Funny Lady | |
---|---|
Directed by | Herbert Ross |
Written by | |
Produced by | Ray Stark |
Starring | |
Cinematography | James Wong Howe |
Edited by | |
Music by | |
Production company | |
Distributed by | Columbia Pictures |
Release date |
|
Running time | 136 minutes |
Country | United States |
Language | English |
Budget | $8.5 million [2] |
Box office | $40.1 million [3] |
Funny Lady is a 1975 American biographical musical comedy-drama film and the sequel to the 1968 film Funny Girl . The film stars Barbra Streisand, James Caan, Omar Sharif, Roddy McDowall and Ben Vereen.
Herbert Ross, who helmed the musical sequences for Funny Girl (which had been directed by William Wyler), serves as the director. The screenplay, written by Jay Presson Allen and Arnold Schulman as based on a story by Schulman, is a highly fictionalized account of the later life and career of comedienne Fanny Brice and her marriage to songwriter and impresario Billy Rose. The primary score was by John Kander and Fred Ebb. The film was nominated for numerous awards including Golden Globe nominations for Streisand as Best Actress and Best Actor for Caan. Streisand revisited the soundtrack to the film in her 2016 concert.
Fanny Brice, now finishing her Broadway show after its success has come and gone in the midst of the Great Depression, finds only flowers and a divorce decree from her estranged husband Nicky Arnstein. Fanny and her confidant Bobby Moore are now out of work since Florenz Ziegfeld is not available to produce a new musical show. During a meeting with Bernard Baruch, her financial advisor, she meets his former secretary Billy Rose. When Fanny and Bobby go into nightclubs looking for material to "borrow", they hear a torch song in "More Than You Know" that was written by Rose. Although irritated by his pushy nature in trying to sell the song to her, Fanny soon records the song at a studio before being shocked to read in the newspaper that she will star in a show by Rose called Crazy Quilt.
The show ends up getting $50,000 from Buck Bolton when Rose promises to cast Bolton's mistress Norma Butler as one of the stars. Despite having a big number for Fanny in “I Found A Million Dollar Baby In A Five And Ten Cents Store”, opening night proves to be a disaster in terms of collapsing sets and more. Fanny considers leaving the production but stays when hearing that Billy borrowed money from mobsters that would kill him if he can't make the money back. The two work together to scale down the show. The improved show opens in New York to applause and great reviews before Fanny sees Nicky backstage with a ring on his finger from a rich woman, to whom he's now married. Billy, ready to travel to Fort Worth, Texas for a new show, offers to marry Fanny beforehand. She accepts only to find that Billy was bluffing about borrowing money from the mob to keep her close.
The wedding party finds Billy treated roughly by Fanny's society friends before the honeymoon in Texas turns to bickering between the newlyweds. During the next few years their careers are so busy that they only talk to each other when they telephone their publicist at the same time. Billy does a show called Aquacade, featuring Eleanor Holm, a 1932 Olympic gold medalist as the star. Later on, Fanny encounters Bobby Moore and Norma Butler in Los Angeles and sees Nicky on the field of a polo game in Beverly Hills and feels that her friends tricked her. She calls Billy, but he cannot leave his Aquacade show. While Fanny and Nicky reminisce about old times, Fanny notes that Nicky hasn't asked about their daughter Frances, whom he hasn't seen in six years. Fanny travels to Cleveland only to find Billy in bed with Eleanor. She goes to the train station where Billy arrives to apologize. She states that her love for Nicky was gone for good while blaming herself for Billy's infidelity. She then asks him to leave her alone to wait for her train. Years pass and in the 1940s Fanny is starring in The Baby Snooks Show on radio while Billy works as a writer of popular songs and plays. They meet each other again and he plays "Me And My Shadow", a song he tells Fanny he wrote about their marriage. He tells her about his recent purchase of the Ziegfeld Theatre in New York City and an idea for her to star in his new show. Fanny says she will think it over as the two kiss and part once again.
Although contractually bound to make one more film for producer Ray Stark (Fanny Brice's one-time son-in-law), Streisand balked at doing the project. She told Stark "that it would take litigation to make her do a sequel." However, Streisand liked the script, which showed Fanny to be "...tougher, more acerbic, more mature...", and she agreed. [5] [6]
The first to read for Billy Rose was Robert Blake. Other actors were mentioned, including Al Pacino and Robert De Niro, but ultimately James Caan was chosen. Streisand explained: "It comes down to whom the audience wants me to kiss. Robert Blake, no. James Caan, yes." [6]
Stark, unhappy with the scenes shot by original cinematographer Vilmos Zsigmond, lured an ailing James Wong Howe out of retirement to complete the film. It proved to be his final project, and it earned him an Academy Award nomination. [7]
Studio executives forced Ross to trim the film to a manageable 136 minutes before release. Much of Vereen's performance ended up on the cutting room floor, together with a recreation of Brice's Baby Snooks radio show and dramatic scenes involving her and her daughter. [8]
In addition to Howe, Oscar nominations went to Ray Aghayan and Bob Mackie for Best Costume Design, Kander and Ebb for Best Original Song ("How Lucky Can You Get"), Peter Matz for Best Scoring of an Original Song Score and/or Adaptation, and the sound team. Streisand, Caan and Vereen all received Golden Globe Award nominations, as did Kander and Ebb and the film itself, but it was shut out of any wins in both competitions. [9]
Funny Lady opened Wednesday, March 12, 1975 and grossed $2,254,3851 in its first five days from 111 theatres to be number one at the US box office. [10] [11] It went on to gross $40,055,897 at the U.S. and Canadian box office, making it the seventh highest grossing picture of 1975. It was one of Caan's most successful films at the box office. [12]
The film received mixed to negative reviews from critics. On the review aggregator website Rotten Tomatoes , 30% of 20 critics' reviews are positive, with an average rating of 4.8/10. [13]
Vincent Canby of The New York Times wrote, "As long as Miss Streisand as Fanny is singing the blues, or singing anything else, Funny Lady is superb entertainment, but the minute she stops the movie turns into a concrete soufflé. It's heavy and tasteless ... Moments meant to be dramatic are embarrassingly bad." [14]
Roger Ebert gave the film one star out of four and called it "a big, messy flop of a movie that's almost cruel in the way it invites our memories of Funny Girl and doesn't match them." [15] Gene Siskel of the Chicago Tribune awarded two and a half stars out of four and wrote, "It takes few chances and delivers mostly what you'd expect ... What was missing, for me at least, was a sense of surprise, of unpredictability—the sort of wit or pacing that separates a memorable musical like Cabaret from the merely tuneful." [16]
Pauline Kael of The New Yorker wrote, "Streisand is in beautiful voice, and her singing is terrific—too terrific. It's no longer singing, it's something else—that strident overdramatization that turns a song into a big number. The audience's attention is directed away from the music and onto the star's feat in charging it with false energy. Streisand is out to knock you cold, and you get cold, all right." Kael also criticized the plot as "right out of those terrible forties movies in which couples who break up spend a lifetime thinking about each other, with encounters every five or ten years. And we get a double load of it here, with two graying ex-husbands." [17]
Arthur D. Murphy of Variety wrote, "Barbra Streisand was outstanding as the younger Fanny Brice in Funny Girl, and in Funny Lady she's even better ... However much of a letdown the plot becomes, there's no denying the superior integration of drama, comedy, show music and personal dramatic music en route." [2]
Charles Champlin of the Los Angeles Times wrote, "Barbra Streisand, like the picture, extends the characterization she launched so dazzlingly in Funny Girl ... What I find most impressive and likable about the performance is the softened, bittersweet maturity that Streisand lets us see in Fanny Brice. You sense that Streisand understands the star as well as she understood the impetuous young hopeful. An extraordinary presentation is the power and delight of both movies." [18] Gary Arnold of The Washington Post called it a "lavish but uninspired" film that "seems to be celebrating stardom for stardom's sake. It's a joyless, mechanical Big Movie Musical." [19]
Caan thought there were "too many cooks messing around", although he liked his performance. [20]
Award | Category | Nominee(s) | Result | Ref. |
---|---|---|---|---|
Academy Awards | Best Cinematography | James Wong Howe | Nominated | [21] |
Best Costume Design | Ray Aghayan and Bob Mackie | Nominated | ||
Best Scoring: Original Song Score and Adaptation or Scoring: Adaptation | Peter Matz | Nominated | ||
Best Original Song | "How Lucky Can You Get" Music and Lyrics by John Kander and Fred Ebb | Nominated | ||
Best Sound | Richard Portman, Don MacDougall, Curly Thirlwell and Jack Solomon | Nominated | ||
Golden Globe Awards | Best Motion Picture – Musical or Comedy | Nominated | [22] | |
Best Actor in a Motion Picture – Musical or Comedy | James Caan | Nominated | ||
Best Actress in a Motion Picture – Musical or Comedy | Barbra Streisand | Nominated | ||
Best Original Score – Motion Picture | John Kander and Fred Ebb | Nominated | ||
Best Original Song – Motion Picture | "How Lucky Can You Get" Music and Lyrics by Kander and Ebb | Nominated | ||
Best Acting Debut in a Motion Picture – Male | Ben Vereen | Nominated |
The soundtrack peaked on the Billboard Album Chart at number 6 and was certified gold. [23] A majority of the songs were written by Kander and Ebb. [24]
Barbara Joan "Barbra" Streisand is an American singer, actress, songwriter, producer, and director. With a career spanning over six decades, she has achieved success across multiple fields of entertainment, being the first performer awarded an EGOT.
Funny Girl is a musical with score by Jule Styne, lyrics by Bob Merrill, and book by Isobel Lennart, that first opened on Broadway in 1964. The semi-biographical plot is based on the life and career of comedian and Broadway star Fanny Brice, featuring her stormy relationship with entrepreneur and gambler Nicky Arnstein.
Kander and Ebb were a highly successful American songwriting team consisting of composer John Kander and lyricist Fred Ebb. Known primarily for their stage musicals, which include Cabaret and Chicago, Kander and Ebb also scored several movies, including Martin Scorsese's New York, New York. Their most famous song is the theme song of that movie. Recorded by many artists, "New York, New York" became a signature song for Frank Sinatra. The team also became associated with two actresses, Liza Minnelli and Chita Rivera, for whom they wrote a considerable amount of material for the stage, concerts and television.
Billy Rose was an American impresario, theatrical showman, lyricist and columnist. For years both before and after World War II, Billy Rose was a major force in entertainment, with shows such as Billy Rose's Crazy Quilt (1931), Jumbo (1935), Billy Rose's Aquacade (1937), and Carmen Jones (1943). As a lyricist, he is credited with many songs, notably "Don't Bring Lulu" (1925), "Tonight You Belong To Me" (1926), "Me and My Shadow" (1927), "More Than You Know" (1929), "Without a Song" (1929), "It Happened in Monterrey" (1930), and "It's Only a Paper Moon" (1933).
Fania Borach, known professionally as Fanny Brice or Fannie Brice, was an American comedian, illustrated song model, singer, and actress who made many stage, radio, and film appearances. She is known as the creator and star of the top-rated radio comedy series The Baby Snooks Show.
Raymond Otto Stark was an American film producer and talent agent. Stark's background as a literary and theatrical agent prepared him to produce some of the most profitable films of the 1960s, 1970s, 1980s, and 1990s, such as The World of Suzie Wong (1960), West Side Story (1961), The Misfits (1961), Lolita (1962), The Night of the Iguana (1964), Reflections in a Golden Eye (1967), Funny Girl (1968), The Owl and the Pussycat (1970), The Goodbye Girl (1977), The Toy (1982), Annie (1982), and Steel Magnolias (1989).
AFI's 100 Years...100 Songs is a list of the top 100 songs in American cinema of the 20th century. The list was unveiled by the American Film Institute on June 22, 2004, in a CBS television special hosted by John Travolta, who appeared in two films honored by the list, Saturday Night Fever and Grease. The list was created by a panel of jurors selected by AFI, who voted from a list of 400 nominated songs.
Lillian Roth was an American singer and actress.
All Night Long is a 1981 American romantic comedy film directed by Jean-Claude Tramont and starring Gene Hackman, Barbra Streisand, Diane Ladd, Dennis Quaid, Kevin Dobson, and William Daniels. It was written by W. D. Richter.
"People" is a song composed by Jule Styne with lyrics by Bob Merrill for the 1964 Broadway musical Funny Girl starring Barbra Streisand, who introduced the song. The song was released as a single in 1964 with "I Am Woman", a solo version of "You Are Woman, I Am Man", also from Funny Girl.
Julius Wilford "Nicky" Arnstein was an American professional gambler and con artist. He was known primarily as Julius Arnold, but among his aliases were "Jules Arndtsteyn", "Nick Arnold," "Nicholas Arnold", "Wallace Ames", "John Adams", and "J. Willard Adair". He was best known as the second husband of entertainer Fanny Brice.
Funny Girl is a 1968 American biographical musical film directed by William Wyler and written by Isobel Lennart, adapted from her book for the stage musical of the same title. It is loosely based on the life and career of comedienne Fanny Brice and her stormy relationship with entrepreneur and gambler Nicky Arnstein.
"Me and My Shadow" is a 1927 popular song. Al Jolson, Billy Rose, and Dave Dreyer are credited as the writers, with Jolson and Dreyer listed on the sheet music as responsible for the music and Rose the lyrics. Jolson was often given credits on sheet music so he could earn more by popularizing the tunes, but he played no part in writing this song. Jolson never recorded "Shadow", but in 1927, he used it in the touring version of "Big Boy".
"Mon Homme", also known by its English translation, "My Man", is a popular song first published in 1920. The song was originally composed by Maurice Yvain with French lyrics by Jacques-Charles and Albert Willemetz. The English lyrics were written by Channing Pollock.
"My Coloring Book" is a song written by Fred Ebb and John Kander. First performed by Sandy Stewart in 1962 on the television program The Perry Como Kraft Music Hall, she was one of the first artists to record the work in 1962 when it was released as a single. She also included the song on her 1963 album which was also named My Coloring Book. Stewart's single charted in the top 20, and so did another 1962 single version of the song recorded by Kitty Kallen. Stewart's recording of the song was nominated for the 1963 Grammy Award for Best Solo Vocal Performance, Female and Kander and Ebb were nominated for the 1963 Grammy Award for Song of the Year. Barbra Streisand also recorded the song as a single in 1962, but it was a financial flop. She made a different recording of the work on her 1963 album, The Second Barbra Streisand Album, which was a critical success and has enjoyed enduring popularity. Many other artists have recorded and performed the song in succeeding decades, most recently Kristin Chenoweth in 2014. While not originally written for one of their musicals, the song was included in the Off-Broadway musical revue And the World Goes ‘Round: The Songs of Kander and Ebb in 1991.
"I'm the Greatest Star" is a popular song from the 1964 musical Funny Girl. The show tune was composed by written by Jule Styne with lyrics by Bob Merrill. Barbra Streisand performed it in the role of Fanny Brice, first in the Broadway cast, then again in the 1968 film adaptation. The song was first included on the original Broadway cast recording album Funny Girl, which was a best-seller in 1964.
"Second Hand Rose" is a 1921 popular song written by Grant Clarke and James F. Hanley for Fanny Brice.
"How Lucky Can You Get" is a song recorded by American vocalist Barbra Streisand for the official soundtrack to the 1975 film Funny Lady. It was released as a 7" single in April 1975 through Arista Records. The song was written by Fred Ebb and John Kander, while production was handled by Peter Matz. "How Lucky Can You Get" is one of the new songs on the soundtrack, with its origins coming from Fanny Brice, the character Streisand portrays in the aforementioned film. The music pertains to Brice herself, particularly the sarcastic nature of the lyrics that are accompanied by an "insistent" melody and production. It was suggested that the pattern of the lyrics may have been influenced by Giacomo Puccini's 1896 opera, La bohème.
Funny Lady is the soundtrack album of the 1975 musical film of the same title, starring Barbra Streisand. Released by Arista Records on March 15, 1975, arranged, conducted, and coordinated by Peter Matz, the album's fifteen tracks are performed by Streisand, James Caan, and Ben Vereen. A sequel to the 1968 musical comedy-drama Funny Girl, the songs extend the semi-biographical account of the life of American performer Fanny Brice. Funny Lady also included songs written by Brice's third husband Billy Rose. New music by Kander and Ebb included "How Lucky Can You Get", the album's only single, released in April 1975.
"I'd Rather Be Blue" is a song from the 1928 Warner Bros. musical film My Man, in which it was sung by Fanny Brice.