Lazy Afternoon (Barbra Streisand album)

Last updated

Lazy Afternoon
Barbra Streisand - Lazy Afternoon.jpg
Studio album by
Barbra Streisand
ReleasedOctober 14, 1975 (1975-10-14)
RecordedApril 1975 (1975-04)
Studio
Genre Pop standards
Length36:03
Label Columbia
Producer
Barbra Streisand chronology
Funny Lady
(1975)		Lazy Afternoon
(1975)		 Classical Barbra
(1976)
Singles from Lazy Afternoon
  1. "My Father's Song"
    Released: August 1975 (1975-08)
  2. "Shake Me, Wake Me (When It's Over)"
    Released: November 12, 1975 (1975-11-12)

Lazy Afternoon is the seventeenth studio album recorded by American singer Barbra Streisand. It was released on October 14, 1975, by Columbia Records. Following a mixed critical response to her previous studio album, ButterFly (1974), the singer began working with new musicians for the project. Recorded in April 1975 in Los Angeles, Lazy Afternoon contains pop standards. Producer Rupert Holmes wrote three songs on the album and co-wrote a fourth, "By the Way", with Streisand. She also included a few cover songs, such as the Four Tops' "Shake Me, Wake Me (When It's Over)", Stevie Wonder's "You and I", and Libby Holman's "Moanin' Low".

Contents

The album received generally favorable reviews from music critics who agreed that it was more exciting than ButterFly. Commercially, the album peaked at number 12 on the United States, number 42 in Canada, and number 84 in Australia. It was later certified gold by the RIAA for shipments of 500,000 copies. "My Father's Song" and "Shake Me, Wake Me (When It's Over)" were released as singles in August and November 1975, respectively. The former entered the Adult Contemporary charts in the United States and Canada while the latter was a success on two of Billboard's dance charts in late 1975.

Development

Following the release of the Funny Lady soundtrack earlier in 1975, Streisand began work on Lazy Afternoon with producers Jeffrey Lesser and Rupert Holmes, with whom she had not previously worked. [1] [2] Because of the lackluster critical response to her previous album, ButterFly (1974), and her personal dislike for the record, she chose to collaborate with new musicians for the then-upcoming album. [3] [4] [5] Holmes, in particular, was nervous while working with the singer. Following the completion of the album, Streisand hand-wrote a note to Holmes that read, "Dear Rupert, don't be frightened, you're the best, love Barbra". [6] Specifically, she was touched by "My Father's Song", writing in the liner notes that she considered the song to be "a very personal gift [that] means a great to deal to me". [7]

Recording sessions for the album took place at Record Plant, RCA Studios, and Capitol Recording Studios in Los Angeles in April 1975. [7] Columbia Records released Lazy Afternoon on October 14, 1975. [8] It features handwritten liner notes developed by Streisand herself; she opened the booklet by writing, "While I usually let the vinyl speak for itself, I really had fun making this record, and I thought it might interest you to know something about each song. After all, I wouldn't want to be a chef who doesn't share her secrets!" [7] Additionally, the label issued the album as an 8-track cartridge in 1975, with the track listing switching the order of "By the Way" and "Widescreen" around. [9] Also a Cassette Tape version was issued. The album was finally released in compact disc format on October 25, 1990. [10]

Music and lyrics

As a whole, the album contains a mixture of several different genres of music, particularly pop standards. Commenting on the diverse musical nature of the album, author Tom Santopietro described as the singer being able to "cover [...] all fan bases without seriously alienating any". [1] Lazy Afternoon opens with the title track, written by John La Touche and Jerome Moross. [7] A "poetic nature song" where "Streisand gives her voice totally over to the lyrics", [11] director Francis Ford Coppola suggested the song to the singer in order to revive it. [7] "My Father's Song" was written by Holmes and is the first original song on the track listing. Like other album tracks, it was considered to be a "sympathetic" ballad that relies on Streisand's vocals, according to AllMusic's William Ruhlmann. [12] "By the Way", the record's third track, is noted as Streisand's first English-lyric songwriting credit in her career. [7] While creating the track, Streisand decided to write from a "sense of resolute rather than desperate emotions". [13] It is followed by a cover of the Four Tops' "Shake Me, Wake Me (When It's Over)". The original version, set in a gospel rock tempo, [14] was updated into a disco track. [12] The song tells a story of a lost love, with neighbors supposedly discussing the matter during "long and sleepless night[s]". [14] "I Never Had It So Good" is the fifth track on Lazy Afternoon and was written by Paul Williams and Roger Nichols. She wrote in the album's liner notes that she had always wanted to sing it and accompany it with someone playing the harmonica. [7]

"Letters That Cross in the Mail" was the first song recorded for the album. Streisand claimed that the inspiration behind the track was "about love and the postal service". [7] Santopietro wrote that Holmes' love of "big band sound[s]" and "a full symphonic orchestra" is evident in the production. [1] Following her cover of "All in Love Is Fair" in 1974, seventh track "You and I" is Streisand's second cover of a Stevie Wonder song. [15] Taken from his 1972 studio album Talking Book , she called the pop [1] song "immediately [...] touch[ing]" and considered Wonder "brilliant" for his work on it. [7] Written by Howard Dietz and Ralph Rainger, Streisand's cover of Libby Holman's "Moanin' Low" appears as the eighth song. [7] In order to place focus on the lyrics during the song, the production contains "octave leaps" while Streisand "changes timbre frequently and quickly between loud and soft sections and high and low pitches". [13] Ninth track "A Child Is Born" features a simple piano arrangement accompanied by Streisand's vocals; Columbia Records' executive reacted to the track's new genre for the singer, stating, "You could put Barbra in front of a rock band or a symphony orchestra, she would still be Barbra Streisand, not compromising, not uncomfortable". [16] "Widescreen", the album's closing track, was inspired by the singer's love of film; according to author Patrick E. Horrigan, it specifically explains "how the movies, dark and dreamlike, seduce us into believing that life can be fulfilling, then let us down as soon as we return to the light of day". [17] It was also the last of four tracks written by Holmes and has a production consisting of "synthesized electronics". [7] [16]

Singles

"My Father's Song" was released as the album's lead single in August 1975. [18] The 7" record was released in the United States and Spain where the song was retitled "La Canción de Mi Padre". The song was paired with B-side "By the Way", although in Spain the track was titled "Da Paso". [19] The single enjoyed success on the United States Adult Contemporary chart, where it peaked at number 11. [20] It also entered the similar chart in Canada, where it reached number 15. [21] Nicky Siano, a disc jockey, began playing Streisand's version of "Shake Me, Wake Me (When It's Over)" at The Gallery nightclub in New York City in the fall of 1975; in a handwritten letter by Streisand for Siano, she wrote that the hype generated from playing her cover at the club prompted Columbia Records to release it as another single from Lazy Afternoon. [22] [23] It was distributed in 7" and 12" vinyl formats on November 12, 1975 featuring the B-side and album track "Widescreen". [24] [25] A British version of the single was also created and features the longer cut of the single instead of the album version. [26] [27] Streisand's cover was noted by writers for Billboard as an attempt for pop singers to begin "releasing disco records"; other singers like Andy Williams and Ethel Merman were also mentioned as individuals following the fad. [28] Due to heavy airplay in dance clubs, it entered two of the dance charts compiled by Billboard; it peaked at number 14 on the Dance Club Songs chart and number 10 on the Disco Singles chart. [29]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [12]

Lazy Afternoon received a positive response from music critics and her fans. [3] Stephen Holden from Rolling Stone applauded Streisand, finding it to be a better album than 1974's ButterFly. He called "By the Way" as one of her most classic songs and found her vocals to be "controlled"; he also liked Holmes and Lesser's contributions as producers. Furthermore, Holden felt that as "the greatest singer of the past quarter-century, Streisand is one artist who not only withstands elaborate production but thrives on it". [30] Derek Winnert, who wrote a biography of Streisand, found the album to be "outstanding" and considered "Shake Me, Wake Me (When It's Over)" and "By the Way" as the album's two best tracks. [31] With a more mixed opinion, AllMusic's William Ruhlmann awarded the album three out of five stars. He liked Streisand's vocals and the "delicately played individual instruments" that focused on them. However, he concluded "for the most part, Lazy Afternoon was true to its title, a collection of relaxed performances that was pleasant without being particularly impressive". [12] British singer Rumer stated in The Quietus that Lazy Afternoon is one of her favorite albums, in addition to calling it "cinematic", "dreamy", and a "gorgeous experience". She recommended it as "the album for people who don't like Barbra Streisand" as it would likely change their minds. [6]

Commercial performance

In the United States, Lazy Afternoon debuted at number 107 on the Billboard 200 chart for the week ending November 1, 1975. [32] It continued rising on the charts for several weeks before peaking at number 12 on December 20 of that same year. [33] Later in 1976 due to the album's strong sales, the Recording Industry Association of America (RIAA) certified Lazy Afternoon Gold on April 14, 1976 for shipments of 500,000 copies. [34] In Canada, the album peaked at a much lower position; it debuted on RPM 's official list at number 69 as the week's third highest entry on December 20, 1975. [35] The following month and year, it would reach its peak position at number 42. [36] It also charted in Australia, where it peaked at number 84 according to the Kent Music Report. [37]

Track listing

All tracks produced by Jeffrey Lesser and Rupert Holmes. [7]

Lazy Afternoon –Standard edition [7]
No.TitleWriter(s)Length
1."Lazy Afternoon"
3:47
2."My Father's Song" Rupert Holmes 3:52
3."By the Way"
2:55
4."Shake Me, Wake Me (When It's Over)"
2:50
5."I Never Had It So Good"
3:35
6."Letters That Cross in the Mail"Holmes3:36
7."You and I" Stevie Wonder 4:16
8."Moanin' Low"
4:25
9."A Child Is Born"
2:48
10."Widescreen"Holmes3:59
Total length:36:03
Lazy Afternoon –8-track cartridge edition [9]
No.TitleLength
1."Lazy Afternoon"3:47
2."My Father's Song"3:52
3."Widescreen"3:59
4."Shake Me, Wake Me (When It's Over)"2:53
5."I Never Had It So Good"3:35
6."Letters That Cross in the Mail"3:36
7."You and I"4:16
8."Moanin' Low"4:25
9."A Child Is Born"2:48
10."By the Way"2:55
Total length:36:06

Personnel

Credits adapted from the liner notes of the standard edition of Lazy Afternoon. [7]

Charts

Chart performance for Lazy Afternoon
Chart (1975–1976)Peak
position
Australia Albums (Kent Music Report) [37] 84
Canada Top Albums/CDs ( RPM ) [36] 42
US Billboard 200 [38] 12

Certifications

RegionCertification Certified units/sales
United States (RIAA) [34] Gold500,000^

^ Shipments figures based on certification alone.

Related Research Articles

<i>The Movie Album</i> (Barbra Streisand album) 2003 studio album by Barbra Streisand

The Movie Album is the thirtieth studio album by American singer Barbra Streisand, released on October 14, 2003, by Columbia Records. Overall, her sixtieth release with her record label, it was executively produced by Streisand and her manager, Jay Landers. A concept album, it contains twelve songs from the singer's favorite films ranging in release from 1935 to 1988. While curating the album, Streisand was inspired by her marriage to actor James Brolin to record songs about love and relationships. To better fit her needs, songwriting duo Alan and Marilyn Bergman were commissioned to add lyrics to several of the songs Streisand had chosen to record.

<i>A Collection: Greatest Hits...and More</i> 1989 greatest hits album by Barbra Streisand

A Collection: Greatest Hits...and More is the fourth greatest hits album recorded by American vocalist Barbra Streisand. It was released on October 3, 1989 by Columbia Records. The compilation features ten songs from Streisand's career, dating from 1975 to 1988, plus two previously unreleased songs: "We're Not Makin' Love Anymore" was released as the album's lead single on September 14, 1989, and "Someone That I Used to Love" was distributed as the second and final one in 1989. Both singles charted on several record charts internationally.

<i>Duets</i> (Barbra Streisand album) 2002 compilation album by Barbra Streisand

Duets is a compilation album by American singer Barbra Streisand, released on November 26, 2002, by Columbia Records. The collection features nineteen duets from Streisand's career, including two newly recorded ones: "I Won't Be the One to Let Go" with Barry Manilow and "All I Know of Love" with Josh Groban. The Manilow duet was released as the album's lead single on November 4, 2002, as a streaming-only exclusive for AOL Music website members.

<span class="mw-page-title-main">Shake Me, Wake Me (When It's Over)</span> 1966 single by Four Tops

"Shake Me, Wake Me " is a song recorded by the American quartet Four Tops for their third studio album, On Top (1966). It was released in February 1966 as a 7" vinyl single through Motown records. It was written and produced by Brian Holland, Lamont Dozier, and Eddie Holland. A gospel rock track, its lyrics detail a relationship that has ended. It has since been regarded as one of Four Tops' most successful singles ever. It charted moderately well in both the United States and Canada, and became the group's fifth consecutive entry to chart within the top five of the Hot R&B/Hip-Hop Songs chart. Four Tops has performed "Shake Me, Wake Me " on various occasions throughout their careers and have included it on several greatest hits albums, including on The Four Tops Greatest Hits (1967) and The Ultimate Collection (1997).

<i>Barbra Streisands Greatest Hits</i> 1970 greatest hits album by Barbra Streisand

Barbra Streisand's Greatest Hits is the first greatest hits album recorded by American vocalist Barbra Streisand. It was released in January 1970, by Columbia Records. The record is a compilation consisting of 11 commercially successful singles from the singer's releases in the 1960s, with a majority of them being cover songs. The songs on Barbra Streisand's Greatest Hits originally appeared on one of the singer's eight previous albums and span in release from 1963 to 1968. It contains her most commercially successful tracks, including her first Billboard Hot 100 top ten single "People" and top 40 entry "Second Hand Rose". The album was distributed on compact disc in 1986 and rereleased under the title The Hits in 2006.

<i>The Way We Were</i> (Barbra Streisand album) 1974 studio album by Barbra Streisand

The Way We Were is the fifteenth studio album recorded by American singer Barbra Streisand. The album was released in January 1974, preceded by the commercial success of its lead single "The Way We Were" first released in September 1973.

<i>Barbra Streisands Greatest Hits Volume 2</i> 1978 greatest hits album by Barbra Streisand

Barbra Streisand's Greatest Hits Volume 2 is the second greatest hits album recorded by American vocalist Barbra Streisand. It was released on November 15, 1978 by Columbia Records. The album is a compilation consisting of ten commercially successful singles from the singer's releases in the 1970s, with a majority of them being cover songs. It also features a new version of "You Don't Bring Me Flowers", which was released as the collection's only single on October 7, 1978. Originating on Streisand's previous album, Songbird, the new rendition is a duet with Neil Diamond who had also recorded the song for his 1978 album of the same name. The idea for the duet originated from DJ Gary Guthrie who sold the idea to the record label for $5 million.

<i>Christmas Memories</i> 2001 studio album by Barbra Streisand

Christmas Memories is the second Christmas album and twenty-ninth studio release by American singer Barbra Streisand. It was released on October 30, 2001, by Columbia. Streisand recorded the album during July, August, and September 2001 in various recording studios throughout California and in North Vancouver. It was executive-produced by Streisand and Jay Landers, while William Ross and David Foster served as additional producers. The album contains several cover versions of various holiday songs. To promote Christmas Memories, Columbia Records released an advance sampler version of the album titled A Voice for All Seasons.

<i>Live Concert at the Forum</i> 1972 live album by Barbra Streisand

Live Concert at the Forum is the second live album by American singer Barbra Streisand, released physically on October 1, 1972, by Columbia Records. Produced by long-time collaborator Richard Perry, it was recorded at The Forum in Inglewood, part of Greater Los Angeles, on April 15, 1972, during Four for McGovern, a concert held in benefit for George McGovern's 1972 presidential campaign. A CD version of Live Concert at the Forum was released on September 6, 1989.

<i>ButterFly</i> (Barbra Streisand album) 1974 studio album by Barbra Streisand

ButterFly is the sixteenth studio album by American singer Barbra Streisand. Released on October 1, 1974, by Columbia Records, it marked Streisand's first album of entirely new material in over three years. Primarily a contemporary pop record recorded throughout 1974, it also incorporates music from the reggae and R&B genres. All of the tracks on ButterFly are cover songs produced by Streisand's then-boyfriend Jon Peters, originating from artists like Bob Marley, David Bowie, Evie Sands, and Graham Nash.

<i>Barbra Streisand...and Other Musical Instruments</i> 1973 studio album by Barbra Streisand

Barbra Streisand...and Other Musical Instruments is the fourteenth studio album by American singer Barbra Streisand. It was released on November 2, 1973, by Columbia Records. The album was made available following a 1973 live television special promoted to improve Streisand's image and sound. With world music as the primary genre, the album's instrumentation varies greatly; even items such as kitchen utensils were used to create melodies and beats. With a majority of the songs on the album being cover songs, Streisand also re-recorded various tracks that originated earlier in her career. Her manager, Martin Erlichman, was credited as the album's sole and executive producer.

<span class="mw-page-title-main">Didn't We (Richard Harris song)</span> 1968 song by Richard Harris

"Didn't We" is a song recorded by Irish singer and actor Richard Harris for his debut studio album, A Tramp Shining (1968). It was written and produced by Jimmy Webb and originally served as the B-side to Harris' 1968 single "MacArthur Park". "Didn't We" was then distributed as the record's single by Dunhill Records, also in 1968. A traditional pop song, Harris sings about his life in the past. Commercially, it charted at lower positions of both the United States and Canada, and in the higher ranks of their Adult Contemporary component charts. Harris featured "Didn't We" on several of his greatest hits albums, including The Richard Harris Collection: His Greatest Performances from 1973. That same year, the song was reissued as a promotional single paired alongside his 1971 single "My Boy".

<span class="mw-page-title-main">Guava Jelly (song)</span> 1971 song by Bob Marley and the Wailers

"Guava Jelly" is a song recorded by the Jamaican group Bob Marley and the Wailers. It was released as a 7" vinyl single through Tuff Gong and Green Door Records. It was issued commercially with B-side track "Redder Then Red", which was misspelled on its initial printing, in 1971. It was written and produced by Marley and features uncredited lyrical contributions from Bunny Livingston. A reggae composition like the majority of Marley's works, "Guava Jelly" contains a rocksteady and island-like production with lyrics loosely based around sexual intercourse. His use of the term "guava jelly" was likely referring to a specific type of sexual lubricant. It was favorably viewed by several reviewers, with many of them finding the composition to be sexual and about love. The group placed "Guava Jelly" on several compilation albums, including Africa Unite: The Singles Collection in 2005, and Owen Gray and Herbie Mann created their own versions in 1974 and 1975, respectively.

<span class="mw-page-title-main">All in Love Is Fair</span> Song by Stevie Wonder

"All in Love Is Fair" is a song by American singer-songwriter Stevie Wonder recorded for his sixteenth studio album, Innervisions (1973). Written and produced by Wonder, it was released as a 7" single in Brazil in 1974. The song is a pop ballad with lyrics that describe the end of a relationship through the use of clichés. Critical reaction to the song has been varied: Matthew Greenwald of AllMusic wrote that it was among Wonder's "finest ballad statements", but Robert Christgau felt that the singer's performance was "immature". Wonder has included it on several of his greatest hits albums, including the most recent, 2005's The Complete Stevie Wonder.

<span class="mw-page-title-main">Jubilation (song)</span> 1972 single by Paul Anka

"Jubilation" is a song recorded by Canadian singer-songwriter Paul Anka for his 1972 studio album of the same name. Anka wrote the song with Johnny Harris, who also produced the track. It was released in 1972 as a 7" single by Buddah Records. A gospel song, the lyrics of "Jubilation" find the protagonist preaching about religious themes. Making a moderate commercial impact, it appeared on the record charts in both Canada and the United States. It has since been included on several of Anka's greatest hits albums and covered by The Edwin Hawkins Singers in 1973.

<span class="mw-page-title-main">My Father's Song</span> 1975 single by Barbra Streisand

"My Father's Song" is a song recorded by American singer Barbra Streisand for her seventeenth studio album, Lazy Afternoon (1975). It was released as a 7" single in August 1975 through Columbia Records. Rupert Holmes wrote the song in collaboration with its producer Jeffrey Lesser. A sentimental ballad, "My Father's Song" was about Streisand's childhood with her father; Holmes' lyrics involve a protagonist, presumably a daughter, asking for her father's approval in life and love.

<span class="mw-page-title-main">How Lucky Can You Get</span> 1975 single by Barbra Streisand

"How Lucky Can You Get" is a song recorded by American vocalist Barbra Streisand for the official soundtrack to the 1975 film Funny Lady. It was released as a 7" single in April 1975 through Arista Records. The song was written by Fred Ebb and John Kander, while production was handled by Peter Matz. "How Lucky Can You Get" is one of the new songs on the soundtrack, with its origins coming from Fanny Brice, the character Streisand portrays in the aforementioned film. The music pertains to Brice herself, particularly the sarcastic nature of the lyrics that are accompanied by an "insistent" melody and production. It was suggested that the pattern of the lyrics may have been influenced by Giacomo Puccini's 1896 opera, La bohème.

<span class="mw-page-title-main">Stranger in a Strange Land (Barbra Streisand song)</span> 2005 single by Barbra Streisand

"Stranger in a Strange Land" is a song recorded by American singer Barbra Streisand for her 31st studio album, Guilty Pleasures (2005). It was released as the album's lead single on August 16, 2005, by Columbia Records. The track was written by Ashley Gibb, Barry Gibb and Stephen Gibb while production was handled by Barry Gibb and John Merchant. It serves as the first of 11 reunion collaborations with Barry Gibb, who Streisand had last collaborated with on Guilty (1980). The single was released digitally and physically distributed on CD and DVD, with some editions including the song's official music video.

<span class="mw-page-title-main">Night of My Life (Barbra Streisand song)</span> 2005 single by Barbra Streisand

"Night of My Life" is a song recorded by American singer Barbra Streisand for her 31st studio album, Guilty Pleasures (2005). It was released as the album's second single on September 27, 2005, by Columbia Records. The track was written by Ashley Gibb and Barry Gibb while production was handled by Barry Gibb and John Merchant. It serves as one of Streisand's first of 11 reunion collaborations with Barry Gibb since their work on her album Guilty in 1980. It was released digitally and on 12" and CD in five different formats, each including various remixes of the single.

<i>Funny Lady</i> (soundtrack) 1975 soundtrack album by Barbra Streisand

Funny Lady is the soundtrack album of the 1975 musical film of the same title, starring Barbra Streisand. Released by Arista Records on March 15, 1975, arranged, conducted, and coordinated by Peter Matz, the album's fifteen tracks are performed by Streisand, James Caan, and Ben Vereen. A sequel to the 1968 musical comedy-drama Funny Girl, the songs extend the semi-biographical account of the life of American performer Fanny Brice. Funny Lady also included songs written by Brice's third husband Billy Rose. New music by Kander and Ebb included "How Lucky Can You Get", the album's only single, released in April 1975.

References

Citations

  1. 1 2 3 4 Santopietro 2007 , p. 33
  2. ↑ Bronson 2003 , p. 1010
  3. 1 2 Nickens & Swenson 2000 , p. 24
  4. ↑ Santopietro 2007 , p. 32
  5. ↑ Pohly 2000 , p. 75
  6. 1 2 Price, Simon (December 3, 2014). "Girls Don't Cry: Rumer's Favourite Albums". The Quietus . Retrieved March 16, 2017.
  7. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Lazy Afternoon (Liner notes). Barbra Streisand (Vinyl release ed.). Columbia. 1975. PC 33815.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  8. ↑ "Lazy Afternoon – Barbra Streisand". iTunes Store (US). October 14, 1975. Archived from the original on December 27, 2017. Retrieved December 26, 2017.
  9. 1 2 Lazy Afternoon (Liner notes). Barbra Streisand (8-track cartridge ed.). Columbia. 1975. CAQ 33815.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  10. ↑ "Lazy Afternoon: Barbra Streisand". Amazon.com (US). October 25, 1990. Archived from the original on April 1, 2017. Retrieved March 27, 2017.
  11. ↑ Garrett, Daniel (July 26, 2006). "A review of The Essential Barbra Streisand and Guilty Pleasures". Compulsive Reader. Archived from the original on April 1, 2017. Retrieved March 29, 2017.
  12. 1 2 3 4 Ruhlmann, William. "Barbra Streisand – Lazy Afternoon". AllMusic . Archived from the original on March 23, 2017. Retrieved March 26, 2017.
  13. 1 2 Pohly 2000 , p. 77
  14. 1 2 Holland, Edward; Dozier, Lamont; Holland, Brian (1966). "The Four Tops 'Shake Me, Wake Me (When It's Over)' Digital Sheet Music". Musicnotes.com. Archived from the original on March 21, 2017. Retrieved March 19, 2017.
  15. ↑ Waldman 2001 , p. 54
  16. 1 2 Waldman 2001 , p. 57
  17. ↑ Horrigan 1999 , p. xvi
  18. ↑ "My Father's Song" / "By the Way" (Liner notes). Barbra Streisand. Columbia. 1975. 3-10198. Whatever you are, you're going to be. Whatever you are is all right with me.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  19. ↑ "La Canción de Mi Padre" / "Da Paso" (Liner notes). Barbra Streisand. CBS. 1975. 3613.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  20. ↑ "Adult Contemporary – The Week Of October 25, 1975". Billboard. October 25, 1975. Archived from the original on March 17, 2018. Retrieved March 16, 2017.
  21. ↑ "Top RPM Adult Contemporary: Issue 4053". RPM. Library and Archives Canada . Archived from the original on April 2, 2017. Retrieved March 27, 2017.
  22. ↑ Hermes 2012 , p. 154
  23. ↑ Lawrence 2004 , p. 202
  24. ↑ Moulton, Tom (November 15, 1975). "Club Dialog". Billboard. Vol. 87, no. 46. Nielsen Business Media, Inc. p. 40. ISSN   0006-2510 . Retrieved March 18, 2016.
  25. ↑ "Shake Me, Wake Me (When It's Over)" / "Widescreen" (Liner notes). Barbra Streisand. Columbia. 1975. 3-10272.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  26. ↑ "Shake Me, Wake Me (When It's Over)" / "Widescreen" (Liner notes). Barbra Streisand. CBS. 1976. CBS 4027.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  27. ↑ Aletti 2009 , p. 148
  28. ↑ Grein, Paul (April 14, 1979). "Everyone's Jumping on Disco Bandwagon". Billboard. Vol. 91, no. 15. Nielsen Business Media, Inc. pp. 4, 6. ISSN   0006-2510 . Retrieved March 31, 2017.
  29. ↑ "Barbra Streisand: Awards". AllMusic. Archived from the original on October 15, 2012. Retrieved March 18, 2017.
  30. ↑ Holden, Stephen (January 15, 1976). "Album Reviews: Barbra Streisand – Lazy Afternoon". Rolling Stone . Archived from the original on June 9, 2008. Retrieved March 29, 2017.
  31. ↑ Winnert 1996 , p. 1999
  32. ↑ "Billboard 200: The Week Of November 1, 1975". Billboard. November 1, 1975. Archived from the original on April 1, 2017. Retrieved March 23, 2017.
  33. ↑ "Billboard 200: The Week Of December 20, 1975". Billboard. December 20, 1975. Archived from the original on April 1, 2017. Retrieved March 23, 2017.
  34. 1 2 "American album certifications – Barbra Streisand – Lazy Afternoon". Recording Industry Association of America . Retrieved March 22, 2017.
  35. ↑ "Top RPM Singles: Issue 4045b". RPM. Library and Archives Canada . Archived from the original on April 2, 2017. Retrieved March 23, 2017.
  36. 1 2 "Top RPM Albums: Issue 4066b". RPM . Library and Archives Canada. Retrieved March 22, 2017.
  37. 1 2 Kent, David (1993). Australian Chart Book 1970–1992 . Australian Chart Book, St Ives, N.S.W. ISBN   0-646-11917-6.
  38. ↑ "Barbra Streisand Chart History (Billboard 200)". Billboard. Retrieved March 22, 2017.

Bibliography

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.