|Kiss Me, Kate|
|Book||Bella and Samuel Spewack|
|Basis|| The Taming of the Shrew |
by William Shakespeare
|Productions||1948 Broadway |
1951 West End
1999 Broadway revival
2001 West End revival
2007 Italian Version
2012 West End revival
2019 Broadway revival
|Awards||1949 Tony Award for Best Musical |
1949 Tony Award for Composer and Lyricist
1949 Tony Award for Best Author
1999 Tony Award for Best Revival
Kiss Me, Kate is a musical written by Bella and Samuel Spewack with music and lyrics by Cole Porter. The story involves the production of a musical version of William Shakespeare's The Taming of the Shrew and the conflict on and off-stage between Fred Graham, the show's director, producer, and star, and his leading lady, his ex-wife Lilli Vanessi. A secondary romance concerns Lois Lane, the actress playing Bianca, and her gambler boyfriend, Bill, who runs afoul of some gangsters. The original production starred Alfred Drake, Patricia Morison, Lisa Kirk and Harold Lang.
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through the words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.
Bella and Samuel Spewack were a husband-and-wife writing team.
Cole Albert Porter was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film.
Kiss Me, Kate was Porter's response to Rodgers and Hammerstein's Oklahoma! and other integrated musicals; it was the first show he wrote in which the music and lyrics were firmly connected to the script. The musical premiered in 1948 and proved to be Porter's only show to run for more than 1,000 performances on Broadway.In 1949, it won the first Tony Award for Best Musical.
Rodgers and Hammerstein refers to the duo of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together were an influential, innovative and successful American musical theatre writing team. They created a string of popular Broadway musicals in the 1940s and 1950s, initiating what is considered the "golden age" of musical theatre. Five of their Broadway shows, Oklahoma!, Carousel, South Pacific, The King and I and The Sound of Music, were outstanding successes, as was the television broadcast of Cinderella (1957). Of the other four that the team produced on Broadway during their lifetimes, Flower Drum Song was well-received, and none was an outright flop. Most of their shows have received frequent revivals around the world, both professional and amateur. Among the many accolades their shows garnered were thirty-four Tony Awards, fifteen Academy Awards, the Pulitzer Prize, and two Grammy Awards.
Oklahoma! is the first musical written by the team of composer Richard Rodgers and librettist Oscar Hammerstein II. The musical is based on Lynn Riggs' 1931 play, Green Grow the Lilacs. Set in farm country outside the town of Claremore, Indian Territory, in 1906, it tells the story of farm girl Laurey Williams and her courtship by two rival suitors, cowboy Curly McLain and the sinister and frightening farmhand Jud Fry. A secondary romance concerns cowboy Will Parker and his flirtatious fiancée, Ado Annie.
Broadway theatre, also known simply as Broadway, refers to the theatrical performances presented in the 41 professional theatres, each with 500 or more seats located in the Theater District and Lincoln Center along Broadway, in Midtown Manhattan, New York City. Along with London's West End theatre, Broadway theatre is widely considered to represent the highest level of commercial theatre in the English-speaking world.
The musical was inspired by the on-stage/off-stage battling of husband-and-wife actors Alfred Lunt and Lynn Fontanne during their 1935 production of Shrew, witnessed by future Broadway producer Arnold Saint-Subber. In 1947 he asked the Spewacks (undergoing their own marital woes at the time) to write the script; Bella Spewack in turn enlisted Cole Porter to write the music and lyrics.
Alfred Davis Lunt, Jr. was an American stage director and actor who had a long-time professional partnership with his wife, actress Lynn Fontanne. Broadway's Lunt-Fontanne Theatre was named for them. Lunt was one of 20th century Broadway's leading male stars.
Lynn Fontanne was a British-born American-based actress for over 40 years. She teamed with her husband, Alfred Lunt. Lunt and Fontanne were given special Tony Awards in 1970. They both won Emmy Awards in 1965, and Broadway's Lunt-Fontanne Theatre was named for them. Fontanne is regarded as one of the American theater's great leading ladies of the 20th century.
Arnold Saint-Subber, usually known as Saint Subber, was an American theatrical producer.
After a 3½-week pre-Broadway tryout at the Shubert Theatre in Philadelphia starting December 2, 1948, the original Broadway production opened on December 30, 1948, at the New Century Theatre, where it ran for nineteen months before transferring to the Shubert, for a total run of 1,077 performances. Directed by John C. Wilson with choreography by Hanya Holm, the original cast included Alfred Drake, Patricia Morison, Lisa Kirk,Harold Lang, Charles Wood and Harry Clark. The 1949 original cast recording has been inducted into the Library of Congress's National Recording Registry for the album's "cultural, artistic and/or historical significance to American society and the nation's audio legacy".
Philadelphia, known colloquially as Philly, is the largest city in the U.S. state and Commonwealth of Pennsylvania, and the sixth-most populous U.S. city, with a 2018 census-estimated population of 1,584,138. Since 1854, the city has been coterminous with Philadelphia County, the most populous county in Pennsylvania and the urban core of the eighth-largest U.S. metropolitan statistical area, with over 6 million residents as of 2017. Philadelphia is also the economic and cultural anchor of the greater Delaware Valley, located along the lower Delaware and Schuylkill Rivers, within the Northeast megalopolis. The Delaware Valley's population of 7.2 million ranks it as the eighth-largest combined statistical area in the United States.
The New Century Theatre was a legitimate Broadway theatre located at 932 Seventh Avenue at West 58th Street in midtown Manhattan.
John C. Wilson was an American theatre director and producer.
The original West End production opened on March 8, 1951, at the Coliseum Theatre, and ran for 400 performances. Directed by Sam Spewack with choreography again by Holm, this production starred Patricia Morison, Bill Johnson, Adelaide Hall and Julie Wilson.
West End theatre is a common term for mainstream professional theatre staged in the large theatres in and near the West End of London. Along with New York City's Broadway theatre, West End theatre is usually considered to represent the highest level of commercial theatre in the English-speaking world. Seeing a West End show is a common tourist activity in London.
William Johnson was an American actor and singer of the stage and screen.
Adelaide Louise Hall was an American-born UK-based jazz singer and entertainer. Her long career spanned more than 70 years from 1921 until her death and she was a major figure in the Harlem Renaissance. Hall entered the Guinness Book of World Records in 2003 as the world's most enduring recording artist having released material over eight consecutive decades. She performed with major artists such as Art Tatum, Ethel Waters, Josephine Baker, Louis Armstrong, Lena Horne, Cab Calloway, Fela Sowande, Rudy Vallee and Jools Holland, and recorded as a jazz singer with Duke Ellington and with Fats Waller.
The original Australian production played from February 1952 at His Majesty's Theatre, Melbourne, before seasons in Sydney, Brisbane, Perth and Adelaide until 1954. The production featured Hayes Gordon and Joy Turpin (later replaced by Evie Hayes).
Her Majesty's Theatre is a 1,700 seat theatre in Melbourne's East End Theatre District, Australia. Built in 1886, it is located at 219 Exhibition Street, Melbourne. It is classified by the National Trust of Australia and is listed on the Victorian Heritage Register.
Hayes Gordon AO OBE was an American actor, stage director and acting teacher with a considerable career in Australia.
Vina Evelyn Hayes, better known as Evie Hayes, was an American-born actor and singer, best known for her stage success in Australia. She was once described as "the most popular box office attraction in Australian musical comedy since Gladys Moncrieff."
A London revival opened in December 1970 at the London Coliseum, in a production by the Sadler's Wells Opera. The cast featured Emile Belcourt (Petruchio), Judith Bruce, Eric Shilling, Ann Howard (Kate), Francis Egerton and Robert Lloyd, with direction by Peter Coe and choreography by Sheila O'Neill. Coe did a translation for British audiences, including having "a tea wagon", and included "traditional English music hall jokes".This revival had a "brief run", according to the Encyclopedia of the Musical Theatre.
The Royal Shakespeare Company staged a production which opened at the Royal Shakespeare Theatre, Stratford-upon-Avon, on February 10, 1987,toured the UK from March to May, and then played at London's Old Vic Theatre from May 19, 1987. Directed by Adrian Noble and staged by Ron Field, the production starred Nichola McAuliffe and Paul Jones as Lilli/Kate and Fred/Petruchio, with Tim Flavin and Fiona Hendley as Bill/Lucentio and Lois/Bianca. The gangsters were played by Emil Wolk and John Bardon, who shared the 1987 Olivier Award for Outstanding Performance of the Year by an Actor in a Musical, while McAuliffe won the Olivier for Outstanding Performance of the Year by an Actress in a Musical. The production moved to the Savoy Theatre on January 15, 1988, with a new cast.
A short-lived Broadway revival ran at the Broadway Theatre in January 1952. It was directed by John C. Wilson and choreographed by Hanya Holm. Holly Harris and Robert Wright starred as Lilli and Fred.
A Broadway revival opened at the Martin Beck Theatre on November 18, 1999 and closed on December 30, 2001 after 881 performances and 28 previews. Directed by Michael Blakemore, Produced by Richard Godwin, and choreographed by Kathleen Marshall and Rob Ashford, the opening night cast included Marin Mazzie, Brian Stokes Mitchell, Amy Spanger, Michael Berresse, Ron Holgate, Lee Wilkof and Michael Mulheren. This production won the Tony Awards for Best Revival of a Musical and Best Actor in a Musical for Mitchell; Marin Mazzie received a Tony nomination for Best Actress in a Musical, and Michael Berresse, Lee Wilkof and Michael Mulheren received Tony nominations for Best Featured Actor in a Musical.
A West End revival opened at the Victoria Palace Theatre on October 30, 2001, and closed on August 24, 2002. As with the 1999 Broadway revival, Michael Blakemore was the director with choreography by Kathleen Marshall. Brent Barrett and Marin Mazzie co-starred.
Chichester Festival Theatre's 2012 revival of the show transferred to the Old Vic Theatre on London's South Bank in November 2012, with an official opening in December.It starred Hannah Waddingham as Lili/Kate and Alex Bourne as Fred Graham. The production was directed by Trevor Nunn. The show received positive reviews from critics and audiences. Hannah Waddingham and Alex Bourne were both nominated for the 2013 Olivier Awards as Best Actress/Actor in a Musical for their performances.
In September 2015 Opera North presented a revival directed by Jo Davies, choreographed by Will Tuckett. The production opened at the Leeds Grand Theatre before touring to Theatre Royal Newcastle, The Lowry Salford, and Theatre Royal Nottingham.The production was co-produced with the Welsh National Opera who continued to tour it in 2016, first as part of the Shakespeare400 season at the Wales Millennium Centre, Cardiff, and then to Liverpool Empire Theatre, Bristol Hippodrome, New Theatre Oxford, Mayflower Theatre Southampton, Birmingham Hippodrome, and Venue Cymru Llandudno, before returning to Cardiff. The production was revived at London Coliseum briefly in June 2018, following a return visit to Leeds Grand Theatre in May 2018.
The Roundabout Theatre Company presents a revised third Broadway revival of Kiss Me, Kate with Kelli O'Hara as Lilli Vanessi/Kate, Will Chase as Fred Graham/Petruchio, Stephanie Styles as Lois Lane/Bianca, and Corbin Bleu as Bill Calhoun/Lucentio. The production is directed by Scott Ellis and choreographed by Warren Carlyle,with minor "feminist" updates by Amanda Green to make the musical "more accessible for today’s audiences". Roundabout produced a benefit concert of the show with O'Hara, Ellis, and Carlyle in 2016. The revival has a limited run at Studio 54. The first preview was held on February 14, 2019, with an official opening on March 14 and a planned closing in June.
|Character||Original Broadway Cast (1948)||1999 Broadway Revival||2019 Broadway Revival|
|Fred Graham/Petruchio||Alfred Drake||Brian Stokes Mitchell||Will Chase|
|Lilli Vanessi/Katharine||Patricia Morison||Marin Mazzie||Kelli O'Hara|
|Bill Calhoun/Lucentio||Harold Lang||Michael Berresse||Corbin Bleu|
|Lois Lane/Bianca||Lisa Kirk||Amy Spanger||Stephanie Styles|
|First Man||Harry Clark||Lee Wilkof||John Pankow|
|Second Man||Jack Diamond||Michael Mulheren||Lance Coadie Williams|
|Harrison Howell||Denis Green||Ron Holgate||Terence Archie|
|Henry Trevor/Baptista||Thomas Holer||John Horton||Mel Johnson, Jr.|
|Hattie||Annabelle Hill||Adriane Lenox||Adrienne Walker|
|Paul||Lorenzo Fuller||Stanley Wayne Mathis||James T. Lane|
The cast of a musical version of William Shakespeare's The Taming of the Shrew is rehearsing for the opening of the show that evening ("Another Op'nin', Another Show"). Egotistical Fred Graham is the director and producer and is starring as Petruchio, and his movie-star ex-wife, Lilli Vanessi, is playing Katherine. The two seem to be constantly arguing, and Lilli is particularly angry that Fred is pursuing the sexy young actress Lois Lane, who is playing Bianca. After the rehearsal, Lois's boyfriend Bill appears; he is playing Lucentio, but he missed the rehearsal because he was gambling. He tells her that he signed a $10,000 IOU in Fred's name, and Lois reprimands him ("Why Can't You Behave?").
Before the opening, Fred and Lilli meet backstage, and Lilli shows off her engagement ring from Washington insider Harrison Howell, reminding Fred that it's the anniversary of their divorce. They recall the operetta in which they met, which included "Wunderbar", a Viennese waltz; they end up fondly reminiscing and singing and dancing. Two gangsters show up to collect the $10,000 IOU, and Fred replies that he never signed it. The gangsters obligingly say they will give him time to remember it and will return later. In her dressing room, Lilli receives flowers from Fred, and she declares that she is still "So In Love" with him. Fred tries to keep Lilli from reading the card that came with the flowers, which reveals that he really intended them for Lois. However, Lilli takes the card with her onstage, saying she will read it later.
The show begins ("We Open in Venice"). Baptista, Katherine and Bianca's father, will not allow his younger daughter Bianca to marry until his older daughter Katherine is married. However, she is shrewish and ill-tempered, and no man desires to marry her. Three suitors – Lucentio, Hortensio, and Gremio – try to woo Bianca, and she says that she would marry any of them ("Tom, Dick, or Harry"). Petruchio, a friend of Lucentio, expresses a desire to marry into wealth ("I've Come to Wive it Wealthily in Padua"). The suitors hatch a plan for him to marry Kate, as Baptista is rich. Kate, however, has no intentions of getting married ("I Hate Men"). Petruchio attempts to woo her ("Were Thine That Special Face"). Offstage, Lilli has an opportunity to read the card. She walks on stage off-cue and begins hitting Fred, who, along with the other actors, tries to remain in character as Baptista gives Petruchio permission to marry Kate. Lilli continues to strike Fred, and he ends up spanking her. Offstage, Lilli furiously declares she is leaving the show. However, the gangsters have reappeared, and Fred tells them that if Lilli quits, he'll have to close the show and won't be able to pay them the $10,000. The gangsters force her to stay at gunpoint. Back onstage, Bianca and Lucentio dance while the chorus performs "We Sing of Love", covering a scene change. The curtain opens, revealing the exterior of a church; Petruchio and Kate have just been married, and they exit the church; the gangsters, dressed in Shakespearean costume, are onstage to make sure that Lilli stays. Petruchio implores for Kate to kiss him, and she refuses. He lifts her over his shoulder and carries her offstage while she pummels his shoulder with her fists ("Kiss Me Kate").
During the show's intermission, the cast and crew relax in the alley behind the theater. Paul (Fred's assistant), along with a couple other crew members, lament that it's "Too Darn Hot" to meet their lovers that night. The play continues, and Petruchio tries to 'tame' Katherine and mourns for his now-lost bachelor life ("Where Is the Life That Late I Led?"). Off-stage, Lilli's fiancé Harrison Howell is looking for Lilli. He runs into Lois, and she recognizes him as a former lover but promises not to tell Lilli. Bill is shocked to overhear this, but Lois tells him that even if she is involved with other men, she is faithful to him in her own way ("Always True to You in My Fashion"). Lilli tries to explain to Howell that she is being forced to stay at the theatre by the gangsters, but Howell doesn't believe her and wants to discuss wedding plans. Fred insidiously points out how boring Lilli's life with Howell will be compared to the theatre. Bill sings a love song he has written for Lois ("Bianca").
The gangsters discover that their boss has been killed, so the IOU is no longer valid. Lilli leaves—without Howell—as Fred unsuccessfully tries to convince her to stay ("So in Love" (Reprise)). The gangsters get caught on stage and improvise a tribute to Shakespeare in which they explain that knowing Shakespeare is the key to romance ("Brush Up Your Shakespeare"). The company prepares for the conclusion of the play, the wedding of Bianca and Lucentio, even though they are now missing one of the main characters. However, just in time for Katherine's final speech, Lilli arrives onstage ("I Am Ashamed That Women Are So Simple"). Fred and Lilli wordlessly reconcile on stage, and the play ends ("Kiss Me Kate" (Finale)) with them, as well as Bill and Lois, kissing passionately.
A film version of the same name was released in 1953. There have been at least four television productions, the first on Hallmark Hall of Fame in 1958, with Drake and Morison reprising their Broadway roles, the second recorded for the launch of BBC Two in the UK in 1964, starring Howard Keel, Patricia Morison and Millicent Martin, the third in 1968 with then husband-and-wife team Robert Goulet and Carol Lawrence, and the fourth in 2003 on Great Performances , a high-definition shot performance of the London revival with Brent Barrett and Rachel York.
|1949||Tony Award||Best Musical||Won|
|Best Author (Musical)||Samuel and Bella Spewack||Won|
|Best Original Score||Cole Porter||Won|
|Best Costume Design||Lemuel Ayers||Won|
|Best Producer of a Musical||Saint Subber and Lemuel Ayers||Won|
|1988||Laurence Olivier Award||Best Musical Revival||Nominated|
|Outstanding Performance of the Year by an Actor in a Musical||John Bardon and Emil Wolk||Won|
|Outstanding Performance of the Year by an Actress in a Musical||Nichola McAuliffe||Won|
|2000||Tony Award||Best Revival of a Musical||Won|
|Best Performance by a Leading Actor in a Musical||Brian Stokes Mitchell||Won|
|Best Performance by a Leading Actress in a Musical||Marin Mazzie||Nominated|
|Best Performance by a Featured Actor in a Musical||Michael Berresse||Nominated|
|Best Direction of a Musical||Michael Blakemore||Won|
|Best Choreography||Kathleen Marshall||Nominated|
|Best Orchestrations||Don Sebesky||Won|
|Best Scenic Design||Robin Wagner||Nominated|
|Best Costume Design||Martin Pakledinaz||Won|
|Best Lighting Design||Peter Kaczorowski||Nominated|
|Drama Desk Award||Outstanding Revival of a Musical||Won|
|Outstanding Actor in a Musical||Brian Stokes Mitchell||Won|
|Outstanding Actress in a Musical||Marin Mazzie||Nominated|
|Outstanding Featured Actor in a Musical||Michael Mulheren||Nominated|
|Outstanding Director of a Musical||Michael Blakemore||Nominated|
|Outstanding Choreography||Hanya Holm||Nominated|
|Outstanding Orchestrations||Don Sebesky||Won|
|Outstanding Set Design||Robin Wagner||Won|
|Outstanding Costume Design||Martin Pakledinaz||Won|
|2002||Laurence Olivier Award||Best Musical Revival||Nominated|
|Best Actor in a Musical||Brent Barrett||Nominated|
|Best Actress in a Musical||Marin Mazzie||Nominated|
|Best Performance in a Supporting Role in a Musical||Nancy Anderson||Nominated|
|Best Director of a Musical||Michael Blakemore||Nominated|
|Best Theatre Choreographer||Kathleen Marshall||Nominated|
|Best Set Design||Robin Wagner||Nominated|
|Best Costume Design||Martin Pakledinaz||Nominated|
|Evening Standard Award||Best Musical||Won|
|Critics Circle Award||Best Musical||Won|
|2013||Laurence Olivier Award||Best Musical Revival||Nominated|
|Best Actor in a Musical||Alex Bourne||Nominated|
|Best Actress in a Musical||Hannah Waddingham||Nominated|
|Best Performance in a Supporting Role in a Musical||Adam Garcia||Nominated|
|Best Theatre Choreographer||Stephen Mear||Nominated|
|2019||Tony Award||Best Revival of a Musical||Nominated|
|Best Actress in a Musical||Kelli O'Hara||Nominated|
|Best Choreography||Warren Carlyle||Nominated|
|Best Orchestrations||Larry Hochman||Nominated|
|Drama Desk Award||Outstanding Revival of a Musical||Nominated|
|Outstanding Featured Actor in a Musical||Corbin Bleu||Nominated|
|Outstanding Choreography||Warren Carlyle||Won|
|Drama League Awards||Outstanding Revival of a Broadway or Off-Broadway Musical||Won|
|Distinguished Performance Award||Kelli O’Hara||Nominated|
|Outer Critics Circle Awards||Outstanding Revival of a Musical (Broadway or Off-Broadway)||Nominated|
|Outstanding Choreographer||Warren Carlyle||Won|
|Outstanding Actress in a Musical||Kelli O’Hara||Nominated|
The Taming of the Shrew is a comedy by William Shakespeare, believed to have been written between 1590 and 1592.
"Too Darn Hot" is a song written by Cole Porter for his musical Kiss Me, Kate (1948). In the stage version, it is sung at the start of Act 2, and in the 1948 original Broadway production, it was sung by Lorenzo Fuller and Eddie Sledge and Fred Davis, leading the full company. In the 1953 MGM Hollywood film version, it is moved to a much earlier point, and it is sung by Ann Miller. The song does not contribute to the plot in either the stage or film versions ; in the stage version, the song represents the company of The Taming of the Shrew taking a break offstage during the intermission of their play; in the film version it allowed the audience to see Lois's fun-loving, risk-taking nature, and gave Ann Miller a chance to show off her dancing skills, specifically tap. The line 'According to the Kinsey report' was changed in the film version to 'According to the latest report'. The song has also been covered by many artists.
Ursula Eileen Patricia Augusta Fraser Morison was an American stage, television and film actress of the Golden Age of Hollywood and mezzo-soprano singer. She made her feature film debut in 1939 after several years on the stage, and amongst her most renowned were The Fallen Sparrow, Dressed to Kill opposite Basil Rathbone and the screen adaptation of The Song of Bernadette. She was lauded as a beauty with large blue eyes and extremely long, dark hair. During this period of her career, she was often cast as the femme fatale or "other woman". It was only when she returned to the Broadway stage that she achieved her greatest success as the lead in the original production of Cole Porter's Kiss Me, Kate and subsequently in The King and I.
Petruchio is the male protagonist in Shakespeare's The Taming of the Shrew. Petruchio is a fortune seeker who enters into a marriage with a strong-willed young woman named Kate and then proceeds to "tame" her temperamental spirit. The role has attracted notable performers.
Burke William Moses is an American actor. His older brother is actor Mark Moses.
Marin Joy Mazzie was an American actress and singer known for her work in musical theater.
Rachel York is an American actress and singer. She is known for stage roles in City of Angels, The Scarlet Pimpernel, Les Misérables, Victor/Victoria, Kiss Me, Kate, Sly Fox, Dirty Rotten Scoundrels and Anything Goes. She also has many film and television credits, including her portrayal of Lucille Ball in the CBS biopic Lucy.
Elizabeth Larner is a British actress and a singer with a powerful soprano voice. While her main career was the musical theatre, appearing both in London's West End and on Broadway, she was a seemingly unlikely, but inspired, choice to play Ammonia in the BBC situation comedy Up Pompeii! - a role she made her own. She later appeared in The Two Ronnies, supporting Ronnie Barker as "Piggy Malone" and Ronnie Corbett as "Charley Farley" in the 1981-2 comic detective mystery serial Band of Slaves.
"Always True to You in My Fashion" is a 1948 show tune by Cole Porter, written for the musical Kiss Me, Kate. It is based on Non Sum Qualis Eram Bonae sub Regno Cynarae, a similarly ironic poem by the English Decadent poet Ernest Dowson (1867–1900), which has the refrain 'I have been faithful to thee, Cynara, in my fashion,' and which was probably inspired by Dowson's lifelong friend Adelaide Foltinowicz, who never returned his devotion. The phrase "faithful in my fashion" entered the language before the song was written, and was the title of a 1946 Hollywood film.
Harold Lang was an American dancer, singer and actor.
Kiss Me Kate is a 1953 Metro-Goldwyn-Mayer film adaptation of the Broadway musical of the same name.
The Taming of the Shrew is a 1967 American-Italian romantic comedy film based on the play of the same name by William Shakespeare about a courtship between two strong-willed people. The film was directed by Franco Zeffirelli and stars Elizabeth Taylor and Richard Burton as Shakespeare's Kate and Petruchio.
Lisa Kirk was an American actress and singer noted for her comic talents and rich contralto.
Bianca Minola is a character in Shakespeare's The Taming of the Shrew (c.1590–1594). She is the younger daughter of Baptista Minola and the sister of Kate, the "shrew" of the title. The lovely Bianca has several admirers in the play, but Baptista has refused to allow her to marry until his shrewish daughter Kate has found a husband. When Kate marries, Bianca is united with her lover, Lucentio. Theatrically, Bianca is the ingenue in Shrew and the female lead in the play's subplot.
Tom, Dick or Harry is a show tune from the Cole Porter musical, Kiss Me, Kate, introduced on Broadway on December 30, 1948 by Lisa Kirk ; Harold Lang ; Edwin Clay ; and Charles Wood. In the 1953 Hollywood film version, "Tom, Dick or Harry" was performed by Ann Miller, Tommy Rall, Bobby Van and Bob Fosse.
"Another Op'nin', Another Show" is the opening number of Cole Porter's 1948 musical Kiss Me, Kate.
There have been numerous on screen adaptations of Shakespeare's The Taming of the Shrew. The best known cinematic adaptations are Sam Taylor's 1929 The Taming of the Shrew and Franco Zeffirelli's 1967 The Taming of the Shrew, both of which starred the most famous celebrity couples of their era; Mary Pickford and Douglas Fairbanks in 1929 and Elizabeth Taylor and Richard Burton in 1967. On television, perhaps the most significant adaptation is the 1980 BBC Television Shakespeare version, directed by Jonathan Miller and starring John Cleese and Sarah Badel.
The Taming of the Shrew in performance has had an uneven history. Popular in Shakespeare's day, the play fell out of favour during the seventeenth century, when it was replaced on the stage by John Lacy's Sauny the Scott. The original Shakespearean text was not performed at all during the eighteenth century, with David Garrick's adaptation Catharine and Petruchio dominating the stage. After over two hundred years without a performance, the play returned to the British stage in 1844, the last Shakespeare play restored to the repertory. However, it was only in the 1890s that the dominance of Catharine and Petruchio began to wain, and productions of The Shrew become more regular. Moving into the twentieth century, the play's popularity increased considerably, and it became one of Shakespeare's most frequently staged plays, with productions taking place all over the world. This trend has continued into the twenty-first century, with the play as popular now as it was when first written.
The Taming of the Shrew is a ballet in two acts choreographed by John Cranko to keyboard works by Domenico Scarlatti arranged and orchestrated by Kurt-Heinz Stolze. With scenery and costumes designed by Elizabeth Dalton, it was first presented as Der Widerspenstigen Zähmung by the Stuttgart Ballet at the Wṻrtembergische Staatstheater in Stuttgart on 16 March 1969.