Leave It to Me!

Last updated
Leave It to Me!
Leave it to Me playbill imperial.png
Original Broadway Playbill
Music Cole Porter
LyricsCole Porter
Book Samuel and Bella Spewack
Productions1938 Broadway

Leave It to Me! is a 1938 musical produced by Vinton Freedley with music and lyrics by Cole Porter. The book was a collaborative effort by Samuel and Bella Spewack, who also directed the Broadway production. The musical was based on the play Clear All Wires by the Spewacks, which was performed on Broadway for 93 performances in 1932, [1] and which was filmed in 1933, starring Lee Tracy, Benita Hume, Una Merkel and James Gleason. [2]

Contents

Set in Stalinist Russia in the 1930s, with Stalin himself appearing at the end, in the Cold War era after World War II its comic treatment of Soviets and Nazis seemed misplaced, and the show was not revived until the late 1980s. [3]

Mary Martin made her Broadway debut in this musical, [4] [5] which introduced the songs "Get Out of Town" and "My Heart Belongs to Daddy."

Productions

The musical had pre-Broadway tryouts at the Shubert Theatre, New Haven, starting on October 13, 1938 and then at the Shubert Theatre, Boston, starting on October 17, 1938. [6]

It opened on Broadway at the Imperial Theatre on November 9, 1938 and closed on July 15, 1939 after 291 performances. It reopened on September 4, 1939 and closed September 16, 1939 for another 16 performances. [6] The choreography was by Robert Alton, costumes by Raoul Pene du Bois, set by Albert Johnson, and Ernest K. Gann was the General Manager. The cast featured William Gaxton, Victor Moore, Sophie Tucker, Mary Martin, Tamara Drasin, and Alexander Asro. [6] In his first Broadway show, Gene Kelly had a role as a dancer and Secretary to Mr. Goodhue. [7] The original production ended with the appearance of Joseph Stalin, who led a final dance to the Soviet anthem The Internationale. After the signing of the Nazi-Soviet pact, Stalin was dropped from the show. [8]

The Equity Library Theater in New York City presented a revival of the show the first time it was revived in the United States in March 1988. [9] The "Musicals Tonight!" series, New York City, held a staged concert in March 2001. [10] 42nd Street Moon Theatre Company, San Francisco, presented the musical in November–December 2001. [11]

Plot

Victor Moore as Alonzo "Stinky" Goodhue on the cover of Stage magazine (October 1938) Moore-FC-Stage-1938.jpg
Victor Moore as Alonzo "Stinky" Goodhue on the cover of Stage magazine (October 1938)

In the late 1930s, aging businessman Alonzo "Stinky" Goodhue has become the American ambassador to the Soviet Union. The job was secured for him by his social-climbing wife, Leora, who helped to fund Franklin Roosevelt's re-election campaign. However, "Stinky" has no desire to live in Stalinist Russia. He is longing for the pleasures of his home in Topeka, Kansas, especially banana splits. He hopes his tenure as ambassador will be a short one. Meanwhile, an ambitious newspaper reporter, Buckley J. "Buck" Thomas, is employed to discredit Goodhue by his publisher who wants to be the ambassador himself. When Thomas and Goodhue realise they both have the same aims, they work together.

Goodhue plans to make major diplomatic gaffes, which will be publicised by Thomas. He delivers an inflammatory speech, but is hailed for his courage. He kicks the Ambassador of Nazi Germany, to the delight of the Soviets. He then attempts to shoot a Soviet official, but hits a counter-revolutionary aristocrat instead. Each time he ends up being hailed as a hero (in a parody of diplomatic speak, the British ambassador says "Britain views your deed [kicking the Nazi] with pride and alarm, congratulates and condemns you, and will now perform its breathtaking triple loop, suspended by a single wire, sitting in a tub of water."). His recall seems further away than ever.

In a subplot, Buck Thomas is involved with his boss's "protégée", the free-spirited Dolly Winslow. He falls in love with Colette, one of Goodhue's daughters. He has to extract himself from Dolly to win Colette. Dolly eventually finds herself stranded at a railroad station in Siberia. She slowly takes off her furs to admirers as she sings of her flirtations, but insists "My Heart Belongs to Daddy", referring to her "sweet millionaire" sugar-daddy.

The ambassador finally resolves to give up his tricks and tries to promote good relations between the United States and the Soviet Union; however his sincere attempts to improve matters now go disastrously wrong. He finally gets his wish to be recalled back to Topeka.

Original cast and characters

Musical numbers

Critical response

Music scholar David Ewen wrote that Mary Martin "stole the limelight...in her Broadway debut." Appearing in a scene at a railway station, she did "a mock strip tease while removing her ermine wraps, and all the while chanting in a baby voice, 'My Heart Belongs to Daddy.' The house went into an uproar, thereby proclaiming a new queen of musical comedy." [5]

Related Research Articles

<span class="mw-page-title-main">Musical film</span> Film genre

Musical film is a film genre in which songs by the characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate "production numbers".

<span class="mw-page-title-main">Mary Martin</span> American singer and actress (1913–1990)

Mary Virginia Martin was an American actress and singer. A muse of Rodgers and Hammerstein, she originated many leading roles on stage over her career, including Nellie Forbush in South Pacific (1949), the title character in Peter Pan (1954), and Maria von Trapp in The Sound of Music (1959). She was named a Kennedy Center Honoree in 1989. She was the mother of actor Larry Hagman.

<span class="mw-page-title-main">Cole Porter</span> American composer and songwriter (1891–1964)

Cole Albert Porter was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film.

<i>Kiss Me, Kate</i> 1948 stage musical

Kiss Me, Kate is a musical written by Bella and Samuel Spewack with music and lyrics by Cole Porter. The story involves the production of a musical version of William Shakespeare's The Taming of the Shrew and the conflict on and off-stage between Fred Graham, the show's director, producer, and star, and his leading lady, his ex-wife Lilli Vanessi. A secondary romance concerns Lois Lane, the actress playing Bianca, and her gambler boyfriend, Bill, who runs afoul of some gangsters. The original production starred Alfred Drake, Patricia Morison, Lisa Kirk and Harold Lang.

<i>Hello, Dolly!</i> (musical) 1964 Broadway musical

Hello, Dolly! is a 1964 musical with lyrics and music by Jerry Herman and a book by Michael Stewart, based on Thornton Wilder's 1938 farce The Merchant of Yonkers, which Wilder revised and retitled The Matchmaker in 1955. The musical follows the story of Dolly Gallagher Levi, a strong-willed matchmaker, as she travels to Yonkers, New York, to find a match for the miserly "well-known unmarried half-a-millionaire" Horace Vandergelder.

<span class="mw-page-title-main">Carol Channing</span> American actress (1921–2019)

Carol Elaine Channing was an American actress, comedian, singer and dancer who starred in Broadway and film musicals. Her characters usually had a fervent expressiveness and an easily identifiable voice, whether singing or for comedic effect.

<i>Annie Get Your Gun</i> (musical) 1946 musical by Irving Berlin

Annie Get Your Gun is a musical with lyrics and music by Irving Berlin and a book by Dorothy Fields and her brother Herbert Fields. The story is a fictionalized version of the life of Annie Oakley (1860–1926), a sharpshooter who starred in Buffalo Bill's Wild West, and her romance with sharpshooter Frank E. Butler (1847–1926).

<i>Anything Goes</i> 1934 musical with music and lyrics by Cole Porter

Anything Goes is a musical with music and lyrics by Cole Porter. The original book was a collaborative effort by Guy Bolton and P. G. Wodehouse, revised considerably by the team of Howard Lindsay and Russel Crouse. The story concerns madcap antics aboard an ocean liner bound from New York to London. Billy Crocker is a stowaway in love with heiress Hope Harcourt, who is engaged to Lord Evelyn Oakleigh. Nightclub singer Reno Sweeney and Public Enemy Number 13, "Moonface" Martin, aid Billy in his quest to win Hope. The musical introduced such songs as "Anything Goes", "You're the Top", and "I Get a Kick Out of You".

Harvey Lester Schmidt was an American composer for musical theatre and illustrator. He was best known for composing the music for the longest running musical in history, The Fantasticks, which ran off-Broadway for 42 years, from 1960 to 2002.

<i>Fifty Million Frenchmen</i>

Fifty Million Frenchmen is a musical comedy with a book by Herbert Fields and music and lyrics by Cole Porter. It opened on Broadway in 1929 and was adapted for a film two years later. The title is a reference to the hit 1927 song "Fifty Million Frenchmen Can't Be Wrong" by Willie Raskin, Billy Rose, and Fred Fisher, which compared free attitudes in 1920s Paris with censorship and prohibition in the United States. The musical's plot is consistent with the standard boy-meets-girl plots of musical comedies of the first half of the twentieth century.

<i>Of Thee I Sing</i> Musical by George and Ira Gershwin

Of Thee I Sing is a musical with a score by George Gershwin, lyrics by Ira Gershwin and a book by George S. Kaufman and Morrie Ryskind. The musical lampoons American politics; the story concerns John P. Wintergreen, who runs for President of the United States on the "love" platform. When he falls in love with the sensible Mary Turner instead of Diana Devereaux, the beautiful pageant winner selected for him, he gets into political hot water.

<span class="mw-page-title-main">William Gaxton</span> American actor

William Gaxton was an American star of vaudeville, film, and theatre. Gaxton was president of The Lambs Club from 1936 to 1939, 1952 to 1953, and 1957 to 1961. He and Victor Moore became a popular theatre team in the 1930s and 1940s; they also appeared in a film together.

The Sound of Musicals was a 2006 four part BBC series starring several different musical theatre actors and some other professional singers who performed acts from different musicals. Each week the standard cast was joined by a celebrity guest host who also performed their favourite numbers. The show also featured interviews with people involved in musical theatre such as Andrew Lloyd Webber, and Cameron Mackintosh.

"My Heart Belongs to Daddy" is a song written by Cole Porter, for the 1938 musical Leave It to Me! which premiered on November 9, 1938. It was originally performed by Mary Martin, who played Dolly Winslow, the young "protégée" of a rich newspaper publisher.

<span class="mw-page-title-main">John McMartin</span> American actor

John Francis McMartin was an American actor of stage, film and television.

<i>Night and Day</i> (1946 film) 1946 biographical film about Cole Porter directed by Michael Curtiz

Night and Day is a 1946 American biographical and musical film starring Cary Grant, in a fictionalized account of the life of American composer and songwriter Cole Porter.

Hollywood Pinafore, or The Lad Who Loved a Salary is a musical comedy in two acts by George S. Kaufman, with music by Arthur Sullivan, based on Gilbert and Sullivan's H.M.S. Pinafore. The work premiered on May 8, 1945, at Ford's Grand Opera House in Baltimore for tryouts. It opened on Broadway at the Alvin Theatre on May 31, 1945, and closed on July 14, 1945, after 52 performances. It was directed by Kaufman and starred Annamary Dickey as Brenda Blossom, Shirley Booth as Louhedda Hopsons, Victor Moore as Joseph W. Porter, George Rasely as Mike Corcoran, William Gaxton as Dick, and Mary Wickes as Miss Hebe. The costumes were designed by Mary Percy Schenck. The adaptation transplants the maritime satire of the original Pinafore to a satire of the glamorous world of 1940s Hollywood film making, but Sullivan's score is retained with minor adaptations.

<span class="mw-page-title-main">Bella and Samuel Spewack</span>

Bella and Samuel Spewack were a husband-and-wife writing team.

<span class="mw-page-title-main">Liliane Montevecchi</span> French-Italian actress and entertainer

Liliane Montevecchi was a French Italian actress, dancer, and singer.

The following events occurred in November 1938:

References

Notes

  1. Clear All Wires on IBDB.com
  2. Clear All Wires! at IMDb   OOjs UI icon edit-ltr-progressive.svg
  3. Gussow, Mel (March 14, 1988). "Reluctant Envoy's Tale: Porter's 'Leave It to Me!'". The New York Times. Retrieved November 23, 2021.
  4. Ewen, David. "Cole Porter: The Great Sophisticate" theatrehistory.com (originally published in The Story of America's Musical Theater, 1961), accessed January 11, 2011
  5. 1 2 "Mary Martin is Broadway's newest song star", LIFE, p. 29, December 19, 1938
  6. 1 2 3 "'Leave It to Me'" sondheimguide.com, accessed January 11, 2011
  7. Krebs, Albin. "Gene Kelly, Dancer of Vigor and Grace, Dies" New York Times, February 3, 1996
  8. Bordman, Gerald Martin and Hischak, Thomas S. The Oxford Companion to American Theatre, New York: Oxford University Press, 2004, p.379.
  9. Gussow, Mel. "Review/Theater; Reluctant Envoy's Tale: Porter's 'Leave It to Me!'" New York Times , March 14, 1988
  10. "'Leave it to Me Listing" Archived 2011-07-23 at the Wayback Machine musicalstonight.org, accessed January 11, 2011
  11. "'Leave It to Me!' listing" Archived 2011-07-07 at the Wayback Machine 42ndstmoon.com, accessed January 11, 2011