"Begin the Beguine" | |
---|---|
Single by Artie Shaw and His Orchestra (original issues as "Art" Shaw) | |
A-side | "Indian Love Call" |
Published | October 16, 1935 by Harms, Inc., New York [1] |
Released | August 17, 1938 [2] |
Recorded | July 24, 1938 [3] |
Studio | RCA Victor, New York City |
Genre | Swing |
Length | 3:22 |
Label | Bluebird B-7746 |
Composer(s) | Cole Porter; arranged by Artie Shaw and Jerry Gray |
"Begin the Beguine" is a popular song written by Cole Porter. Porter composed the song during a 1935 Pacific cruise aboard the Cunard ocean liner Franconia from Kalabahi, Indonesia, to Fiji. [4] In October 1935, it was introduced by June Knight in the Broadway musical Jubilee , produced at the Imperial Theatre in New York City. [5]
The first successful recording was a swing orchestral version released by Artie Shaw and His Orchestra in 1938. In 1981, Julio Iglesias released a Spanish language version which reached No. 1 on the U.K. chart, the first fully Spanish song to top the chart in the country.
The beguine is a dance and music form, similar to a slow rhumba. In his book American Popular Song: The Great Innovators 1900–1950, musicologist and composer Alec Wilder, described "Begin the Beguine" as
a maverick, it is an unprecedented experiment and one which, to this day, after hearing it hundreds of times, I cannot sing or whistle or play from start to finish without the printed music ... about the sixtieth measure I find myself muttering another title, 'End the Beguine'. [6]
At first, the song gained little popularity, perhaps because of its length and unconventional form. Josephine Baker danced to it in her return to the United States in the Ziegfeld Follies of 1936 , but neither she nor the song was successful. Two years later, however, bandleader Artie Shaw recorded an arrangement of the song, an extended swing orchestra version, in collaboration with his arranger and orchestrator, Jerry Gray.
After signing a new recording contract with RCA Victor, Shaw chose "Begin the Beguine" to be the first of six tunes he would record with his new 14-piece band in his first recording session with RCA Victor. The session was held at the RCA Victor's "Studio 2" at 155 East 24th Street in New York City on July 24, 1938. [7] Until then, Shaw's band had been having a tough time finding an identity and maintaining its existence without having had any popular hits of significance. His previous recording contract with Brunswick had lapsed at the end of 1937 without being renewed.
Because RCA Victor was pessimistic with the whole idea of recording the long tune "that nobody could remember from beginning to end anyway"[ This quote needs a citation ], it was released as the "B" side of the record "Indian Love Call", issued on the RCA Victor Bluebird label as catalog number B-7746. Shaw's persistence paid off when "Begin the Beguine" became a best-selling record in 1938, peaking at no. 3, skyrocketing Shaw and his band to fame and popularity. The recording became one of the most famous and popular of the entire Swing Era. Subsequent reissues by RCA Victor (catalog number 20-1551) [8] and later releases on LP, tape and CD have kept the recording continuously available ever since its original release in 1938.
After Shaw introduced the song to dance halls, Metro-Goldwyn-Mayer released the musical film Broadway Melody of 1940 . The song is one of its musical numbers, first sung in dramatic style by mezzo-soprano Lois Hodnott on a tropical set, with Eleanor Powell and Fred Astaire dancing in flamenco choreography. It is continued in the then contemporary jazz style by The Music Maids, with Powell and Astaire tap dancing to a big-band accompaniment.
In short order, all of the major big bands recorded it, including Harry James, Benny Goodman, Tommy Dorsey and Glenn Miller, often as an instrumental, as in the film. As a vocal song, it also became a pop standard, beginning with Joe Loss and Chick Henderson, the first pop vocal record to sell a million copies; [9] new interpretations are often still measured against renditions by Frank Sinatra and Ella Fitzgerald, and Elvis Presley did an adaptation of his own. "Begin the Beguine" became such a classic during World War II that Max Beckmann adopted the title for a painting in 1946 (which the University of Michigan Museum of Art purchased in 1948). [10]
"Begin the Beguine (Volver a Empezar)" | |
---|---|
Single by Julio Iglesias | |
from the album De niña a mujer | |
B-side | "De niña a mujer" |
Released | 1981 |
Genre | Disco [11] |
Length | 4:45 |
Label | CBS |
Songwriter(s) | Cole Porter, Julio Iglesias |
Julio Iglesias recorded a Spanish version of "Begin the Beguine", titled "Volver a Empezar" in Spanish. Iglesias himself wrote new Spanish lyrics for this song, which is about lost love rather than a dance. [12] Apart from the opening lines, the full song is in Spanish. The song was produced in Madrid with an arrangement by producer Ramón Arcusa, using the rhythm from Johnny Mathis's disco version of the song. [12]
The song reached No. 1 in the UK Singles Chart in December 1981. [13] It is the first fully Spanish language song to have reached No. 1 on the British chart, although Iglesias is the second Spanish act to top the chart (after Baccara who topped the chart with "Yes Sir, I Can Boogie" sung in English). [14] The song was certified Gold by the BPI in the UK. [15] The song also spent three weeks at No. 1 in the Irish Singles Chart. [16] In Japan, it sold 96,170 units. [17] Iglesias also recorded the song in different languages – "Venezia a Settembre" in Italian; "Une chanson qui revient" in French, which reached No. 30 in France; [18] and "...aber der Traum war sehr schön" in German, which reached No. 57 in the West German chart. [19]
Chart (1981–82) | Peak position |
---|---|
Austria (Ö3 Austria Top 40) [20] | 8 |
Belgium (Ultratop 50 Flanders) [21] | 17 |
Germany (GfK) [22] | 57 |
Ireland (IRMA) [23] | 1 |
Netherlands (Single Top 100) [24] | 44 |
New Zealand (Recorded Music NZ) [25] | 25 |
Switzerland (Schweizer Hitparade) [26] | 7 |
UK Singles (OCC) [27] | 1 |
External audio | |
---|---|
You may hear Xavier Cugat and his Waldorf-Astoria Orchestra performing Begin the Beguine in 1951 Here on archive.org |
Volver a empezar may refer to:
"If I Give My Heart to You" is a popular song written by Jimmy Brewster, Jimmie Crane, and Al Jacobs. The most popular versions of the song were recorded by Doris Day and by Denise Lor; both charted in 1954.
"Night and Day" is a popular song by Cole Porter that was written for the 1932 musical Gay Divorce. It is perhaps Porter's most popular contribution to the Great American Songbook and has been recorded by dozens of musicians. NPR says "within three months of the show's opening, more than 30 artists had recorded the song."
"I Don't See Me in Your Eyes Anymore" is a popular song, written by Bennie Benjamin and George David Weiss and published in 1949. The song was popularized that year by Gordon Jenkins and His Orchestra and by Perry Como.
"I Believe" is a popular song written by Ervin Drake, Irvin Abraham, Jack Mendelsohn and Al Stillman in 1953. The most popular version was recorded by Italian-American singer Frankie Laine, and spent eighteen weeks at No. 1 on the UK Singles Chart.
"Would I Love You " is a pop song composed by Harold Spina with lyrics by Bob Russell. It was published in 1950 and covered by many different musicians.
"It's a Sin to Tell a Lie" is a 1936 popular song written by Billy Mayhew, introduced early that year on records by many dance bands including Dick Robertson on the 78rpm record Champion 40106, and later popularized by Fats Waller on Victor 25342 and re-issued on Victor 20-1595. It was recorded in French by Cajun singer Cléoma Breaux in 1936 or 1937. Four further recordings of the song were made in 1936, namely by Freddy Ellis and His Orchestra (April), Victor Young and His Orchestra (April), Elton Britt (September), Roy Smeck and His Serenaders and Vera Lynn.
"To All the Girls I've Loved Before" is a song written by Hal David (words) and Albert Hammond (music). It was originally recorded by Hammond in 1975 on his album 99 Miles From L.A., but is more famous for a 1984 recording by Julio Iglesias and Willie Nelson, which appeared on Iglesias's album 1100 Bel Air Place. A breakthrough for Iglesias in the English language market, though he had enjoyed a 1981 UK number one with a largely Spanish-language version of Begin The Beguine, the song peaked at No. 5 on the Billboard Hot 100 and No. 1 on the Canadian RPM Top Singles chart. "To All the Girls I've Loved Before" went to number one on the country chart, and was one of two entries on the country chart for Julio Iglesias and Willie Nelson as a duo.
"You Belong to My Heart" is the name of an English-language version of the Mexican Bolero song "Solamente una vez". This song was composed by Mexican songwriter Agustín Lara and originally performed by singer Ana María González and tenor José Mojica in the 1941 film Melodías de América.
"Amor", also known as "Amor Amor" and "Amor Amor Amor" is a popular song published in 1943.
"Love Walked In" is a song composed by George Gershwin, with lyrics by Ira Gershwin. The tune was composed in 1930, but the lyric was not written until 1937, for the movie musical The Goldwyn Follies (1938), where it was sung by Kenny Baker. Hit versions include Sammy Kaye (1938), The Hilltoppers (1953), Ella Fitzgerald (1959), The Flamingos (1959) and Dinah Washington (1960). Artie Shaw recorded the song in the early 1940s.
"I'm Moving On" is a 1950 country standard written by Hank Snow. It was a success in the record charts and has been recorded by numerous musicians in a variety of styles.
"Say It Isn't So" is a popular torch song by Irving Berlin, published in 1932. The song was written when Berlin was suffering a loss of confidence following several setbacks, and he initially placed the song in a drawer, feeling that it would not be successful. However, one of Berlin's employees, Max Winslow, heard it, and on his own initiative, took it to Rudy Vallée, who was then a major star on radio. Vallee sang it on his radio show and it became an immediate hit.
"And I Love You So" is a popular song written by folk singer and guitarist Don McLean and released on his 1970 debut album, Tapestry. Its chorus features an unusual rhyming scheme for a popular song: ABBA versus the usual AB(C or A)B.
"Just Don't Want to Be Lonely" is a song written by Bobby Eli, John Freeman and Vinnie Barrett, originally recorded in 1973 by Ronnie Dyson and popularized internationally by The Main Ingredient. Dyson's version reached No. 60 in the US Pop chart, No. 30 Adult Contemporary, and No. 29 in the US R&B chart. Its flipside was "Point of No Return", a song written by Thom Bell & Linda Creed.
The Best Days of My Life is an album by American pop singer Johnny Mathis, released on January 29, 1979, by Columbia Records. He scaled back considerably on his more than decade-long practice of recording recent hit songs by other artists. He did, however, cover two standards: "As Time Goes By" and "Begin the Beguine", the latter of which is given a disco arrangement.
Up Swing is a compilation album of phonograph records released by bandleaders Tommy Dorsey, Glenn Miller, Benny Goodman, and Artie Shaw in 1944 as a part of the Victor Musical Smart Set series. The set, a progenitor to greatest hits releases, features some of the most popular Dance Band Era recordings by the four bandleaders.
"My Love" is a song performed by Spanish singer/songwriter Julio Iglesias, written by and featuring American musician Stevie Wonder. It was released as a single in 1988 from Iglesias' album, Non Stop. The duet was a top 5 hit in the UK and Ireland, reaching numbers 5 and 2, respectively. In the U.S., it reached No. 80 on the Billboard Hot 100, and No. 14 on the Adult Contemporary chart.
Smoke Rings is a compilation album of phonograph records released by Victor Records in 1944 featuring Swing-era recordings of eight bandleaders as a part of their Musical Smart Set series. The set was released in conjunction with Up Swing during the American Federation of Musicians strike and features popular recordings by the various artists.
Four Star Favorites is a compilation album of phonograph records released in 1941 by Artie Shaw and His Orchestra on Victor Records, containing studio recordings by his second, third and fourth orchestras.