Andrew Lloyd Webber, Baron Lloyd-Webber, KG (born 22 March 1948) is an English composer and impresario of musical theatre. Several of his musicals have run for more than a decade both in the West End and on Broadway. He has composed 21 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass.
The Really Useful Group, Lloyd Webber's company, is one of the largest theatre operators in London. Producers in several parts of the UK have staged productions, including national tours, of Lloyd Webber musicals under licence from the Really Useful Group. He is also the president of the Arts Educational Schools, London, a performing arts school located in Chiswick, west London. Lloyd Webber is involved in a number of charitable activities, including the Elton John AIDS Foundation, Nordoff Robbins, Prostate Cancer UK and War Child. In 1992, he started the Andrew Lloyd Webber Foundation which supports the arts, culture, and heritage of the UK.[8]
Lloyd Webber studied at the Royal College of Music in London as did his father William. In 2014, he received an honorary doctorate from the college for his "contribution to musical life".
Lloyd Webber started writing his own music at a young age: a suite of six pieces at the age of nine.[15] He also put on "productions" with Julian and his aunt Viola in his toy theatre (which he built at Viola's suggestion). In his memoir, he writes: "mum was determined that I should be a prodigy in something or other."[16] His aunt Viola, an actress, took him to see many of her shows and through the stage door into the world of the theatre. His father enrolled him as a part-time student at the Eric Gilder School of Music in 1963.[17] At this time he was working on a Genghis Khan musical called Westonia!.[16]
"The names of Andrew Lloyd Webber and Tim Rice are, of course, forever bound together in musical theatre history, like those of Gilbert and Sullivan."
—Theatre critic Mark Shenton on the partnership of Lloyd Webber and Rice.[21]
In 1965, when Lloyd Webber was a 17-year-old budding musical-theatre composer, he was introduced to the 20-year-old aspiring pop-song writer Tim Rice.[22][23] Their first collaboration was The Likes of Us, an Oliver!-inspired musical based on the true story of Thomas John Barnardo.[24] They produced a demo tape of that work in 1966,[22] but the project failed to gain a backer.[23]
Although composed in 1965, The Likes of Us was not publicly performed until 2005, when a production was staged at Lloyd Webber's Sydmonton Festival. In 2008, amateur rights were released by the National Operatic and Dramatic Association (NODA) in association with the Really Useful Group. The first amateur performance was by a children's theatre group in Cornwall called "Kidz R Us". Stylistically, The Likes of Us is fashioned after the Broadway musical of the 1940s and 1950s; it opens with a traditional overture comprising a medley of tunes from the show, and the score reflects some of Lloyd Webber's early influences, particularly Richard Rodgers, Frederick Loewe, and Lionel Bart. In this respect, it is markedly different from the composer's later work, which tends to be either predominantly or wholly through-composed, and closer in form to opera.
In the summer of 1967, Alan Doggett, a family friend of the Lloyd Webbers who had assisted on The Likes of Us and who was the music teacher at the Colet Court school in London, commissioned Lloyd Webber and Rice to write a piece for the school's choir.[22][23][25] Doggett requested a "pop cantata" along the lines of Herbert Chappell's The Daniel Jazz (1963) and Michael Hurd's Jonah-Man Jazz (1966), both of which had been published by Novello and were based on the Old Testament.[22] The request for the new piece came with a 100-guinea advance from Novello.[22] This resulted in Joseph and the Amazing Technicolor Dreamcoat, a retelling of the biblical story of Joseph, in which Lloyd Webber and Rice humorously pastiched a number of pop-music styles such as Elvis-style rock'n'roll, Calypso and country music. Joseph began life as a short cantata that gained some recognition on its second staging with a favourable review in The Times. For its subsequent performances, Rice and Lloyd Webber revised the show and added new songs to expand it to a more substantial length. Continued expansion eventually culminated in a 1972 stage musical and then a two-hour-long production being staged in the West End in 1973 on the back of the success of Jesus Christ Superstar.[26]
In 1969, Rice and Lloyd Webber wrote a song for the Eurovision Song Contest called "Try It and See", which was not selected. With rewritten lyrics, it became "King Herod's Song" in their third musical, Jesus Christ Superstar (1970). Debuting on Broadway in 1971, by 1980 the musical had grossed more than $237 million worldwide.[27] Running for over eight years in London between 1972 and 1980, it held the record for longest-running West End musical before it was overtaken by Cats in 1989.[28] The planned follow-up to Jesus Christ Superstar was a musical comedy based on the Jeeves and Wooster novels by P. G. Wodehouse. Tim Rice was uncertain about this venture, partly because of his concern that he might not be able to do justice to the novels that he and Lloyd Webber so admired.[29] Rice backed out of the project and Lloyd Webber subsequently wrote the musical Jeeves with Alan Ayckbourn, who provided the book and lyrics.[30]Jeeves failed to make any impact at the box office and closed after a run of only 38 performances in the West End in 1975.[31] Many years later, Lloyd Webber and Ayckbourn revisited this project, producing a thoroughly reworked and more successful version entitled By Jeeves (1996).[32]
Mid-1970s
Evita at the West End's Adelphi Theatre. Lloyd Webber purchased the theatre in 1993.
Lloyd Webber collaborated with Rice once again to write Evita (1978), a musical based on the life of Eva Perón. As with Jesus Christ Superstar, Evita was released first as a concept album (1976) featuring Julie Covington singing the part of Eva Perón. The song "Don't Cry for Me Argentina" became a hit single and the musical was staged at the West End's Prince Edward Theatre in a production directed by Harold Prince and starring Elaine Paige in the title role.[33] This original production was enormously successful, eventually running for nearly eight years in the West End.[34]
Evita transferred to Broadway in 1979, in a production starring Patti LuPone as Eva and Mandy Patinkin as Che; it won seven Tony Awards, including Best Musical, helped launch the careers of both LuPone and Patinkin, and ran for almost four years. Rice and Lloyd Webber parted ways soon after Evita, although they have sporadically worked together since then.[35]
In 1978, Lloyd Webber embarked on a project with his cellist brother Julian, the Variations, based on the 24th Caprice by Paganini; this reached number two in the pop album chart in the United Kingdom. The main theme was used as the theme tune for ITV's long-running South Bank Show throughout its 32-year run.[36] The same year, Lloyd Webber also composed a new theme tune for the long-running documentary series Whicker's World, which was used from 1978 to 1980.[37] He also composed the instrumental "Argentine Melody" as the theme music for the BBC's coverage of the 1978 FIFA World Cup held in Argentina.[38]
Lloyd Webber embarked on his next project without a lyricist, turning instead to the poetry of T. S. Eliot. Cats (1981) was to become the longest-running musical in London, where it ran for 21 years and 8,949 performances before closing.[41] On Broadway, Cats ran for 18 years, a record which would ultimately be broken by another Lloyd Webber musical, The Phantom of the Opera.[42][43] Elaine Paige collaborated again with Lloyd Webber, originating the role of Grizabella in Cats, and had a Top10 UK hit with "Memory".[44]
Starlight Express (1984) was a commercial hit, but received negative reviews from the critics. It ran for 7,409 performances in London, making it the ninth longest-running West End show. It ran for less than two years on Broadway. The show has also seen two tours of the US, as well as an Australian/Japanese production, a three-year UK touring production, which transferred to New Zealand later in 2009. Starlight Express runs full-time in a custom-built theatre in Bochum, Germany, where it has been running since 1988.[45] The German production holds the Guinness World Record for most visitors to a musical in a single theatre.[46]
Lloyd Webber wrote a Requiem Mass dedicated to his father, William, who had died in 1982. It premiered at St. Thomas Church in New York on 24 February 1985. Church music had been a part of the composer's upbringing and the composition was inspired by an article he had read about the plight of Cambodian orphans. Lloyd Webber had on a number of occasions written sacred music for the annual Sydmonton Festival.[47] Lloyd Webber received a Grammy Award in 1986 for Requiem in the category of best classical composition. Pie Jesu from Requiem achieved a high placing on the UK Singles Chart and was certified silver.[48] Perhaps because of its large orchestration, live performances of the Requiem are rare.
In 1986, Prince Edward, the youngest son of Queen Elizabeth II, commissioned a short musical from Lloyd Webber and Rice for his mother's 60th birthday celebration.[49]Cricket (1986), also called Cricket (Hearts and Wickets), reunited Lloyd Webber with Rice to create this short musical for the Queen's birthday, first performed at Windsor Castle.[50][51] Several of the tunes were later used for Aspects of Love and Sunset Boulevard.
Lloyd Webber premiered The Phantom of the Opera at Her Majesty's Theatre in the West End in 1986, inspired by the 1911 Gaston Leroux novel. He wrote the part of Christine for his then wife, Sarah Brightman, who played the role in the original London and Broadway productions alongside Michael Crawford as the Phantom. The production was directed by Harold Prince, who had also earlier directed Evita. Charles Hart wrote the lyrics for Phantom with some additional material provided by Richard Stilgoe, with whom Lloyd Webber co-wrote the book of the musical. It became a hit and is still running in the West End; in January 2006 it overtook Lloyd Webber's Cats as the longest-running show on Broadway. On 11 February 2012, Phantom of the Opera played its 10,000th show on Broadway.[43] With over 14,200 London productions it is the second longest-running West End musical.[52] The Broadway production closed on 16 April 2023, having played 13,981 performances, the most in Broadway history.[53]
Aspects of Love followed in 1989, a musical based on the story by David Garnett. The lyrics were by Don Black and Charles Hart and the original production was directed by Trevor Nunn. Aspects had a run of four years in London, but closed after less than a year on Broadway. It has since gone on a tour of the UK. It is famous for the song "Love Changes Everything", which was performed by Michael Ball in both the West End and Broadway casts. It stayed in the UK Singles Chart for 14 weeks, peaking at number 2 and becoming Ball's signature tune.[54]
1990s
Lloyd Webber was awarded a star on the Hollywood Walk of Fame in 1993 for his contribution to live theatre.
Lloyd Webber had toyed with the idea of writing a musical based on Billy Wilder's critically acclaimed movie, Sunset Boulevard, since seeing the film in the early 1970s, but the project did not come to fruition until after the completion of Aspects of Love when the composer finally managed to secure the rights from Paramount Pictures,[56] The composer worked with two collaborators, as he had done on Aspects of Love; this time Christopher Hampton and Don Black shared equal credit for the book and lyrics. Sunset Boulevard opened at the Adelphi Theatre in London on 12 July 1993, and ran for 1,529 performances.[57]
In 1994, Sunset Boulevard became a successful Broadway show, opening with the largest advance in Broadway history, and winning seven Tony Awards that year. Even so, by its closing in 1997, "it had not recouped its reported $13million investment."[58] From 1995 to 2000, Lloyd Webber wrote the Matters of Taste column in The Daily Telegraph where he reviewed restaurants and hotels, and these were illustrated by Lucinda Rogers.[59]
In 1998, Lloyd Webber released a film version of Cats, which was filmed at the Adelphi Theatre in London.[60]David Mallet directed the film, and Gillian Lynne choreographed it. The cast consisted of performers who had been in the show before, including Ken Page (the original Old Deuteronomy on Broadway), Elaine Paige (original Grizabella in London) and John Mills as Gus: the Theatre Cat.[61]
In 1998, Whistle Down the Wind made its debut, a musical written with lyrics supplied by Jim Steinman. Originally opening in Washington, Lloyd Webber was reportedly not happy with the casting or Harold Prince's production and the show was subsequently revised for a London staging directed by Gale Edwards. The production included the Boyzone number-one hit "No Matter What", which remained at the top of the UK charts for three weeks. His The Beautiful Game opened in London and has never been seen on Broadway. The show had a respectable run at The Cambridge Theatre in London. The show was re-worked into a new musical, The Boys in the Photograph, which had its world première at The Liverpool Institute for Performing Arts in April 2008.[62][63]
2000s
Having achieved great popular success in musical theatre, Lloyd Webber was referred to by The New York Times in 2001 as "the most commercially successful composer in history".[1] In 2002 he turned producer, bringing the musical Bombay Dreams to London. With music by Indian Music composer A.R. Rahman and lyrics by Don Black, it ran for two years at the Apollo Victoria Theatre. A revised Broadway production at the Broadway Theatre two years later ran for only 284 performances. On 16 September 2004, his production of The Woman in White opened at the Palace Theatre in London. It ran for 19 months and 500 performances. A revised production opened on Broadway at the Marquis Theatre on 17 November 2005. Garnering mixed reviews from critics, due in part to the frequent absences of the show's star Maria Friedman due to breast cancer treatment, it closed only a brief three months later on 19 February 2006.[64]
Between April and June 2007, he appeared in BBC One's Any Dream Will Do!, which followed the same format as How Do You Solve a Problem Like Maria?. Its aim was to find a new Joseph for his revival of Joseph and the Amazing Technicolor Dreamcoat. Lee Mead won the contest. Viewers' telephone voting during the series raised more than £500,000 for the BBC's annual Children in Need charity appeal, according to host Graham Norton on air during the final.[69]
In April 2008, Lloyd Webber reprised his role as judge, this time in the BBC musical talent show I'd Do Anything. The show followed a similar format to its Maria and Joseph predecessors, this time involving a search for an actress to play the role of Nancy in a West End production of Lionel Bart's Oliver!, a musical based on the Charles Dickens' novel Oliver Twist.[75] The show also featured a search for three young actors to play and share the title character's role, but the show's main focus was on the search for Nancy. The role was won by Jodie Prenger despite Lloyd Webber's stated preference for one of the other contestants; the winners of the Oliver role were Harry Stott, Gwion Wyn-Jones and Laurence Jeffcoate. Also in April 2008, Lloyd Webber was featured on the U.S. talent show American Idol, acting as a mentor when the 6 finalists had to select one of his songs to perform for the judges that week.[76]
Lloyd Webber accepted the challenge of managing the UK's entry for the 2009 Eurovision Song Contest, to be held in Moscow. In early 2009 a series, called Eurovision: Your Country Needs You, was broadcast to find a performer for a song that he would compose for the competition. Jade Ewen won the right to represent Britain, winning with "It's My Time", by Lloyd Webber and Diane Warren. At the contest, Lloyd Webber accompanied her on the piano during the performance. The United Kingdom finished fifth in the contest.[77]
Following the opening of Love Never Dies, Lloyd Webber again began a search for a new musical theatre performer in the BBC One series Over the Rainbow. He cast the winner, Danielle Hope, in the role of Dorothy Gale, and a dog to play Toto in his forthcoming stage production of The Wizard of Oz. He and lyricist and composer Tim Rice wrote a number of new songs for the production to supplement the songs from the film.[79]
After the 2016 English National Opera's revival of Lloyd Webber's 1990s musical Sunset Boulevard at the London Coliseum was well-received, in 2017 the production transferred to the Palace Theatre on Broadway (pictured).
In April 2016, the English National Opera staged a revival of Sunset Boulevard at the London Coliseum.[85] The limited run, semi-staged production directed by Lonny Price brought Glenn Close to reprise her star turn as Norma Desmond, which was her first time performing the role in London; she had originated the role in Los Angeles in December 1993 and then on Broadway in November 1994 (which won her the 1995 Tony Award for Best Actress in a Musical). The 2016 London revival was so well-received that the production transferred to the Palace Theatre on Broadway in February 2017, making Lloyd Webber the first musical-theatre composer since 1953 to have four musicals running simultaneously on Broadway – a feat that his heroes Rodgers and Hammerstein had previously achieved.[86][87]
Lloyd Webber's memoir, Unmasked, was published in 2018.[88] On 9 September 2018, Lloyd Webber, along with Tim Rice and John Legend each won an Emmy for Jesus Christ Superstar Live in Concert. With this win, Lloyd Webber, Rice and Legend joined the list of people who have won Academy, Emmy, Grammy, and Tony Awards.[89] Lloyd Webber wrote the song "Beautiful Ghosts" with Taylor Swift for the film adaptation of Cats, produced by Greg Wells and released in December 2019.[90] In an interview in August 2020, Lloyd Webber called the film "ridiculous" in the ways that it changed the musical: "The problem with the film was that Tom Hooper decided that he didn't want anybody involved in it who was involved in the original show."[91] He said that seeing the film caused him to get a dog.[92]
Lloyd Webber's new version of Cinderella opened at the Gillian Lynne Theatre in the West End in 2021. The opening, which was originally set to take place in August 2020, was delayed due to the COVID-19 pandemic.[93] Based on a book by Emerald Fennell, Lloyd Webber wrote: "Emerald Fennell has written something truly exciting and original, and the moment I read her outline I knew I'd found my latest collaborator."[94] He garnered press attention in July 2021 for saying that he was "prepared to be arrested" to open Cinderella to full houses in spite of rising Covid cases and in defiance of Government advice.[95] A 2021 feature in Variety suggested:
Lloyd Webber, at 73, appears to have been reanimated creatively in recent years. Both School of Rock and Cinderella earned him some of the best reviews of his career and had a lightness and wit that had been missing from his work. They came after a grueling period in the wilderness, one characterized by failures, disappointments and missteps. ... It seemed, for a time, as though the Lloyd Webber formula, which relied on swooning, rapturous melodies and razzle-dazzle, had grown stale.[92]
...brings a new dramatic tension to Mendelssohn's original melody through the confused emotions of Mary Magdalene. The opening theme may be Mendelssohn, but the rhythmic and harmonic treatment along with new lines of highly effective melodic development are Lloyd Webber's. The song works in its own right as its many performers and audiences can witness.[100]
An accusation of plagiarism regarded the 1971 Pink Floyd album Meddle. The sixth track of the album, "Echoes", has a riff on which Lloyd Webber allegedly based the opening organ riff in "The Phantom of the Opera". The two riffs share very similar notes and the order of the notes played. Lloyd Webber's pipe organ riff from "Phantom of the Opera" plays D, C♯, C, B, A♯, then ascending A♯, B, C, C♯, D. Pink Floyd's "Echoes" plays C♯, C, B, A♯, A, then ascending A, A♯, B, C, C♯. Pink Floyd bassist and co-lead vocalist Roger Waters pointed this out and said it was "probably actionable", but stated that he did not care to take it to court.[101]
Noting similarities between Lloyd Webber's "The Music of the Night" and a recurring melody in Giacomo Puccini's 1910 opera, La fanciulla del West (The Girl of the Golden West), in 1987 the Puccini estate filed a lawsuit against Lloyd Webber, accusing him of plagiarism. The case was settled out of court, but details were not released to the public.[102] The songwriter Ray Repp claimed in a court case that Lloyd Webber had stolen a melody from his own song "Till You", but the court ruled in Lloyd Webber's favour.[103]
Personal life
Lloyd Webber has been married three times. He married first Sarah Hugill, youngest daughter of Lieutenant-Commander Antony Hugill and Fanny néeGore Browne, on 24 July 1971; they divorced on 14 November 1983. Together they had two children, a daughter and a son:
He then married English soprano Sarah Brightman on 22 March 1984 in Hampshire. He cast Brightman in the lead role in his musical The Phantom of the Opera, among other notable roles. They divorced on 3 January 1990, but have remained close friends and have also continued to work together.[104]
Thirdly, he married Madeleine Gurdon in Westminster on 9 February 1991. They have three children, two sons and one daughter, all of whom were born in London:
Alastair Adam Lloyd Webber (born 3 May 1992)
William Richard Lloyd Webber (born 24 August 1993)
Isabella Aurora Lloyd Webber (born 30 April 1996).
Lloyd Webber and his third wife Madeleine founded the Watership Down Stud in 1992. In 1996, they expanded their equestrian holdings by purchasing Kiltinan Castle Stud near Fethard in County Tipperary, Ireland.[105] They were invited to ride in the King's procession at Royal Ascot 2023.[106]
In a 1971 interview with The New York Times, Lloyd Webber said he is an agnostic. He also said he views Jesus as "one of the great figures of history".[107]
In late 2009, Lloyd Webber had surgery for early-stage prostate cancer,[110] but had to be readmitted to hospital with post-operative infection in November. In January 2010, he declared he was cancer-free.[111] He had his prostate completely removed as a preventative measure.[112]
In 2023, Lloyd Webber's son Nicholas died at the age of 43 after an 18-month battle with gastric cancer.[113]
Lloyd Webber is an art collector, with a passion for Victorian painting. An exhibition of works from his collection was presented at the Royal Academy in 2003 under the title Pre-Raphaelite and Other Masters – The Andrew Lloyd Webber Collection. In 2006, Lloyd Webber planned to sell Portrait of Angel Fernández de Soto by Pablo Picasso to benefit the Andrew Lloyd Webber Foundation.[119] In November 2006, he withdrew the painting from auction after a claim that the previous owner had been forced to sell it under duress in Nazi Germany.[120] An out-of-court settlement was reached, where the foundation retained ownership rights.[121] On 23 June 2010, the painting was sold at auction for £34.7million to an anonymous telephone bidder.[122]
Charity
Lloyd Webber's Cats-themed Paddington Bear statue in London, auctioned to raise funds for the NSPCC
In 2013, the Andrew Lloyd Webber Programme was launched to aid the Music in Secondary Schools Trust (MiSST), which aims to give every child at participating schools across the UK the opportunity to study a musical instrument as part of the curriculum.[125] He told LBC: "What music does in these schools, isn't actually necessarily about trying to make the children musicians. But what it does, is it really helps them as people."[125]
In October 2015, Lloyd Webber was involved in a contentious House of Lords vote over proposed cuts to tax credits, voting with the Government in favour of the plan. Lloyd Webber was denounced by his critics because he flew in from abroad on his personal plane to vote, when his voting record was scant.[131][132] In October 2017, Lloyd Webber retired from the House of Lords, stating that his busy schedule was incompatible with the demands of Parliament considering the upcoming crucial Brexit legislation.[133]
A special performance of The Phantom of the Opera at the Royal Albert Hall for the 25th anniversary was broadcast live to cinemas in early October 2011 and later released on DVD and Blu-ray in February 2012. The same was also done with a reworked version of Love Never Dies. Filmed in Melbourne, it received a limited cinema release in the US and Canada in 2012, to see if it would be viable to bring the show to Broadway.
Variations (1978) – A set of musical variations on Niccolò Paganini's Caprice in Aminor that Lloyd Webber composed for his brother, cellist Julian. This album featured fifteen rock musicians including guitarist Gary Moore and pianist Rod Argent and reached number 2 in the UK album chart upon its release. It was later combined with Tell Me on a Sunday to form one show, Song and Dance. Lloyd Webber also used variation five as the basis for Unexpected Song in Song and Dance. The main theme is used as the theme music to The South Bank Show.
Requiem (1985) – A classical choral work composed in honour of his father, William.
Watership Down (1999) – Lloyd Webber and Mike Batt, main soundtrack composer of the animated series adaptation of Richard Adams' novel of the same name, composed the song "Fields of Sun". The actual song was never used on the show, nor was it available on the CD soundtrack that was released at the time. He was however still credited for the unused song in the show's opening titles.
Jesus Christ Superstar is a sung-through rock opera with music by Andrew Lloyd Webber and lyrics by Tim Rice. Loosely based on the Gospels' accounts of the Passion, the work interprets the psychology of Jesus and other characters, with much of the plot centered on Judas, who is dissatisfied with the direction in which Jesus is steering his disciples. Contemporary attitudes, sensibilities and slang pervade the rock opera's lyrics, and ironic allusions to modern life are scattered throughout the depiction of political events. Stage and film productions accordingly contain many intentional anachronisms.
Sir Timothy Miles Bindon Rice is an English lyricist and author. He is best known for his collaborations with Andrew Lloyd Webber, with whom he wrote, among other shows, Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar, and Evita; Chess ; Aida ; and, for Disney, Aladdin, The Lion King, both the stage adaptation of Beauty and the Beast and the live-action film adaption. He also wrote lyrics for the Alan Menken musical King David, and for DreamWorks Animation's The Road to El Dorado.
Evita is a musical with music by Andrew Lloyd Webber and lyrics by Tim Rice. It concentrates on the life of Argentine political leader, activist and actress Eva Perón, the second wife of Argentine president Juan Perón. The story follows Evita's early life, rise to power, charity work, and death.
Joseph and the Amazing Technicolor Dreamcoat is a sung-through musical with music by Andrew Lloyd Webber and lyrics by Tim Rice, based on the character of Joseph from the Bible's Book of Genesis. This was the first Lloyd Webber and Rice musical to be performed publicly; their first collaboration, The Likes of Us, written in 1965, was not performed until 2005. Its family-friendly retelling of Joseph, familiar themes, and catchy music have resulted in numerous stagings. According to the owner of the copyright, the Really Useful Group, by 2008 more than 20,000 schools and amateur theatre groups had staged productions.
Colm Wilkinson, also known as C. T. Wilkinson, is an Irish singer and actor who is best known for originating the lead role of Jean Valjean in Les Misérables and for creating the title role in The Phantom of the Opera (1985) preview at the Sydmonton Festival and the original Canadian production.
The Really Useful Group Ltd. (RUG) is an international company set up in 1977 by Andrew Lloyd Webber. It is involved in theatre, film, television, video and concert productions, merchandising, magazine publishing, records and music publishing. The name is inspired by a phrase from the children's book series The Railway Series in which Thomas the Tank Engine and the other locomotives are referred to as "Really Useful Engines".
Steven Neal Barton was an American actor, singer, dancer, teacher, choreographer, and stage director. He worked internationally in the United States, London, Germany, Austria, and Switzerland. He is most well-known for originating the role of Raoul, Vicomte de Chagny in the West End and Broadway productions of Andrew Lloyd Webber’s The Phantom of the Opera, and later taking over the title role of The Phantom of the Opera in the Broadway production. He also originated the starring role of Graf von Krolock in Dance of the Vampires.
By Jeeves, originally Jeeves, is a musical with music by Andrew Lloyd Webber, and lyrics and book by Alan Ayckbourn. It is based on the series of novels and short stories by P. G. Wodehouse that centre around the character of Bertie Wooster and his loyal valet, Jeeves.
Ramin Karimloo is a Canadian actor, singer, and songwriter recognized for his work in London's West End and New York's Broadway theatre.
David Burt is a British actor, known primarily for his many and wide-ranging West End performances.
The Premiere Collection Encore is a 1992 compilation album by Andrew Lloyd Webber. The album acted as a follow-up to The Premiere Collection: The Best of Andrew Lloyd Webber. In the four intervening years, the original London production of Aspects of Love and Lloyd Webber's new production of Joseph and the Amazing Technicolor Dreamcoat had both opened; therefore a number of tracks were included from those shows.
Jesus Christ Superstar is a 1970 album musical by Andrew Lloyd Webber and Tim Rice, on which the 1971 rock opera was based. Initially unable to get backing for a stage production, the composers released it as an album, the success of which led to stage productions. The album musical is a musical dramatisation of the last week of the life of Jesus Christ, beginning with his entry into Jerusalem and ending with the Crucifixion. It was originally banned by the BBC on grounds of being "sacrilegious". By 1983, the album had sold over seven million copies worldwide.
Brad Little is an American musical theatre actor and baritone singer who has appeared in a number of Broadway and touring productions, most notably The Phantom of the Opera.
The Musical of Musicals is a musical by Joanne Bogart and Eric Rockwell. It has five acts, each of which is a short musical parodying the style of an American or British musical theater composer or composer/lyricist team, all dealing with roughly the same classic melodrama plot: "I can't pay the rent!"
Lloyd Webber Plays Lloyd Webber is a 1989 album by British cellist Julian Lloyd Webber interpreting songs written by his older brother, the popular musical theatre composer Andrew Lloyd Webber. The album was recorded with the Royal Philharmonic Orchestra conducted by Barry Wordsworth. The album primarily featured classical musicians with the notable exception of Rod Argent of The Zombies.
Evita is a concept album released in 1976 and produced by Andrew Lloyd Webber and Tim Rice about the life of Eva Perón. Having successfully launched their previous show, Jesus Christ Superstar, on record in 1970, Lloyd Webber and Rice returned to the format for Evita. The album was recorded at Olympic Studios in London from April to September 1976 and released in the United Kingdom on 19 November 1976.
Sings the Songs of Andrew Lloyd Webber is a studio album by Shirley Bassey, released in 1993.
The Premiere Collection: The Best of Andrew Lloyd Webber is a 1988 compilation album, bringing together some of composer Andrew Lloyd Webber's best known compositions at the time of release. It includes songs from the musicals The Phantom of the Opera, Tell Me on a Sunday, Evita, Cats, Jesus Christ Superstar, Starlight Express and Requiem. Co-writers of the songs include Tim Rice, Don Black, Richard Stilgoe, Charles Hart and Trevor Nunn.
Aspects of Andrew Lloyd Webber is the second studio album by Australian singer Marina Prior featuring Melbourne Symphony Orchestra conducted by Brian Stacey. It was released in November 1992 and peaked at number 22 on the ARIA Albums Chart. The album was certified gold for shipment of 35000 copies.
A megamusical is a large-scale musical produced for large commercial profit. Such musicals utilize spectacle and increased technology to "radicalize the imagistic potential of musical theatre." Early concepts of the megamusical came into existence in the 1970s, and the form was established and popularized in the 1980s by individuals such as Andrew Lloyd Webber and Cameron Mackintosh. Megamusical is analogous to the film industry term "blockbuster".
↑ "Births". The Times. 24 March 1948. p.1. LLOYD WEBBER.—On March 22, 1948, at the Westminster Hospital, to JEAN, wife of DR. W. S. LLOYD WEBBER—a son.
1 2 3 4 5 Chandler, David (2012). "'Everyone should have the opportunity': Alan Doggett and the modern British musical". Studies in Musical Theatre. 6 (3): 275–289. doi:10.1386/smt.6.3.275_1.
↑ Ranson, Philip (1984). A Guide to the Popular Names and Nicknames of Classical Music, and to Theme Music in Films, Radio, Television and Broadcast Advertisements. Northern Regional Library System. p.59.
↑ "An Exciting Announcement!". SchoolofRock.com. Retrieved 20 January 2015. We, here at School of Rock, are so proud and excited to announce that we are now partnered with School of Rock the Musical. Andrew Lloyd Webber and his team have expressed an enthusiastic interest in having School of Rock kids audition for roles in the show!
↑ "Audition for a Role in School of Rock". Archived from the original on 12 January 2015. Retrieved 20 January 2015. We are holding band tryouts for rock stars ages 9-15, male and female, who are great singers and actors. We're also looking for talented kids who play drums, bass guitar, guitar, and piano/keyboard. Show us your kid's chops and he or she could be on Broadway!
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