The Way We Were | ||||
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Studio album by | ||||
Released | January 30, 1974 [1] | |||
Recorded | 1969–1973 | |||
Studio | United Western (Hollywood) | |||
Genre | Contemporary pop | |||
Length | 35:13 | |||
Label | Columbia | |||
Producer | ||||
Barbra Streisand chronology | ||||
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Singles from The Way We Were | ||||
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The Way We Were is the fifteenth studio album recorded by American singer Barbra Streisand. The album was released in January 1974, preceded by the commercial success of its lead single "The Way We Were" first released in September 1973.
Three additional songs were newly recorded for the album, while six of the tracks salvaged unreleased material from previous Streisand projects. Following the distribution of a soundtrack album for the eponymous 1973 film, Columbia added a caption to Streisand's LP (Featuring the Hit Single The Way We Were and All in Love Is Fair) in order to minimize confusion between the two albums.
Covering a wide array of themes, Streisand sings about recovering relationships, social awareness, and love in general: a contemporary pop album blended with her signature vocal style. Streisand's production team included Tommy LiPuma and Wally Gold, while Marty Paich contributed to the title track.
The lead single topped the charts in both Canada and the United States, where it became the top-selling single of 1974. The second single "All in Love Is Fair" was released in March 1974 and also charted in the two countries.
The album received generally favorable reviews from music critics, who praised Streisand's vocals and found the record capable of being extremely successful. Commercially, The Way We Were topped the Billboard 200 in the United States and reached the top ten on album charts in Australia and Canada. It also entered the charts in Japan and the United Kingdom. The album has since been certified 2× Platinum in the United States by the RIAA.
The concept for the record first developed in late 1973, following the success of "The Way We Were", which was written specifically for the 1973 film of the same title starring Streisand and Robert Redford. [2] American composer and producer Marvin Hamlisch was commissioned to write the melody for the track, which he found to be hugely challenging due to Streisand's demands. She had wanted him to produce the composition in minor key, but he instead wrote it in major key due to his fear that the song's lyrics would be revealed too quickly to the listener. [3] According to the liner notes of her 1991 greatest hits album Just for the Record , "The Way We Were", "All in Love is Fair", "Being at War with Each Other", and "Something So Right" were the only tracks specifically recorded and created for the album. [4] The majority of the project's material consisted of demos and recordings from Streisand's recording sessions with Alan Bergman and Marilyn Bergman for an unreleased album titled The Singer. [5] Both "The Best Thing You've Ever Done" and "Summer Me, Winter Me" were previously released together as a non-album single by Streisand in April 1970, and were originally intended for inclusion on the official soundtrack to her 1970 film The Owl and the Pussycat . [6]
Recording sessions for the album took place at United-Western Recorders in Los Angeles between September 1969 and December 1973, while the mixing was performed at Hollywood Sound during that same time period. "What Are You Doing the Rest of Your Life?" and "My Buddy"/"How About Me" were the first two songs recorded, while "Being at War with Each Other", "Something So Right", and "All in Love Is Fair" were the final three to be completed. Al Schmitt handled the engineering and mixing aspects for the finished tracks, while Doug Sax mastered the pieces at The Mastering Lab, also in Los Angeles. [7] Streisand and Columbia Records released The Way We Were on January 1, 1974, as her fifteenth studio album overall, and first since 1973's Barbra Streisand…and Other Musical Instruments . [8] [9] However, Columbia switched the title of the album at the last minute to Featuring the Hit Single The Way We Were and All in Love Is Fair in order to distinguish Streisand's record from the 1974 soundtrack of the same title with the same release date. [5] The same label issued this version as an 8-track cartridge in 1974, with a differing track listing: both "Something So Right" and "Summer Me, Winter Me" are broken into two separate parts increasing the number of tracks on the record from ten to twelve. [10] The album was later released in CD and digital formats on February 5, 2008. [11]
As a whole, the record is a contemporary pop piece, incorporating elements from Streisand's signature musical style. [12] The Way We Were begins with "Being at War with Each Other", a cover of the Carole King song from her 1973 studio album, Fantasy , although King wrote the track specifically for Streisand. [13] Produced by LiPuma, she sings about various topics, ranging from socialization and relationships. [14] She also claims that all humans stem from "one father" and "one mother" and how differing opinions only "complicate our lives". [15] "Something So Right" is also a cover and originally the B-side track to Paul Simon's 1973 single "Take Me to the Mardi Gras". [16] It focuses heavily on the songwriting rather than the production, although the composition was the second included to be produced by LiPuma. [17] "The Best Thing You've Ever Done" was originally written in 1970 by Charnin who maintained interest in creating a composition for Streisand. [6] Additionally, Wally Gold handled the production for the track, the first of six on the album. [7] Lead single "The Way We Were" is the album's fourth track. In particular, its lyrics detail the personal life of Katie Morosky, the character Streisand portrays in the previously mentioned film, and her troubling relationship with boyfriend Hubbell Gardiner. [18] [19] Track five, "All in Love Is Fair", is a Stevie Wonder cover but is fronted by Streisand's own personal take on it. [12] She sings about a failing relationship through the use of clichés and obvious messages regarding love. [20] [21]
"What Are You Doing the Rest of Your Life?" was written by French composer Michel Legrand (who would continue writing songs with Streisand for years) and Alan and Marilyn Bergman. Gold also produced it, while Peter Matz arranged the instruments and orchestration that accompanied the composition. [7] Seventh and eighth tracks "Summer Me, Winter Me" and "Pieces of Dreams", respectively, also feature contributions from Legrand, with the former originally created specifically for The Singer and the latter a cover of the 1970 version for the film Pieces of Dreams . [22] [23] "I've Never Been a Woman Before" is song written by Tom Baird and Ron Miller for Cherry, an unproduced musical based on the William Inge play Bus Stop . [24] [25] The closing song on the record is a medley of "My Buddy" and "How About Me", from Gus Kahn, Walter Donaldson, and Irving Berlin. [7] The first part of the melody details someone affected by the loss of a friend, particularly a soldier who died during combat, as noted by author Robert Eberwein in his 2007 book Armed Forces; Masculinity and Sexuality in the American War Film. [26]
The album's lead single "The Way We Were" was released as a 7" record on September 27, 1973, roughly three weeks before the premiere of the accompanying film. [2] The song was largely successful after its initial release, where it reached number one on the Billboard Hot 100 and spent twenty-three consecutive weeks among the ranking. [27] [28] Its success was replicated in Canada, where it was also number one. [29] "The Way We Were" was additionally the top-selling single in the United States in 1974 according to the list compiled by Billboard. [30] It was also sent to adult contemporary radio, where it topped the Adult Contemporary charts in both the United States and Canada. [31] [32] On August 19, 1997, "The Way We Were" was certified platinum by the Recording Industry Association of America, signifying sales of over 1,000,000 copies. [8] The single has since been considered to be one of her signature songs. [33] For their work on the track, Hamlisch and the Bergman's won the Academy Award for Best Original Song at the 46th Academy Awards, with Hamlisch also winning the Academy Award for Best Original Score for his work on the film. [34] It additionally won the Golden Globe Award for Best Original Song in 1974 and the Grammy Award for Song of the Year in 1975. [35] [36] On the National Endowment for the Arts and Recording Industry Association of America's list of the top 365 "Songs of the Century", "The Way We Were" was placed at number 298. [37]
"All in Love Is Fair" was released as the album's second single in March 1974, [38] a cover of the Stevie Wonder original for his 1973 album, Innervisions . [39] Columbia also released it as a 7" single paired alongside the medley of "My Buddy" and "How About Me". [38] Matthew Greenwald from AllMusic was so fond of her rendition that he wrote: "It is no doubt one of the most graceful and memorable hooks from the era, and Streisand's performance – particularly her phrasing of this line – is unforgettable". [40] It failed to replicate the success of "The Way We Were", but it managed to peak at numbers 63 and 60 in the United States and Canada, respectively. [41] [42] It additionally reached the top ten of the Adult Contemporary chart, also compiled by Billboard. [31]
In 1972, Streisand's version of "What Are You Doing the Rest of Your Life?" was released as a promotional single in the United States in the 7" vinyl format. It was paired alongside "The Best Thing You've Ever Done", which is also included on The Way We Were. [43]
Review scores | |
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Source | Rating |
AllMusic | [5] |
Christgau's Record Guide | B− [44] |
The Way We Were has received generally favorable reviews from music critics. Robert Christgau enjoyed the overall sound of the album, noting that the catchiness of roughly half the album allows for the songs to be replayed over and over. [44] The editors at Billboard were appreciative of the release, and singled out The Way We Were in its "Spotlight" section for the February 9, 1974 issue. The publication highlighted album tracks "Being at War with Each Other" and "All in Love Is Fair" and declared: "This is the way Streisand should sound." [45] Bob Talbert of the Detroit Free Press remarked upon its release, "thank you, Barbra, for coming back to where you belong. It's no wonder this is the best-selling album and tape in the middle-of-the-road world at this moment. The last few times Streisand has come out of the chutes it's been as an imitation-cum-parody of herself. Or it was a commercial spin-off from her last and mediocre TV special. This is a listener. Sit back, prop up, sip away, turn on, do whatever it is you do, and enjoy. She picks—and you can rest assured she picks 'em—unique song again. Stevie Wonder's 'All in Love Is Fair', not a major Wonder work, is one now after Streisand's treatment. Or Carole King's 'Being at War with Each Other' and Paul Simon's 'Something So Right.' Dynamite. This is quality Streisand. The way she was and should always be." [46]
Stephen Holden from Rolling Stone labeled it "her best album in years"; he also found that her voice sounds just "as fresh as it did in the sixties". [47] Jon Landau, also from Rolling Stone, was disappointed by the singer's effort, writing that she "no longer sings songs", but rather "acts them out". He referenced her catalogue and stated: "I've enjoyed Barbra Streisand's music in the past, but of the 20 albums I listened to to write this column, The Way We Were was not only the most disappointing, but the most difficult to get all the way through." [48]
AllMusic's William Ruhlmann awarded the album three out of five stars but found it obvious that the record was "thrown together" instead of being orchestrated and thought out carefully. He also declared that the success of the title track "propelled th[e] album to the top of the charts". [5]
In the United States, the album debuted at number 97 on the Billboard 200 chart for the week ending February 16, 1974, [49] and by February 26, had already sold 500,000 copies and was certified Gold. [50] The following week it rose to number 39, [51] and on March 16 of the same year, it reached the top position. [52] It became Streisand's second number one and seventh top five album, with the other number-one being People (1964). [53] The Way We Were spent two weeks at the highest position before falling to number four on March 30. [54] [55] It continued dropping on the charts but managed to stay within the top 10 of the list for a total of six weeks. [56] The Recording Industry Association of America changed its certification status to Platinum for shipments upwards of 1,000,000 sales, and again on September 23, 1998, The Way We Were was certified for selling over 2,000,000 copies. [50] In the United Kingdom, it peaked at number 49 in May 1974, and was certified Silver for shifting 60,000 physical copies. [57]
On Canada's Top Albums/CDs chart conducted by RPM , the record debuted at number 76 during the week of February 23, 1974. [58] The Way We Were peaked at number three on March 30 and spent another week at that same position on April 6. [59] [60] It dropped to number nine the succeeding week and spent a total of twenty-three weeks in that country, with its final position being number 91 during the week of August 3. [61] Music Canada reported in 1978 that the record had sold over 100,000 copies in their country, prompting it to become certified Platinum. [62] In Australia and Japan, The Way We Were peaked at positions 7 and 73, respectively. [63] [64] It was later certified gold in the former country after selling approximately 35,000 copies. [65]
No. | Title | Writer(s) | Producer(s) | Length |
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1. | "Being at War with Each Other" | Carole King | Tommy LiPuma | 4:02 |
2. | "Something So Right" | Paul Simon | LiPuma | 4:26 |
3. | "The Best Thing You've Ever Done" | Martin Charnin | Wally Gold | 2:49 |
4. | "The Way We Were" | Marty Paich | 3:31 | |
5. | "All in Love Is Fair" | Stevie Wonder | LiPuma | 3:50 |
6. | "What Are You Doing the Rest of Your Life?" |
| Gold | 3:20 |
7. | "Summer Me, Winter Me" |
| Gold | 2:55 |
8. | "Pieces of Dreams" |
| Gold | 3:27 |
9. | "I've Never Been a Woman Before" |
| Gold | 2:45 |
10. | "My Buddy / How About Me" | Gold | 4:08 | |
Total length: | 35:13 |
No. | Title | Length |
---|---|---|
1. | "Being at War with Each Other" | 4:02 |
2. | "The Best Thing You've Ever Done" | 2:49 |
3. | "Something So Right" (Part 1) | 2:44 |
4. | "Something So Right" (Conclusion) | 1:45 |
5. | "The Way We Were" | 3:31 |
6. | "I've Never Been a Woman Before" | 2:45 |
7. | "All in Love Is Fair" | 3:50 |
8. | "What Are You Doing the Rest of Your Life?" | 3:20 |
9. | "Summer Me, Winter Me" (Part 1) | 1:53 |
10. | "Summer Me, Winter Me" (Conclusion) | 1:07 |
11. | "Pieces of Dreams" | 3:27 |
12. | "My Buddy / How About Me" | 4:08 |
Total length: | 35:21 |
Credits adapted from the liner notes of the CD edition of The Way We Were. [7]
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Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [65] | Gold | 35,000^ |
Canada (Music Canada) [62] | Platinum | 100,000^ |
Japan | — | 4,000 [64] |
United Kingdom (BPI) [57] | Silver | 60,000^ |
United States (RIAA) [50] | 2× Platinum | 2,000,000^ |
^ Shipments figures based on certification alone. |
"The Way We Were" is a song by American singer Barbra Streisand from her fifteenth studio album of the same name. It was released as the album's lead single on September 27, 1973, through Columbia Records. The 7" single was distributed in two different formats, with the standard edition featuring B-side track "What Are You Doing the Rest of Your Life?"; the Mexico release instead included an instrumental B-side. The song was written by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch, while production was solely handled by Marty Paich. "The Way We Were" was specifically produced for the record, in addition to three other tracks, including her then-upcoming single "All in Love Is Fair" (1974).
A Collection: Greatest Hits...and More is the fourth greatest hits album recorded by American vocalist Barbra Streisand. It was released on October 3, 1989, by Columbia Records. The compilation features ten songs from Streisand's career, dating from 1975 to 1988, plus two previously unreleased songs: "We're Not Makin' Love Anymore" was released as the album's lead single on September 14, 1989, and "Someone That I Used to Love" was distributed as the second and final one in 1989. Both singles charted on several record charts internationally.
"Shake Me, Wake Me " is a song recorded by the American quartet Four Tops for their third studio album, On Top (1966). It was released in February 1966 as a 7" vinyl single through Motown records. It was written and produced by Brian Holland, Lamont Dozier, and Eddie Holland. A gospel rock track, its lyrics detail a relationship that has ended. It has since been regarded as one of Four Tops' most successful singles ever. It charted moderately well in both the United States and Canada, and became the group's fifth consecutive entry to chart within the top five of the Hot R&B/Hip-Hop Songs chart. Four Tops has performed "Shake Me, Wake Me " on various occasions throughout their careers and have included it on several greatest hits albums, including on The Four Tops Greatest Hits (1967) and The Ultimate Collection (1997).
"All I Ask of You" is a song from the 1986 English musical The Phantom of the Opera, between characters Christine Daaé and Raoul, originally played on stage by Sarah Brightman and Steve Barton, respectively. It was written by Andrew Lloyd Webber, Charles Hart and Richard Stilgoe, and solely produced by Lloyd Webber. An operatic pop piece, its lyrics serve as dialogue between the two characters and discuss themes such as commitment and romance. Like Lloyd Webber's song "The Music of the Night", "All I Ask of You" was compared to the music found in Giacomo Puccini's 1910 opera La fanciulla del West.
Barbra Streisand's Greatest Hits is the first greatest hits album recorded by American vocalist Barbra Streisand. It was released in January 1970, by Columbia Records. The record is a compilation consisting of 11 commercially successful singles from the singer's releases in the 1960s, with a majority of them being cover songs. The songs on Barbra Streisand's Greatest Hits originally appeared on one of the singer's eight previous albums and span in release from 1963 to 1968. It contains her most commercially successful tracks, including her first Billboard Hot 100 top ten single "People" and top 40 entry "Second Hand Rose". The album was distributed on compact disc in 1986 and rereleased under the title The Hits in 2006.
Barbra Streisand's Greatest Hits Volume 2 is the second greatest hits album recorded by American vocalist Barbra Streisand. It was released on November 15, 1978 by Columbia Records. The album is a compilation consisting of ten commercially successful singles from the singer's releases in the 1970s, with a majority of them being cover songs. It also features a new version of "You Don't Bring Me Flowers", which was released as the collection's only single on October 7, 1978. Originating on Streisand's previous album, Songbird, the new rendition is a duet with Neil Diamond who had also recorded the song for his 1978 album of the same name. The idea for the duet originated from DJ Gary Guthrie who sold the idea to the record label for $5 million.
A Love Like Ours is the twenty-eighth studio album by American singer Barbra Streisand. It was released in North America on September 21, 1999, and Europe on September 20, 1999. It is her 23rd Top 10 album in the US. This was Streisand's first commercial release since her marriage to actor James Brolin. Much of the material was inspired by this event. As such, the disc booklet contains images of her and Brolin.
Lazy Afternoon is the seventeenth studio album recorded by American singer Barbra Streisand. It was released on October 14, 1975, by Columbia Records. Following a mixed critical response to her previous studio album, ButterFly (1974), the singer began working with new musicians for the project. Recorded in April 1975 in Los Angeles, Lazy Afternoon contains pop standards. Producer Rupert Holmes wrote three songs on the album and co-wrote a fourth, "By the Way", with Streisand. She also included a few cover songs, such as the Four Tops' "Shake Me, Wake Me ", Stevie Wonder's "You and I", and Libby Holman's "Moanin' Low".
Live Concert at the Forum is the second live album by American singer Barbra Streisand, released physically on October 1, 1972, by Columbia Records. Produced by long-time collaborator Richard Perry, it was recorded at The Forum in Inglewood, part of Greater Los Angeles, on April 15, 1972, during Four for McGovern, a concert held in benefit for George McGovern's 1972 presidential campaign. A CD version of Live Concert at the Forum was released on September 6, 1989.
ButterFly is the sixteenth studio album by American singer Barbra Streisand. Released on October 1, 1974, by Columbia Records, it marked Streisand's first album of entirely new material in over three years. Primarily a contemporary pop record recorded throughout 1974, it also incorporates music from the reggae and R&B genres. All of the tracks on ButterFly are cover songs produced by Streisand's then-boyfriend Jon Peters, originating from artists like Bob Marley, David Bowie, Evie Sands, and Graham Nash.
Barbra Streisand...and Other Musical Instruments is the fourteenth studio album by American singer Barbra Streisand. It was released on November 2, 1973, by Columbia Records. The album was made available following a 1973 live television special promoted to improve Streisand's image and sound. With world music as the primary genre, the album's instrumentation varies greatly; even items such as kitchen utensils were used to create melodies and beats. With a majority of the songs on the album being cover songs, Streisand also re-recorded various tracks that originated earlier in her career. Her manager, Martin Erlichman, was credited as the album's sole and executive producer.
The Owl and the Pussycat is the soundtrack album to the 1970 American film of the same name. Released by Columbia Records, it features film dialogue by Barbra Streisand and George Segal recorded over music performed by American band Blood, Sweat & Tears. The album's five tracks were all written by Buck Henry, produced by Thomas Z. Shepard.
"Didn't We" is a song recorded by Irish singer and actor Richard Harris for his debut studio album, A Tramp Shining (1968). It was written and produced by Jimmy Webb and originally served as the B-side to Harris' 1968 single "MacArthur Park". "Didn't We" was then distributed as the record's single by Dunhill Records, also in 1968. A traditional pop song, Harris sings about his life in the past. Commercially, it charted at lower positions of both the United States and Canada, and in the higher ranks of their Adult Contemporary component charts. Harris featured "Didn't We" on several of his greatest hits albums, including The Richard Harris Collection: His Greatest Performances from 1973. That same year, the song was reissued as a promotional single paired alongside his 1971 single "My Boy".
"All in Love Is Fair" is a song by American singer-songwriter Stevie Wonder recorded for his sixteenth studio album, Innervisions (1973). Written and produced by Wonder, it was released as a 7" single in Brazil in 1974. The song is a pop ballad with lyrics that describe the end of a relationship through the use of clichés. Critical reaction to the song has been varied: Matthew Greenwald of AllMusic wrote that it was among Wonder's "finest ballad statements", but Robert Christgau felt that the singer's performance was "immature". Wonder has included it on several of his greatest hits albums, including the most recent, 2005's The Complete Stevie Wonder.
"Jubilation" is a song recorded by Canadian singer-songwriter Paul Anka for his 1972 studio album of the same name. Anka wrote the song with Johnny Harris, who also produced the track. It was released in 1972 as a 7" single by Buddah Records. A gospel song, the lyrics of "Jubilation" find the protagonist preaching about religious themes. Making a moderate commercial impact, it appeared on the record charts in both Canada and the United States. It has since been included on several of Anka's greatest hits albums and covered by The Edwin Hawkins Singers in 1973.
"My Father's Song" is a song recorded by American singer Barbra Streisand for her seventeenth studio album, Lazy Afternoon (1975). It was released as a 7" single in August 1975 through Columbia Records. Rupert Holmes wrote the song in collaboration with its producer Jeffrey Lesser. A sentimental ballad, "My Father's Song" was about Streisand's childhood with her father; Holmes' lyrics involve a protagonist, presumably a daughter, asking for her father's approval in life and love.
"We're Not Makin' Love Anymore" is a song recorded by American singer Barbra Streisand for her fourth greatest hits album, A Collection: Greatest Hits...and More (1989). It was released on September 14, 1989 by Columbia Records on 7-inch, 12-inch, cassette, and CD. It was written by Michael Bolton and Diane Warren and produced by Narada Michael Walden. Bolton's inspiration for the song was derived from his divorce; he and Warren debated what singer would be able to sing their work well and ultimately decided that Streisand would be the right fit. The song is a ballad that is similar in sound to Streisand's "Comin' In and Out of Your Life" (1981).
The Way We Were: Original Soundtrack Recording is the soundtrack album to the film of the same title by American singer Barbra Streisand. It was released by Columbia Records on January 30, 1974. The soundtrack comprises twelve songs, mostly written by Marvin Hamlisch, three of which are different versions of "The Way We Were". The album was mostly produced by Fred Salem, with the exception of the title track which was produced by Marty Paich. Hamlisch and Salem collaborated to create five new songs for the soundtrack, while the remaining ones are cover songs.
Funny Lady is the soundtrack album of the 1975 musical film of the same title, starring Barbra Streisand. Released by Arista Records on March 15, 1975, arranged, conducted, and coordinated by Peter Matz, the album's fifteen tracks are performed by Streisand, James Caan, and Ben Vereen. A sequel to the 1968 musical comedy-drama Funny Girl, the songs extend the semi-biographical account of the life of American performer Fanny Brice. Funny Lady also included songs written by Brice's third husband Billy Rose. New music by Kander and Ebb included "How Lucky Can You Get", the album's only single, released in April 1975.
"What Were We Thinking Of" is a song recorded by American singer Barbra Streisand for her 25th studio album, Till I Loved You (1988). It was released as the album's third and final single in February 1989 by Columbia Records. The track was written by Antonina Armato and Scott Cutler and produced by Denny Diante. It features guest vocals from the singer's then-boyfriend Don Johnson, who had previously collaborated with Streisand on her 1988 single "Till I Loved You".
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