"Down in the Depths (on the Ninetieth Floor)" is a torch song written by Cole Porter, for his 1936 musical Red, Hot and Blue , in which it was introduced by Ethel Merman. [1] The lyric scheme juxtaposes images of high and low. It is a lament from the point of view of a rich woman in a penthouse apartment higher than any building but the Empire State Building, who looks down on the busy city life below her but nevertheless feels she is at the lowest and poorest point of her life because she is lonely. [2] Porter's melody is musically intertwined with the lyric scheme in a similar manner to his song "Ev'ry Time We Say Goodbye."
The song was a late addition to the show only being added during the Boston tryout. [3]
"Too Darn Hot" is a song written by Cole Porter for his musical Kiss Me, Kate (1948).
"All of You" is a popular song written by Cole Porter and published in 1954.
"Night and Day" is a popular song by Cole Porter that was written for the 1932 musical Gay Divorce. It is perhaps Porter's most popular contribution to the Great American Songbook and has been recorded by dozens of musicians. NPR says "within three months of the show's opening, more than 30 artists had recorded the song."
"Let's Do It, Let's Fall in Love" is a popular song written in 1928 by Cole Porter. It was introduced in Porter's first Broadway success, the musical Paris (1928) by French chanteuse Irène Bordoni, for whom Porter had written the musical as a starring vehicle.
"You Do Something to Me" is a song written by Cole Porter. It is notable in that it was the first number in Porter's first fully integrated-book musical Fifty Million Frenchmen (1929). In the original production, the song was performed by Genevieve Tobin and William Gaxton, performing the roles of Looloo Carroll and Peter Forbes, respectively.
"Lullaby of Broadway" is a popular song with music written by Harry Warren and lyrics by Al Dubin, published in 1935. The lyrics salute the nightlife of Broadway and its denizens, who "don't sleep tight until the dawn."
"My Heart Belongs to Daddy" is a song written by Cole Porter for the musical Leave It to Me! which premiered on November 9, 1938. It was originally performed by Mary Martin, who played Dolly Winslow, the young "protégée" of a rich newspaper publisher, her sugar daddy. In the musical, Dolly wears a fur coat while stranded at a Siberian railway station and surrounded by eager men. She performs a striptease and sings to them about how since she has her "daddy", she may still flirt with other men but won't "follow through".
"It's De-Lovely" is one of Cole Porter's hit songs, originally appearing in his 1936 musical, Red Hot and Blue. It was introduced by Ethel Merman and Bob Hope. The song was later used in the musical Anything Goes, first appearing in the 1956 film version ; in the 1962 revival where it was sung by Hal Linden and Barbara Lang, and in the 2004 biographical film De-Lovely, where it was performed by Robbie Williams.
"Don't Fence Me In" is a popular American song written in 1934, with music by Cole Porter and lyrics by Robert Fletcher and Cole Porter. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.
"I Love You" is a song written by Cole Porter in 1944 for his stage musical Mexican Hayride.
"So Near and Yet So Far" is a song written by Cole Porter, for the 1941 film You'll Never Get Rich, where it was introduced by Fred Astaire, and accompanied a dance with Astaire and Rita Hayworth, choreographed by Robert Alton. Astaire and Hayworth's performance was significant as the only occasion where Astaire's female dancing partner led the choreography of the dance. Porter's biographer, William McBrien described the song as "beautiful and highly successful".
"I Concentrate on You" is a song written by Cole Porter for the 1940 film Broadway Melody of 1940, where it was introduced by Douglas McPhail.
"(It Will Have to Do) Until the Real Thing Comes Along" is a popular song first published in 1936.
"Do I Love You?" is a 1939 popular song written by Cole Porter, for his musical Du Barry Was a Lady, where it was introduced by Ronald Graham and Ethel Merman.
"I Am in Love" is a 1953 popular song written by Cole Porter, for his musical Can-Can, where it was introduced by Peter Cookson.
"From This Moment On" is a 1950 popular song written by Cole Porter, which has since become a jazz standard. It was originally written for the 1950 musical Out of This World, but director George Abbott dropped it from the musical before its Broadway premiere, possibly due to lackluster singing by cast member William Eythe. It was then included in MGM's 1953 film Kiss Me Kate, an adaptation of Porter's stage musical Kiss Me, Kate when it was sung by Ann Miller, Tommy Rall, Bob Fosse and Bobby Van. In theatrical versions of Kiss Me, Kate it goes now as a duet of Harrison Howell and Lilli Vanessi.
"Ridin' High" is a 1936 popular song written by Cole Porter, for his musical Red, Hot and Blue, where it was introduced by Ethel Merman.
"(You'd Be So) Easy to Love" is a popular song written by Cole Porter for William Gaxton to sing in the 1934 Broadway show Anything Goes. However Gaxton was unhappy about its wide vocal range and it was cut from the musical. Porter re-wrote it for the 1936 film Born to Dance, where it was introduced by Eleanor Powell, James Stewart, and Frances Langford under its alternate title, "Easy to Love". The song was later added to the 1987 and 2011 revivals of Anything Goes under the complete title "You’d Be So Easy to Love".
"Dream Dancing" is a song written by Cole Porter for the 1941 film You'll Never Get Rich, where it was introduced as an instrumental. The first recording was made by Fred Astaire with Harry Sosnik and his Orchestra and The Delta Rhythm Boys in 1941 under the Decca label (#18188).
"C'est Magnifique" is a 1953 popular song written by Cole Porter for his 1953 musical Can-Can, where it was introduced by Lilo and Peter Cookson. The song became a standard. The only version to chart was by Gordon MacRae which reached No. 29 for one week.