"However Much I Booze" | |
---|---|
Song by The Who | |
from the album The Who by Numbers | |
Released | 3 October 1975 |
Recorded | April –12 June 1975 |
Genre | Rock |
Length | 5:03 |
Label | Polydor, MCA |
Songwriter(s) | Pete Townshend |
Producer(s) | Glyn Johns |
The Who by Numbers track listing | |
10 tracks
|
"However Much I Booze" (Working title: "No Way Out") is a song by the English rock band The Who, written by Pete Townshend that is the second track on their 1975 album The Who by Numbers .
On stage, Townshend claimed that he wrote the song on the night that he gave up drinking. [1] Lead singer Roger Daltrey refused to sing the song, possibly because (according to Richard Barnes) the song was too personal. [1] Alternatively, it was speculated by authors Steve Grantley and Alan Parker that Daltrey wanted to make it clear that Townshend had the drinking problem, rather than himself. [2]
Townshend later said about his drinking with the Who:
Drinking around the Who is the greatest thing gutter-level life can offer. The bawdiness of the humor, the sheer decadence of the amount put away, the incredible emotional release of violent outbursts against innocent hotel-room sofas; all these count to get a body through a lot of trouble. But at the end of the orgy, the real cancer still lies untackled deep in the heart. [1] [2]
The song, containing additional lyrics not seen in the final version, was originally demoed with the working title of "No Way Out." [1] [2] This version later appeared on Townshend's demo collection album, Scoop 3 .
"However Much I Booze" addresses themes including loneliness, the illusion of reality within the entertainment world and Townshend's own feuding with Who lead singer Roger Daltrey. [2] The song's cheerful melody contrasts with the grim subject matter. [3] The melody is complemented with energetic playing from drummer Keith Moon and bassist John Entwistle, further contrasting the mood of the lyrics. [2]
"However Much I Booze" was played sporadically during The Who's 1975 tour, making it one of the three songs from The Who by Numbers to be played at that time (although "Slip Kid" was attempted during the band's 1976 tour.) [3] [4] However, the song was abandoned following this tour. [5]
The Who by Numbers is the seventh studio album by English rock band the Who, released on 3 October 1975 in the United Kingdom through Polydor Records, and on 6 October 1975 in the United States by MCA Records. It was named the tenth-best album of the year in The Village Voice Pazz & Jop critics poll.
Who Are You is the eighth studio album by the English rock band the Who, released on 18 August 1978 by Polydor Records in the United Kingdom and on 21 August 1978 by MCA Records in the United States. Although the album received mixed reviews from critics, it was a commercial success, peaking at number 2 on the US charts and number 6 on the UK charts.
"Going Mobile" is a song written by Pete Townshend and originally released by the Who on their 1971 album Who's Next. It was originally written for Townshend's abandoned Lifehouse project, with lyrics celebrating the joy of having a mobile home and being able to travel the open road. The Who's lead singer Roger Daltrey did not take part in the recording of the song, leaving the rest of the band to record it as a power trio; Townshend handles the lead vocals, guitars, and synthesizers, with John Entwistle on bass guitar and Keith Moon on drums. The song has attracted mixed reviews from music critics. This is one of only two songs on Who's Next not to feature Daltrey.
"5:15" is a song written by Pete Townshend of British rock band The Who. Part of the band's second rock opera, Quadrophenia (1973), the song was also released as a single and reached No. 20 on the UK Singles Chart, while the 1979 re-release reached No. 45 on the Billboard Hot 100.
"Who Are You" is the title track on the Who's 1978 album, Who Are You, the last album released by the group before Keith Moon's death in September 1978. It was written by Pete Townshend and released as a double-A-sided single with the John Entwistle composition "Had Enough", also featured on the album. The song was one of the band's biggest hits in North America, peaking at number 7 in Canada and at number 14 in the United States, and has become one of the band's signature tunes at their live shows. The piano on the track is played by Rod Argent.
"Athena" is a song written by Pete Townshend and recorded by The Who. It appears as the first track on the group's tenth album It's Hard, released in 1982. Written for actress Theresa Russell, the song was the first single from It's Hard. The single was a moderate success, entering US Billboard on 4 September, reaching No. 28 and the UK Singles Charts on 2 October, reaching No. 40.
"Getting in Tune" is a song written by Pete Townshend and originally released by the Who on their 1971 album Who's Next. It was originally written as part of Townshend's abandoned Lifehouse project. Its lyrics describe the power of music, as well as reflect the inner contradictions Townshend was feeling at the time between his spiritual needs and his persona as a rock star. The music incorporates a number of changes in tempo and has been praised by critics for its use of dynamics.
"Squeeze Box" is a song by the Who from their album The Who by Numbers. Written by Pete Townshend, the lyrics are couched in sexual double entendres. Unlike many of the band's other hits, the song features country-like elements, as heard in Townshend's banjo picking.
"A Legal Matter" is a song written by Pete Townshend and recorded by the British rock band the Who for their debut album My Generation. It was recorded on 12 October 1965 at IBC Studios, and released both as the B-side to "The Kids Are Alright" in the U.S., and as the A-side of a single that reached number 32 in the UK. Both singles were released by Shel Talmy without the permission of the Who and were a result of a legal dispute between Talmy and the band at the time and an attempt to sabotage the release of the band's chosen single "Substitute".
"Drowned" is a song written by Pete Townshend, the guitarist for the Who, for their sixth album, Quadrophenia.
"Mary Anne with the Shaky Hand" is a song by the English rock band the Who. It was written by Pete Townshend and released on their 1967 album The Who Sell Out. The best known version of the song has an arrangement using acoustic guitar and Latin percussion instruments.
"Don't Let Go the Coat" is a song written by Pete Townshend and first released on The Who's 1981 album Face Dances.
"Another Tricky Day" is the ninth track on The Who's album Face Dances, written by Who guitarist Pete Townshend.
"Tattoo" is a song written by Pete Townshend that was first released by The Who on their 1967 album The Who Sell Out. A "rite of passage" song, "Tattoo" tells the story of two teenaged brothers who decide to get tattoos in their attempts to become men. Themes of the song include peer pressure to conform and young men's insecurity about their manhood. The song has been heavily praised by critics and has appeared on several of The Who's live and compilation albums. It has also been covered by Tommy Keene and Petra Haden.
"Bargain" is a song written by Pete Townshend that was first released by the Who on their 1971 album Who's Next. It is a love song, although the intended subject of the song is God rather than a woman. The song has been included on several compilation and live albums. It was also included on several of Townshend's solo projects. Critics have praised the song's lyricism and power, as well as the performance of the band on the song. Townshend acknowledged during the Who's concert at the Prudential Center in Newark on 19 March 2016 that this is his favorite song on the album.
"Join Together" is a song by British rock band the Who, first released as a non-album single in June 1972. The song has since been performed live multiple times and has appeared on numerous compilation albums. It was the last Who single to be released in the United States which used the Decca Records color bar label.
"Dreaming from the Waist" is a song by The Who, written by Pete Townshend and released on the group's 1975 album The Who by Numbers ; it also served as the B-side of the "Slip Kid" single, released in 1976 in the United States. The track's lyrics deal with sexual frustration and the restlessness associated with getting older, while the music features a bass solo from John Entwistle.
"Relay" is a song written by Pete Townshend, the guitarist of the Who, for the band's aborted Lifehouse project. The song was also released as a moderately successful single in 1972. It was also the last non-album single by the Who until "Real Good Looking Boy", 32 years later.
"It's Hard" is a song written by Pete Townshend that featured on British rock band The Who's tenth album, It's Hard, of which it was the title track. It was released as the third and final vinyl single from the album in 1983, backed with the John Entwistle written song "Dangerous", but failed to chart, although it reached number 39 on the Billboard Hot Mainstream Rock Tracks. This would become the last Who single of new material until "Real Good Looking Boy" in 2004, and the last album single by them until "Black Widow's Eyes", two years later.
"Blue, Red and Grey" is the eighth song on the Who's 1975 album The Who by Numbers. An acoustic ballad featuring the song's writer, Pete Townshend, on lead vocals, the song is generally considered one of the lighter songs on the album.