"You're the Top" is a Cole Porter song from the 1934 musical Anything Goes. It is about a man and a woman who take turns complimenting each other. The best-selling version was Paul Whiteman's Victor single, which made the top five.
"Let's Do It, Let's Fall in Love" is a popular song written in 1928 by Cole Porter. It was introduced in Porter's first Broadway success, the musical Paris (1928) by French chanteuse Irène Bordoni for whom Porter had written the musical as a starring vehicle.
"You Do Something to Me" is a song written by Cole Porter. It is notable in that it was the first number in Porter's first fully integrated-book musical Fifty Million Frenchmen (1929). In the original production, the song was performed by Genevieve Tobin and William Gaxton, performing the roles of Looloo Carroll and Peter Forbes, respectively.
"True Love" is a popular song written by Cole Porter and was published in 1956. The song was introduced by Bing Crosby and Grace Kelly in the musical film High Society. "True Love" was nominated for the Academy Award for Best Original Song. Kelly's contribution on the record is relatively minor, duetting with Crosby on only the final chorus. Nonetheless, the single is co-credited to her.
"Don't Fence Me In" is a popular American song written in 1934, with music by Cole Porter and lyrics by Robert Fletcher and Cole Porter. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.
The Country Girl is a 1954 American drama film directed by George Seaton and starring Bing Crosby, Grace Kelly, and William Holden. Adapted by George Seaton from Clifford Odets' 1950 play of the same name, the film is about an alcoholic has-been actor struggling with the one last chance he has been given to resurrect his career. Seaton won the Academy Award for Best Writing, Adapted Screenplay. It was entered in the 1955 Cannes Film Festival.
"I Love Paris" is a popular song written by Cole Porter and published in 1953. The song was introduced by Lilo in the musical Can-Can. A line in the song's lyrics inspired the title of the 1964 movie Paris When It Sizzles.
Anything Goes is a 1936 American musical film directed by Lewis Milestone and starring Bing Crosby, Ethel Merman, Charles Ruggles and Ida Lupino. Based on the stage musical Anything Goes by Guy Bolton and P. G. Wodehouse, the stage version contains songs by Cole Porter. The film is about a young man who falls in love with a beautiful woman whom he follows onto a luxury liner, where he discovers she is an English heiress who ran away from home and is now being returned to England. He also discovers that his boss is on the ship. To avoid discovery, he disguises himself as the gangster accomplice of a minister, who is actually a gangster on the run from the law. The film required revisions of Porter's saucy lyrics to pass Production Code censors. Only four of his songs remained: "Anything Goes", "I Get a Kick Out of You", "There'll Always Be a Lady Fair", and "You're the Top". "You're the Top" contained substantially revised lyrics, and only the first verse was retained from the song "Anything Goes".
"I Love You, Samantha" is a song written by Cole Porter for the 1956 film High Society, where it was introduced by Bing Crosby.
"You're Sensational" is a song written by Cole Porter for the 1956 film High Society, where it was introduced by Frank Sinatra.
Mind if I Make Love to You?" is a song written by Cole Porter for the 1956 film High Society, where it was sung by Frank Sinatra to Grace Kelly. It is the one song from the musical not included in any stage version of the show.
"Now You Has Jazz" is a song written by Cole Porter for the 1956 film High Society in which it was introduced by Bing Crosby and Louis Armstrong. The song describes what instruments are needed to create jazz.
"It's All Right with Me" is a popular song written by Cole Porter, for his 1953 musical Can-Can, where it was introduced by Peter Cookson as the character Judge Aristide Forestier.
"I've Got My Eyes on You" is a popular song by Cole Porter, published in 1939 and written for the Hollywood musical film Broadway Melody of 1940 where it was introduced by Fred Astaire. Later that year, it was included in Andy Hardy's Private Secretary (1940) where it was sung by Kathryn Grayson.
Anything Goes is a 1956 American musical film directed by Robert Lewis, and starring Bing Crosby, Donald O'Connor, Jeanmaire, and Mitzi Gaynor. Adapted from the 1934 stage musical Anything Goes by Cole Porter, Guy Bolton, and P.G. Wodehouse, the film is about two entertainers scheduled to appear in a Broadway show who travel to Europe, where each discovers the perfect leading lady for the female role. Bing Crosby's character, Bill Benson, goes to England and meets Mitzi Gaynor's character Patsy Blair, and he signs her as the female lead. Meanwhile, Donald O'Connor's character, Ted Adams, travels to France and meets Jeanmaire's character, Gaby Duval, and he signs her to the same role. On the return voyage, with each man having brought his leading lady along, the Atlantic becomes a stormy crossing when each man must tell his discovery that she might not get the role.
High Society is a 1955 comedy film directed by William Beaudine and starring the comedy team of The Bowery Boys. The film was released on April 17, 1955, by Allied Artists and is the 37th film in the series. It is the only film in the series to receive an Academy Award nomination, albeit through being mistaken for another film with the same title.
Anything Goes is a soundtrack album issued by Decca Records from the film of the same name. The film starred Bing Crosby, Donald O'Connor, Jeanmaire, and Mitzi Gaynor. Joseph J. Lilley was the musical director with special orchestral arrangements by Van Cleave. All the songs were written by Cole Porter with the exception of three additional songs from Jimmy Van Heusen (music) and Sammy Cahn (lyrics) which have been annotated in the listing below. The soundtrack recording took place between April and June 1955. Three songs were recorded in February 1956 with Joseph J. Lilley and his Orchestra for inclusion in the album to replace the original soundtrack versions.
Little One or Small One may refer to:
