My Fair Lady is a musical with a book and lyrics by Alan Jay Lerner and music by Frederick Loewe. The story, based on the 1938 film adaptation of George Bernard Shaw's 1913 play Pygmalion, concerns Eliza Doolittle, a Cockney flower girl who takes speech lessons from professor Henry Higgins, a phonetician, so that she may pass as a lady. Despite his cynical nature and difficulty understanding women, Higgins grows attached to her.
The Band Wagon is a 1953 American musical romantic comedy film directed by Vincente Minnelli, starring Fred Astaire and Cyd Charisse. It tells the story of an aging musical star who hopes a Broadway show will revive his career. However, the play's director wants to make it a pretentious retelling of the Faust legend and brings in a prima ballerina who clashes with the star. Along with An American in Paris (1951) and Singin' in the Rain (1952), it is regarded as one of the finest Metro-Goldwyn-Mayer musicals, although it was a box-office disappointment on first release.
Funny Girl is a musical with score by Jule Styne, lyrics by Bob Merrill, and book by Isobel Lennart, that first opened on Broadway in 1964. The semi-biographical plot is based on the life and career of comedian and Broadway star Fanny Brice, featuring her stormy relationship with entrepreneur and gambler Nicky Arnstein.
Twentieth Century is a 1934 American pre-Code screwball comedy film directed by Howard Hawks and starring John Barrymore, Carole Lombard, Walter Connolly, and Roscoe Karns. Much of the film is set on the 20th Century Limited train as it travels from Chicago to New York City. Ben Hecht and Charles MacArthur adapted their 1932 Broadway play of the same name—itself based on the unproduced play Napoleon of Broadway by Charles Bruce Millholland—with uncredited contributions from Gene Fowler and Preston Sturges.
Sweet Charity is a musical with music by Cy Coleman, lyrics by Dorothy Fields and book by Neil Simon. It was directed and choreographed for Broadway by Bob Fosse starring his wife and muse Gwen Verdon alongside John McMartin. It is based on the screenplay for the 1957 Italian film Nights of Cabiria. However, whereas Federico Fellini's black-and-white film concerns the romantic ups-and-downs of an ever-hopeful prostitute, in the musical the central character is a dancer-for-hire at a Times Square dance hall. The musical premiered on Broadway in 1966, where it was nominated for nine Tony Awards, winning the Tony Award for Best Choreography. The production also ran in the West End as well as having revivals and international productions.
Annie is a musical with music by Charles Strouse, lyrics by Martin Charnin, and a book by Thomas Meehan. It is based on the 1924 comic strip Little Orphan Annie by Harold Gray. The original Broadway production opened in 1977 and ran for nearly six years, setting a record for the Alvin Theatre. It spawned numerous productions in many countries, as well as national tours, and won seven Tony Awards, including for Best Musical. The musical's songs "Tomorrow" and "It's the Hard Knock Life" are among its most popular musical numbers.
Madeline Gail Kahn was an American actress, comedian, and singer. She is known for comedic roles in films directed by Peter Bogdanovich and Mel Brooks, including What's Up, Doc? (1972), Young Frankenstein (1974), High Anxiety (1977), History of the World, Part I (1981), and her Academy Award–nominated roles in Paper Moon (1973) and Blazing Saddles (1974).
Kristin Dawn Chenoweth is an American actress and singer, with credits in musical theatre, film, and television. In 1999, she won a Tony Award for Best Featured Actress in a Musical for her performance as Sally Brown in You're a Good Man, Charlie Brown on Broadway. In 2003, Chenoweth was nominated for a second Tony Award for originating the role of Glinda in the musical Wicked. Her television roles include Annabeth Schott in NBC's The West Wing and Olive Snook on the comedy drama Pushing Daisies, for which she won a Primetime Emmy Award for Outstanding Supporting Actress in a Comedy Series in 2009.
The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances.
Ellen Greene is an American actress and singer. She has had a long and varied career as a singer, particularly in cabaret, as an actress and singer in numerous stage productions, particularly musical theatre, as well as having performed in many films and television series. Her best-known roles are as Audrey in the original stage play and movie adaptation of Little Shop of Horrors, and as Vivian Charles in the ABC series Pushing Daisies.
Judy Kaye is an American singer and actress. She has appeared in stage musicals, plays, and operas. Kaye has been in long runs on Broadway in the musicals The Phantom of the Opera, Ragtime, Mamma Mia!, and Nice Work If You Can Get It.
Kelli Christine O'Hara is an American actress and singer, most known for her work on the Broadway and opera stages.
Twentieth Century is a 1932 play by Ben Hecht and Charles MacArthur based on the unproduced play Napoleon of Broadway by Charles B. Millholland, inspired by his experience working for the eccentric Broadway impresario David Belasco.
Thoroughly Modern Millie is a musical with music by Jeanine Tesori, lyrics by Dick Scanlan, and a book by Richard Morris and Scanlan. It is based on the 1967 film of the same name, which itself was based on the British musical Chrysanthemum, which opened in London in 1956. Thoroughly Modern Millie tells the story of a small-town girl, Millie Dillmount, who comes to New York City to marry for money instead of love – a thoroughly modern aim in 1922, when women were just entering the workforce. Millie soon begins to take delight in the flapper lifestyle, but problems arise when she checks into a hotel owned by the leader of a white slavery ring in China. The style of the musical is comic pastiche. Like the film on which it is based, it interpolates new tunes with some previously written songs.
Andy Karl is an American actor and singer. He is best known for performing in musical theatre specifically musicals adapted from successful movies. He has received several accolades including a Laurence Olivier Award and a Drama Desk Award as well as nominations for three Tony Awards. He is also known for playing Sgt. Mike Dodds on Law & Order: Special Victims Unit from 2015 to 2016.
Sierra Marjory Boggess is an American theater actress, singer, and figure skater.
Peter Pan is a 1954 musical based on J. M. Barrie's 1904 play Peter Pan and his 1911 novelization of it, Peter and Wendy. The music is mostly by Moose Charlap, with additional music by Jule Styne, and most of the lyrics were written by Carolyn Leigh, with additional lyrics by Betty Comden and Adolph Green.
A Man of No Importance is a musical with music by Stephen Flaherty, lyrics by Lynn Ahrens and a book by Terrence McNally, based on the 1994 Albert Finney film, A Man of No Importance. It tells the story of an amateur theatre group in Dublin and their leader, who is determined to stage a version of Salome at his church, despite the objections of church authorities.
In the Next Room (or The Vibrator Play) is a 2009 play by Sarah Ruhl, published by Samuel French. It concerns the early history of the vibrator, when doctors allegedly used it as a clinical device to bring women to orgasm as treatment for "hysteria." Other themes include Victorian ignorance of female sexual desire, motherhood, breastfeeding, and jealousy. The play was nominated for three 2010 Tony Awards.
Anastasia is a musical play with music and lyrics by Lynn Ahrens and Stephen Flaherty, and a book by Terrence McNally. Based on the 20th Century Fox Animation 1997 film of the same name, the musical adapts the legend of the Grand Duchess Anastasia Nikolaevna of Russia, who was rumored to have escaped and survived the execution of the Russian Imperial family. Many years later, an amnesiac young woman named Anya hopes to find some trace of her past by siding with two con men, who wish to take advantage of her resemblance to Anastasia.
