Tour by The Who | |
Location |
|
---|---|
Associated album | The Who by Numbers |
Start date | 3 October 1975 |
End date | 21 October 1976 |
Legs | 8 |
No. of shows |
|
Attendance | 945,928 |
Box office | $6.478 million ($34.69 million in 2023 dollars) |
The Who concert chronology |
The Who by Numbers Tour was a concert tour by the English rock band the Who, in support of their seventh album, The Who by Numbers (1975). It began on 3 October 1975, ended on 21 October 1976 and consisted of 79 concerts split between North America and Europe. Despite being named after The Who by Numbers, few songs from the album were actually performed during the tour.
The tour began with a European leg, which introduced the band's first use of a laser lighting display, and was followed by a North American leg that set indoor concert attendance records. The Who returned to America again in 1976 after playing several more shows in Europe, including three back-to-back Christmas shows at the Hammersmith Odeon, London. The opening 1976 US show in Boston came to an end when drummer Keith Moon collapsed on stage after playing only two songs. The following day he seriously injured himself and nearly bled to death. After performing at British football stadiums in May and June of 1976, the Who returned again to North America for the final of leg of concerts. Following their show in Miami, Moon was hospitalised for over a week. His erratic behavior worried the other band members who believed he would not be able to finish the tour. While Moon did manage to complete the tour, the final shows became his last public concerts before dying of a drug overdose in 1978.
The Who by Numbers Tour started with 20 European dates in October and November 1975. The first concert took place at Bingley Hall in Stafford, England on 3 October 1975, the same day The Who by Numbers album was released. [1] Prior to this, the Who had not performed live since playing four shows at Madison Square Garden in New York City the previous June, having spent much of 1974 working on the film adaptation of their rock opera Tommy and its soundtrack. A laser lighting display was introduced at the concerts at Leicester's Granby Halls shortly into the European leg, which would become a fixture of most of the tour's shows. [2]
The tour continued with a North American leg in November and December 1975, starting on 20 November at The Summit in Houston, Texas. [3] In North America, the band broke indoor concert attendance records for their 6 December concert at the Pontiac Metropolitan Stadium in Pontiac, Michigan, which attracted over 75,000 fans. [4] Following the end of the North American leg, the band returned to the UK to play three Christmas concerts at the Hammersmith Odeon, London, due to high ticket demand for the earlier British dates. [2]
Following four European dates in early 1976, the Who began a series of shows in the United States on 9 March at the Boston Garden. The tour had a disastrous start when Moon collapsed on stage just two songs into the Boston concert, causing the show to be postponed until 1 April. The day after the aborted concert, Moon kicked the glass out of a framed painting in his hotel room and seriously injured his heel in the process. [5] He was discovered by manager Bill Curbishley, who took him to a hospital. [6] Doctors told Curbishley that if he had not intervened, Moon would have bled to death. [7] In his book Before I Get Old: The Story of the Who, music critic Dave Marsh suggested that at this point the Who's singer Roger Daltrey and bassist John Entwistle seriously considered firing Moon, but decided that doing so would make his life worse. [8] The rest of the trip went without incident. In recognition of the band's performance at the Dane County Coliseum in Madison, Wisconsin, mayor Paul Soglin proclaimed 13 March 1976 "Who-Mania Day", the day of the concert. [5] The band played the leg's only outdoor show on 21 March 1976 at Anaheim Stadium in Anaheim, California. [9]
The band continued The Who by Numbers Tour with "The Who Put the Boot In", a series of concerts in French arenas and British football stadiums, featuring a 60,000 capacity concert at The Valley in London. The show, which took place on 31 May 1976, was recognised by The Guinness Book of Records as the world's loudest concert, with the sound measuring 120 decibels. [10] The band returned to the US in August to play four shows as a part of the "Whirlwind" leg. The leg was marred by a show in Jacksonville, Florida, which was 25,000 tickets short of a sellout. [11] At the end of the "Whirlwind" tour in Miami, Moon was again hospitalised for eight days. Although the group were concerned that he would be unable to complete the last leg of the tour, which consisted of nine dates in the US and Canada throughout October 1976, Moon successfully played the shows, performing for the final time in public at Maple Leaf Gardens in Toronto on 21 October. Moon died less than two years later, on 7 September 1978. Bassist John Entwistle would go on to say that Moon and the Who reached their live performance peak during the tour. [12]
The tour was well received by critics. Billboard's Gerry Wood gave the band's 20 November 1975 show a very positive review, writing that "they were tight from the start and gave an energetic performance of their new songs and an amazingly fresh treatment to their older material." [13] Jim Melanson, also from Billboard, lauded their concert on 11 March 1976 calling it "superb." [14] Jim Healey of The Des Moines Register praised the band's performance on 2 December 1975, describing it as a show with class. [15] Writing for The Plain Dealer , Jane Scott said in her write-up of the show on 9 December 1975 was "the most exhilarating and dramatic concert seen in this area." [16] Derek Jewell was less favorable in his review for The Sunday Times , noting the lack of new songs the band performed and writing that "the Who are trapped playing ageing music for the ageing young." [3]
The Who's lineup during this tour consisted of Roger Daltrey (lead vocals, harmonica, tambourine), Pete Townshend (guitar, vocals), John Entwistle (bass guitar, vocals), and Keith Moon (drums, percussion, vocals). Biographers Andrew Neill and Matt Kent wrote in their book Anyway Anyhow Anywhere: The Complete Chronicle of The Who 1958–1978 that the tour had become a "greatest hits" celebration of the band's decade-long career by 1976. [5] Despite ostensibly being a tour supporting the release of The Who by Numbers, few songs from the new album were performed live. Instead, the band opted to perform a mini-set of Tommy material in the middle of the set, thanks to the success of the film generating more interest in the rock opera. Meanwhile, less and less Quadrophenia material was performed compared to the Who's previous tour, with only "Drowned" occasionally finding its way into the set during early dates, before eventually being dropped. [1]
Authors Joe McMichael and "Irish" Jack Lyons considers the following songs representative of the tour's set list. [1] All songs written by Pete Townshend unless otherwise specified.
Over the years, one film has been released of the band's concert performances during The Who by Numbers Tour.
Additionally, songs recorded during the tour have been released along with other live and/or studio material:
Date (1975) | City | Country | Venue | Attendance | Gross | Support act(s) | Ref(s) |
---|---|---|---|---|---|---|---|
3 October | Stafford | England | Bingley Hall | N/A | N/A | Steve Gibbons Band | [21] |
4 October | [21] | ||||||
6 October | Manchester | Kings Hall | [21] | ||||
7 October | [21] | ||||||
15 October | Glasgow | Scotland | The Apollo | 6,600 / 6,600 | [22] | ||
16 October | [22] | ||||||
18 October | Leicester | England | Granby Halls | N/A | [3] | ||
19 October | [3] | ||||||
21 October | London | Empire Pool | 21,000 / 21,000 | [22] | |||
23 October | [22] | ||||||
24 October | [22] | ||||||
27 October | Rotterdam | Netherlands | Sportpaleis | N/A | [3] | ||
28 October | Vienna | Austria | Wiener Stadthalle | [3] | |||
29 October | Bremen | West Germany | Stadthalle Bremen | 6,000 | [4] | ||
30 October | Düsseldorf | Philips Halle | N/A | [3] | |||
31 October | [3] | ||||||
2 November | Sindelfingen | Messehalle | [3] | ||||
3 November | [3] | ||||||
6 November | Ludwigshafen | Friedrich-Ebert-Halle | [3] | ||||
7 November | [3] |
Date (1975) | City | Country | Venue | Attendance | Gross | Support act(s) | Ref(s) |
---|---|---|---|---|---|---|---|
20 November | Houston | United States | The Summit | 18,000 | $134,676 | Toots and the Maytals | [4] |
21 November | Baton Rouge | LSU Assembly Center | N/A | $112,630 | [4] | ||
23 November | Memphis | Mid-South Coliseum | 10,882 | $90,355 | [4] | ||
24 November | Atlanta | Omni Coliseum | 18,376 | $129,297 | [4] | ||
25 November | Murfreesboro | Monte Hale Arena | 11,000 | $92,000 | [4] | ||
27 November | Hampton | Hampton Roads Coliseum | 11,906 | $106,855 | [4] | ||
28 November | Greensboro | Greensboro Memorial Coliseum | 17,437 | $127,241 | [4] | ||
30 November | Bloomington | Assembly Hall | 14,841 | $108,357 | [4] | ||
1 December | Kansas City | Kemper Arena | 13,414 | $96,284 | [4] | ||
2 December | Des Moines | Veterans Memorial Auditorium | 13,534 | $97,747 | [4] | ||
4 December | Chicago | Chicago Stadium | 37,479 / 37,479 | $330,739 | [4] | ||
5 December | [4] | ||||||
6 December | Pontiac | Pontiac Metropolitan Stadium | 75,000 / 75,000 | $614,992 | [4] | ||
8 December | Cincinnati | Riverfront Coliseum | 18,000 | $138,500 | [4] | ||
9 December | Cleveland | Richfield Coliseum | 19,000 / 19,000 | $138,500 | [4] | ||
10 December | Buffalo | Buffalo Memorial Auditorium | 11,700 | $140,000 | [4] | ||
11 December | Toronto | Canada | Maple Leaf Gardens | 17,600 | $157,879 | [4] | |
13 December | Providence | United States | Providence Civic Center | 14,000 | $112,324 | [4] | |
14 December | Springfield | Springfield Civic Center | 10,000 | $84,000 | [4] | ||
15 December | Philadelphia | Spectrum | 19,000 / 19,000 | $146,000 | [4] |
Date (1975) | City | Country | Venue | Attendance | Gross | Support act(s) | Ref(s) |
---|---|---|---|---|---|---|---|
21 December | London | England | Hammersmith Odeon | N/A | N/A | Charlie | [23] |
22 December | [23] | ||||||
23 December | [23] |
Date (1976) | City | Country | Venue | Attendance | Gross | Support act(s) | Ref(s) |
---|---|---|---|---|---|---|---|
27 February | Zürich | Switzerland | Hallenstadion | N/A | N/A | Steve Gibbons Band | [5] |
28 February | Munich | West Germany | Olympiahalle | [5] | |||
1 March | Paris | France | Pavillon de Paris | [5] | |||
2 March | [5] |
Date (1976) | City | Country | Venue | Attendance | Gross | Support act(s) | Ref(s) |
---|---|---|---|---|---|---|---|
9 March [lower-alpha 1] | Boston | United States | Boston Garden | N/A | N/A | Steve Gibbons Band | [5] |
11 March | New York City | Madison Square Garden | 19,500 | $162,000 | [24] | ||
13 March | Madison | Dane County Coliseum | 10,100 | $75,495 | [25] | ||
14 March | Saint Paul | St. Paul Civic Center | 17,600 | $142,000 | [25] | ||
15 March | Oklahoma City | Myriad Convention Center | 14,801 / 14,801 | $101,028 | [24] [26] | ||
16 March | Fort Worth | Tarrant County Convention Center | 13,500 | $100,583 | [26] | ||
18 March | Salt Lake City | Salt Palace | N/A | $87,127 | [24] | ||
21 March | Anaheim | Anaheim Stadium | 55,000 | $500,000 | Rufus Little Feat Steve Gibbons Band | [27] | |
24 March | Portland | Memorial Coliseum | 11,000 / 11,000 | $93,000 | Steve Gibbons Band | [28] | |
25 March | Seattle | Seattle Center Coliseum | 15,000 / 15,000 | $119,760 | [28] | ||
27 March | San Francisco | Winterland Ballroom | 10,800 / 10,800 | $91,800 | [28] | ||
28 March | [28] | ||||||
30 March | Denver | McNichols Sports Arena | 19,000 | N/A | [24] | ||
1 April | Boston | Boston Garden | N/A | [9] |
Date (1976) | City | Country | Venue | Attendance | Gross | Support act(s) | Ref(s) |
---|---|---|---|---|---|---|---|
22 May | Colmar | France | Parc des Expositions | N/A | N/A | N/A | [10] |
25 May | Lyon | Palais des Sports de Gerland | [24] | ||||
31 May | London | England | The Valley | 60,000 | Widowmaker Outlaws Streetwalkers Little Feat The Sensational Alex Harvey Band | [9] [24] | |
5 June | Glasgow | Scotland | Celtic Park | 35,000 | £140,000 | [9] [11] | |
12 June | Swansea | Wales | Vetch Field | 25,000 | £100,000 | [9] [11] |
Date (1976) | City | Country | Venue | Attendance | Gross | Support act(s) | Ref(s) |
---|---|---|---|---|---|---|---|
3 August | Landover | United States | Capital Centre | 30,201 / 37,574 | $259,655 | Law | [11] [29] |
4 August | [11] [29] | ||||||
7 August | Jacksonville | Gator Bowl Stadium | 35,000 / 60,000 | N/A | Law Black Oak Arkansas Labelle | [11] [29] | |
9 August | Miami | Miami Stadium | 17,000 / 17,200 | $174,426 | Law Montrose Outlaws | [30] [31] [32] |
Date (1976) | City | Country | Venue | Attendance | Gross | Support act(s) | Ref(s) |
---|---|---|---|---|---|---|---|
6 October | Phoenix | United States | Arizona Veterans Memorial Coliseum | 11,983 | $94,719 | Mother's Finest | [33] |
7 October | San Diego | San Diego Sports Arena | 13,842 | $108,041 | [33] | ||
9 October [lower-alpha 2] | Oakland | Oakland–Alameda County Coliseum | 94,732 / 110,000 | $1,042,520 | Grateful Dead | [31] [33] | |
10 October [lower-alpha 2] | [31] [33] | ||||||
13 October | Portland | Memorial Coliseum | 11,000 / 11,000 | $93,160 | Mother's Finest | [34] | |
14 October | Seattle | Seattle Center Coliseum | 15,000 / 15,000 | $119,808 | [34] | ||
16 October | Edmonton | Canada | Northlands Coliseum | 16,000 | N/A | [31] | |
18 October | Winnipeg | Winnipeg Arena | N/A | [35] | |||
21 October | Toronto | Maple Leaf Gardens | 20,000 | [31] |
The Who are an English rock band formed in London in 1964. Their classic lineup (1964–1978) consisted of lead vocalist Roger Daltrey, guitarist Pete Townshend, bassist John Entwistle and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century. Their contributions to rock music include the development of the Marshall stack, large public address systems, the use of synthesizers, Entwistle's and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk, power pop and mod bands. The Who were inducted into the Rock and Roll Hall of Fame in 1990.
Tommy is the fourth studio album by the English rock band the Who, released on 19 May 1969. Written primarily by guitarist Pete Townshend, Tommy is a double album and an early rock opera that tells the story of the fictional Tommy Walker and his path to becoming a spiritual leader and messianic figure.
Quadrophenia is the sixth studio album by the English rock band the Who, released as a double album on 26 October 1973 by Track Records. It is the group's third rock opera, the previous two being the "mini-opera" song "A Quick One, While He's Away" (1966) and the album Tommy (1969). Set in London and Brighton in 1965, the story follows a young mod named Jimmy and his search for self-worth and importance. Quadrophenia is the only Who album entirely written & composed by Pete Townshend.
The Who by Numbers is the seventh studio album by English rock band the Who, released on 3 October 1975 in the United Kingdom through Polydor Records, and on 6 October 1975 in the United States by MCA Records. It was named the tenth-best album of the year in The Village Voice Pazz & Jop critics poll.
Who Are You is the eighth studio album by the English rock band the Who, released on 18 August 1978 by Polydor Records in the United Kingdom and on 21 August 1978 by MCA Records in the United States. Although the album received mixed reviews from critics, it was a commercial success, peaking at number 2 on the US charts and number 6 on the UK charts.
"Won't Get Fooled Again" is a song by the English rock band the Who, written by guitarist and primary songwriter Pete Townshend. It was released as a single in June 1971, reaching the top 10 in the UK, while the full eight-and-a-half-minute version appears as the final track on the band's 1971 album Who's Next, released that August. In the US, the single entered Billboard on 17 July, reaching No. 15.
"I'm Free" is a song written by Pete Townshend and performed by the Who on the album Tommy. The song has since been released as a single, becoming one of the best known tracks from Tommy.
The Wings Over the World tour was a series of concerts in 1975 and 1976 by the British–American rock band Wings performed in Britain, Australia, Europe, the United States and Canada. The North American leg constituted band leader Paul McCartney's first live performances there since the Beatles' final tour, in 1966, and the only time Wings would perform live in the US and Canada. The world tour was well-attended and critically acclaimed, and resulted in a triple live album, Wings over America, which Capitol Records released in December 1976. In addition, the tour was documented in the television film Wings Over the World (1979) and a cinema release, Rockshow (1980).
The Born to Run tours were the unofficially-named concert tours surrounding the release of Bruce Springsteen's 1975 album Born to Run which occurred between 1974 and 1977. The album represented Springsteen's commercial breakthrough, and was marked by a grueling and meticulous recording process. To make ends meet Springsteen and the E Street Band toured constantly during the first set of recording sessions for it, performing his new songs as he developed them. Financial success was short-lived, however, as he was soon plunged into legal battles with his former manager Mike Appel and enjoined from further studio recording. Touring continued as a means of making a living, long after the conventional period of playing in connection with an album's release was over; only when his legal issues were finally resolved in 1977 did these tours conclude.
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The Who Tour 1979 was The Who's first concert tour after the death of original drummer Keith Moon. The tour supported their 1978 album Who Are You, and consisted of concerts in Europe and the United States and acknowledged the band's return to live performance.
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The Rock and Roll Over Tour was a concert tour by the American heavy metal group Kiss. It began November 24, 1976 and ended April 4, 1977.
After the release of the band's tenth album Fleetwood Mac in July 1975, the band, along with their new line-up of Lindsey Buckingham on guitar and vocals and Stevie Nicks on vocals, set off on a tour of the U.S. and Canada to promote the album.
The Tommy Tour was a concert tour by the English rock band the Who. It was in support of their fourth album, the rock opera Tommy (1969), and consisted of concerts split between North America and Europe. Following a press reception gig, the tour officially began on 9 May 1969 and ended on 20 December 1970. The set list featured the majority of the songs from Tommy, as well as originals and covers.
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