Red Hot and Blue | |
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Music | Cole Porter |
Lyrics | Cole Porter |
Book | Howard Lindsay Russel Crouse |
Productions | 1936 Broadway |
Red, Hot and Blue is a musical with music and lyrics by Cole Porter and a book by Howard Lindsay and Russel Crouse. It premiered on Broadway in 1936 and introduced the popular song "It's De-Lovely," sung by Ethel Merman and Bob Hope.
The musical has no connection to the 1949 film musical of the same name with songs by Frank Loesser.
Today it may be most famous as one of the first instances of creative resolution of top billing on posters and marquees. Stars Jimmy Durante and Ethel Merman refused to accept second billing. The producers devised a compromise in which their names formed an X-shaped cross, drawing the observer’s eye in two directions. The third star, Bob Hope, settled for his name in bold under the cross.
Nails O'Reilly Duquesne is a newly wealthy young widow. Loud and brassy, Nails is a former manicurist. She organizes a benefit for her favorite cause, the rehabilitation of ex-convicts. Together with her sidekick (an "ex-con" himself), Policy Pinkle, and her "square" boyfriend, lawyer Bob Hale, she embarks on a nationwide search for Bob's old girlfriend, which is really the reason for the enterprise. The girlfriend, 18 years earlier, had sat upon a hot waffle iron and so had a unique "imprint". However, the national lottery that Nails starts gets the attention of the Finance Committee, and they wind up in Washington DC in an even more complicated situation. The Supreme Court declares the lottery unconstitutional, because it would benefit the people.
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During the out-of-town tryouts, according to Cole Porter's biography, Cole Porter: A Biography by Charles Schwartz, the book was too long and did not blend with the music. Further the producer Vinton Freedley made "numerous suggestions for overhauling the show", which were accepted by all except Porter. Porter initially told Freedley to communicate through his agent, but finally relented. Additional conflict had arisen before the show's tryouts, when Freedley had assembled the cast and creative team behind the musical Anything Goes , hoping to repeat that show's success. William Gaxton was part of that cast, but withdrew because Ethel Merman's part was so large and Bob Hope was cast. The next conflict came over billing for Jimmy Durante and Merman, which was resolved by having their names crisscrossed above the title. [1]
The musical was first titled But Millions! and then Wait for Baby!.
Porter had written the song "It's De-Lovely" for the film Born to Dance but it was not used. He turned it into a romantic duet for Merman and Bob Hope, in which they trace their romance from first kiss to marriage to a baby. [1]
Red, Hot and Blue had its pre-Broadway tryout in Boston at the Colonial Theatre, starting on October 7, 1936, and the Shubert Theatre in New Haven starting on October 19, 1936. [2]
The musical premiered on Broadway on October 29, 1936 at the Alvin Theatre (now the Neil Simon Theatre) and closed on April 10, 1937 after 183 performances. Directed by Howard Lindsay with choreography by George Hale, it starred Ethel Merman as Nails O'Reilly Duquesne, Jimmy Durante as Policy Pinkle, and Bob Hope as Bob Hale.
The Equity Library Theater (New York City) production ran in January 1984. [3]
The "Discovering Lost Musicals Charitable Trust" series staged the show at Barbican Centre Cinema 1 in 1994, with a cast that included Louise Gold and Don Fellows. [4]
Goodspeed Opera House in East Haddam, Connecticut mounted a revival in the fall of 2000 featuring a revised book by director Michael Leeds. The production starred Debbie Gravitte (Tony Award winner for "Jerome Robbins' Broadway") as Nails Duquesne, Peter Reardon as Bob Hale, and Ben Lipitz as Policy Pinkle. Previews began October 13 with the official opening on November 3. The production ran through December 31. Along with Leeds, the creative team included Andy Blankenbuehler (choreographer), Michael O'Flaherty (musical director), Ken Foy (sets), Ann Hould-Ward (costumes), and Ken Billington (lighting). The rest of the cast included Brian Barry (Rats), Robin Baxter (Peaches), Lesley Blumenthal, Randy Bobish (Bugs), Dianna Bush (Olive), Paul Carlin, Kevin Covert (Leonard), Beth Glover, Billy Hartung (Fingers), Jessica Kostival (Grace), Stephanie Kurtzuba (Jane), Kristin Maloney (Helen), Steve Luker (Eagle Eye), Jody Madaras, Trish Reidy (Vivian), Vince Trani, Matt Williams (Coyote), and Darlene Wilson (Barbara). [5]
A production in 2009 by George Productions had Richard Steven Horvitz as Policy Pinkle, Allyson Turner as Nails and Kyle Nudo as Bob Hale.
Redhot & Blue, a singing group at Yale University (Cole Porter's alma mater), is named after this musical. [6] The group still performs the title song of the musical.
Porter and Merman were mutually appreciative of each other's talents. Porter praised her delivery, professionalism, ability to memorize lyric changes, and said: "She has the finest enunciation of any American singer I know. She has a sense of rhythm which few can equal and her feeling for comedy is so intuitive that she can get every value out of a line without over-stressing". Merman said, "I'd rather sing his songs than those by any other writer". [7]
Porter's songs were criticized by critics and the show had a limited run. [7] According to theatre writer Stanley Green in his book The World of Musical Comedy, the show was not a success, and the major problem was the book, "...a fairly elementary piece..." Green said that Porter's songs were more "inspired", noting that Merman sang the song "Down in the Depths" in "a gold lamé gown illuminated by a single gold spotlight, brilliantly heightened the heroine's loneliness by contrasting it with her surroundings". [8]
Cole Albert Porter was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in Hollywood films.
Ethel Merman was an American actress and singer. Known for her distinctive, powerful voice, and her leading roles in musical theater, she has been called "the undisputed First Lady of the musical comedy stage." She performed on Broadway in Anything Goes, Annie Get Your Gun, Gypsy, and Hello, Dolly!
Anything Goes is a musical with music and lyrics by Cole Porter. The original book was a collaborative effort by Guy Bolton and P. G. Wodehouse, revised considerably by the team of Howard Lindsay and Russel Crouse. The story concerns madcap antics aboard an ocean liner bound from New York to London. Billy Crocker is a stowaway in love with heiress Hope Harcourt, who is engaged to Lord Evelyn Oakleigh. Nightclub singer Reno Sweeney and Public Enemy Number 13, "Moonface" Martin, aid Billy in his quest to win Hope. Songs introduced that later became pop and jazz standards are "Anything Goes", "You're the Top", "All Through the Night", and "I Get a Kick Out of You".
Fifty Million Frenchmen is a musical comedy with a book by Herbert Fields and music and lyrics by Cole Porter. It opened on Broadway in 1929 and was adapted for a film two years later. The title is a reference to the hit 1927 song "Fifty Million Frenchmen Can't Be Wrong" by Willie Raskin, Billy Rose, and Fred Fisher, which compared free attitudes in 1920s Paris with censorship and prohibition in the United States. The musical's plot is consistent with the standard boy-meets-girl plots of musical comedies of the first half of the twentieth century.
Girl Crazy is a 1930 musical by George Gershwin with lyrics by Ira Gershwin and book by Guy Bolton and John McGowan. Ethel Merman made her stage debut in the first production and co-lead Ginger Rogers became an overnight star. Rich in song, it follows the story of Danny Churchill who has been sent to fictional Custerville, Arizona, to manage his family's ranch. His father wants him there to focus on matters more serious than alcohol and women but Danny turns the place into a dude ranch, importing showgirls from Broadway and hiring Kate Forthergill as entertainer. Visitors come from both coasts and Danny falls in love with the local postmistress, Molly Gray.
Panama Hattie is a 1940 American musical with music and lyrics by Cole Porter and book by Herbert Fields and B. G. DeSylva. The musical is about a nightclub owner, Hattie Maloney, who lives in the Panama Canal Zone and ends up dealing with both romantic and military intrigue. The title is a play on words, referring to the popular Panama hat.
Du Barry Was a Lady is a Broadway musical, with music and lyrics by Cole Porter, and the book by Herbert Fields and Buddy DeSylva. The musical starred Bert Lahr, Ethel Merman and Betty Grable, and the song "Friendship" was one of the highlights. The musical was made into a 1943 Technicolor film Du Barry Was a Lady, starring Red Skelton, Lucille Ball, Gene Kelly and Tommy Dorsey and his orchestra.
Paris is a musical with the book by Martin Brown, and music and lyrics by Cole Porter, as well as Walter Kollo and Louis Alter (music) and E. Ray Goetz and Roy Turk (lyrics). The musical, which premiered on Broadway in 1928, was Porter's first Broadway hit. The musical introduced the song "Let's Do It, Let's Fall in Love" sung by the show's star, Irene Bordoni. The story involves a young man from a very proper family in Newton, Massachusetts whose mother is horrified by his intention to wed a French actress.
"It's De-Lovely" is one of Cole Porter's hit songs, originally appearing in his 1936 musical, Red Hot and Blue. It was introduced by Ethel Merman and Bob Hope. The song was later used in the musical Anything Goes, first appearing in the 1956 film version ; in the 1962 revival where it was sung by Hal Linden and Barbara Lang, and in the 2004 biographical film De-Lovely, where it was performed by Robbie Williams.
Something for the Boys is a musical with music and lyrics by Cole Porter and a book by Herbert Fields and Dorothy Fields. Produced by Mike Todd, the show opened on Broadway in 1943 and starred Ethel Merman in her fifth Cole Porter musical.
Anything Goes is a 1936 American musical film directed by Lewis Milestone and starring Bing Crosby, Ethel Merman, Charles Ruggles and Ida Lupino. It is based on the 1934 stage musical Anything Goes by Guy Bolton and P. G. Wodehouse, which included songs by Cole Porter.
"Down in the Depths (on the Ninetieth Floor)" is a torch song written by Cole Porter, for his 1936 musical Red, Hot and Blue, in which it was introduced by Ethel Merman. The lyric scheme juxtaposes images of high and low. It is a lament from the point of view of a rich woman in a penthouse apartment higher than any building but the Empire State Building, who looks down on the busy city life below her but nevertheless feels she is at the lowest and poorest point of her life because she is lonely. Porter's melody is musically intertwined with the lyric scheme in a similar manner to his song "Ev'ry Time We Say Goodbye."
"Ridin' High" is a 1936 popular song written by Cole Porter, for his musical Red, Hot and Blue, where it was introduced by Ethel Merman.
The New Yorkers is a musical written by Cole Porter and Herbert Fields (book). Star Jimmy Durante also wrote the words and music for the songs in which his character was featured.
Let's Face It! is a musical with music and lyrics by Cole Porter. The book by Herbert and Dorothy Fields is based on the 1925 play The Cradle Snatchers by Russell Medcraft and Norma Mitchell.
Wake Up and Dream is a musical revue with a book by John Hastings Turner and music and lyrics by Cole Porter and others. The most famous song from the revue is the Porter standard "What Is This Thing Called Love?"
Klea Blackhurst is an American actress. She is best known for Everything the Traffic Will Allow, her tribute to Ethel Merman that debuted in New York in 2001. Among many accolades, this production earned her the inaugural Special Achievement Award from Time Out New York magazine. The recording of Everything the Traffic Will Allow was named one of the top ten show albums of 2002 by Talkin' Broadway.com.
Take a Chance (1932) is a musical with lyrics by B. G. De Sylva and music by Nacio Herb Brown and Richard A. Whiting, with additional songs by Vincent Youmans, and book by De Sylva and Laurence Schwab.
Hitchy-Koo of 1919 is a musical revue with music and lyrics by Cole Porter and a book by George V. Hobart. This revue was third in a series of four Hitchy-Koo Broadway revues from 1917 to 1920 produced by, and starring, Raymond Hitchcock. The revues were named after the 1912 popular song "Hitchy-Koo" by composers Lewis F. Muir and Maurice Abrahams with lyrics by L. Wolfe Gilbert; the only song which was featured in all of the Hitchy-Koo revues. The original Broadway production of this version played in 1919. The revue received favourable reviews.
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