Funny Lady | ||||
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Soundtrack album by | ||||
Released | March 15, 1975 | |||
Length | 47:25 | |||
Label | Arista | |||
Producer | Peter Matz | |||
Barbra Streisand chronology | ||||
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Singles from Funny Lady | ||||
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Funny Lady is the soundtrack album of the 1975 musical film of the same title, starring Barbra Streisand. Released by Arista Records on March 15, 1975, arranged, conducted, and coordinated by Peter Matz, the album's fifteen tracks are performed by Streisand, James Caan, and Ben Vereen. A sequel to the 1968 musical comedy-drama Funny Girl , the songs extend the semi-biographical account of the life of American performer Fanny Brice. Funny Lady also included songs written by Brice's third husband Billy Rose. New music by Kander and Ebb included "How Lucky Can You Get", the album's only single, released in April 1975.
The soundtrack divided music critics, with some negative notes on Caan's singing abilities, while others found it a worthy companion of the film. Commercially, it entered the charts in Australia, Canada and the United States, peaking within the Billboard 200 top ten in the latter country. The Recording Industry Association of America certified the album Gold for shipments exceeding 500,000 copies in late 1975. The album was first issued on CD in 1990, adhering to the original vinyl album sequence, then in 1998 with alternate tracks and the single release of "How Lucky Can You Get" as a bonus track.
Due to her contract with Ray Stark, Streisand was required to reprise her role as Fanny Brice in the sequel to Funny Girl (1968), which became Funny Lady . Accompanying the 1975 film was the official soundtrack and one of the first records to be released by Arista Records, a new label created by record producer Clive Davis. [1] Davis later revealed in his autobiographical book, The Soundtrack of My Life, that Streisand was the perfect singer for the soundtrack as she was "the top female singer-actress in the world" and would likely be a good first effort to be released by a newly founded record company. [2] The soundtrack to Funny Lady was released on March 15, 1975, by Arista Records, despite Streisand being signed to Columbia Records. [2] [3] It features fifteen songs, with a majority of them being brand new tracks written by the songwriting duo of Fred Ebb and John Kander. [3] Bay Cities Records, a subsidiary of Arista, issued the compact disc for Funny Lady in 1990. [4] Arista re-released the album on May 19, 1998, with alternate tracks of "Let's Hear It For Me" and "Great Day" as well as the single version of "How Lucky can You Get" as a bonus track. [5] The Arista reissue reordered the track listing to reflect their sequence in the film. [6] It would be reissued in February 2009 on the Sony Legacy label. [7]
"How Lucky Can You Get" was released as the soundtrack's only commercial single in April 1975. [8] It peaked on the Adult Contemporary charts in both the United States and Canada, peaking at numbers 27 and 19, respectively. [9] [10] The songwriting, by Ebb and Kander, was widely praised by music critics; at the 48th Academy Awards, the single was nominated for the Academy Award for Best Original Song but lost to Keith Carradine's "I'm Easy" from the 1975 film Nashville . [11] "How Lucky Can You Get" also lost to "I'm Easy" when nominated for Best Original Song at the 33rd Golden Globe Awards. [12]
The album features a total of fifteen songs, with eleven of them performed solely by Streisand, two of them ("Me and My Shadow" and the medley of "It's Only a Paper Moon" and "I Like Her") are sung by costar James Caan, one of them is by Ben Vereen, and the final one is a duet between Streisand and Vereen; Peter Matz executively produced the entire album, in addition to serving as the audio arranger and conductor. [3] Lead single "How Lucky Can You Get It" features "sarcastic" and "ironic" lyrics to capture the character of Brice as accurately as possible. [13] [14] The soundtrack itself has been described as a collection of "rejuvenating classics" by author Ethan Mordden. [15] The duet "So Long Honey Lamb" is another newly recorded song by Ebb and Kander, followed by "I Found a Million Dollar Baby (in a Five and Ten Cent Store)", which was once performed by Brice during her musical Billy Rose's Crazy Quilt. [16] Track four, "Isn't This Better", is a love song about the relationship of Brice and Billy Rose. [17] "Me and My Shadow" is a solo by Caan, covering the original version which was written by Dave Dreyer, Al Jolson, and Rose. [3] Streisand's "If I Love Again" is a ballad with a "wide range" and "disjunct melody", which was considered "unusual" for a pop song. [18] "I Got a Code in My Doze" was written by Rose and Arthur Fields while "(It's Gonna Be A) Great Day" is a "gospel-rock style" track whose melody was rewritten by Streisand to better suit her. [3] [19] [20]
The album's ninth track, "Blind Date", was recorded quickly during a strict three-week recording schedule. [21] "Am I Blue" was finalized during the same aforementioned period and was originally written by Harry Akst. [3] [21] Two corresponding medleys, one of "It's Only a Paper Moon" and "I Like Him" by Streisand and "It's Only a Paper Moon" and "I Like Her" by Caan, are back-to-back tracks. [3] "More Than You Know", which was originally included on Streisand's Simply Streisand album in 1967, follows and was also used as the B-side track for the commercial release of "How Lucky Can You Get". [8] [22] Vereen's solo of "Clap Hands! Here Comes Charlie" precedes "Let's Hear It for Me", which is the album's closing track and an updated version of the Funny Girl original "Don't Rain on My Parade". [17] [23]
Review scores | |
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Source | Rating |
AllMusic 1975 version | [24] |
AllMusic 1998 version | [25] |
Funny Lady has received mixed reviews from music critics. A critic from Stereo Review was pleased with Streisand's Funny Lady, stating that it "will surely bring out the ravening glutton I suspect is lurking in all who are her fondest fans". However, the reviewer did warn that soundtrack did not contain anything for those of a "dispassionate and temperate nature". [26] Also positive was a critic from Film , who called the album "more satisfying than the film". [27] Initially, AllMusic's William Ruhlmann awarded the album 2 out of 5 stars. He was critical of Caan's singing abilities, finding it hard "to endure the singing of James Caan". [24] In his review of the 1998 reissued CD, Ruhlmann listed "Am I Blue" as one of the best tracks on the album; he called it the "chief virtue of the soundtrack [...], even if she sometimes camped [it] up". [25] Allison J. Waldman, author of The Barbra Streisand Scrapbook, was disappointed by the soundtrack, claiming that it is more like a "hodgepodge of a soundtrack". She also stated that it was "not nearly as well-produced" as the soundtrack for the predecessor, Funny Girl (1968). [1]
Allison J. Waldman predicted that the commercial success of the soundtrack was due to Streisand's previous role and performance in the original film, Funny Girl. [1] In the United States, the album debuted at number 75 on the Billboard 200 chart for the week ending March 29, 1975. [28] It continued to climb the chart in that country for several weeks before peaking at number six on May 10. [29] It spent four weeks within the top ten of chart, and a total of 25 weeks altogether. [30] [31] The Recording Industry Association of America certified the soundtrack Gold for shipments upwards of 500,000 sales on September 8, 1975. [32] On Canada's Top Albums chart conducted and published by RPM , the record debuted at number 90 during the week of April 12, 1975. [33] Similar to its progress in the United States, it soared up the charts for several weeks before peaking at number 17 on May 17 of the same year. [34] It spent a total of 12 consecutive weeks charting in Canada, with its final position being number 56 on June 28. [35] [36] It also charted in Australia, where it peaked at number 50 according to the Kent Music Report. [37]
All songs performed by Barbra Streisand except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "How Lucky Can You Get" | 4:46 | |
2. | "So Long Honey Lamb" (performed by Barbra Streisand and Ben Vereen) |
| 3:10 |
3. | "I Found a Million Dollar Baby (in a Five and Ten Cent Store)" | Harry Warren | 2:55 |
4. | "Isn't This Better" |
| 3:25 |
5. | "Me and My Shadow" (performed by James Caan) | 3:00 | |
6. | "If I Love Again" |
| 2:55 |
7. | "I Got a Code in My Doze" |
| 1:05 |
8. | "(It's Gonna Be A) Great Day" | 5:14 | |
9. | "Blind Date" |
| 4:55 |
10. | "Am I Blue" | 3:20 | |
11. | "It's Only a Paper Moon"/"I Like Him" |
| 1:05 |
12. | "It's Only a Paper Moon"/"I Like Her" (performed by Caan) |
| 2:37 |
13. | "More Than You Know" |
| 2:25 |
14. | "Clap Hands! Here Comes Charlie" (performed by Vereen) | 2:10 | |
15. | "Let's Hear It for Me" |
| 3:13 |
Total length: | 47:25 |
No. | Title | Length |
---|---|---|
1. | "Blind Date" | 4:57 |
2. | "More Than You Know" | 2:28 |
3. | "It's Only a Paper Moon"/"I Like Him" | 1:05 |
4. | "It's Only a Paper Moon"/"I Like Her" | 2:37 |
5. | "I Found a Million Dollar Baby (In a Five and Ten Cent Store)" | 1:59 |
6. | "So Long Honey Lamb" | 3:12 |
7. | "I Got a Code in My Doze" | 1:10 |
8. | "Clap Hands! Here Comes Charlie" | 2:14 |
9. | "(It's Gonna Be A) Great Day" | 5:38 |
10. | "How Lucky Can You Get" | 4:48 |
11. | "Am I Blue" | 3:21 |
12. | "Isn't This Better" | 3:29 |
13. | "If I Love Again" | 2:59 |
14. | "Let's Hear It for Me" | 4:04 |
15. | "Me and My Shadow" | 3:03 |
16. | "How Lucky Can You Get" (Finale) | 3:55 |
Total length: | 50:09 |
Credits adapted from the liner notes of the CD edition of Funny Lady. [6]
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Chart (1975) | Peak position |
---|---|
Australia Albums (Kent Music Report) [37] | 50 |
Canada Top Albums/CDs ( RPM ) [34] | 17 |
US Billboard 200 [38] | 6 |
Region | Certification | Certified units/sales |
---|---|---|
United States (RIAA) [32] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Funny Lady is a 1975 American biographical musical comedy-drama film and the sequel to the 1968 film Funny Girl. The film stars Barbra Streisand, James Caan, Omar Sharif, Roddy McDowall and Ben Vereen.
"People" is a song composed by Jule Styne with lyrics by Bob Merrill for the 1964 Broadway musical Funny Girl starring Barbra Streisand, who introduced the song. The song was released as a single in 1964 with "I Am Woman", a solo version of "You Are Woman, I Am Man", also from Funny Girl.
"The Way We Were" is a song by American singer Barbra Streisand from her fifteenth studio album of the same name. It was released as the album's lead single on September 27, 1973, through Columbia Records. The 7" single was distributed in two different formats, with the standard edition featuring B-side track "What Are You Doing the Rest of Your Life?"; the Mexico release instead included an instrumental B-side. The song was written by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch, while production was solely handled by Marty Paich. "The Way We Were" was specifically produced for the record, in addition to three other tracks, including her then-upcoming single "All in Love Is Fair" (1974).
A Collection: Greatest Hits...and More is the third greatest hits album recorded by American vocalist Barbra Streisand. It was released on October 3, 1989 by Columbia Records. The compilation features ten songs from Streisand's career, dating from 1975 to 1988, plus two previously unreleased songs: "We're Not Makin' Love Anymore" was released as the album's lead single on September 14, 1989, and "Someone That I Used to Love" was distributed as the second and final one in 1989. Both singles charted on several record charts internationally.
"Shake Me, Wake Me " is a song recorded by the American quartet Four Tops for their third studio album, On Top (1966). It was released in February 1966 as a 7" vinyl single through Motown records. It was written and produced by Brian Holland, Lamont Dozier, and Eddie Holland. A gospel rock track, its lyrics detail a relationship that has ended. It has since been regarded as one of Four Tops' most successful singles ever. It charted moderately well in both the United States and Canada, and became the group's fifth consecutive entry to chart within the top five of the Hot R&B/Hip-Hop Songs chart. Four Tops has performed "Shake Me, Wake Me " on various occasions throughout their careers and have included it on several greatest hits albums, including on The Four Tops Greatest Hits (1967) and The Ultimate Collection (1997).
Barbra Streisand's Greatest Hits is the first greatest hits album recorded by American vocalist Barbra Streisand. It was released on January 1, 1970, by Columbia Records. The record is a compilation consisting of 11 commercially successful singles from the singer's releases in the 1960s, with a majority of them being cover songs. The songs on Barbra Streisand's Greatest Hits originally appeared on one of the singer's eight previous albums and span in release from 1963 to 1968. It contains her most commercially successful tracks, including her first Billboard Hot 100 top ten single "People" and top 40 entry "Second Hand Rose". The album was distributed on compact disc in 1986 and rereleased under the title The Hits in 2006.
The Way We Were is the fifteenth studio album recorded by American singer Barbra Streisand. Following the commercial success of its lead single "The Way We Were", the album was released in January 1974. Three additional songs were newly recorded for the album, while six of the tracks salvaged material from previously unreleased Streisand projects. Following the distribution of a soundtrack album for the 1973 film of the same title, Columbia added a caption to Streisand's LP in order to minimize confusion between the two albums.
Barbra Streisand's Greatest Hits Volume 2 is the second greatest hits album recorded by American vocalist Barbra Streisand. It was released on November 15, 1978 by Columbia Records. The album is a compilation consisting of ten commercially successful singles from the singer's releases in the 1970s, with a majority of them being cover songs. It also features a new version of "You Don't Bring Me Flowers", which was released as the collection's only single on October 7, 1978. Originating on Streisand's previous album, Songbird, the new rendition is a duet with Neil Diamond who had also recorded the song for his 1978 album of the same name. The idea for the duet originated from DJ Gary Guthrie who sold the idea to the record label for $5 million.
Lazy Afternoon is the seventeenth studio album recorded by American singer Barbra Streisand. It was released on October 14, 1975 by Columbia Records. Following a mixed critical response to her previous studio album, ButterFly (1974), the singer began working with new musicians for the project. Recorded in April 1975 in Los Angeles, Lazy Afternoon contains pop standards. Producer Rupert Holmes wrote three songs on the album, and co-wrote a fourth, "By the Way", with Streisand. She also included a few cover songs, such as Four Tops' "Shake Me, Wake Me ", Stevie Wonder's "You and I", and Libby Holman's "Moanin' Low".
Live Concert at the Forum is the second live album by American singer Barbra Streisand, released physically on October 1, 1972 by Columbia Records. Produced by long-time collaborator Richard Perry, it was recorded at The Forum in Inglewood, part of Greater Los Angeles, on April 15, 1972, during Four for McGovern, a concert held in benefit for George McGovern's 1972 presidential campaign. A CD version of Live Concert at the Forum was released on September 6, 1989.
ButterFly is the sixteenth studio album by American singer Barbra Streisand. Released on October 1, 1974, by Columbia Records, it marked Streisand's first album of entirely new material in over three years. Primarily a contemporary pop record recorded throughout 1974, it also incorporates music from the reggae and R&B genres. All of the tracks on ButterFly are cover songs produced by Streisand's then-boyfriend Jon Peters, originating from artists like Bob Marley, David Bowie, Evie Sands, and Graham Nash.
Barbra Streisand...and Other Musical Instruments is the fourteenth studio album by American singer Barbra Streisand. It was released on November 2, 1973 by Columbia Records. The album was made available following a 1973 live television special promoted to improve Streisand's image and sound. With world music as the primary genre, the album's instrumentation varies greatly; even items such as kitchen utensils were used to create melodies and beats. With a majority of the songs on the album being cover songs, Streisand also re-recorded various tracks that originated earlier in her career. Her manager, Martin Erlichman, was credited as the album's sole and executive producer.
The Owl and the Pussycat is the soundtrack album to the 1970 American film of the same name. It was released by Columbia Records on December 19, 1970 and features dialogue from the film by Barbra Streisand and George Segal recorded over music performed by American band Blood, Sweat & Tears. The album's five tracks were all written by Buck Henry, produced by Thomas Z. Shepard, and later released by Blood, Sweat & Tears in stripped down instrumental versions on their 2013 compilation album Rare, Rarer & Rarest. An 8-track cartridge edition and cassette tape edition of The Owl and the Pussycat was also distributed, featuring four songs instead of five.
"Didn't We" is a song recorded by Irish singer and actor Richard Harris for his debut studio album, A Tramp Shining (1968). It was written and produced by Jimmy Webb and originally served as the B-side to Harris' 1968 single "MacArthur Park". "Didn't We" was then distributed as the record's single by Dunhill Records, also in 1968. A traditional pop song, Harris sings about his life in the past. Commercially, it charted at lower positions of both the United States and Canada, and in the higher ranks of their Adult Contemporary component charts. Harris featured "Didn't We" on several of his greatest hits albums, including The Richard Harris Collection: His Greatest Performances from 1973. That same year, the song was reissued as a promotional single paired alongside his 1971 single "My Boy".
On a Clear Day You Can See Forever is the soundtrack album to the 1970 American film of the same name. It was released by Columbia Records on July 1, 1970 and features singing by Barbra Streisand and Yves Montand, in addition to choral arrangements and live orchestration. No commercial singles were released from the soundtrack, but the reprise version of the title track was released as a promotional single on 7" vinyl by Columbia. Executively and solely produced by Wally Gold, the album's ten tracks were written by Alan Jay Lerner while the music was written by Burton Lane. The album was reissued on compact disc in 2008.
"All in Love Is Fair" is a song by American singer-songwriter Stevie Wonder recorded for his sixteenth studio album, Innervisions (1973). Written and produced by Wonder, it was released as a 7" single in Brazil in 1974. The song is a pop ballad with lyrics that describe the end of a relationship through the use of clichés. Critical reaction to the song was varied: Matthew Greenwald of AllMusic wrote that it was among Wonder's "finest ballad statements", but Robert Christgau felt that the singer's performance was "immature". Wonder has included it on several of his greatest hits albums, including the most recent, 2005's The Complete Stevie Wonder.
"Jubilation" is a song recorded by Canadian singer-songwriter Paul Anka for his 1972 studio album of the same name. Anka wrote the song with Johnny Harris, who also produced the track. It was released in 1972 as a 7" single by Buddah Records. A gospel song, the lyrics of "Jubilation" find the protagonist preaching about religious themes. Making a moderate commercial impact, it appeared on the record charts in both Canada and the United States. It has since been included on several of Anka's greatest hits albums and covered by The Edwin Hawkins Singers in 1973.
"My Father's Song" is a song recorded by American singer Barbra Streisand for her seventeenth studio album, Lazy Afternoon (1975). It was released as a 7" single in August 1975 through Columbia Records. Rupert Holmes wrote the song in collaboration with its producer Jeffrey Lesser. A sentimental ballad, "My Father's Song" was about Streisand's childhood with her father; Holmes' lyrics involve a protagonist, presumably a daughter, asking for her father's approval in life and love.
"How Lucky Can You Get" is a song recorded by American vocalist Barbra Streisand for the official soundtrack to the 1975 film Funny Lady. It was released as a 7" single in April 1975 through Arista Records. The song was written by Fred Ebb and John Kander, while production was handled by Peter Matz. "How Lucky Can You Get" is one of the new songs on the soundtrack, with its origins coming from Fanny Brice, the character Streisand portrays in the aforementioned film. The music pertains to Brice herself, particularly the sarcastic nature of the lyrics that are accompanied by an "insistent" melody and production. It was suggested that the pattern of the lyrics may have been influenced by Giacomo Puccini's 1896 opera, La bohème.
The Way We Were: Original Soundtrack Recording is the soundtrack album to the film of the same title by American singer Barbra Streisand. It was released by Columbia Records on January 1, 1974. The soundtrack comprises twelve songs, mostly written by Marvin Hamlisch, three of which are different versions of "The Way We Were". The album was mostly produced by Fred Salem, with the exception of the title track which was produced by Marty Paich. Hamlisch and Salem collaborated to create five new songs for the soundtrack, while the remaining ones are cover songs.
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