Endless Wire | ||||
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Studio album by | ||||
Released | 30 October 2006 | |||
Recorded | December 2004 – May 2006 | |||
Studio | Pete Townshend's home studio and Eel Pie Oceanic Studios [1] | |||
Genre | Rock | |||
Length | 52:35 | |||
Label | Polydor, Universal Republic | |||
Producer | Pete Townshend, with (for Roger Daltrey's vocals only) Bob Pridden and Billy Nicholls | |||
The Who chronology | ||||
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Singles from Endless Wire | ||||
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Aggregate scores | |
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Source | Rating |
Metacritic | 64/100 [2] |
Review scores | |
Source | Rating |
About.com | [3] |
AllMusic | [4] |
The Encyclopedia of Popular Music | [5] |
The Guardian | [6] |
Mojo | [7] |
MSN Music (Consumer Guide) | C [8] |
Pitchfork | 4.7/10 [9] |
PopMatters | [10] |
Rolling Stone | [11] |
Spin | [12] |
Uncut | [13] |
Endless Wire is the eleventh studio album by the English rock band the Who, released on 30 October 2006 in the UK through Polydor Records and the following day in the US by Universal Republic. It was their first new studio album of original material in 24 years following the release of It's Hard in 1982, as well as their first since the death of their founding bassist John Entwistle. It was originally due to be released in early 2005 under the working title WHO2. [14] [15]
Endless Wire received generally positive reviews from music critics. [16] It debuted at #7 on the Billboard album chart and #9 in the UK. [17] Portions of it were featured on The Who Tour 2006-2007. Most of the songs from this album were used in the rock musical adaptation of The Boy Who Heard Music which debuted in July 2007 as part of Vassar College's Powerhouse Summer Theater workshop series.
Most of what is known about the development of the album has come from Pete Townshend's website. On 21 March 2005, Pete Townshend announced the postponement of the new Who album. [18] On 24 December 2005, Townshend announced that manager Bill Curbishley had introduced a "great scheme" to allow the band to tour in mid-2006 in support of new material, even if Townshend did not have "a full thirty tracks ready to go." [19] On 20 March 2006, Daltrey announced that he and Townshend were making progress with the album and that Townshend had written a song about Stockholm syndrome, titled "Black Widow's Eyes". Daltrey also said that Townshend was playing some bass on the album. [20]
On 28 March 2006, Townshend announced through the diary portion of his website that a mini-opera, titled "The Glass Household", now formed the core of the album. It is based on his novella The Boy Who Heard Music. He also announced plans to have a shortened version of the opera released prior to the release of the full album. [21] This diary entry also confirmed the line-up of the band: Pino Palladino on bass, Pete Townshend on guitars, his brother Simon Townshend on backing vocals, and John "Rabbit" Bundrick on keyboards. Peter Huntington, from Rachel Fuller's band, was on drums because Zak Starkey was touring with Oasis.
On 9 April 2006, Townshend announced that the shortened version of "The Glass Household" had been played to executives at Polydor, and a release date had been set for June, with a tour of Europe following, and the album in September. [22] On 3 May 2006, Pete Townshend posted on his diary page that the mastering for the new EP, titled Wire & Glass , was complete and that the tracks would soon be sent to Polydor. Townshend anticipated a mid-June release for the EP, and a mid-September release for the full album. He had also announced that the Who would begin rehearsing for their tour, during which time Townshend would finish recording the rest of the album with Roger Daltrey. [23]
A version of "It's Not Enough" was released online at artistdirect.com. "It's Not Enough" had tentatively been announced as the first single off the album, to be released simultaneously.
On 3 October 2006, "It's Not Enough" was made available on iTunes. "Tea & Theatre" was also made available. Then on 14 October 2006, Polydor built a website for the album, endlesswire.co.uk, on which samples of the songs "We Got a Hit", "Endless Wire", "It's Not Enough", "Black Widow's Eyes", "Mike Post Theme", and "Man in a Purple Dress" were made available to listen to, but not to download. As of 23 October 2006, the entire album was available to stream on music.aol.com.
"Mike Post Theme" alludes to the ubiquity of Mike Post's work in television theme music.
Endless Wire debuted at #7 on the Billboard 200, selling about 81,000 units in its first week of release. [24]
In addition to the 19 tracks listed below, three songs were either considered for inclusion on the album or reportedly recorded for the album but were left off:
Reportedly written in 1971 for the Lifehouse concept, Townshend debuted this song on In the Attic in 2006.
Another song that was debuted by Townshend on In the Attic in 2006. It was recorded in the studio with Zak Starkey on drums, and Daltrey on vocals, but Townshend expressed doubt on whether it would make it on the album or not when he first played it on in the Attic, and it was not included. However, it did make an appearance in the Vassar College workshop performance of the rock musical The Boy Who Heard Music .
On 18 December 2005, Pete Townshend posted a diary entry that chronicled the recording of this track:
Here is a film I made of a working day developing a demo of a song for the next Who album called "How Can I Help You, Sir?" I have played this in raw form on Rachel Fuller's IN THE ATTIC and last night on her Pay For View Christmas Special. That is the way it sounds played acoustic. What you can hear here is the way it is beginning to evolve as a rock track. Adding Roger's voice will increase the edge. In a very real sense every song I write when I sit at home with an acoustic guitar has two distinct lives. The acoustic version may seem to be softer and more intimate. But in this case — in a song about a sick person's refusal to allow anyone to help them, a lonely person refusing to allow anyone to get close — the acoustic version has more bite. The rock version seems altogether more jolly, almost a throwaway. It will be interesting to see how it sounds when Roger and I get it into the studio together.
The video can be downloaded from Townshend's site. [25] In 2015 the track was released on Townshend's solo compilation Truancy.
Townshend is also working the songs from this album into a full-length rock musical, a rough version of which debuted 13 July 2007 as part of Vassar College's Powerhouse Summer Theater workshop series. The production was adapted and directed by Ethan Silverman and presented as a staged concert reading with minimal dialogue. The cast included John Hickok as Ray High, Jon Patrick Walker as Josh, Matt McGrath as Gabriel, and Bree Sharp as Leila. Songs in this adaptation included:
Act I
| Act II
|
The song "Real Good Looking Boy" was previously issued on the Who's compilation album Then and Now . The song "I Can Fly" was previously issued on Fuller's EP Shine.
All songs written by Pete Townshend except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Fragments" | Townshend, Lawrence Ball | 3:58 |
2. | "A Man in a Purple Dress" | 4:14 | |
3. | "Mike Post Theme" | 4:28 | |
4. | "In the Ether" | 3:35 | |
5. | "Black Widow's Eyes" | 3:07 | |
6. | "Two Thousand Years" | 2:50 | |
7. | "God Speaks of Marty Robbins" | 3:26 | |
8. | "It's Not Enough" | Townshend, Rachel Fuller | 4:02 |
9. | "You Stand by Me" | 1:36 |
No. | Title | Writer(s) | Length |
---|---|---|---|
10. | "Sound Round" | 1:21 | |
11. | "Pick Up the Peace" | 1:28 | |
12. | "Unholy Trinity" | 2:07 | |
13. | "Trilby's Piano" | 2:04 | |
14. | "Endless Wire" | 1:51 | |
15. | "Fragments of Fragments" | Townshend, Ball | 2:23 |
16. | "We Got a Hit" | 1:18 | |
17. | "They Made My Dream Come True" | 1:13 | |
18. | "Mirror Door" | 4:14 | |
19. | "Tea & Theatre" | 3:24 |
No. | Title | Length |
---|---|---|
20. | "We Got a Hit" (Extended) | 3:03 |
21. | "Endless Wire" (Extended) | 3:03 |
Recorded at the Théâtre Antique, Vienne, Isère, France (near Lyon) on 17 July 2006. Included as an extra in Europe, Asia, and at Best Buy stores in the US.
No. | Title | Length |
---|---|---|
1. | "The Seeker" | 2:36 |
2. | "Who Are You" | 6:58 |
3. | "Mike Post Theme" | 3:55 |
4. | "The Relay" | 7:40 |
5. | "Greyhound Girl" | 3:04 |
6. | "Naked Eye" | 8:26 |
7. | "Won't Get Fooled Again"/"Old Red Wine" | 10:40 |
Chart (2006) | Peak position |
---|---|
Australian Albums (ARIA) [26] | 63 |
Austrian Albums (Ö3 Austria) [27] | 28 |
Belgian Albums (Ultratop Flanders) [28] | 81 |
Belgian Albums (Ultratop Wallonia) [29] | 60 |
Dutch Albums (Album Top 100) [30] | 77 |
French Albums (SNEP) [31] | 62 |
German Albums (Offizielle Top 100) [32] | 34 |
Irish Albums (IRMA) [33] | 52 |
Italian Albums (FIMI) [34] | 36 |
Norwegian Albums (VG-lista) [35] | 23 |
Spanish Albums (PROMUSICAE) [36] | 57 |
Swiss Albums (Schweizer Hitparade) [37] | 51 |
UK Albums (OCC) [17] | 9 |
US Billboard 200 [24] | 7 |
"It's Not Enough" reached number 37 on the US Billboard Mainstream Rock Tracks chart, where it was released as a B-side with "Black Widow's Eyes".
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [38] | Gold | 100,000^ |
^ Shipments figures based on certification alone. |
Roger Harry Daltrey is an English singer, musician and actor. He is the co-founder and lead singer of the rock band the Who.
Who's Next is the fifth studio album by the English rock band the Who, released on 2 August 1971 by Track Records in the United Kingdom and Decca Records in the United States. It developed from the aborted Lifehouse project, a multi-media rock opera conceived by the group's guitarist Pete Townshend as a follow-up to the band's 1969 album Tommy. The project was cancelled owing to its complexity and to conflicts with Kit Lambert, the band's manager, but the group salvaged some of the songs, without the connecting story elements, to release as their next album. Eight of the nine songs on Who's Next were from Lifehouse, with the lone exception being the John Entwistle-penned "My Wife". Ultimately, the remaining Lifehouse tracks would all be released on other albums throughout the next decade.
My Generation is the debut studio album by English rock band the Who, released on 3 December 1965 by Brunswick Records in the United Kingdom, and Festival Records in Australia. In the United States, it was released on 25 April 1966 by Decca Records as The Who Sings My Generation, with a different cover and a slightly altered track listing. Besides the members of the Who, being Roger Daltrey (vocals), Pete Townshend (guitar), John Entwistle (bass) and Keith Moon (drums), the album features contributions by session musician Nicky Hopkins (piano).
The Who Sell Out is the third studio album by the English rock band the Who. It was released on 15 December 1967 by Track Records in the UK and Decca Records in the US. A concept album, The Who Sell Out is structured as a collection of unrelated songs interspersed with fake commercials and public service announcements, including the second track "Heinz Baked Beans". The album purports to be a broadcast by pirate radio station Radio London. The reference to "selling out" was an intended irony, as the Who had been making real commercials during that period of their career, some of which are included as bonus tracks on the remastered CD.
Empty Glass is the third solo studio album by English rock musician Pete Townshend, and his first composed of original material, released on 21 April 1980 by Atco Records.
The Who by Numbers is the seventh studio album by English rock band the Who, released on 3 October 1975 in the United Kingdom through Polydor Records, and on 6 October 1975 in the United States by MCA Records. It was named the tenth-best album of the year in The Village Voice Pazz & Jop critics poll.
It's Hard is the tenth studio album by English rock band the Who. Released in September 1982, it was the final Who album to feature bassist John Entwistle, who died in 2002. It was also the second and final Who studio album with drummer Kenney Jones, as well as the last to be released on Warner Bros. Records in the US. It was released on Polydor Records in the UK, peaking at No. 11, and on Warner Bros. in the US where it peaked at No. 8 on the Billboard Pop Albums chart. The US rights to both this album and Face Dances subsequently reverted to the band, who then licensed them to MCA Records for reissue. The album achieved gold status by the RIAA in the US in November 1982. It was their last album for over two decades until Endless Wire in 2006.
Who Are You is the eighth studio album by the English rock band the Who, released on 18 August 1978 by Polydor Records in the United Kingdom and on 21 August 1978 by MCA Records in the United States. Although the album received mixed reviews from critics, it was a commercial success, peaking at number 2 on the US charts and number 6 on the UK charts.
Face Dances is the ninth studio album by English rock band the Who. It was released in 1981 by Warner Bros. in the United States and on Polydor in the United Kingdom. It is one of two Who studio albums with drummer Kenney Jones, who joined the band after Keith Moon's death three years earlier.
"Won't Get Fooled Again" is a song by the English rock band the Who, written by guitarist and primary songwriter Pete Townshend. It was released as a single in June 1971, reaching the top 10 in the UK, while the full eight-and-a-half-minute version appears as the final track on the band's 1971 album Who's Next, released that August. In the US, the single entered Billboard on 17 July, reaching No. 15.
Simon Townshend is a British guitarist, singer and songwriter. He is the younger brother of the Who's guitarist Pete Townshend, and is most associated with The Who and the various side projects of its original members. Simon Townshend has also performed with numerous other acts including Pearl Jam, Dave Grohl and Jeff Beck.
"I Can't Explain" is a song by English rock band the Who, written by Pete Townshend and produced by Shel Talmy. It was released as a single in the United States on 19 December 1964 by Decca and on 15 January 1965 in the United Kingdom by Brunswick. It was the band's second single release and first under the Who name.
Then and Now is a 2004 greatest hits compilation album by The Who released internationally by Polydor Records and by Geffen Records in the United States. It features 18 Who classics and two new tracks—"Real Good Looking Boy" and "Old Red Wine"—which were the first Who originals since "Dig" from Pete Townshend's 1989 album The Iron Man. "Real Good Looking Boy" is a tribute to Elvis Presley, and "Old Red Wine" is a tribute to former band member John Entwistle, who died in 2002. The album was re-released in 2007 and replaced "Old Red Wine" with "It's Not Enough" from the 2006 album Endless Wire and "Summertime Blues" was replaced by "Baba O'Riley".
Wire & Glass is the only EP released from The Who's 2006 album, Endless Wire. The EP was released exclusively to the iTunes Music Store on 17 July 2006 but a Maxi-CD/12" was released a week later in Australia and the United Kingdom. The EP was released as a "mini-opera" in six songs. No North American distribution was secured prior to the release of Endless Wire, but promo copies were pressed in France, Germany, Ireland, and Ukraine.
The Kids Are Alright is a soundtrack album by the British rock band the Who, a companion to the band's documentary film of the same name. As a compilation album, it serves as a retrospective look at the band's biggest hits throughout their career to the point it was released. Most of the tracks are live recordings, rather than the original studio versions.
McVicar is the soundtrack to the film McVicar and the fourth solo studio album by Roger Daltrey, the lead vocalist for the Who. The film, a biopic of the English bank robber John McVicar, was produced by Daltrey and also featured him in the starring role as John McVicar himself. All of the then-members of the Who played on the album.
The Who Hits 50! is a compilation of singles by the English rock band the Who, released in 2014 by Polydor Records. The two-disc set contains every single released by the band in the United Kingdom, with the exceptions of: "A Legal Matter" and "La-La-La-Lies" from 1966; and "Long Live Rock" and the remake of "I'm One" from 1979. At the same time it also contains every single by the band released in the United States throughout their career, with the exceptions of: "The Real Me" from 1974; the reissue of "Substitute" from 1976; and "Long Live Rock" from 1979. A condensed single-disc standard edition appeared as well, both versions in conjunction with the band's 50th anniversary and associated tour of the same name. The album is notable for containing singles generally not included on other compilation albums, such as the band's Rolling Stones cover "The Last Time" done as an act of solidarity while Mick Jagger and Keith Richards were facing jail time, along with other lesser-known singles "Dogs" and "Call Me Lightning".
"Be Lucky" is a song by the English rock band the Who, written by Pete Townshend and recorded for the band's compilation album The Who Hits 50! released in 2014 and was proposed for a following album. The song was the first new material released by the Who in the eight years since their 2006 studio album Endless Wire. The royalties from "Be Lucky" benefited Teen Cancer America, a US outgrowth of Roger Daltrey's successful UK charity, the Teenage Cancer Trust.
As Long as I Have You is the tenth solo studio album by the English rock singer Roger Daltrey, released on 1 June 2018 by Polydor Records.
Who is the twelfth studio album by the English rock band The Who, released on 6 December 2019. The band's first new studio album in thirteen years, and the second overall comprising the duo of vocalist Roger Daltrey and instrumentalist Pete Townshend, it comprises ballads, rock music, electronic experimentation and "classic Who-ish" songs, according to Townshend.
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