The Broadway Album | ||||
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Studio album by | ||||
Released | November 4, 1985 [1] | |||
Recorded | Spring–Summer 1985 [2] | |||
Studio |
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Genre | ||||
Length | 47:44 | |||
Label | Columbia | |||
Producer |
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Barbra Streisand chronology | ||||
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Singles from Emotion | ||||
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The Broadway Album is the twenty-fourth studio album by American singer Barbra Streisand, released by Columbia Records on November 4, 1985. Consisting mainly of classic show tunes, the album marked a major shift in Streisand's career. She had spent ten years appearing in musicals and singing standards on her albums in the 1960s. Beginning with the album Stoney End in 1971 and ending with the album Emotion in 1984, Streisand sang mostly rock, pop, folk, and disco-oriented songs for Columbia records. Noted Broadway composer Stephen Sondheim personally penned additional lyrics for the songs "Putting It Together" and "Send in the Clowns" on request of the singer. [3] The album, originally released on the Columbia label and subsequently re-released by Columbia and Sony Records, was a critical and commercial success. First certified gold by the RIAA on January 13, 1986, it reached four times platinum on January 31, 1995.
The album was accompanied by a television special, Putting It Together: The Making of the Broadway Album. [4] The original LP and cassette releases contained 11 tracks, while the CD release included the bonus track "Adelaide's Lament". [5] Columbia re-released The Broadway Album in 2002 with an additional bonus track, originally cut in 1985, "I Know Him So Well". The album sold 7.5 million copies worldwide.
Streisand started her career on Broadway, and so considered this album in sense returning to her roots, after two decades of recording popular music of the day. Streisand's record label, Columbia Records, objected to the planned content as it was not pop songs, but Streisand had signed a contract at the beginning of her career which gave her full creative control in exchange for lower earnings; at this point she stressed that, due to the contract, she had "the right to sing what I want to sing". [6]
She considers the tracks music she has great respect for, deeming it some of the best music and lyrics ever written. The lead single, "Putting It Together" from Sondheim's Sunday in the Park with George , was rewritten to be about the dichotomy between art and commerce in the music industry. Streisand hired her previous The Way We Were director Sydney Pollack, as well as David Geffen, head of Geffen Records to play the parts of the antagonistic studio heads. Streisand wanted to record the entire piece live to capture the atmosphere of Broadway shows. Many of the musicians also played in Funny Girl 22 years earlier, and a month of rehearsals with Stephen Sondheim was undertaken before recording. [7]
The album's cover art was shot by photographer Richard Corman at the Plymouth Theatre in New York City in the summer of 1985. In addition to the photos used, showing Streisand sitting in a chair on the stage surrounded by sheet music, Corman shot additional portraits of her sitting in the seats. [8]
Review scores | |
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Source | Rating |
AllMusic | link |
Entertainment Weekly | (A) link |
Robert Christgau | (C) link |
In 1993, Entertainment Weekly looked back nostalgically on the album as "the work of a supreme singer-actress still unspoiled enough to fall in love with the characters she sings". [9] Writing at the time of the release, Rolling Stone took a slightly more cynical view, although after criticizing the album for its self-consciousness and overproduction, reviewer Francis Davis did concede that the album "works somehow, if only as a reminder of what a neglected wealth of riches Broadway offers and what a marvelous singer Streisand is when she's not trying to pass herself off as a rock star". [10] New York Times reviewer Stephen Holden, once himself with Rolling Stone, had no such reservations, declaring shortly after the album's release that Streisand had "just released what may be the album of a lifetime". [11] The album was ranked #37 on Entertainment Weekly's list of the '100 Greatest CDs', the fourth highest album by a female artist to appear on the list. [12]
The album reached #1 on the US Billboard 200 chart in 1986, and earned Streisand a Grammy Award for Best Female Pop Vocal Performance and was nominated for Album of the Year. It launched two successful singles. "Send in the Clowns", from A Little Night Music , reached #25 on the "Adult Contemporary" chart. "Somewhere", a song from West Side Story , reached #5 on "Adult Contemporary" and also earned a Grammy for producer David Foster for "Best Instrumental Arrangement Accompanying Vocalist(s)/Best Background Arrangement". According to the liner notes of Streisand's retrospective box set, Just for the Record , the album also received a record certification in Australia. [13]
Bonus track
Information is based on Liner Notes. [14]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
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Australia (ARIA) [31] | 2× Platinum | 140,000‡ |
Canada (Music Canada) [32] | 2× Platinum | 200,000^ |
Netherlands (NVPI) [33] | Gold | 50,000^ |
New Zealand (RMNZ) [34] | Platinum | 15,000^ |
United Kingdom (BPI) [35] | Gold | 100,000^ |
United States (RIAA) [36] | 4× Platinum | 4,000,000^ |
United States (RIAA) [37] Video Longform | Gold | 50,000^ |
Summaries | ||
Worldwide | — | 7,500,000 [38] |
^ Shipments figures based on certification alone. |
The Barbra Streisand Album is the debut album by American singer Barbra Streisand, released February 25, 1963, on Columbia Records, catalogue CL 2007 in mono and CS 8807 in stereo. It peaked at number 8 on the Billboard Top LPs, and has been certified a gold album by the RIAA. By 1966, the album had sold over one million copies worldwide.
The Second Barbra Streisand Album is the title of Barbra Streisand's second solo studio album. It was released in August 1963, just six months after the release of her debut album, The Barbra Streisand Album, and was recorded in four days in June 1963.
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Barbra Joan Streisand is the thirteenth studio album by American singer Barbra Streisand, released in August 1971 on Columbia Records. It was her second consecutive album produced by Richard Perry and features backing work by members of the female band Fanny. Like the two previous studio albums, the singer continued to opt for a more contemporary repertoire, this time choosing three songs by Carole King, two by John Lennon, two by Burt Bacharach and Hal David in medley form, and one each by Laura Nyro and the trio Michel LeGrand, Marilyn Bergman and Alan Bergman.
Timeless: Live in Concert is a live album released by Barbra Streisand on September 19, 2000. It was her fifth live album and was released on Columbia Records. The album was issued a week before what were said to be her final concerts in September 2000 and would reach platinum certification.
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A Christmas Album (1967) is the first Christmas album and the tenth studio album released by American singer Barbra Streisand.
What About Today? is the eleventh studio album released in July 1969 by Barbra Streisand. It is considered to be her first attempt at recording contemporary pop songs and features songs by The Beatles and Paul Simon, among others.
Higher Ground is the twenty-seventh studio album by American singer Barbra Streisand, which, at the time, was her first in four years. The album was inspired by and dedicated to Virginia Clinton Kelley. It was released in North America on November 11, 1997, and a day earlier in Europe.
I Can Get It for You Wholesale: Original Broadway Cast Recording contains the songs from the Broadway musical I Can Get It for You Wholesale, with music and lyrics by Harold Rome. The album contains Barbra Streisand's show-stopping solo "Miss Marmelstein", which became the most memorable song of the show.
Christmas Memories is the second Christmas album and twenty-ninth studio release by American singer Barbra Streisand. It was released on October 30, 2001, by Columbia. Streisand recorded the album during July, August, and September 2001 in various recording studios throughout California and in North Vancouver. It was executive-produced by Streisand and Jay Landers, while William Ross and David Foster served as additional producers. The album contains several cover versions of various holiday songs. To promote Christmas Memories, Columbia Records released an advance sampler version of the album titled A Voice for All Seasons.
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Peter Matz was an American musician, composer, arranger and conductor. His musical career in film, theater, television and studio recording spanned fifty years, and he worked with a number of prominent artists, including Marlene Dietrich, Noël Coward and Barbra Streisand. Matz won three Emmys and a Grammy Award and is best known for his work on Streisand's early albums as well as for his work as the orchestral conductor and musical director for The Carol Burnett Show.
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