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"Give Him the Ooh-La-La" is a 1939 popular song written by Cole Porter, for his musical DuBarry Was a Lady , where it was introduced by Ethel Merman.
The song was performed by Carol Burnett in one of her earliest TV appearances in 1956, as part of the Omnibus program The American Musical Comedy. [1]
It became the title track of Blossom Dearie's 1958 album with the same name.
Margrethe Blossom Dearie was an American jazz singer and pianist. She had a recognizably light and girlish voice. Dearie performed regular engagements in London and New York City over many years and collaborated with many musicians, including Johnny Mercer, Miles Davis, Jack Segal, Johnny Mandel, Duncan Lamont, Bob Dorough, Dave Frishberg, and Jay Berliner.
"All of You" is a popular song written by Cole Porter and published in 1954.
"Night and Day" is a popular song by Cole Porter that was written for the 1932 musical Gay Divorce. It is perhaps Porter's most popular contribution to the Great American Songbook and has been recorded by dozens of musicians. NPR says "within three months of the show's opening, more than 30 artists had recorded the song."
"Let's Do It, Let's Fall in Love" is a popular song written in 1928 by Cole Porter. It was introduced in Porter's first Broadway success, the musical Paris (1928) by French chanteuse Irène Bordoni, for whom Porter had written the musical as a starring vehicle.
Du Barry Was a Lady is a Broadway musical, with music and lyrics by Cole Porter, and the book by Herbert Fields and Buddy DeSylva. The musical starred Bert Lahr, Ethel Merman and Betty Grable, and the song "Friendship" was one of the highlights. The musical was made into a 1943 Technicolor film Du Barry Was a Lady, starring Red Skelton, Lucille Ball, Gene Kelly and Tommy Dorsey and his orchestra.
Ben Bagley was an American musical producer and record producer.
"If I Were a Bell" is a song composed by Frank Loesser for his 1950 musical Guys and Dolls.
"Don't Fence Me In" is a popular American song written in 1934, with music by Cole Porter and lyrics by Robert Fletcher and Cole Porter. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.
"Wait till You See Her" is a popular song. The music was written by Richard Rodgers, the lyrics by Lorenz Hart.
Give Him the Ooh-La-La is a 1958 studio album by American jazz singer Blossom Dearie.
"Thou Swell" is a show tune, a popular song and a jazz standard written in 1927.
"I Concentrate on You" is a song written by Cole Porter for the 1940 film Broadway Melody of 1940, where it was introduced by Douglas McPhail.
"Just in Time" is a popular song with the melody written by Jule Styne and the lyrics by Betty Comden and Adolph Green. It was introduced by Judy Holliday and Sydney Chaplin in the musical Bells Are Ringing in 1956. Judy Holliday and Dean Martin sang the song in the 1960 film of Bells Are Ringing. Martin then recorded it for his 1960 album, This Time I'm Swingin'!. Tony Bennett recorded the song in 1956 and continued performing it until his retirement, at Radio City Music Hall, in 2021 at the age of 95.
"Do I Love You?" is a 1939 popular song written by Cole Porter, for his musical Du Barry Was a Lady, where it was introduced by Ronald Graham and Ethel Merman.
"I Am in Love" is a 1953 popular song written by Cole Porter, for his musical Can-Can, where it was introduced by Peter Cookson.
"Ridin' High" is a 1936 popular song written by Cole Porter, for his musical Red, Hot and Blue, where it was introduced by Ethel Merman.
"Johnny One Note" is a 1937 show tune from the 1937 Rodgers and Hart musical Babes in Arms, where it was introduced by Wynn Murray. Judy Garland sang it in the Rodgers & Hart biopic Words and Music (1948).
"I Hear Music" is a popular song composed by Burton Lane, with lyrics by Frank Loesser for the Paramount Pictures movie Dancing on a Dime (1940). In the film it was performed by Robert Paige, Peter Lind Hayes, Frank Jenks and Eddie Quillan.
"Between the Devil and the Deep Blue Sea" is an American popular song published in 1931, with music by Harold Arlen and lyrics by Ted Koehler, and first recorded by Cab Calloway in 1931. It was introduced in the 1931 Cotton Club show Rhythmania and is now a widely recorded standard.
Give Him the Ooh-La-La may refer to:
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