"Naked Eye" | |
---|---|
Song by The Who | |
from the album Odds and Sods | |
Released | 4 October 1974 |
Recorded | 1970–71 |
Genre | Rock |
Length | 5:10 |
Label | MCA |
Songwriter(s) | Pete Townshend |
"Naked Eye" is a song by the Who, written by Pete Townshend. The song was performed live beginning in 1969 and a studio version was released on the 1974 compilation album Odds and Sods .
The roots of "Naked Eye" lay in a descending riff in the key of "F" played during the Who's end-of-show improvisations during their North American Tour in mid-1969. [1] [2] The Who closed their performance at Woodstock with one of these "Naked Eye" improvisations, cultimating in Townshend smashing his Gibson SG and flinging it into the crowd. [3]
After Townshend developed "Naked Eye" into a full song, a studio version was originally set to be released on a 1970 EP entitled 6 Ft. Wide Garage, 7 Ft. Wide Car, which was also to include "Water", "I Don't Even Know Myself", "Now I'm a Farmer", and "Postcard", [2] but this record never materialized. [4] "Naked Eye" was eventually completed in the spring of 1971 during the sessions for Who's Next , which included several numbers originally intended for the ultimately unreleased rock opera Lifehouse . [4]
While "Naked Eye" never saw release on a studio album, Townshend said it was "one of our best stage numbers". [2] The song's riff appeared as part of the long "My Generation" medley on Live at Leeds , and the full song appeared on the album and film of their performance at the Isle of Wight Festival in 1970. [1]
Author Mike Segretto wrote that "Naked Eye" is about "the self-delusions that guide us through our relationships" and is a plead for open communication. He also noted that Roger Daltrey sang the song's emotionally sensitive verses, while Townshend sang the angry one, a reversal of their usual roles. [5]
John Atkins, author of The Who on Record: A Critical History, 1963–1998, wrote that "Naked Eye" is "dynamic and philosophical" and was a memorable part of the Who's live repertoire, but the studio version failed to capture its energy. He considered the 1971 performance at the Young Vic Theatre, available as a bonus track on CD reissues of Who's Next , to be the definitive version. [6]