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"We Kiss in a Shadow" | |
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Song | |
Published | 1951 |
Songwriter(s) | Oscar Hammerstein II |
Composer(s) | Richard Rodgers |
"We Kiss in a Shadow" is a show tune from the 1951 Rodgers and Hammerstein musical, The King and I .
In this song, Tuptim and Lun Tha declare their love for each other, even though they fear that the King of Siam will learn of it. [1]
In the original Broadway production it was performed by Doretta Morrow and Larry Douglas. In the 1956 film version it was sung by Reuben Fuentes, dubbing for Carlos Rivas, and Leona Gordon dubbing for Rita Moreno. [2]
Mary Rodgers was an American composer, author, and screenwriter, most famous for her novel Freaky Friday, which served as the basis of a 1976 film starring Jodie Foster, for which she wrote the screenplay, as well as three other versions. Her best-known musicals were Once Upon a Mattress and The Mad Show, and she contributed songs to Marlo Thomas' successful children's album Free to Be... You and Me.
The King and I is the fifth musical by the team of Rodgers and Hammerstein. It is based on Margaret Landon's novel, Anna and the King of Siam (1944), which is in turn derived from the memoirs of Anna Leonowens, governess to the children of King Mongkut of Siam in the early 1860s. The musical's plot relates the experiences of Anna, a British schoolteacher who is hired as part of the King's drive to modernize his country. The relationship between the King and Anna is marked by conflict through much of the piece, as well as by a love to which neither can admit. The musical premiered on March 29, 1951, at Broadway's St. James Theatre. It ran for nearly three years, making it the fourth longest-running Broadway musical in history at the time, and has had many tours and revivals.
Rodgers and Hammerstein was a theatre-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals. Their popular Broadway productions in the 1940s and 1950s initiated what is considered the "golden age" of musical theatre. Five of their Broadway shows, Oklahoma!, Carousel, South Pacific, The King and I and The Sound of Music, were outstanding successes, as was the television broadcast of Cinderella (1957). Of the other four shows that the team produced on Broadway during their lifetimes, Flower Drum Song was well-received, and none was an outright flop. Most of their shows have received frequent revivals around the world, both professional and amateur. Among the many accolades their shows garnered were thirty-four Tony Awards, fifteen Academy Awards, two Pulitzer Prizes and two Grammy Awards.
William Foster Hayes III is an American actor and recording artist. His song “The Ballad of Davy Crockett“ hit the top of the Billboard charts in the spring of 1955.
Rodgers and Hammerstein's Cinderella is a musical written for television, but later played on stage, with music by Richard Rodgers and a book and lyrics by Oscar Hammerstein II. It is based upon the fairy tale Cinderella, particularly the French version Cendrillon, ou la petite pantoufle de verre, by Charles Perrault. The story concerns a young woman forced into a life of servitude by her cruel stepmother and self-centered stepsisters, who dreams of a better life. With the help of her fairy godmother, Cinderella is transformed into a princess and finds her prince.
"Some Enchanted Evening" is a show tune from the 1949 Rodgers and Hammerstein musical South Pacific. It has been described as "the single biggest popular hit to come out of any Rodgers and Hammerstein show." Andrew Lloyd Webber describes it as the "greatest song ever written for a musical".
"I Have Dreamed" is a show tune from the 1951 Rodgers and Hammerstein musical, The King and I. In the original Broadway production it was sung by Doretta Morrow and Larry Douglas. It has since become a standard, with many artists recording the song.
"I Whistle a Happy Tune" is a show tune from the 1951 Rodgers and Hammerstein musical, The King and I. It is sung by the Governess Anna Leonowens to her son Louis after the curtain rises on Act One of the musical, to persuade him not to be afraid as they arrive in Siam to serve the King.
Doretta Morrow was an American actress, singer and dancer who appeared in stage and television productions during the 1940s and 1950s. She is best remembered for having created roles in the original productions of three successful Broadway musicals: Kitty Verdun in Where's Charley? (1948), Tuptim in The King and I (1951) and Marsinah in Kismet (1953). She co-starred in the 1952 Hollywood film Because You're Mine, as Mario Lanza's love interest. She appeared in several live television musicals. She retired from performance in 1960 at the age of 33.
The King and I is a 1956 American musical film made by 20th Century-Fox, directed by Walter Lang and produced by Charles Brackett and Darryl F. Zanuck. The screenplay by Ernest Lehman is based on the 1951 Richard Rodgers and Oscar Hammerstein II musical The King and I, based in turn on the 1944 novel Anna and the King of Siam by Margaret Landon. That novel in turn was based on memoirs written by Anna Leonowens, who became school teacher to the children of King Mongkut of Siam in the early 1860s. Leonowens' stories were autobiographical, although various elements of them have been called into question. The film stars Deborah Kerr and Yul Brynner.
"Getting to Know You" is a show tune from the 1951 Rodgers and Hammerstein musical The King and I. It was first sung by Gertrude Lawrence in the original Broadway production and later by Marni Nixon who dubbed for Deborah Kerr in the 1956 film adaptation. In the show, Anna, a British schoolteacher who has been hired as a governess, sings the song as she strikes up a warm and affectionate relationship with the children and the wives of the King of Siam.
"Hello, Young Lovers" is a show tune from the 1951 Rodgers and Hammerstein musical, The King and I. It is sung by Anna, played by Gertrude Lawrence in the original Broadway production; by Valerie Hobson in the original London West End production; and by Deborah Kerr in the film version.
As Long as She Needs Me is a 1961 album by Sammy Davis, Jr., arranged by Marty Paich and Morty Stevens.
Sammy Davis Jr. Belts the Best of Broadway is a 1962 studio album by Sammy Davis Jr., arranged by Marty Paich.
"Climb Ev'ry Mountain" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. It is sung at the close of the first act by the Mother Abbess. It is themed as an inspirational piece, to encourage people to take every step toward attaining their dreams.
"Younger Than Springtime" is a show tune from the 1949 Rodgers and Hammerstein musical South Pacific. It has been widely recorded as a jazz standard.
Andy Williams Sings Rodgers and Hammerstein is the second studio album by American pop singer Andy Williams and was orchestrated and conducted by Alvy West. It was released in February 1958 by Cadence Records and focuses upon songs composed by Richard Rodgers with lyrics by Oscar Hammerstein II.
"You're Nearer" is an American popular song by composer Richard Rodgers and lyricist Lorenz Hart from the 1940 film version of the Broadway musical Too Many Girls. It was not in the original Broadway show but was written especially for the movie and copyrighted on August 29, 1940. In the film, it was sung by Lucille Ball and also by Frances Langford with Ann Miller, Libby Bennett and Lucille Ball.
Marvin Wesley Vye Jr. was an American character actor.
The original cast recording of The King and I was issued in 1951 on Decca Records, with Gertrude Lawrence, Yul Brynner, Dorothy Sarnoff and Doretta Morrow. The Broadway cast recording was directed by John Van Druten, with orchestrations by Robert Russell Bennett and musical director Frederick Dvonch. The recording was inducted into the Grammy Hall of Fame in 2001.