The Ziegfeld Follies were a series of elaborate theatrical revue productions on Broadway in New York City from 1907 to 1931, with renewals in 1934, 1936, 1943, and 1957. They became a radio program in 1932 and 1936 as The Ziegfeld Follies of the Air.
Billy Rose was an American impresario, theatrical showman, lyricist and columnist. For years both before and after World War II, Billy Rose was a major force in entertainment, with shows such as Billy Rose's Crazy Quilt (1931), Jumbo (1935), Billy Rose's Aquacade (1937), and Carmen Jones (1943). As a lyricist, he is credited with many songs, notably "Don't Bring Lulu" (1925), "Tonight You Belong To Me" (1926), "Me and My Shadow" (1927), "More Than You Know" (1929), "Without a Song" (1929), "It Happened in Monterrey" (1930), and "It's Only a Paper Moon" (1933).
Show Boat is a musical with music by Jerome Kern and book and lyrics by Oscar Hammerstein II. It is based on Edna Ferber's best-selling 1926 novel of the same name. The musical follows the lives of the performers, stagehands and dock workers on the Cotton Blossom, a Mississippi River show boat, over 40 years from 1887 to 1927. Its themes include racial prejudice and tragic, enduring love. The musical contributed such classic songs as "Ol' Man River", "Make Believe", and "Can't Help Lovin' Dat Man".
Dorothy Fields was an American librettist and lyricist. She wrote over 400 songs for Broadway musicals and films. Her best-known pieces include "The Way You Look Tonight" (1936), "A Fine Romance" (1936), "On the Sunny Side of the Street" (1930), "Don't Blame Me" (1948), "Pick Yourself Up" (1936), "I'm in the Mood for Love" (1935), "You Couldn't Be Cuter" (1938) and "Big Spender" (1966). Throughout her career, she collaborated with various influential figures in the American musical theater, including Jerome Kern, Cy Coleman, Irving Berlin, and Jimmy McHugh. Along with Ann Ronell, Dana Suesse, Bernice Petkere, and Kay Swift, she was one of the first successful Tin Pan Alley and Hollywood female songwriters.
Mary William Ethelbert Appleton Burke was an American actress who was famous on Broadway and radio, and in silent and sound films. She is best known to modern audiences as Glinda the Good Witch of the North in the Metro-Goldwyn-Mayer movie musical The Wizard of Oz (1939).
Florenz Edward Ziegfeld Jr. was an American Broadway impresario, notable for his series of theatrical revues, the Ziegfeld Follies (1907–1931), inspired by the Folies Bergère of Paris. He also produced the musical Show Boat. He was known as the "glorifier of the American girl". Ziegfeld is a member of the American Theater Hall of Fame.
Fania Borach, known professionally as Fanny Brice or Fannie Brice, was an American comedian, illustrated song model, singer, and theater and film actress who made many stage, radio, and film appearances. She is known as the creator and star of the top-rated radio comedy series The Baby Snooks Show.
The Winter Garden Theatre is a Broadway theatre at 1634 Broadway in the Midtown Manhattan neighborhood of New York City. It opened in 1911 under designs by architect William Albert Swasey. The Winter Garden's current design dates to 1922, when it was completely remodeled by Herbert J. Krapp. Due to the size of its auditorium, stage, and backstage facilities, it is favored for large musical productions. It has 1,600 seats and is operated by The Shubert Organization. The auditorium interior is a New York City landmark.
Harry Austin Tierney was an American composer of musical theatre, best known for long-running hits such as Irene (1919), Broadway's longest-running show of the era, Kid Boots (1923) and Rio Rita (1927), one of the first musicals to be turned into a talking picture.
Sally is a musical comedy with music by Jerome Kern, lyrics by Clifford Grey and book by Guy Bolton, with additional lyrics by Buddy De Sylva, Anne Caldwell and P. G. Wodehouse. The plot hinges on a mistaken identity: Sally, a waif, is a dishwasher at the Alley Inn in New York City. She poses as a famous foreign ballerina and rises to fame through joining the Ziegfeld Follies. There is a rags to riches story, a ballet as a centrepiece, and a wedding as a finale. "Look for the Silver Lining" continues to be one of Kern's most familiar songs. The song is lampooned by another song, "Look for a Sky of Blue," in Rick Besoyan's satirical 1959 musical Little Mary Sunshine.
Joseph Urban was an Austrian-American architect, illustrator, and scenic designer.
The Broadway Theatre is a Broadway theater at 1681 Broadway in the Theater District of Midtown Manhattan in New York City. Opened in 1924, the theater was designed by Eugene De Rosa for Benjamin S. Moss, who originally operated the venue as a movie theater. It has approximately 1,763 seats across two levels and is operated by The Shubert Organization. The Broadway Theatre is one of the few Broadway theaters that is physically on Broadway.
The Nederlander Theatre is a Broadway theater at 208 West 41st Street in the Theater District of Midtown Manhattan in New York City. Opened in 1921, it was designed by William Neil Smith for theatrical operator Walter C. Jordan. It has around 1,235 seats across two levels and is operated by the Nederlander Organization. Since 1980, it has been named for American theater impresario David Tobias Nederlander, father of theatrical producer James M. Nederlander. It is the southernmost Broadway theater in the Theater District.
Will Vodery was an American composer, conductor, orchestrator, and arranger, and one of the few black Americans of his time to make a name for himself as a composer on Broadway, working largely for Florenz Ziegfeld. He had offices at the Gaiety Theatre office building in Times Square.
Rio Rita is a 1927 stage musical with a book by Guy Bolton and Fred Thompson, music by Harry Tierney, lyrics by Joseph McCarthy, and produced by Florenz Ziegfeld. This musical united Bert Wheeler and Robert Woolsey as a comedy team and made them famous.
The Lyric Theatre was a Broadway theatre built in 1903 in the Theater District of Manhattan in New York City. It had two formal entrances: at 213 West 42nd Street and 214-26 West 43rd Street. In 1934, it was converted into a movie theatre which it remained until closing in 1992. In 1996, its interior was demolished and the space was combined with that of the former Apollo Theatre to create the Ford Center, now the new Lyric Theatre. Both the 42nd and 43rd Street facades of the original Lyric were preserved and today form the front and back entrances of the modern Lyric Theatre.
The Earl Carroll Theatre was a Broadway theatre at 753 Seventh Avenue near 50th Street in the Theater District of Midtown Manhattan in New York City. Built by impresario Earl Carroll and designed by architect George Keister, it opened on February 25, 1922, and was highly successful for a number of years until it was demolished and rebuilt on a lavish scale. It reopened in August 1931 with Carroll's billing that it was "the largest legitimate theater in the world." However, the facility's operating costs proved astronomical and it went into foreclosure in early 1932 after which it was acquired by producer Florenz Ziegfeld who renamed it the Casino Theatre. The Casino was the site of a very successful revival of Ziegfeld's production of Show Boat in 1932. However, Ziegfeld too went bankrupt only a short time later. The property was auctioned in foreclosure on August 18, 1933 to the Mutual Life Insurance Company for $1 million.
J. Harold Murray was an American baritone singer and actor. For more than a decade, during the Roaring Twenties and the Depression Thirties, he contributed to the development of musical theater by bridging vaudeville, operetta and the modern American musical. The most popular American songs he introduced on Broadway included "Autumn in New York" ; "Let's Have Another Cup of Coffee" and "Soft Lights and Sweet Music" ; "Rio Rita", "The Kinkajou" and "The Rangers Song" ; and "Mandalay".
Max Liebman was a Broadway theater and TV producer-director sometimes called the "Ziegfeld of TV", who helped establish early television's comedy vocabulary with Your Show of Shows. He additionally helped bring improvisational comedy into the mainstream with his 1961 Broadway revue From the Second City.
Sammy Lee, born Samuel Levy, was an American choreographer, dancer, and producer who worked mainly on Broadway and for 20th Century Fox film corporation in Hollywood.
