the year since the release of Tommy, the group had become rock superstars and now commanded considerably larger venues than on previous stints in the country, when they played mostly in theatres and colleges. The tour began with the band's final opera house date, as they performed two shows at New York City's Metropolitan Opera House. [17] Following the American tour, the band was one of the headlining acts at the third Isle of Wight festival and embarked on a short European tour shortly afterward. [18] A series of concerts in the United Kingdom followed, the last being a Christmas benefit concert at the Roundhouse in London where they included what was intended to be the last complete performance of Tommy, although it would be played again a few times in 1989. [19] Townshend would lead the group into his Lifehouse vision when they began performing in 1971.
The band performed the entirety of Tommy, with the exception of "Cousin Kevin", "Underture", "Sensation" and "Welcome" because they weren't considered suitable for live performance. [20] Aside from the new material, songs such as "Happy Jack", "A Quick One, While He's Away", "Young Man Blues", "Summertime Blues", "My Generation", and "Magic Bus" were featured heavily in the group's stage show, among others. [21] In the autumn, they elected to expand the stage presentation of Tommy further, adding songs like "Overture" and "Sally Simpson" that had been skipped in earlier performances; [22] additionally, show-ending performances of "My Generation" were stretched out to reprise certain parts of the rock opera along with other instrumental passages, such as the chord progression that eventually evolved into "Naked Eye". [21]
While the rock opera remained the focal point of the set into 1970, the band also featured their latest single, "The Seeker" on the 1970 U.S. tour, although it was dropped after two weeks. They also added some material from their in-progress album (eventually abandoned in favour of Townshend's Lifehouse project), performing "Water" and "I Don't Even Know Myself" regularly; [14] [23] "Naked Eye", although unfinished in the studio, was performed in various arrangements on the tour as well, generally during the long show-ending jams during "My Generation". [21]
During the final leg, the set list was the same as on the previous leg, with the exception of "Shakin' All Over" now segueing into the rock standard "Twist and Shout"; [24] the band also stopped including Tommy themes in their long versions of "My Generation" and often moved it into "Naked Eye" and "Magic Bus". They continued to play the same basic set as in August and September, occasionally adding loose versions of Free's "All Right Now" towards the end of the show. [25]
Over the years, several films and albums have been released of the band's concert performances during the Tommy Tour (all are albums, except where noted).
Additionally, songs recorded during the tour have been released along with other live and/or studio material:
Date | City | Country | Venue | Ref(s) |
---|---|---|---|---|
5 July 1969 [lower-alpha 3] [lower-alpha 5] | London | England | Royal Albert Hall | [6] |
19 July 1969 | Birmingham | Mothers | [7] | |
20 July 1969 | Hastings | Pier Ballroom | [22] | |
27 July 1969 | Redcar | Redcar Jazz Club | [22] | |
28 July 1969 | Sunderland | Fillmore North | [7] | |
2 August 1969 | Eastbourne | Winter Garden | [7] | |
3 August 1969 | Carlisle | Cosmopolitan | [22] | |
4 August 1969 | Bath | Bath Pavilion | [7] | |
7 August 1969 | Worthing | Assembly Hall | [22] | |
9 August 1969 [lower-alpha 6] | Plumpton | Plumpton Racecourse | [7] | |
12 August 1969 | Lenox | United States | Tanglewood Music Shed | [7] |
17 August 1969 [lower-alpha 7] | Bethel | Yasgur Farms | [10] | |
22 August 1969 | Shrewsbury | England | Music Hall | [10] |
29 August 1969 | Bournemouth | Pavilion Theatre | [11] | |
30 August 1969 [lower-alpha 8] | Isle of Wight | Woodside Bay | [11] | |
6 September 1969 | Dunfermline | Scotland | Kinema Ballroom | [11] |
7 September 1969 | Carlisle | England | Cosmopolitan | [11] |
13 September 1969 | Sutton Coldfield | The Belfry | [11] | |
21 September 1969 | Croydon | Fairfield Halls | [22] | |
29 September 1969 | Amsterdam | Netherlands | Concertgebouw | [11] |
Date | City | Country | Venue | Ref(s) |
---|---|---|---|---|
10 October 1969 | Boston | United States | Commonwealth Armory | [11] |
11 October 1969 | Detroit | Grande Ballroom | [11] | |
12 October 1969 | [11] | |||
14 October 1969 | Toronto | Canada | CNE Coliseum | [13] |
15 October 1969 | Ottawa | Capitol Theatre | [39] | |
17 October 1969 | Worcester | United States | Holy Cross Field House | [39] |
18 October 1969 | Stony Brook | Pritchard Gymnasium | [13] | |
19 October 1969 [lower-alpha 3] | Philadelphia | Electric Factory | [39] | |
20 October 1969 | New York City | Fillmore East | [13] | |
21 October 1969 | [40] | |||
22 October 1969 | [40] | |||
23 October 1969 | [40] | |||
24 October 1969 [lower-alpha 3] | [40] | |||
25 October 1969 [lower-alpha 3] | [40] | |||
26 October 1969 | Pittsburgh | Syria Mosque | [40] | |
31 October 1969 | Chicago | Kinetic Playground | [13] | |
1 November 1969 | Columbus | Veterans Memorial Auditorium | [41] | |
2 November 1969 | Washington, D.C. | McDonough Gymnasium | [41] | |
3 November 1969 | White Plains | Westchester County Center | [41] | |
4 November 1969 | Hartford | Bushnell Memorial Hall | [41] | |
6 November 1969 [lower-alpha 9] | Granville | Livingston Gymnasium Indoor Track | [13] | |
7 November 1969 | Athens | Convocation Center | [41] | |
8 November 1969 | St. Louis | Kiel Opera House | [41] | |
10 November 1969 | Albany | Palace Theatre | [41] | |
11 November 1969 | Boston | Boston Tea Party | [13] | |
12 November 1969 | [13] | |||
13 November 1969 | New Paltz | Elting Gymnasium | [41] | |
14 November 1969 | Cleveland | Music Hall | [41] | |
15 November 1969 | Buffalo | Kleinhans Music Hall | [26] | |
16 November 1969 | Syracuse | Onondaga County War Memorial | [26] |
Date | City | Country | Venue | Ref(s) |
---|---|---|---|---|
4 December 1969 | Bristol | England | Bristol Hippodrome | [26] |
5 December 1969 | Manchester | Palace Theatre | [26] | |
12 December 1969 | Liverpool | Liverpool Empire Theatre | [26] | |
14 December 1969 | London | London Coliseum | [14] | |
19 December 1969 | Newcastle upon Tyne | Newcastle City Hall | [26] | |
16 January 1970 | Paris | France | Théâtre des Champs-Élysées | [15] |
17 January 1970 | [15] | |||
24 January 1970 | Copenhagen | Denmark | Royal Danish Theatre | [15] |
26 January 1970 | Cologne | West Germany | Opernhaus | [15] |
27 January 1970 | Hamburg | Opernhaus | [15] | |
28 January 1970 | West Berlin | Deutschland Stadt Opera House | [15] | |
30 January 1970 | Amsterdam | Netherlands | Concertgebouw | [15] |
14 February 1970 | Leeds | England | University of Leeds Refectory | [42] |
15 February 1970 | Kingston upon Hull | Hull City Hall | [42] | |
18 April 1970 | Leicester | University of Leicester | [43] | |
25 April 1970 | Nottingham | Portland Building | [43] | |
27 April 1970 | Dunstable | Dunstable Civic Hall | [43] | |
1 May 1970 | Exeter | Great Hall | [43] | |
2 May 1970 | Sheffield | University of Sheffield | [43] | |
8 May 1970 | Kent | Eliot College | [43] | |
9 May 1970 | Manchester | Manchester University | [43] | |
15 May 1970 | Lancaster | Lancaster University | [43] | |
16 May 1970 | York | Derwent College | [43] |
Date | City | Country | Venue | Ref(s) |
---|---|---|---|---|
7 June 1970 [lower-alpha 3] | New York City | United States | Metropolitan Opera House | [17] |
9 June 1970 | Denver | Mammoth Gardens | [23] | |
10 June 1970 | [23] | |||
13 June 1970 | San Diego | Golden Hall | [23] | |
14 June 1970 | Anaheim | Anaheim Stadium | [23] | |
15 June 1970 | Berkeley | Berkeley Community Theatre | [23] | |
16 June 1970 | [23] | |||
19 June 1970 | Dallas | Dallas Memorial Auditorium | [23] | |
20 June 1970 | Houston | Hofheinz Pavilion | [23] | |
21 June 1970 | Memphis | Ellis Auditorium | [23] | |
22 June 1970 | Atlanta | Municipal Auditorium | [44] | |
24 June 1970 | Philadelphia | Spectrum | [44] | |
25 June 1970 | Cincinnati | Cincinnati Music Hall | [44] | |
26 June 1970 | [44] | |||
27 June 1970 | Cleveland | Public Auditorium | [44] | |
29 June 1970 | Columbia | Merriweather Post Pavilion | [44] | |
1 July 1970 | Chicago | Auditorium Theatre | [44] | |
2 July 1970 | Kansas City | Freedom Palace | [44] | |
3 July 1970 | Minneapolis | Minneapolis Auditorium | [44] | |
4 July 1970 | Chicago | Auditorium Theatre | [44] | |
5 July 1970 | Detroit | Cobo Arena | [44] | |
7 July 1970 | Lenox | Tanglewood Music Shed | [44] |
Date | City | Country | Venue | Ref(s) |
---|---|---|---|---|
25 July 1970 | Dunstable | England | Dunstable Civic Hall | [44] |
8 August 1970 | Sutton Coldfield | The Belfry | [44] | |
24 August 1970 | Wolverhampton | Wolverhampton Civic Hall | [33] | |
29 August 1970 [lower-alpha 10] | Isle of Wight | East Afton Farm | [33] | |
12 September 1970 | Münster | West Germany | Halle Münsterland | [33] |
13 September 1970 | Offenbach am Main | Stadthalle Offenbach | [33] | |
16 September 1970 | Rotterdam | Netherlands | De Doelen | [33] |
17 September 1970 | Amsterdam | Concertgebouw | [33] | |
18 September 1970 | Rotterdam | De Doelen | [45] | |
20 August 1970 | Copenhagen | Denmark | Falkoner Teatret | [45] |
21 August 1970 | Aarhus | Vejlby-Risskov Hallen | [45] | |
6 October 1970 | Cardiff | Wales | Sophia Gardens Pavilion | [45] |
7 October 1970 | Manchester | England | Free Trade Hall | [46] |
8 October 1970 | London | Orchid Ballroom | [46] | |
10 October 1970 | Brighton | Old Refectory | [46] | |
11 October 1970 | Birmingham | Birmingham Odeon | [46] | |
13 October 1970 | Leeds | Locarno Ballroom | [33] | |
18 October 1970 | London | Lewisham Odeon | [47] | |
22 October 1970 | Stockton-on-Tees | ABC Cinemas | [47] | |
23 October 1970 | Glasgow | Scotland | Green's Playhouse | [47] |
24 October 1970 | Sheffield | England | University of Sheffield | [47] |
25 October 1970 | Liverpool | Liverpool Empire Theatre | [47] | |
26 October 1970 | Stoke-on-Trent | Trentham Ballroom | [47] | |
27 October 1970 | Norwich | University of East Anglia | [25] | |
29 October 1970 | London | Hammersmith Palais | [47] | |
21 November 1970 | Leeds | University of Leeds Refectory | [25] | |
28 November 1970 | Coventry | Lanchester Polytechnic | [25] | |
5 December 1970 | Norwich | Lads' Club | [48] | |
15 December 1970 | Newcastle upon Tyne | Mayfair Ballroom | [48] | |
16 December 1970 | Scarborough | Futurist Theatre | [48] | |
20 December 1970 | London | Roundhouse | [19] |
The Who are an English rock band formed in London in 1962. Their classic lineup (1964–1978) consisted of lead vocalist Roger Daltrey, guitarist Pete Townshend, bassist John Entwistle and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century and have sold over 100 million records worldwide. Their contributions to rock music include the development of the Marshall stack, large public address systems, the use of synthesisers, Entwistle's and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk, power pop and mod bands. The Who were inducted into the Rock and Roll Hall of Fame in 1990.
Peter Dennis Blandford Townshend is an English musician. He is the co-founder, leader, guitarist, second lead vocalist and principal songwriter of the Who, one of the most influential rock bands of the 1960s and 1970s. His aggressive playing style and innovative songwriting techniques, with the Who and in other projects, have earned him critical acclaim.
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The Who Sell Out is the third studio album by the English rock band the Who. It was released on 15 December 1967 by Track Records in the UK and Decca Records in the US. A concept album, The Who Sell Out is structured as a collection of unrelated songs interspersed with fake commercials and public service announcements, including the second track "Heinz Baked Beans". The album purports to be a broadcast by pirate radio station Radio London. The reference to "selling out" was an intended irony, as the Who had been making real commercials during that period of their career, some of which are included as bonus tracks on the remastered CD.
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The Isle of Wight Festival 1970 was a music festival held between 26 and 31 August 1970 at Afton Down, an area on the western side of the Isle of Wight in England. It was the last of three consecutive music festivals to take place on the island between 1968 and 1970 and often acknowledged as the largest musical event of its time, with a larger attendance than Woodstock. Although estimates vary, Guinness World Records estimated 600,000 to 700,000 people attended. It was organised and promoted by local brothers, Ron and Ray Foulk through their company Fiery Creations Ltd and their brother Bill Foulk. Ron Smith was site manager and Rikki Farr acted as compere.
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The Cry of Love Tour was a 1970 concert tour by American rock guitarist and singer Jimi Hendrix. It began on April 25, 1970, at the Forum in Inglewood, California, and ended on September 6, 1970, at the Love & Peace Festival in Fehmarn, West Germany. The majority of the 37 shows were in the United States, with two each in Sweden, Denmark, and West Germany, and one in England, where Hendrix was the final act at the Isle of Wight Festival 1970.
"Heaven and Hell" is a song by English rock band the Who written by group bassist John Entwistle. The studio version, which appeared on the B-side of the live "Summertime Blues" single, is currently available on the Thirty Years of Maximum R&B boxed set, Who's Missing, and Odds & Sods, although several live versions of the song exist on official releases. The song was one of many Entwistle B-side singles and one of his live staples.
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Live at the Isle of Wight Festival 1970 is a live album by the American rock band the Doors, released on February 23, 2018, on Rhino Records. The concert was recorded at the Isle of Wight Festival in England on August 30, 1970, and this was released by Eagle Rock Entertainment. It was the group's final appearance as a foursome outside of the US and also the last full filming of a Doors concert.
The Who by Numbers Tour was a concert tour by the English rock band the Who, in support of their seventh album, The Who by Numbers (1975). It began on 3 October 1975, ended on 21 October 1976 and consisted of 79 concerts split between North America and Europe. Despite being named after The Who by Numbers, few songs from the album were actually performed during the tour.
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