Studio 54

Last updated

Studio 54
Gallo Opera House (1927–1930)
New Yorker Theatre (1930–1933, 1939–1942)
Casino de Paree (1933–1935)
WPA Federal Music Theatre (1937–1939)
CBS Playhouse No. 4 (1942–1949)
CBS Studio 52 (1949–1976)
Studio 54 logo.svg
Studio 54
Address254 West 54th Street
Manhattan, New York City
Coordinates 40°45′51.7″N73°59′1.6″W / 40.764361°N 73.983778°W / 40.764361; -73.983778
Public transit New York City Subway:
Owner Roundabout Theatre Company
Type Broadway
Capacity 1,006 (519 orchestra/487 mezzanine) [1]
Construction
OpenedNovember 7, 1927(96 years ago) (1927-11-07)
Years active1927–1933, 1939–1940, 1998–present (as Broadway theater)
Architect Eugene De Rosa [2]
Website
roundabouttheatre.org

Studio 54 is a Broadway theater and former nightclub at 254 West 54th Street in Midtown Manhattan, New York City. Opened as the Gallo Opera House in 1927, it served as a CBS broadcast studio in the mid-20th century. Steve Rubell and Ian Schrager opened the Studio 54 nightclub, retaining much of the former theatrical and broadcasting fixtures, inside the venue in 1977. Roundabout Theatre Company renovated the space into a Broadway house in 1998.

Contents

The producer Fortune Gallo announced plans for an opera house in 1926, hiring Eugene De Rosa as the architect. The Gallo Opera House opened November 8, 1927, but soon went bankrupt and was renamed the New Yorker Theatre. The space also operated as the Casino de Paree nightclub, then the Palladium Music Hall, before the Federal Music Project staged productions at the theater for three years starting in 1937. CBS began using the venue as a soundstage in 1942, then as a television studio until 1975.

Schrager and Rubell opened the Studio 54 nightclub on April 26, 1977, as disco was gaining popularity in the U.S. Infamous for its celebrity guest lists, quixotic entry policies, extravagant events, rampant drug use, and sexual hedonism, Studio 54 closed in 1980 after Schrager and Rubell were convicted of tax evasion. A scaled-back version of the nightclub continued under new management before becoming the Ritz rock club in 1989, then the Cabaret Royale bar in 1994.

The Roundabout Theatre Company renovated the space in 1998 to relocate its production of the musical Cabaret , which ran at Studio 54 until 2004. The modern theater has since hosted multiple productions each season. The main auditorium, with 1,006 seats on two levels, is complemented by two sister cabaret venues: Upstairs at 54 on the second floor since 2001, and 54 Below in the basement since 2012. The heyday of the 1970s club features in numerous exhibitions, films, and albums, with memorabilia from the nightclub appearing at auctions.

Design

Interior of the theater during the production of the musical Cabaret Studio 54 New York Cabaret 6.jpg
Interior of the theater during the production of the musical Cabaret

Studio 54 was originally designed by Eugene De Rosa as the Gallo Opera House, which contained 1,400 seats when it opened in 1927. [3] [4] [5] De Rosa's original plans called for lounges, restrooms, and promenades on three stories, as well as an opera museum below the primary floors. [6] By 1933, when it was being used as the Casino de Paree nightclub, the theater had 650 seats on the orchestra level and 500 seats in the balcony. [7] CBS documents show that, when the theater was used as CBS Studio 52 in the mid-20th century, it had 828 seats on three levels: 312 in the orchestra, 371 in the balcony, and 145 in a mezzanine. [8] The modern-day theater has 1,006 seats across two levels: 519 in the orchestra and 487 in the balcony. [1] The theater contained nightclub tables during the late 20th century, which were removed in 1998 after Studio 54's re-conversion into a theater and replaced with raked seating. [9]

Ida Louise Killam designed the original interior with a gold, blue, and rose palette. [10] One early observer described the theater as having "a Roxy foyer and a Paramount promenade". [11] The orchestra seats were originally divided by five aisles. The orchestra-level walls were clad with walnut, and the trimmings at balcony level and in the mezzanine lounge were also made of walnut. The vaulted ceiling contained a dome measuring 50 feet (15 m) across, as well as indirect lighting. [12] This dome is decorated with medallions. [11] According to CBS documents, Studio 54's proscenium arch measures 27 feet 0 inches (8.23 m) high and 43 feet 8 inches (13.31 m) wide. There was a fly system 58 feet (18 m) above the stage. [8] Backstage were six dressing rooms, as well as a 15-by-40-foot (4.6 by 12.2 m) rehearsal space at stage left. [13]

To avoid disrupting the construction of the New York City Subway's Eighth Avenue Line, structural engineer David M. Oltarsh placed the Gallo Opera House's foundation, orchestra, and balcony within an enclosure that was suspended from the theater building's roof. [14] The modern mezzanine-level promenade has an exhibit with information on the theater's current production. [9] The theater also contains a bar in its lobby, which is a tribute to the former Studio 54 nightclub. [15]

54 Below

The cabaret club 54 Below opened in Studio 54's basement on June 5, 2012. [16] [17] It was designed by architect Richard H. Lewis, set designer John Lee Beatty, lighting designer Ken Billington, and sound designer Peter Hylenski. [18] A staircase from ground level leads to a rectangular room with leather and wood decorations, as well as a red, purple, and brown color palette. The room contains 140 seats in a cabaret-style arrangement and 16 seats in a bar to the right. [18] Originally, 54 Below presented shows every day of the week, [18] with 4,000 performances in its first five years. [17] In partnership with musician Michael Feinstein, the club was renamed Feinstein's/54 Below in 2015; [19] the club reverted to the name 54 Below when the partnership ended in July 2022. [20]

Upstairs at Studio 54

Josh Hadar of Allied Partners created a 175-seat cabaret space on the second floor, called Upstairs at Studio 54. [21] The space opened in February 2001 [22] and is accessed via its own entrance at ground level. [21] This space was used exclusively for special events. [23] Performances occurred during nights when plays were not being staged. The musical Newsical was staged there from October 2004 [24] to April 2005. [25]

Early history

Gallo Opera House

In July 1926, theatrical impresario Fortune Gallo leased a site at 254 West 54th Street and hired Eugene De Rosa to design a 16-story office building at the site, with a 1,400-seat theater at its base. Z. D. Berry and Robert Podgur would build the venue at an estimated cost of $2 million. [3] [4] [5] Gallo planned to present the San Carlo Grand Opera Company's productions at the theater during the autumn, renting it out for legitimate shows at other times. [5] The venue was originally supposed to open in January 1927, [3] [4] but this was delayed because the opera company had an extended engagement in San Francisco. [26] Prior to the venue's opening, Gallo transferred his interest in the San Carlo Company to his nephew Aurelio Gallo, allowing the elder Gallo to focus on operating the new theater. [27]

The opera house opened on November 8, 1927, with the San Carlo Company's large-scale production of La bohème . [28] [29] The Gallo was one of three legitimate theaters to open in New York City during 1927; at the time, the city had over 200 legitimate theaters. [30] The San Carlo Company performed for two weeks. [31] [32] A revival of the play Electra opened at the Gallo that December, [33] [34] followed the same month by Juno and the Paycock . [35] [36] A $660,000 mortgage was placed on the theater building in January 1928. [37] The American Opera Company opened its season there the same month, [38] performing there until March. [39] Ballet Moderne also performed there for two weeks in April 1928. [40]

Studio 54, originally the Gallo Opera House, is placed within the base of an office building at 254 West 54th Street. 54-ny.jpg
Studio 54, originally the Gallo Opera House, is placed within the base of an office building at 254 West 54th Street.

Philip Goodman leased the theater for five years in mid-1928. [41] [42] Goodman used the theater to stage a production of Laurence Stallings and Oscar Hammerstein II's musical Rainbow, [43] which ran for less than a month in late 1928. [44] [45] In the meantime, the theater also hosted events such as dance performances, [46] a violin recital, [47] and a choir performance. [48] Radiant Productions leased the theater in September 1929, with plans to present a dozen plays for three weeks each. [49] [50] Their first and only production, Ladies Don't Lie, was a critical failure. [51] That October, Radiant transferred its lease to William R. Kane, [51] who staged a short-lived revival of the comedy A Tailor-Made Man there. [52] At a foreclosure auction in December 1929, the theater's mortgagee Hemphill Realty Corporation bought the theater for $1,045,000. [53] [54]

New Yorker Theatre

Gallo sold his lease to an unidentified buyer in January 1930, as he wanted to focus on operating a radio station. [55] [56] Richard Herndon took over as the theater's managing director, renaming it the New Yorker Theatre the next month. [57] [58] The first production at the renamed theater was the Henrik Ibsen play The Vikings, [59] [60] which had a short run in May 1930. [61] The New Yorker hosted more dance recitals [62] before the opening of its next legitimate show, Electra, in December 1930. [63] [64] Oliver D. Bailey signed a five-year lease for the theater in January 1931. [65] [66] In general, the theater suffered from low attendance during the Great Depression. [59] Among the theater's productions in 1931 were the plays Gray Shadow, [67] Young Sinners , [68] Ebb Tide, [69] and It Never Rains; [70] the musical Fast and Furious; [71] and performances by the New Yorker Grand Opera Company. [72] The next year, the theater hosted several plays performed by the Spanish-speaking theatrical company La Compania Dramatic Espanola, [73] as well as another dance festival. [74] The Bowery Savings Bank bought the New Yorker and the adjacent office building for $650,000 in December 1932. [75]

The bank leased the theater to Continental Music Halls Inc. for five years in September 1933. [76] [77] Continental announced plans to convert the theater into a nightclub called Casino de Paree (sometimes spelled Casino de Paris [78] ), with dining areas on two stories and a kitchen in the basement. [76] [79] The club's operators spent $200,000 on renovations, [80] reopening the venue on December 12, 1933. [81] It was one of three theaters near 54th Street that were converted to nightclubs in the mid-1930s. [82] There were 1,150 seats on two levels. The stage was used as a dance floor, accessed by steps from the orchestra level, and was flanked by two bands. [7] Billy Rose organized two shows a night, for which guests paid $1.50 to $2 per ticket. According to Variety , the nightclub "just about satisfies the gastronomic, bibulous, and entertainment needs of any mortal". [83]

The club's operators bought the theater and adjacent office building in March 1934. [80] The club's cheap revues competed with Broadway musicals with higher-priced tickets. [84] Rose withdrew from the venture in September 1934 because of disagreements over pay. [85] The Casino de Paree was closed for renovations in February 1935, [86] reopening two weeks later. [87] The Casino de Paree abruptly closed [88] after filing for bankruptcy in April 1935. [89] [90] That December, the Bowery Savings Bank leased the theater to the Palladium Operating Corporation, which planned to convert it into an "English"-style music hall. [91] The Palladium Music Hall opened the next month; [92] [93] it was to host a new show every two weeks, with two bands performing during dinnertime. [93] The Palladium had trouble paying wages within three weeks of its opening, [94] and it closed permanently at the beginning of February 1936. [95]

WPA Theatre of Music Works Progress Administration Federal Music Project of New York City Theatre of Music LCCN98514961.jpg
WPA Theatre of Music

The Works Progress Administration (WPA)'s Federal Music Project leased the theater, as well as four of the office floors, in November 1936; [96] [97] the venue would host operas and concerts by the WPA's Theatre of Music. [98] The WPA renovated the theater over the next two months, [99] opening the Theater of Music on January 24, 1937. [100] [101] The WPA renewed its lease later the same year. [102] An all-black WPA cast from Chicago presented The Swing Mikado at the New Yorker Theatre in early 1939; [103] after two months, the production moved to the 44th Street Theatre. [104] [105] The play Medicine Show then premiered at the New Yorker in April 1940, [106] closing after a month. [107] This was the theater's last Broadway show for nearly six decades. [2]

Broadcast studio

The Bowery Savings Bank again owned the New Yorker Theatre by late 1940, and the bank's real-estate agent Joseph O'Gara was looking to lease the venue. [108] That October, RCA Manufacturing signed a one-year lease for the theater, exhibiting television projectors there. [109] RCA subsidiary NBC installed a 9-by-12-foot (2.7 by 3.7 m) television screen by the end of 1940. [110] Early the following year, NBC installed a 15-by-20-foot (4.6 by 6.1 m) projection screen on the stage, [111] [112] spending $25,000 to $30,000 on the project. [112] The first public exhibition of the theater's screen was in May 1941, when over a thousand audience members watched a live broadcast of a boxing match between Billy Soose and Ken Overlin at Madison Square Garden. [113] [114] In September 1941, the Top Dollar Theatre company unsuccessfully tried to lease the venue from the Bowery Savings Bank. [115] The New Yorker Theatre then briefly hosted the children's play The Adventures of Marco Polo at the end of that December. [116]

CBS Studio 52

The Columbia Broadcasting System (CBS) leased the New Yorker Theatre in August 1942 for use as a radio soundstage. [117] [118] The theater operated as a radio and television studio for three decades, [78] known as Radio Playhouse No. 4 [59] [2] or Theater No. 4., [119] then converted for television in 1949, becoming CBS-TV Studio 52. [120] [lower-alpha 1] Shielded television cameras had to be developed due to strong magnetic interference from equipment at a neighboring power substation for the New York City Subway system. [122] [123] The studio was one of seven that CBS operated in New York City. [124] At that time, several Broadway theaters had been converted to TV studios due to a lack of studio space in the city. [125] [126]

Likely the first television show to be produced at Studio 52, was The 54th Street Revue, which premiered in May 1949. [120] Another early show produced at Studio 52 was The Fred Waring Show in 1950. [127] [128] Studio 52 and the neighboring Studio 50 (now the Ed Sullivan Theater) were among CBS's busiest stages by the early 1960s. [129] The theater hosted such shows as What's My Line? , The $64,000 Question , Video Village , Password , To Tell the Truth , Beat the Clock , The Jack Benny Show , I've Got a Secret , Ted Mack and the Original Amateur Hour , and Captain Kangaroo . [130] [128] Studio 52 was used to tape many of the CBS shows that involved panel discussions. Members of the public could also buy tickets to view these tapings. The New York Times said in 1965 that many of the regular audience members were older women. [131] The soap opera Love of Life was produced at Studio 52 until 1975 and was the last show to be taped there. [128] CBS moved most of its broadcast operations out of Studio 52 in 1976 and placed the theater up for sale. [132]

Nightclub era

Inception and opening

Dining area at 54 Below Studio 54 New York Restaurant.jpg
Dining area at 54 Below

By 1976, German-born male model Uva Harden was planning to open a nightclub in New York City, which he tentatively called "Studio". [133] Harden and Israeli entrepreneur Yoram Polany agreed to take over the old CBS Studio 52 that year. [134] [135] [136] Polany and another friend of Harden's independently recommended that the nightclub be called "Studio 54" because it was on 54th Street. [136] Harden and Polany formed a corporation to operate the nightclub, but they struggled to obtain a liquor license from the New York State Liquor Authority (NYSLA). [134] [137] They hired Carmen D'Alessio, who had hosted monthly parties at Maurice Brahms's Infinity nightclub, [138] as the club's publicist. [137] To finance the nightclub, the operators of the Marlborough Gallery bought nearly all of the stock in Harden and Polany's corporation in November 1976. [135] At the time, the gallery's owner Frank Lloyd had just been ordered to pay $9 million to artist Mark Rothko's estate in the Rothko case. [135] [139]

After continued delays, Harden met with entrepreneurs Steve Rubell and Ian Schrager, who agreed to partner with him in the nightclub's operation. [140] Harden was eventually forced out of the club's operation, while Polany left on his own volition. [141] In November 1976, Billboard magazine reported that Schrager and Rubell planned to convert the theater into a nightclub called Studio 54. [142] It would be one of several discotheques to operate in Midtown Manhattan during the late 1970s. [143] [144] Rubell and Schrager formed the Broadway Catering Corp., which spent $400,000 to transform the theater into a nightclub. [145] Rubell, Schrager, and Jack Dushey each owned a one-third stake in the venture, [145] [146] [147] and they had hired several people to create the club by early 1977. [148] These included architect Scott Bromley, [149] [150] [151] interior designer Ron Doud, [150] [151] lighting designer Brian Thompson, [149] [151] and set designer Richie Williamson. [150] Lighting designers Jules Fisher and Paul Marantz were hired to design the dance floor and rigging system. [150] [151] Rubell and Schrager retained D'Alessio to promote Studio 54. [152] [153]

The Moon Man swung across the dance floor at Studio 54 MoonMan.jpg
The Moon Man swung across the dance floor at Studio 54

The renovation involved the construction of a dance floor, a balcony, and a disco booth, as well as the addition of mirrors, light bars, and floating vinyl platforms. The orchestra seated 250 people, and the balcony had another 500 seats. [146] The lighting system, which required three people to operate, included a dozen 16-foot-high (4.9 m) poles with flashing lights. [134] Fisher and Marantz adapted the existing rigging system to generate special effects such as confetti, snow, fog, and weather. [150] [154] On the ceiling was a 30-by-40-foot (9.1 by 12.2 m) cyclorama, which could project images of many different galaxies. Other decorations included depictions of volcanos, sunrises, and sunsets. [134] Aero Graphics designed a backlit moon and spoon, which became an icon of the Studio 54 nightclub. [155] The club's promoters mailed out 8,000 invitations and made phone calls to numerous figures on "a good social list". [156] Studio 54 officially opened on April 26, 1977, [157] [156] with workers rushing to finish the decorations just hours before the grand opening. [157] Although the space could fit 2,500 guests, [134] [157] four thousand people attended the club on opening day. [156] Hundreds of prospective patrons lined up around the block to enter, [157] [158] and several celebrities could not get in, despite having been invited. [159]

The scene

Studio 54 had been launched as the disco dancing and music trend was gaining popularity in the U.S. [160] [161] Its popularity grew rapidly, especially after the publication of a widely-circulated picture that showed actress Bianca Jagger at the club, riding a white horse. [162] [163] In the month after its opening, the club served an average of 2,000 guests per night, [164] although it was only open on Tuesdays through Saturdays. [146] By August 1977, the club had become so successful that Rubell and Schrager were considering opening similar nightclubs in Los Angeles and London. [165] [166] Rubell ultimately chose not to open similar clubs around the world, saying: "I'm very cautious about protecting the name and not cheapening it." [167] In November 1977, Dan Dorfman of New York magazine quoted Rubell as saying that "only the Mafia made more money" than Studio 54, [146] [168] which made $7 million in its first year. [169]

Upon Studio 54's first anniversary in April 1978, which attracted 3,000 guests, Rubell said the club's popularity contradicted sentiments that the club "wouldn't last more than a couple of months". [170] That October, Rubell and Schrager closed the club for nine days, spending $500,000 on renovations. [171] The work included adding spotlights and mirrored walls, [171] as well as a movable bridge. [172]

Admission policy

To be admitted to Studio 54 was a status symbol, even on nights when the club was open to the public. [167] When Studio 54 opened, admission generally cost $7 or $8, but guests could pay for an annual membership in exchange for discounted tickets. [143] [164] Tickets were more expensive on weekends, [173] and all ticket prices were increased on nights with performances. [164] Rubell made the final decisions over whether guests were allowed in the club. Celebrities usually were allowed to enter immediately. [173] [174] According to a 1977 Wall Street Journal article, "very beautiful" members of the public were almost always admitted, while men entering alone were invariably rejected to prevent predatory behavior. [173] Guests were divided into four categories, ranging from the "No Goods" (who could never be admitted) to the "No Fuck-ups" (important clients who were admitted instantly). [175] Rubell bragged about the club's exclusivity, saying in a November 1977 interview with New York magazine: "I turned away 1,400 people last Saturday." [146]

The club's doormen could be extremely selective, sometimes to the point that "they propelled themselves into a comedy universe" according to Haden-Guest. [176] Rubell once told a "ravishingly beautiful woman" that she could enter for free if she took off all her clothes; the woman was later hospitalized for frostbitten nipples. [176] The selective admissions policies led some guests to bypass the front door in an attempt to enter. [175] [177] According to Haden-Guest, one potential guest got stuck in a ventilation shaft and died, [177] an account that Schrager later confirmed. [175] Some of Studio 54's spurned clientele fled to other clubs such as New York, New York. [178] When the club was renovated in 1978, Rubell and Schrager sealed its courtyard to prevent people from entering there. [172] There was also a private entrance on 53rd Street, reflecting the "stratification" of the nightclub. [179]

On several occasions, would-be guests attacked the doormen after being denied admission, [173] [180] [181] and several guests pulled out guns when they were rejected. [175] The club's security guards often cleared out trash cans within a several-block radius because of high concerns over violence. [180] Some notables were denied admission. For instance, the president of Cyprus was once rejected because the doormen thought he was the president of New York City's Cypress Hills Cemetery. [176] When one of Saudi king Khalid's sons was rejected, the Saudi embassy to the United States wrote Rubell a letter, asking that Khalid's son not be rejected again. [173] The band Chic wrote a song in 1978, "Le Freak", after being refused entry to the club on New Year's Eve 1977, despite having been invited by Grace Jones. [182] [183] Even club members were not guaranteed entry. [184] [185] In June 1978, the New York City Department of Consumer Affairs (DCA) mandated that Rubell and Schrager stop selling memberships and refund existing members. [185] [186] The club failed to refund all memberships immediately, [187] and Schrager claimed that November that only 40 members had applied for refunds. [188]

Inside the club

The club generally opened at 10 p.m., with crowds peaking at midnight; the bar closed at 4 a.m., and the rest of the club stayed open until 6 a.m.. [173] According to Rubell, the vast majority of the club's guests were not celebrities but, rather, members of the public who just wanted to dance. [189] The Washington Post wrote in November 1977 that the club attracted "a mix of punks, hairdressers, socialites, and suburbanites", [190] while The New York Times said the club was "tolerant of errant squares". [191] Andy Warhol, a regular guest of Studio 54, said the club was "a dictatorship on the door but a democracy on the dance floor". [175] [192] Studio 54 enforced a photography ban to protect guests' privacy, [193] but some images were still published, including a widely circulated image of Canadian first lady Margaret Trudeau without her underwear. [194]

Many guests used club drugs, and they often engaged in open sexual activity on the club's balcony and in private basement rooms. [195] [196] The Journal characterized most of the women guests as "beneficiaries of a fabulously lucky genetic selection" and that the men guests generally had an "aura of self-esteem born in the knowledge that one can successfully choose among the select". [173] Celebrity appearances, which were almost guaranteed, were frequently showcased in New York City's daily newspapers and in gossip columns. [197] [198] The nightclub was also frequented by many gay celebrities, [193] [199] leading Anthony Haden-Guest to write that the club became "one of the single most effective showcases for newly visible gay clout". [199] By 1978, there was a private dance floor behind a movable scrim on the main dance floor, as well as a VIP room in the basement, which could only be accessed by a hidden stairway. [179]

The club also hosted private parties that, at a minimum, cost tens of thousands of dollars. [167] The invitations to the parties were extravagant, using such materials as "Cupid's arrows, inflatable hearts, [or] jars of confetti". [163] Among the events at Studio 54 was a New Year's Eve party hosted by event planner Robert Isabell, who dumped four tons of glitter onto the floor, creating a four-inch layer that could be found in attendees' clothing and homes several months later. [200] The organizers of a Valentine's Day party in 1979 imported 3,000 Dutch tulips, transported 4,000 square yards (3,300 m2) of sod from Bermuda, and rented eight antique sculptures that each cost $17,000. [201] Other events at the club included fundraisers for local politicians, as well as a Halloween party hosted by the staff of People magazine. [202] Studio 54 was also a filming location for several music videos, such as those for several songs in Musique's album Keep On Jumpin' . [203]

Notable patrons
Other notables

Downfall

License issues and other disputes

Schrager did not have a liquor license when the club opened, despite having applied to the NYSLA for such a license. [237] Instead, the nightclub applied for a "caterers' permit" every day; these permits were intended for weddings or political events, but they technically allowed the venue to serve alcohol. [238] [239] The club also did not have a certificate of occupancy or a public assembly license, prompting tipsters to complain to several federal agencies. [239] On May 21, 1977, the NYSLA raided the nightclub for selling liquor without a license. [237] [238] The club reopened the next night, serving fruit juice and soda instead of liquor. [240] Studio 54 continued serving non-alcoholic drinks exclusively until a justice for the New York Supreme Court, the state's trial-level court, ordered the NYSLA to grant Studio 54 a liquor license that October. [241] [242] The NYSLA's chairman complied with the Supreme Court ruling but objected to it, claiming that the judge had been influenced by Studio 54's upscale clientele. [243] [205] The New York Court of Appeals upheld the Supreme Court's decision in June 1978. [185]

Schrager also applied for a cabaret license from the DCA, which did not grant Studio 54 a permanent cabaret license for more than a year. [244] [245] A contributing factor was that the city government only employed three cabaret inspectors, who could not validate all of the city's cabaret licenses in a timely manner. Additionally, the DCA rarely fined unlicensed cabarets more than $25. [187] At the beginning of June 1978, DCA officials said the cabaret application had not been approved because of multiple violations of fire codes, though the New York City Fire Department refused to provide further details about these violations. [244] The DCA could also deny a permanent license because of unresolved consumer complaints, such as those concerning Studio 54's annual memberships. [245] The DCA refused to renew Studio 54's temporary cabaret license in August 1978 because Schrager and Rubell had not refunded all of the memberships. [187]

Also in August 1978, the American Society of Composers, Authors and Publishers (ASCAP) sued Rubell and Schrager, alleging that the co-owners had failed to pay licensing fees for six performances that ASCAP had staged at Studio 54 earlier that year. [246] Studio 54 ultimately paid ASCAP for a license in November 1978. [247] The National Labor Relations Board was also investigating the club by February 1979 after some workers alleged that the club had engaged in "unfair labor practices". [248]

End of the first era

Studio 54's balcony Studio 54 New York Cabaret 1.jpg
Studio 54's balcony

In December 1978, a tipster called the Internal Revenue Service (IRS), alleging that Rubell and Schrager were skimming profits. [249] [250] The tip came from a disgruntled ex-employee, who also alleged that cocaine was illegally being stored in the basement. [250] Shortly after, IRS agents raided Studio 54 and arrested Rubell and Schrager. [249] [251] [252] The club continued to operate the night of the raid. [252] [253] A federal grand jury indicted Rubell and Schrager on charges of tax evasion in June 1979, observing that the two men had skimmed $2.5 million, or as much as 60 percent of Studio 54's receipts over the past two years. [145] [147] In an unsuccessful [254] attempt to lessen the charges against the club's co-owners, [255] [256] Schrager's lawyer Mitchell Rogovin alleged that Hamilton Jordan, chief of staff to U.S. president Jimmy Carter, had used cocaine in the club's basement. [181] [257] In anticipation of increasing interest in rock music, Rubell and Schrager spent $1.2 million to renovate Studio 54 in late 1979. They installed a grand chandelier and a fly system above the stage, as well as removing seats from the balcony. [258]

Rubell and Schrager ultimately pleaded guilty to tax evasion in November 1979, [255] [259] after New York magazine published a cover story describing the "party favors" that the two men gave to their friends. [254] In exchange, federal prosecutors agreed not to charge the men with obstruction of justice and conspiracy. [255] [259] By then, the club was in danger of losing its liquor license after the owners had pleaded guilty to tax evasion, as the NYSLA did not give liquor licenses to convicted felons. [260] Rubell and Schrager were each sentenced to three and a half years in prison in January 1980. [261] [262] The two men attended a final party on the night of February 2–3, 1980, with Diana Ross and Liza Minnelli singing for numerous guests. [182] [263] Rubell and Schrager began serving their sentences two days afterward. [264] [265] Ultimately, Rubell and Schrager were paroled after a year, [266] and Schrager received a presidential pardon decades later. [267] [lower-alpha 2]

The NYSLA unanimously voted not to renew Studio 54's liquor license on February 28, 1980, citing Rubell's and Schrager's criminal convictions, although the club was allowed to continue operating. [268] [269] The club lost its liquor license on February 29, and the club started serving fruit punch the next day. [270] [271] Studio 54's lawyers also announced that they would create a board of directors to operate the club. [271] The third co-owner, Jack Dushey, had received a $10,000 fine and had been sentenced to five years of unsupervised probation after being convicted of conspiracy charges in March 1980. [272] By the end of that month, Rubell was considering selling the club, [273] [274] despite having promised just two months prior that he would never sell Studio 54. [274] Among those who expressed interest in the club were restaurateur Mark Fleischman, television host Dick Clark, and record executive Neil Bogart. [274] [275] The club closed down at the end of that March, as the revocation of the liquor license had caused a sharp decrease in business. [276] [277] Early the next month, [276] [277] Fleischman agreed to buy an option that would allow him to purchase the club for $5 million. [278]

Fleischman and Weiss operation

Mark Fleischman announced his plan to take over Studio 54, seeking to host live shows there and obtain a liquor license from the NYSLA. [279] [280] Studio 54 remained shuttered through the rest of the year, in large part because Rubell and Schrager continued to file legal objections against the NYSLA's revocation of the club's liquor license. The authority would not issue a liquor license as long as the club was involved in active litigation. [278] Mike Stone Productions leased the club from Rubell and Schrager in early 1981, and the club started hosting private events again, albeit without alcoholic drinks and only on Friday and Saturday nights. [281] Rubell's company sold the building to Philip Pilevsky for $1.15 million in cash in August 1981, leasing back space from Pilevsky. [282] Fleischman applied for a liquor license from the NYSLA, which agreed to grant the license on the condition that Rubell and Schrager not be involved in any way. [275] Fleischman also repainted the interior and removed the original club's light fixtures, [283] and he paid the New York state government $250,000 in back taxes. [284]

Studio 54 officially reopened to the public on September 15, 1981. [285] [286] [287] Fleischman and his partner Jeffrey London mailed out 12,000 invitations for Studio 54's reopening, [286] [287] which were delivered on 25-watt silver lightbulbs. [284] Jim Fouratt and Rudolf Piper were hired as Studio 54's new managers. [283] [284] [288] Initially, the club hosted "Modern Classix nights" during Wednesdays and Sundays, while it hosted disco music for the remainder of the week. [283] [287] There was also a 32-track recording studio in the basement, which was used for recording promotional videos and rock concerts. [289] Notable figures associated with the second iteration of Studio 54 included doorman Haoui Montaug, [290] as well as Paul Heyman, who was a photographer, producer, and promoter at the club. [291] A notable guest during this time was Drew Barrymore, who was nine years old when her mother took her to Studio 54. [292] Within three months of the club's reopening, Fleischman had ousted Fouratt and Piper, who opened the Danceteria nightclub. [293]

In 1982, social activist Jerry Rubin started hosting "Business Networking Salons", a networking event for businesspeople, at the club on Wednesday nights. Prospective guests would only be admitted if they had a business card; [294] [295] the networking events quickly became popular, often attracting 1,500 guests. [296] For other events, Studio 54 implemented an invitation system, which enabled its operators to restrict some events to select guests without turning them away at the door. The club's mailing list had 200,000 names by 1984. [297] Frank Cashman acquired the $3 million lien on the club in late 1984. [298] The same year, Studio 54 also hosted special musical performances, starting with a series of concerts by Julie Budd. [299] Meanwhile, the club was gradually losing long-time regulars to competing discotheques, [300] including the Palladium, which Rubell and Schrager had opened after being released from prison. [301] The club also faced several lawsuits from disgruntled high-profile guests, such as football player Mark Gastineau and a basketball player. [302]

Fleischman filed for bankruptcy in November 1985; he had planned to spend $250,000 on renovations to attract guests. [300] [301] The club closed in April 1986 because it could not obtain liability insurance, [303] [304] in part because Studio 54 was losing so many of the lawsuits in which it was involved. [302] Subsequently, Shalom Weiss took over Studio 54. [305] [306] The nightclub tended to attract a young and racially mixed clientele who were frequently involved in fights, prompting complaints from local residents. [307] City officials revoked the club's cabaret license for two years in January 1989 after finding that the club's patrons frequently used cocaine illegally. The officials alleged that Studio 54 employees not only encouraged illegal drug use but also used cocaine themselves. [305] [306] In addition, the club admitted guests as young as 13 and had falsely advertised itself as selling alcoholic beverages. [305]

The Ritz and Cabaret Royale

Studio 54 was dilapidated by the late 1980s; the walls had peeling paint, while the auditorium's dome had been concealed by a dropped ceiling. Neil Cohen and John Scher, owners of the Ritz nightclub, leased the space from Philip Pilevsky for 25 years in 1989. [11] They spent $2 million to restore the theater, adding fixed seating at orchestra level [11] and installing production equipment above the stage. [308] [309] Cohen and Scher anticipated that the club could fit 3,000 people, including standees, [11] [309] although the theater only had about 1,800 seats. [308] [310] The Ritz relocated from the East Village to Studio 54 on April 5, 1989. [11] [308] According to The New York Times, the new Ritz was more popular than the old location because both the orchestra and balcony had "excellent sound and sightlines". [310] The Ritz was primarily a rock club, but it also hosted performances of pop music [311] and salsa music. [312] The Ritz was one of the most active nightclubs in the United States, with about 150 shows annually, until its promoters started booking fewer shows in mid-1991. Despite declining profits in 1992, the club's owners were planning to add a 250-seat side room next to the auditorium. [313]

CAT Entertainment acquired Scher's interest in the Ritz in December 1992, [313] and CAT was itself acquired by Cabaret Royale Corporation the next year. [314] In July 1993, the Ritz announced it would close down and reopen as a topless bar. [315] CAT Entertainment spent $3 million renovating the theater, including the stage area. CAT also resurrected both the nightclub and the Studio 54 trademark, which had never been properly registered by any of the prior owners or operators. [314] John Neilson took over the venue with plans to reopen it as an uptown location of the Stringfellows nightclub. [314] [316] The remodeled nightclub opened in January 1994 and was operated as "Cabaret Royale at Studio 54". [317] Most of the old theater's architectural detail had been covered up by then. [21]

Meanwhile, the Bank of Tokyo had previously granted a mortgage on the theater and the adjacent office building to Pilevsky, which it foreclosed upon in June 1994. [318] Later that month, the theater and building were auctioned off. [317] [319] CBS, the Manhattan Theatre Club, and Viacom were among those that showed interest in acquiring the theater and building. [320] Allied Partners, run by the Hadar family, ultimately acquired the properties for $5.5 million. [21] Allied then renovated the office building. [321] Cabaret Royale closed in January 1995, [322] and Allied announced plans to convert the space into a virtual reality gaming venue at a cost of $10 million. [320] [323] In anticipation of Studio 54's conversion, the nightclub hosted a final party on May 23, 1996, [324] [325] featuring disco star Gloria Gaynor and performers such as Crystal Waters and RuPaul. [326] The virtual-reality complex was never built because of a lack of demand, and the club's space was instead rented out for private events. [21] Allied Partners preferred that the Studio 54 building become "anything but a nightclub". [327]

Roundabout Theatre at Studio 54

Studio 54, July 2019 Studio 54 (48269674087).jpg
Studio 54, July 2019

Since 1998, the nonprofit Roundabout Theatre Company has operated Studio 54 as a Broadway theater, branded as Roundabout Theatre at Studio 54. It is one of Roundabout's three Broadway theaters, alongside the Todd Haimes Theatre and the Stephen Sondheim Theatre. [328] [329]

Relocation and early productions

In July 1998, the collapse of a construction hoist at 4 Times Square blocked access to the Henry Miller Theatre (now Stephen Sondheim Theatre) on 43rd Street, where the nonprofit Roundabout Theatre Company's successful revival of the Broadway musical Cabaret was playing. [330] Roundabout quickly began searching for alternative venues [331] and, in September 1998, decided to move the production to Studio 54. [332] [333] The old nightclub required extensive renovations and was not air-conditioned, [331] but Roundabout's artistic director Todd Haimes considered it the "only viable option" for the theatre company. [334] Cabaret's producer Sam Mendes had considered Studio 54's dilapidated condition to be an ideal setting for the production, just as the Henry Miller had been. [9] Roundabout spent over $1 million converting the former nightclub into a 950-seat theater, [335] [336] [lower-alpha 3] buying old seats from the Imperial Theatre and installing them in the mezzanine. [335] Cabaret moved to Studio 54 in November 1998, [337] doubling the production's capacity. [333] [338]

Richard Hadar announced in early 1999 that he would operate a nightclub within the theater, which would still host performances of Cabaret during the day. [339] By 2001, Roundabout was negotiating to buy Studio 54 from the Hadar family, which would allow the theatre company to own a Broadway theater for the first time. [340] Early the next year, the Hadar family agreed to sell the theater for around $25 million. To fund the purchase, Roundabout would receive up to $32 million in tax-exempt bonds and $9 million from the New York City Department of Cultural Affairs (DCA). [341] [342] [343] Roundabout finalized its purchase in July 2003, paying $22.5 million, [344] [345] of which $6.75 million came from the DCA and $17.7 million came from tax-exempt bonds. [346] Allied continued to own the office space above the theater. [21]

2000s

Roundabout planned to use Studio 54 to host larger productions that could not be staged at the American Airlines Theatre. [9] [343] Haimes also wanted to renovate the theater, including expanding the orchestra pit and replacing the rigging system. [343] After Cabaret closed in January 2004, [337] Roundabout staged several shows a year at both theaters, and Studio 54 hosted a mixture of musicals and plays. [9] The Stephen Sondheim and John Weidman musical Assassins was Roundabout's first new production at Studio 54, [9] opening in April 2004. [347] [348] A revival of another musical by the same team, Pacific Overtures , opened that December. [349] [350] Following these two productions, Broadway historian Louis Botto wrote that Studio 54 "had finally fully been welcomed into the Broadway family nearly 80 years after Fortune Gallo first dreamed of it". [9]

Roundabout completed some renovations in 2005, [351] which involved installing raked seating and an exhibit in the promenade. [9] The theater hosted a revival of Tennessee Williams's A Streetcar Named Desire in April 2005. [352] [353] For the 2005–2006 season, Studio 54 staged Eugene O'Neill's A Touch of the Poet [354] [355] and Bertolt Brecht's The Threepenny Opera . [356] [357] The theater then hosted the plays The Apple Tree and 110 in the Shade in the 2006–2007 season; The Ritz and Sunday in the Park with George in the 2007–2008 season; and Pal Joey and Waiting for Godot in the 2008–2009 season. For the 2009–2010 season, the theater presented Carrie Fisher's solo performance Wishful Drinking , as well as and James Lapine and Stephen Sondheim's revue Sondheim on Sondheim . [2] [9]

2010s to present

During the 2010–2011 season, Studio 54 hosted Brief Encounter (an adaptation of two Noël Coward works), as well as the musical The People in the Picture . [2] [9] Studio 54 was supposed to host a revival of Bob Fosse's musical Dancin' during the 2011–2012 season, [358] [359] but this was ultimately canceled, and the theater was instead closed for renovations. [358] [360] The theater's next production was the play Harvey , which opened in June 2012. [361] [362] This was followed in November by The Mystery of Edwin Drood , the theater's only production for the 2012–2013 season. [363] [364] Roundabout booked a revival of Cabaret for the 2013–2014 season, although the theater remained dark for a year. [365] Cabaret opened in April 2014, [366] [367] initially for a 24-week engagement, but the show was so popular that it ran for a year. [368] The play An Act of God opened at Studio 54 in May 2015, being the theater's only production during the 2014–2015 season. [369] [370]

The theater then returned to presenting two productions per season. [2] Studio 54 hosted the play Thérèse Raquin and a revival of the musical She Loves Me during the 2015–2016 season, [371] followed by the musical Holiday Inn and the play Sweat during the 2016–2017 season. [372] Next, the theater hosted John Leguizamo's solo show Latin History for Morons and an American Sign Language revival of Children of a Lesser God in 2017–2018. [373] The theater staged The Lifespan of a Fact and Kiss Me, Kate for the 2018–2019 season. [374] Studio 54 hosted Adam Rapp's play The Sound Inside , which opened in October 2019. [375] [376] Studio 54 was supposed to host the musical Caroline, or Change during the 2019–2020 season. [377] [378] Due to the COVID-19 pandemic, Studio 54 closed on March 12, 2020, [379] a day before previews of Caroline, or Change were supposed to start. [377] [378] That show's opening had originally been delayed to early 2021, [380] but it was pushed further due to the extension of COVID-19 restrictions. [381]

Studio 54 reopened on October 8, 2021, with previews of Caroline, or Change, [382] which officially opened later that month. [383] This was followed from April to July 2022 by the Tracy Letts play The Minutes , [384] [385] then by the Sharr White play Pictures from Home from February to April 2023. [386] The musical Days of Wine and Roses opened at Studio 54 in January 2024, [387] running for three months. [388] It is scheduled to be followed in November 2024 by the musical A Wonderful World . [389]

Notable productions

Productions are listed by the year of their first performance. [2] [390]

Gallo Opera House/New Yorker Theatre

Studio 54 (Roundabout)

Legacy

By the late 1970s, the original nightclub had spurred the creation of Studio 54-themed jeans, a record label, an album, and a Japanese club. [167] Architectural Digest magazine described Studio 54 as "the nightclub where the velvet rope was born", its impact evident long after the venue had been converted back to a theater. [150] GQ magazine wrote in 2020: "When you want to designate a particular brand of louche elegance on a night-time scene, Studio 54 is the natural first port of comparative call." [430]

Cultural impact

Studio 54 at MGM Grand in Las Vegas Studio54 Vegas.jpg
Studio 54 at MGM Grand in Las Vegas

The nightclub has been the subject of several works of popular media. The original Studio 54 was featured in the 1998 drama film 54. [431] [432] Studio 54 , a 98-minute documentary by Matt Tyrnauer released in 2018, [192] [433] includes unpublished footage of the club and interviews with Ian Schrager. [434] Additionally, the fourth season of the television series American Crime Story , announced in 2021, focuses on the club during the 1970s. [435] Several books have also been written about the nightclub. The writer Anthony Haden-Guest published a book about Studio 54 and the disco subculture in 1997, [436] and Mark Fleischman published his memoir Inside Studio 54 in October 2017. [437] Schrager also published a book in 2018, Studio 54, with images of the club. [163] In 2024, Robert Greenblatt and Neil Meron began producing Studio 54 the Musical, a Broadway musical about the club. [438] [439]

Studio 54 has also had an influence on disco music. Casablanca Records released a compilation album of disco music, A Night at Studio 54 , in 1979; [440] it peaked at No. 21 on the Billboard 200 album chart and sold close to a million copies. [441] [442] In 2011, Sirius XM launched Studio 54 Radio, a satellite radio station featuring classic disco and dance tracks from the 1970s to the 2000s. [443] [211] In 2020, it expanded into a music imprint including a record label, Studio 54 Music, [444] [445] [446] which works with Sirius XM on Studio 54 Radio. [447] The label's first release, Night Magic Vol. 1, is a four-track compilation EP of disco anthems from the club's prime days, revised by musicians from both the original scene and the modern dance music era. [445] [446] Studio 54 also inspired the name and overall concept of singer-songwriter Dua Lipa's 2020 concert series Studio 2054 . [448]

The club has been featured in several exhibitions. These include an exhibit of Studio 54 photographs, which Haden-Guest presented at the WhiteBox art gallery in 2015. [449] as well as a Brooklyn Museum exhibition titled Night Magic, which premiered in 2020. [450] In addition, multiple Studio 54-themed collections from fashion and cosmetics brands, including Calvin Klein, Michael Kors and NARS Cosmetics, were released in 2019. The collections took inspiration from the club's glamorous heyday and showcased the iconic "54" logo. [451]

Several venues have been likened to Studio 54. Fiorucci, an Italian fashion shop formerly located on East 59th Street, became known in the late 1970s as the "daytime Studio 54". [452] The Mutiny Hotel in Miami, Florida, was described in a PBS NewsHour interview as "kind of the closest thing to Miami's Studio 54" in the late 1970s. [453] The nightclub also inspired the creation of a Studio 54-themed nightclub at the MGM Grand Las Vegas hotel and casino in 1997; [454] that club operated until 2012. [455]

Memorabilia and preservation

Before Rubell died in 1989, he saved "every single item" that he collected from the nightclub, such as the reservation book, invitation cards, and drink tickets. [456] More than 400 of these items were sold at an auction in West Palm Beach, Florida, in January 2013, [457] attracting hundreds of buyers. [458] The auction yielded $316,680; [459] [460] the most expensive item was a $52,800 Andy Warhol sculpture. [459]

The New York City Landmarks Preservation Commission (LPC) had started considering protecting Studio 54 as a landmark in 1982, [461] with discussions continuing over the next several years. [462] The LPC commenced a wide-ranging effort to grant landmark status to Broadway theaters in 1987, and the commission considered designating Studio 54's interior as a landmark. [463] Ultimately, although the LPC protected 28 Broadway theaters as landmarks, Studio 54 was not one of them. [464]

See also

Related Research Articles

<span class="mw-page-title-main">Steve Rubell</span> American entrepreneur (1943–1989)

Steve Rubell was an American entrepreneur and co-owner of the New York City disco Studio 54.

<span class="mw-page-title-main">Bernard B. Jacobs Theatre</span> Broadway theater in Manhattan, New York

The Bernard B. Jacobs Theatre is a Broadway theater at 242 West 45th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1927, the theater was designed by Herbert J. Krapp in a Spanish style and was built for real-estate developer Irwin S. Chanin. It has 1,100 seats across two levels and is operated by The Shubert Organization. Both the facade and the auditorium interior are New York City landmarks.

<span class="mw-page-title-main">Ed Sullivan Theater</span> Television studio in Manhattan, New York

The Ed Sullivan Theater is a theater at 1697–1699 Broadway, between 53rd and 54th Streets, in the Theater District of Midtown Manhattan in New York City. Built from 1926 to 1927 as a Broadway theater, the Sullivan was developed by Arthur Hammerstein in memory of his father, Oscar Hammerstein I. The two-level theater was designed by Herbert J. Krapp with over 1,500 seats, though the modern Ed Sullivan Theater was downsized to 370 seats by 2015. The neo-Gothic interior is a New York City landmark, and the building is on the National Register of Historic Places.

<span class="mw-page-title-main">Hayes Theater</span> Broadway theater in Manhattan, New York

The Hayes Theater is a Broadway theater at 240 West 44th Street in the Theater District of Midtown Manhattan in New York City. Named for actress Helen Hayes, the venue is operated by Second Stage Theater. It is the smallest Broadway theater, with 597 seats across two levels. The theater was constructed in 1912 for impresario Winthrop Ames and designed by Ingalls & Hoffman in a neo-Georgian style. The original single-level, 299-seat configuration was modified in 1920, when Herbert J. Krapp added a balcony to expand the Little Theatre. The theater has served as a legitimate playhouse, a conference hall, and a broadcasting studio throughout its history.

<span class="mw-page-title-main">Ian Schrager</span> American hotelier (born 1946)

Ian Schrager is an American entrepreneur, hotelier and real estate developer, credited for co-creating the "boutique hotel" category of accommodation. Originally, he gained fame as co-owner and co-founder of Studio 54.

<span class="mw-page-title-main">Broadway Theatre (53rd Street)</span> Broadway theater in Manhattan, New York

The Broadway Theatre is a Broadway theater at 1681 Broadway in the Theater District of Midtown Manhattan in New York City. Opened in 1924, the theater was designed by Eugene De Rosa for Benjamin S. Moss, who originally operated the venue as a movie theater. It has approximately 1,763 seats across two levels and is operated by The Shubert Organization. The Broadway Theatre is one of the few Broadway theaters that is physically on Broadway.

Xenon was a popular New York City discotheque and nightclub in the late 1970s and early 1980s. It was located in the former Henry Miller's Theatre at 124 West 43rd Street which, prior to Xenon, had been renamed Avon-at-the-Hudson and was operating as a porn house.

<span class="mw-page-title-main">Walter Kerr Theatre</span> Broadway theater in Manhattan, New York

The Walter Kerr Theatre, previously the Ritz Theatre, is a Broadway theater at 219 West 48th Street in the Theater District of Midtown Manhattan in New York City. The theater was designed by Herbert J. Krapp and was constructed for the Shubert brothers in 1921. The venue, renamed in 1990 after theatrical critic Walter Kerr, has 975 seats across three levels and is operated by ATG Entertainment. The facade is plainly designed and is made of patterned brick. The auditorium contains Adam-style detailing, two balconies, and murals.

<span class="mw-page-title-main">Longacre Theatre</span> Broadway theater in Manhattan, New York

The Longacre Theatre is a Broadway theater at 220 West 48th Street in the Theater District of Midtown Manhattan in New York City, United States. Opened in 1913, it was designed by Henry B. Herts and was named for Longacre Square, now known as Times Square. The Longacre has 1,077 seats and is operated by The Shubert Organization. Both the facade and the auditorium's interior are New York City designated landmarks.

<span class="mw-page-title-main">Samuel J. Friedman Theatre</span> Broadway theater in Manhattan, New York

The Samuel J. Friedman Theatre, formerly the Biltmore Theatre, is a Broadway theater at 261 West 47th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1925, it was designed by Herbert J. Krapp in the neo-Renaissance style and was constructed for Irwin Chanin. It has 650 seats across two levels and is operated by the Manhattan Theatre Club (MTC). The auditorium interior is a New York City landmark, and the theater is listed on the National Register of Historic Places. Since 2008, the theater has been named for Broadway publicist Samuel J. Friedman (1912–1974), whose family was a major donor to MTC.

<span class="mw-page-title-main">Todd Haimes Theatre</span> Broadway theater in Manhattan, New York

The Todd Haimes Theatre is a Broadway theater at 227 West 42nd Street in the Theater District of Midtown Manhattan in New York City. Built in 1918, it was designed by George Keister and developed by brothers Edgar and Archibald Selwyn, for whom the theater was originally named. The theater is owned by the city and state governments of New York and leased to New 42nd Street. It has 740 seats across two levels and is operated by Roundabout Theatre Company.

<span class="mw-page-title-main">James Earl Jones Theatre</span> Broadway theater in Manhattan, New York

The James Earl Jones Theatre, originally the Cort Theatre, is a Broadway theater at 138 West 48th Street, between Seventh Avenue and Sixth Avenue, in the Theater District of Midtown Manhattan in New York City, United States. It was built in 1912 and designed by architect Thomas W. Lamb for impresario John Cort. An annex to the west of the theater, built between 2021 and 2022, was designed by Kostow Greenwood Architects. The Jones has 1,092 seats across three levels and is operated by the Shubert Organization. Both the facade and interior of the theater are New York City designated landmarks.

<span class="mw-page-title-main">Times Square Theater</span> Former theater in Manhattan, New York

The Times Square Theater is a former Broadway and movie theater at 215–217 West 42nd Street in the Theater District of Midtown Manhattan in New York City, near Times Square. Built in 1920, it was designed by Eugene De Rosa and developed by brothers Edgar and Archibald Selwyn. The building, which is no longer an active theater, is owned by the city and state governments of New York and leased to New 42nd Street.

<span class="mw-page-title-main">Stephen Sondheim Theatre</span> Broadway theater in Manhattan, New York

The Stephen Sondheim Theatre, formerly Henry Miller's Theatre, is a Broadway theater at 124 West 43rd Street in the Theater District of Midtown Manhattan in New York City. Owned by the Durst Organization and managed by the Roundabout Theatre Company, the modern 1,055-seat theater opened in 2009 at the base of the Bank of America Tower. The current theater is mostly underground and was designed by Cookfox, architects of the Bank of America Tower. It retains the landmarked facade of the original Henry Miller's Theatre, which was built in 1918 by Henry Miller, the actor and producer.

<span class="mw-page-title-main">Paramount Hotel</span> Hotel in Manhattan, New York

The Paramount Hotel is a hotel in the Theater District of Midtown Manhattan in New York City, United States. Designed by architect Thomas W. Lamb, the hotel is at 235 West 46th Street, between Eighth Avenue and Broadway. The Paramount Hotel is owned by RFR Realty and contains 597 rooms. The hotel building, designed in a Renaissance style, is a New York City designated landmark.

<span class="mw-page-title-main">Royalton Hotel</span> Hotel in Manhattan, New York

The Royalton Hotel is a hotel at 44 West 44th Street in Midtown Manhattan, New York City, United States. The hotel, opened in 1898, was designed by architecture firm Rossiter & Wright and developed by civil engineer Edward G. Bailey. The 13-story building is made of brick, stone, terracotta, and iron. The hotel's lobby, which connects 43rd and 44th Streets, contains a bar and restaurant. The upper stories originally featured 90 apartments, but these were replaced with 205 guestrooms when Philippe Starck and Gruzen Samton Steinglass Architects converted the Royalton to a boutique hotel in the 1980s.

<span class="mw-page-title-main">New Victory Theater</span> Childrens theater in Manhattan, New York

The New Victory Theater is a theater at 209 West 42nd Street in the Theater District of Midtown Manhattan in New York City, near Times Square. Built in 1900 as the Republic Theatre, it was designed by Albert Westover and developed by Oscar Hammerstein I as a Broadway theater. The theater has been known by several names over the years, including the Belasco Theatre, Minsky's Burlesque, and the Victory Theatre. The theater is owned by the city and state governments of New York and leased to nonprofit New 42, which has operated the venue as a children's theater since 1995. The New Victory presents theater shows, dance shows, puppet shows, and other types of performance art shows from all around the world.

<span class="mw-page-title-main">Hudson Theatre</span> Broadway theater in Manhattan, New York

The Hudson Theatre is a Broadway theater at 139–141 West 44th Street, between Seventh Avenue and Sixth Avenue, in the Theater District of Midtown Manhattan in New York City. One of the oldest surviving Broadway venues, the Hudson was built from 1902 to 1903. The exterior was designed by J. B. McElfatrick & Son, while Israels & Harder oversaw the completion of the interior. The theater has 970 seats across three levels. Both its exterior and interior are New York City designated landmarks, and the theater is on the National Register of Historic Places.

<i>A Night at Studio 54</i> 1979 compilation album by various artists

A Night at Studio 54 is a compilation album released by Casablanca Records in June 1979, featuring disco music played frequently at New York City's famous nightclub Studio 54. Conceived by the record label and direct response television company I&M Marketing with the co-operation from Studio 54 founders Steve Rubell and Ian Schrager, A Night at Studio 54 was also a double album, with its music segued between tracks by disc jockeys Marc Paul Simon and Roy Thode for continuous playing, reminiscent of the nightclub itself. The album was originally going to contain crowd noise recorded at the club too, but the idea was dropped before release as it brought a decrease in sound quality.

<i>Studio 54</i> (film) 2018 documentary by Matt Tyrnauer

Studio 54 is a 2018 American documentary film directed by Matt Tyrnauer, examining the meteoric history of the Studio 54 nightclub, an extravagant disco venue infamous for hedonistic excess. Those responsible for the club's wild success reflect on the scene they sparked in 1977. Discotheque co-owner Ian Schrager recounts his role at the center of it all, including the club's fraudulent accounting and legal consequences.

References

Notes

  1. ↑ In a 1997 book by Anthony Haden-Guest, the studio's associate director Ed Gifford said that the theater was known as "Studio 53". However, this claim is not corroborated by any other source. [121]
  2. ↑ Schrager received a presidential pardon from Barack Obama in 2017, but Rubell died in 1989. [267]
  3. ↑ The New York Times cites a figure of $1.7 million, [336] while American Theatre magazine describes the renovations as having cost $1.5 million. [335]
  4. ↑ La Bohème , Rigoletto , Madama Butterfly , Faust , La Traviata , Aida , Martha , La Tosca , La Forza del Destino , Carmen , Cavalleria Rusticana , The Barber of Seville , Il Trovatore [2]

Citations

  1. 1 2 "Rent a Venue: Studio 54". Roundabout Theatre Company . Archived from the original on September 16, 2016. Retrieved July 10, 2014.
  2. 1 2 3 4 5 6 7 8 Studio 54 at the Internet Broadway Database
  3. 1 2 3 "Gallo Acquires Theatre of His Own; Leases House in 54th St. For San Carlo and Theatrical Productions". The New York Times . July 9, 1926. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  4. 1 2 3 "Site Leased For New $2,000,000 Theatre And Opera House: Fortune Gallo, Impresario Of San Carlo Company, Signs Contract.—Structure To Open About Jan. 1". Women's Wear. Vol. 32, no. 159. July 9, 1926. p. 29. ProQuest   1677032682.
  5. 1 2 3 "Fortune Gallo To Have His Own Opera House". The Billboard . Vol. 38, no. 29. July 17, 1926. p. 9. ProQuest   1031794627.
  6. ↑ "Office Building for New Gallo Theatre: Sixteen-story Structure for San Carlo Company in Fifty-Fourth Street". The New York Times . August 22, 1926. p. RE1. ProQuest   103750752.
  7. 1 2 "Music: Casino de Paree Blends Continental Cafe and American Show Features". Variety. Vol. 113, no. 1. December 19, 1933. p. 46. ProQuest   1529088997.
  8. 1 2 Ellerbee 2016 , p. 52.
  9. 1 2 3 4 5 6 7 8 9 10 "More At This Theatre: Studio 54". Playbill. Archived from the original on February 7, 2022. Retrieved February 7, 2022.
  10. ↑ "New Gallo Theatre.: Woman Decorator Will Assist in Itl Interior Equipment". The New York Times . July 10, 1927. p. RE1. ProQuest   104137164.
  11. 1 2 3 4 5 6 Dunlap, David W. (April 5, 1989). "Ritz Shuns Glitz for Charming Past". The New York Times . Archived from the original on August 15, 2021. Retrieved September 16, 2022.
  12. ↑ "Gallo Opening Sept. 26.; First Offering in New Theatre Will Be the Opera Company". The New York Times . July 20, 1927. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  13. ↑ Ellerbee 2016 , p. 53.
  14. ↑ "New Gallo Theater Will Swing in a Cradle". New York Herald Tribune . August 13, 1926. p. 26. ProQuest   1113016673.
  15. ↑ "Step Inside Broadway's Studio 54". Playbill. July 26, 2017. Archived from the original on September 14, 2022. Retrieved September 14, 2022.
  16. ↑ Gardner, Elysa (June 3, 2022). "Broadway's Beloved Basement Club, Feinstein's/54 Below, Turns 10". The New York Times . Archived from the original on July 14, 2022. Retrieved September 17, 2022.
  17. 1 2 Franklin, Marc J. (June 7, 2017). "See the Feinstein's/54 Below Star-Studded 5th Anniversary Celebration". Playbill. Archived from the original on November 27, 2021. Retrieved September 17, 2022.
  18. 1 2 3 Piepenburg, Erik (May 31, 2012). "A Broadway Hangout, Old Chum". The New York Times . Archived from the original on July 14, 2022. Retrieved September 17, 2022.
  19. ↑ Holden, Stephen (September 2, 2015). "Michael Feinstein and the Club 54 Below Agree to a Partnership". The New York Times . Archived from the original on July 18, 2022. Retrieved September 17, 2022.
  20. ↑ Gardner, Elysa (July 7, 2022). "Cabaret Champion Michael Feinstein Teams With Café Carlyle". The New York Times . Archived from the original on July 7, 2022. Retrieved July 7, 2022.
  21. 1 2 3 4 5 6 Holusha, John (October 1, 2003). "Commercial Real Estate: Regional Market – Manhattan; As 'Cabaret' Nears End, Cabaret Still Has a Place". The New York Times . Archived from the original on February 26, 2021. Retrieved September 16, 2022.
  22. ↑ Wloszczyna, Susan; Gundersen, Edna; Gardner, Elysa (February 9, 2001). "Dundee isn't done yet – he's on the loose in L.A.". USA TODAY. p. 01E. ProQuest   408881238.
  23. ↑ Agenda New York. Agenda:USA, Incorporated. 2004. p. 48. Archived from the original on April 25, 2022. Retrieved September 22, 2022.
  24. ↑ Gelder, Lawrence Van (October 20, 2004). "THEATER REVIEWS; 'Newsical'". The New York Times . Archived from the original on September 22, 2022. Retrieved September 17, 2022.
  25. ↑ "Newsical (Upstairs at Studio 54, 2004)". Playbill. December 17, 2019. Archived from the original on September 22, 2022. Retrieved September 17, 2022.
  26. ↑ "Gallo Theater to Open Early In September; Company in West". New York Herald Tribune . February 6, 1927. p. E10. ProQuest   1113520051.
  27. ↑ "San Carlo Opera Under Aurelio Gallo's Direction: Fortune Transfers Interest to Nephew to Devote Time to His New Theater". New York Herald Tribune . September 7, 1927. p. 20. ProQuest   1113556376.
  28. ↑ "San Carlo Opera Opens New House With La Boheme: Fortune Gallo Honored By Company—Performance Well Done And Received With Enthusiasm". Women's Wear Daily . Vol. 35, no. 110. November 8, 1927. pp. 6, 19. ProQuest   1654357486.
  29. ↑ "San Carlo Opera Opens New House: Gives a Dedicatory Performance of Puccini's La Boheme to an Applauding Throng". The New York Times . November 8, 1927. Archived from the original on December 13, 2021. Retrieved December 13, 2021.
  30. ↑ "The Theatre: Is Broadway Overbuilt?". The Wall Street Journal . August 1, 1927. p. 3. ProQuest   130386768.
  31. ↑ "Brailowsky Gives Brilliant, Recital; Vigorous at Piano: Young Russian Chooses His Program From Mozart, Schumann, Chopin, Liszt, De Falla and Others". New York Herald Tribune . November 20, 1927. p. 24. ProQuest   1113659398.
  32. ↑ "American Concert Field: Gallo Opera To Open New Theater in New York". The Billboard . Vol. 39, no. 45. November 5, 1927. p. 27. ProQuest   1031835745.
  33. 1 2 The Broadway League (December 1, 1927). "Electra – Broadway Play – 1927 Revival". IBDB. Archived from the original on June 13, 2021. Retrieved September 13, 2022.
    "Electra (Broadway, Studio 54, 1927)". Playbill. December 14, 2015. Archived from the original on June 18, 2022. Retrieved September 13, 2022.
  34. 1 2 Ruhl, Arthur (December 2, 1927). "'Electra' Vivid In Its Revival By Miss Anglin: Classic Drama of Sophocles Staged al Gallo's and Played With Due Respect to Tradition and Spirit". New York Herald Tribune . p. 19. ProQuest   1131828249.
  35. 1 2 The Broadway League (December 19, 1927). "Juno and the Paycock – Broadway Play – 1927 Revival". IBDB. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
    "Juno and the Paycock (Broadway, Studio 54, 1927)". Playbill. December 14, 2015. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  36. 1 2 Ruhl, Arthur (December 20, 1927). "Irish Players Shift to Gallo in O'Casey's 'Juno and Paycock': Long Stretches of Drama, Billed as Tragedy, but Set in Key of Broad Farce, Evoke Constant Laughter". New York Herald Tribune . p. 16. ProQuest   1132285417.
  37. ↑ "Gallo Theatre Mortgaged". The New York Times . January 19, 1928. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  38. ↑ "American Opera Gives 'Marriage of Figaro'; Large Audience Generously Applauds Work of New Company Here". The New York Times . January 18, 1928. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  39. ↑ "American Opera Co. Ends Season With Big Crowds: Gives 'Carmen' in Afternoon and 'Fanst' at Night". New York Herald Tribune . March 4, 1928. p. 17. ProQuest   1114336594.
  40. ↑ The Broadway League (April 9, 1928). "Ballet Moderne – Broadway Special – Original". IBDB. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
    "Ballet Moderne (Broadway, Studio 54, 1928)". Playbill. December 14, 2015. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  41. ↑ "Goodman Leases Gallo Theatre". The New York Times . May 15, 1928. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  42. ↑ "Goodman Gets Gallo Theater; Will Do Youmans' Musical". The Billboard . Vol. 40, no. 22. June 2, 1928. p. 11. ProQuest   1031870122.
  43. ↑ ""Rainbow" at the Gallo Nov. 20". The New York Times . November 7, 1928. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  44. ↑ The Broadway League (November 21, 1928). "Rainbow – Broadway Musical – Original". IBDB. Archived from the original on November 12, 2021. Retrieved September 13, 2022.
    "Rainbow (Broadway, Studio 54, 1928)". Playbill. December 14, 2015. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  45. ↑ "'Rainbow' to Be Taken Off; Goodman Will End Run of Musical Production at Gallo This Week". The New York Times . December 12, 1928. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  46. ↑ See, for instance: "La Argentina Seen in Six New Dances; Huge Audience Cheers Artist-- Michio Ito Gives a Fine Program". The New York Times . December 3, 1928. Archived from the original on September 13, 2022. Retrieved September 13, 2022.; "Doris Niles Returns; Dancer and Company at a Disadvantage After Long Tour". The New York Times . December 17, 1928. Archived from the original on September 13, 2022. Retrieved September 13, 2022.; "New Dance Series by Kreutzberg". The New York Times . February 6, 1929. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  47. ↑ "Breton Violin Recital; Young Artist's Program Includes Several Novelties". The New York Times . February 11, 1929. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  48. ↑ "Hall Johnson Negro Choir Sings". The New York Times . February 4, 1929. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  49. ↑ "National Chain Theaters Subsidiary Enters Field: Radiant Productions to Offer Twelve Plays al Gallo". New York Herald Tribune . September 4, 1929. p. 12. ProQuest   1111662754.
  50. ↑ "Would Give 12 Plays at Gallo at $2 Top; Radiant Productions, Inc., Also Plans to Operate Theatres in Other Cities With $1.50 Seats". The New York Times . September 4, 1929. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  51. 1 2 "William R. Kane Leases Gallo Theater For Mitchell Revival". The Billboard . Vol. 41, no. 43. October 26, 1929. p. 5. ProQuest   1031918994.
  52. 1 2 The Broadway League (October 21, 1929). "A Tailor-Made Man – Broadway Play – 1929 Revival". IBDB. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
    "A Tailor-made Man (Broadway, Studio 54, 1929)". Playbill. December 14, 2015. Archived from the original on May 19, 2022. Retrieved September 13, 2022.
  53. ↑ "Gallo Theatre Sold; Planitiff Bids $1,045,000 on Playhouse and Adjoining Site". The New York Times . December 18, 1929. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  54. ↑ "Gallo Theater Sold at Auction". New York Herald Tribune . December 18, 1929. p. 46. ProQuest   1112018507.
  55. ↑ "Fortune Gallo Sells His Theatre Lease: Producer to Remain Active in Grand Opera, However—name of Purchaser Not Revealed". The New York Times . January 15, 1930. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  56. ↑ "Fortune Gallo Disposes Of Lease on His Theater: San Carlo Opera Impresario to Direct Radio Station". New York Herald Tribune . January 15, 1931. p. 17. ProQuest   1114345595.
  57. ↑ "Gallo to Be New Yorker Theatre". The New York Times . February 15, 1930. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  58. ↑ "Hart House Quartett Plays". New York Herald Tribune . February 15, 1930. p. 6. ProQuest   1113772033.
  59. 1 2 3 Bloom, Ken (2007). The Routledge Guide to Broadway (1st ed.). New York: Routledge. p. 191. ISBN   978-0-415-97380-9.
  60. ↑ Atkinson, J. Brooks (May 13, 1930). "The Play; Warriors at Helgeland". The New York Times . Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  61. ↑ The Broadway League (May 12, 1930). "The Vikings – Broadway Play – Original". IBDB. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
    "The Vikings (Broadway, Studio 54, 1930)". Playbill. December 14, 2015. Archived from the original on May 19, 2022. Retrieved September 13, 2022.
  62. ↑ "Yvonne Georgi Makes Hit in New Dance Tour; With Harald Kreutzberg Gives Entrancing Program—Duncan Dancers Appear". The New York Times . November 3, 1930. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  63. ↑ Atkinson, J. Brooks (December 27, 1930). "The Play; Cleansing Agamemnon's House". The New York Times . Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  64. ↑ The Broadway League (May 12, 1930). "The Vikings – Broadway Play – Original". IBDB. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
    "Electra (Broadway, Studio 54, 1930)". Playbill. December 14, 2015. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  65. ↑ "O.D. Bailey Leases New Yorker Theatre; Musical Comedy to Open There on Feb. 16—Plans to Re-enter Producing Field". The New York Times . January 14, 1931. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  66. ↑ "General Indoor News: Oliver Bailey Leases Theater". The Billboard . Vol. 43, no. 5. January 31, 1931. p. 34. ProQuest   1031970343.
  67. ↑ Ruhl, Arthur (March 11, 1931). "Gray Shadow,' in Ghostly Setting Opens at New Yorker Theater: Roger Wheller's Mystery Play Has William Townsend and Rupert Clarke in Cast Claude Cooper". New York Herald Tribune . p. 16. ProQuest   1114067427.
  68. ↑ "Young Sinners" Again; Elmer Harris's Play Shown at Popular Prices at New Yorker". The New York Times . April 21, 1931. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  69. ↑ "The Play; Down on Chesapeake Bay". The New York Times . June 9, 1931. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  70. ↑ "The Play; California Comedy". The New York Times . December 25, 1931. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  71. ↑ Atkinson, J. Brooks (September 16, 1931). "The Play". The New York Times . Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  72. ↑ "'Rigoletto' is Presented; New Yorker Grand Opera Company Gives Verdi Work in Italian". The New York Times . May 4, 1931. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  73. ↑ "Another Company From Spain". The New York Times . April 2, 1932. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  74. ↑ "A Dance Festival by Internationals; Mary Wigman, Uday Shan-Kar and Vicente Escudero Are to Be Seen for Two Weeks". The New York Times . December 3, 1932. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  75. ↑ "Theatre Property Bought in by Bank; The New Yorker and Abutting 16-Story Offices in 53d St. Go at Auction". The New York Times . December 29, 1932. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  76. 1 2 "New Yorker Theatre to Become a Casino For Dining, Dancing and Parisian Shows". The New York Times . September 15, 1933. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  77. ↑ "New Yorker Theatre To Be Entertainment Casino". Women's Wear Daily . Vol. 47, no. 53. September 15, 1933. p. 15. ProQuest   1627541851.
  78. 1 2 Haden-Guest 1997 , p. 25.
  79. ↑ "Beer Gardens-Cafes: New Yorker Theater Leased for Garden". The Billboard . Vol. 45, no. 39. September 30, 1933. p. 11. ProQuest   1032039070.
  80. 1 2 "Casino Operators Buy Properly in 54th Street: Purchase Former New Yorker Theater and Office Parcel". New York Herald Tribune . March 15, 1934. p. 38. ProQuest   1125470288.
  81. ↑ Sullivan, Ed (December 14, 1933). "Broadway". New York Daily News . p. 270. Archived from the original on September 13, 2022. Retrieved September 13, 2022– via newspapers.com.
  82. ↑ "Legitimate: Only 35 Theatres Left for Legit; 17 Houses Switched Their Policies During Past Season; Once Were 60". Variety. Vol. 114, no. 7. May 1, 1934. p. 47. ProQuest   1475821537.
  83. ↑ "Variety Show Niteries Like Casino De Paree May Be Ans. to That Comeback". Variety. Vol. 114, no. 5. April 18, 1934. p. 21. ProQuest   1475848723.
  84. ↑ "Legitimate: Casino de Paree Is Proving Stiff Competition for Legit". The Billboard . Vol. 46, no. 30. July 28, 1934. p. 18. ProQuest   1032042484.
  85. ↑ "Billy Rose Quits Casino.; Also Withdraws From Music Hall and Threatens Suits". The New York Times . September 8, 1934. Archived from the original on November 30, 2021. Retrieved November 30, 2021.
  86. ↑ "Night Club Notes; Alterations Planned For the Casino de Paree – Old and New Faces Appear Elsewhere". The New York Times . February 2, 1935. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  87. ↑ B.c (February 17, 1935). "Gay Revue Reopens the Casino De Paree; Buck and Bubbles, Ella Logan, Mitzi Mayfair and Raoul and Eva Reyes on Program". The New York Times . Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  88. ↑ "Night Club Notes; Casino de Paree Dark – Harry Richman at the Versailles – Pierre Roof Opens". The New York Times . May 4, 1935. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  89. ↑ "Cabaret in Bankruptcy; Casino De Paree Seeks Authority to Reorganize Under Act". The New York Times . April 30, 1935. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  90. ↑ "Casino De Paree, Inc., Asks Reorganization". Women's Wear Daily . Vol. 50, no. 84. April 30, 1935. p. 29. ProQuest   1654359357.
  91. ↑ "Theatre Leased in Midtown Area: Former Casino De Paree in 54th St. To Be Run Like English Music Hall". The New York Times . December 29, 1935. p. RE1. ProQuest   101260804.
  92. ↑ "Night Club Notes; The New Palladium – Several Shows Next Week – Additions and Subtractions". The New York Times . January 18, 1936. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  93. 1 2 "Music-Nite-Clubs: Palange Operating N. Y. Palladium on Bi-Weekly Change; Sullivan Booking". Variety. Vol. 121, no. 4. January 8, 1936. p. 53. ProQuest   1475952607.
  94. ↑ "Night Spots-Orchestra-Music: Palladium Music Hall Has Money Trouble; New Backers". The Billboard . Vol. 48, no. 5. February 1, 1936. p. 13. ProQuest   1032087553.
  95. ↑ "Night Spots-Orchestra-Music: Palladium Music Hall Folds; Several New N. Y. Spots Open". The Billboard . Vol. 48, no. 6. February 8, 1936. p. 12. ProQuest   1032086000.
  96. ↑ "WPA Music Project Rents Former Casino de Paree". The New York Times . November 17, 1936. p. 51. ProQuest   101679649.
  97. ↑ "W. P. A. to Cut Stage, Art and Music Projects: About 20% of Personnel Will Be Dropped Within Few Weeks, Cahill Reveals Writers Also To Be Hit Leaders Here Protest to Capital, Fear Picketing". New York Herald Tribune . November 23, 1936. p. 11. ProQuest   1222157742.
  98. ↑ "Theatre of Music is Planned by WPA; New Project to Be Center for Many Activities Will Be in New Yorker Theatre". The New York Times . November 23, 1936. Archived from the original on September 14, 2022. Retrieved September 13, 2022.
  99. ↑ "Federal Project to Open Theater of Music Jan. 24: Repairs Virtually Complete Concert To Be First Event". New York Herald Tribune . January 4, 1937. p. 14. ProQuest   1322396346.
  100. ↑ "Sokoloff Leads Orchestra of 100 Opening Federal Music Theater". New York Herald Tribune . January 25, 1937. p. 10. ProQuest   1248355057.
  101. ↑ Taubman, H. Howard (January 25, 1937). "WPA Opens Own Theatre of Music; Crowded HouseGreetsSokoloff and His Federal Symphony of 100 Players". The New York Times . Archived from the original on September 14, 2022. Retrieved September 13, 2022.
  102. ↑ "WPA Renews Theatre Lease". The New York Times . December 16, 1937. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
  103. ↑ Atkinson, Brooks (March 2, 1939). "The Play; Chicago Unit of the Federal Theatre Comes In Swinging the Gilbert and Sullivan 'Mikado'". The New York Times . Archived from the original on September 14, 2022. Retrieved September 13, 2022.
  104. 1 2 The Broadway League (March 1, 1939). "The Swing Mikado – Broadway Musical – Original". IBDB. Archived from the original on September 13, 2022. Retrieved September 13, 2022.
    "The Swing Mikado (Broadway, Studio 54, 1939)". Playbill. December 14, 2015. Archived from the original on September 14, 2022. Retrieved September 13, 2022.
  105. ↑ "2 Mikados To Battle: Bill Robinson Company Vs. Ex-WPA Crew". New York Amsterdam News. April 29, 1939. p. 20. ProQuest   226183197.
  106. ↑ "'Medicine Show' on Tonight's List; Living Newspaper Play to Be Given by Wharton-Gabel at the New Yorker Theatre". The New York Times . April 12, 1940. Archived from the original on January 1, 2022. Retrieved September 14, 2022.
  107. ↑ The Broadway League (April 12, 1940). "Medicine Show – Broadway Play – Original". IBDB. Archived from the original on November 28, 2021. Retrieved September 14, 2022.
    "Medicine Show (Broadway, Studio 54, 1940)". Playbill. December 14, 2015. Archived from the original on June 18, 2022. Retrieved September 14, 2022.
  108. ↑ "Radio-Television: NBC-RCA Shopping for Theaters For Large Screen Tele; Some Legit Houses Dickering Now". The Billboard . Vol. 52, no. 40. October 5, 1940. p. 6. ProQuest   1032227074.
  109. ↑ "Radio: RCA Leases New Yorker Theater For Tele; Deal With IA Pends". The Billboard . Vol. 52, no. 42. October 19, 1940. p. 8. ProQuest   1032229069.
  110. ↑ Morrison, Hobe (December 4, 1940). "Radio: Theatre Television Experiments Next, Rca Works Toward Networks". Variety. Vol. 140, no. 43. p. 37. ProQuest   1505853602.
  111. ↑ Kennedy, T.R. Jr. (April 6, 1941). "Engineers Send Theatre-size Images; Noted Sports Promoter Sees Experiment – Predicts Teleview-Theatre Networks". The New York Times . Archived from the original on September 14, 2022. Retrieved September 14, 2022.
  112. 1 2 "Miscellany: RCA Theatre Television Demonstration". Variety. Vol. 142, no. 7. April 23, 1941. pp. 2, 55. ProQuest   1285763145.
  113. ↑ "Television Show Given in Theatre; 1,400 in Audience Here Witness First Public Program on Large-Size Screen". The New York Times . May 10, 1941. Archived from the original on September 14, 2022. Retrieved September 14, 2022.
  114. ↑ "Large Screen Television Has First Public Showing: 1,200 at New Yorker Theater Watch Title Fight at Garden". New York Herald Tribune . May 10, 1941. p. 6. ProQuest   1256075315.
  115. ↑ "'The Distant City' Has Short Career; E.B. Self's Drama, Starring Gladys George, Closes After Second Performance". The New York Times . September 24, 1941. Archived from the original on September 14, 2022. Retrieved September 14, 2022.
  116. ↑ "'Clash by Night' Opening Tonight; Long Deferred Odets Play to Arrive at Belasco and Star Tallulah Bankhead". The New York Times . December 27, 1941. Archived from the original on September 14, 2022. Retrieved September 14, 2022.
  117. ↑ "Rents Another Theatre Close to Times Square". The New York Times . August 19, 1942. Archived from the original on September 14, 2022. Retrieved September 14, 2022.
  118. ↑ "Broadcasting Co. Rents West 54th St. Theater". New York Herald Tribune . August 19, 1942. p. 30. ProQuest   1335152006.
  119. ↑ "Gen. Roosevelt War Company Inducted Here: 452 Women Entrain for Camps After Ceremony in C. B. S. Radio Theater". New York Herald Tribune . March 8, 1945. p. 21. ProQuest   1269906833.
  120. 1 2 Ellerbee 2016 , p. 50.
  121. ↑ Haden-Guest 1997, p. 26.
  122. ↑ Ellerbee 2016 , p. 44.
  123. ↑ "Broadcasting". Broadcasting. Vol. 72, no. 1. Broadcasting Publications Incorporated. January–March 1967. p. 94.
  124. ↑ Lohman, Sidney (May 1, 1949). "News and Notes of Television; Eisenhower War Film Series to Start Thursday – Other Items". The New York Times . Archived from the original on January 25, 2022. Retrieved September 14, 2022.
  125. ↑ "Radio: Legit to AM-TV Scorecard". Variety. Vol. 179, no. 9. August 9, 1950. p. 27. ProQuest   1285972745.
  126. ↑ Allison, Gordon (October 9, 1950). "TV Networks Adding to Space On Large Scale: Six More Theaters Taken, With Total at 15; Other Leases Throughout City". New York Herald Tribune . p. 30. ProQuest   1335476080.
  127. ↑ "The Waring Show on TV". Newsweek. Vol. 35, no. 6. February 6, 1950. p. 52. ProQuest   1879113211.
  128. 1 2 3 Ellerbee 2016 , p. 57.
  129. ↑ "Radio-Television: Overcrowded Studio Facility Snag Creates Gleason-'Candid Camera' Impasse With CBS-TV in the Middle". Variety. Vol. 228, no. 11. November 7, 1962. p. 21. ProQuest   1017079921.
  130. ↑ "Who We Are: Studio 54". Roundabout Theatre Company . Archived from the original on July 14, 2014. Retrieved July 11, 2014.
  131. ↑ Rinzler, Carol (June 6, 1965). "The Town's Best Bargain: A TV 'Sit-In'". The New York Times . p. X17. ProQuest   116885037.
  132. ↑ Ellerbee 2016 , p. 56.
  133. ↑ Haden-Guest 1997 , p. 27.
  134. 1 2 3 4 5 Radcliffe, Joe (May 21, 1977). "General News: Studio 54 Disco Bypasses Cliches For Theatrical Input". The Billboard . Vol. 89, no. 20. pp. 3, 50. ProQuest   1286272789.
  135. 1 2 3 Asbury, Edith Evans (November 24, 1976). "Marlborough Gallery Takes Over Disco Stock of Rothko-Suit Figure". The New York Times . Archived from the original on September 14, 2022. Retrieved September 14, 2022.
  136. 1 2 Haden-Guest 1997 , pp. 28–29.
  137. 1 2 Haden-Guest 1997 , p. 30.
  138. 1 2 Colacello, Bob (September 4, 2013). "Studio 54's Cast List: A Who's Who of the 1970s Nightlife Circuit". Vanity Fair. Archived from the original on August 4, 2020. Retrieved September 15, 2022.
  139. ↑ Haden-Guest 1997 , pp. 30–31.
  140. ↑ Haden-Guest 1997 , p. 32.
  141. ↑ Haden-Guest 1997 , pp. 34–35.
  142. ↑ Radcliffe, Joe (November 27, 1976). "$1 Million Laser Disco Opening Soon In N.Y". The Billboard . Vol. 48, no. 88. pp. 1, 73. ProQuest   1286341873.
  143. 1 2 Nemy, Enid (June 1, 1977). "The New Discos: Life Begins at Midnight". The New York Times . Archived from the original on September 15, 2022. Retrieved September 15, 2022.
  144. ↑ "Miscellany: Discos Hop Up Night Life In N.Y. Midtown". Variety. Vol. 287, no. 8. June 29, 1977. pp. 2, 71. ProQuest   1401314832.
  145. 1 2 3 "Operators of Studio 54 In New York Indicted On Skimming Receipts". The Wall Street Journal . June 29, 1979. p. 22. ProQuest   134444214.
  146. 1 2 3 4 5 Dorfman, Dan (November 7, 1977). "The Eccentric Whiz Behind Studio 54". New York Magazine. New York Media, LLC. pp. 14, 16. Archived from the original on September 22, 2022. Retrieved September 22, 2022.
  147. 1 2 H.lubasch, Arnold (June 29, 1979). "Two Who Own Studio 54 Cited On Tax Charges". The New York Times . Archived from the original on December 14, 2021. Retrieved December 14, 2021.
  148. ↑ Haden-Guest 1997 , p. 39.
  149. 1 2 Norma, Skurka (July 17, 1977). "Design". The New York Times Magazine . pp. 34–35. Archived from the original on February 5, 2022. Retrieved February 5, 2022.
  150. 1 2 3 4 5 6 Romeyn, Kathryn (October 2, 2018). "Studio 54's Paradigm-Shifting Design; Hotelier Ian Schrager and filmmaker Matt Tyrnauer discuss the club's untold history and groundbreaking aesthetic impact". Architectural Digest. Archived from the original on February 9, 2022. Retrieved September 14, 2022.
  151. 1 2 3 4 Haden-Guest 1997 , p. 40.
  152. ↑ Trebay, Guy; Ferla, Ruth La (March 12, 2020). "As Studio 54 Boogies to Brooklyn, Its Denizens Look Back in Wonder". The New York Times . Archived from the original on February 5, 2022. Retrieved February 5, 2022.
  153. ↑ Yuan, Jada (April 27, 2007). "Studio 54 – Where Those Who Were There Then Are Now". New York. Archived from the original on February 5, 2022. Retrieved February 5, 2022.
  154. ↑ Oppenheim, Carol (September 6, 1979). "Studio 54 dances away its troubles". Chicago Tribune . pp. 1, 4. Archived from the original on September 15, 2022. Retrieved September 15, 2022– via newspapers.com.
  155. ↑ Terrebonne, Jacqueline (May 1, 2020). "6 Objects That Tell the Fabulous Story of Studio 54". Galerie. Archived from the original on September 14, 2022. Retrieved September 14, 2022.
  156. 1 2 3 Hyde, Nina S. (April 28, 1977). "The Crush of Flash, Cash and Fashion". The Washington Post . p. D5. ProQuest   306881699.
  157. 1 2 3 4 Thomas, Robert McG Jr. (April 27, 1977). "Discotheque Opens Despite Its Leaking Waterfall'". The New York Times . Archived from the original on September 15, 2022. Retrieved September 15, 2022.
  158. ↑ "No Tennessee Waltzing". New York Daily News . April 28, 1977. p. 819. Archived from the original on September 15, 2022. Retrieved September 15, 2022– via newspapers.com.
  159. ↑ Haden-Guest 1997 , pp. 46–47.
  160. ↑ Colacello, Bob (September 3, 2013). "The Seventies: Anything Went". Vanity Fair . Archived from the original on December 31, 2016. Retrieved November 1, 2016.
  161. ↑ Dowd, Vincent (April 26, 2012). "Studio 54: 'The best party of your life'". BBC News Online . Archived from the original on August 11, 2019. Retrieved November 1, 2016.
  162. ↑ Haden-Guest 1997 , p. 50.
  163. 1 2 3 Dool, Steve (October 9, 2017). "Studio 54: The disco playground where sex and glamour reigned – CNN Style". CNN. Archived from the original on July 27, 2022. Retrieved September 18, 2022.
  164. 1 2 3 Cohen, Joe (June 1, 1977). "Miscellany: While Niteries Are Crying Blues, N.Y. Discos Rake In The Greer". Variety. Vol. 287, no. 4. pp. 2, 79. ProQuest   1401310124.
  165. ↑ "Discos: Studio 54 Looking To L.A. And London". The Billboard . Vol. 89, no. 32. August 13, 1977. p. 49. ProQuest   1286205614.
  166. ↑ Haden-Guest 1997 , p. 127.
  167. 1 2 3 4 Segell, Michael (April 19, 1979). "Studio 54: Steve Rubell's disco Disneyland". Rolling Stone . No. 289. p. 44-45. ProQuest   2513149544.
  168. ↑ Haden-Guest 1997 , p. 77.
  169. ↑ Flint, Peter B. (July 27, 1989). "Steve Rubell, Studio 54's Creator And a 'Pasha of Disco', Dies at 45". The New York Times . Archived from the original on December 14, 2021. Retrieved December 14, 2021.
  170. 1 2 Bennetts, Leslie (April 28, 1978). "An 'In' Crowd and Outside Mob Show Up for Studio 54's Birthday". The New York Times . Archived from the original on September 15, 2022. Retrieved September 15, 2022.
  171. 1 2 Roth, Robert (October 7, 1978). "Discos: Studio 54 Bows New Look Costing $½ Mil". The Billboard . Vol. 90, no. 40. pp. 63, 65. ProQuest   1286316182.
  172. 1 2 Haden-Guest 1997 , p. 111.
  173. 1 2 3 4 5 6 7 Henninger, Daniel (December 2, 1977). "The Sweet Life, New York, 1977". The Wall Street Journal . p. 14. ProQuest   134198373.
  174. ↑ Haden-Guest 1997 , p. 60.
  175. 1 2 3 4 5 "Halston Studio 54 Vent Death True Story – Did Liza Minnelli Overdose in Studio 54?". Esquire. November 1, 2021. Retrieved September 23, 2022.
  176. 1 2 3 Haden-Guest 1997 , p. 62.
  177. 1 2 Haden-Guest 1997 , pp. 63–64.
  178. ↑ Haden-Guest 1997 , p. 72.
  179. 1 2 Haden-Guest 1997 , pp. 117–118.
  180. 1 2 Haden-Guest 1997 , pp. 64–65.
  181. 1 2 Oppenheim, Carol (September 6, 1979). "Studio 54 dances away its troubles". Chicago Tribune . pp. 1, 4. Archived from the original on September 15, 2022. Retrieved September 15, 2022– via newspapers.com.
  182. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Runtagh, Jordan (April 26, 2017). "Studio 54: 10 Wild Stories From Club's Debauched Heyday". Rolling Stone . Archived from the original on April 4, 2022. Retrieved September 17, 2022. (citing Haden-Guest 1997)
  183. ↑ Buskin, Richard (April 2005). "Classic Tracks: Chic – 'Le Freak'". Sound on Sound . Archived from the original on May 14, 2011. Retrieved September 13, 2018.
  184. ↑ Cobb, Nathan (July 15, 1978). "Descent into New York Disco". The Boston Globe. p. 6. Archived from the original on September 15, 2022. Retrieved September 15, 2022– via newspapers.com.
  185. 1 2 3 "Studio 54, Under. City Pressure, To Refund Price of Memberships". The New York Times . June 30, 1978. Archived from the original on September 15, 2022. Retrieved September 15, 2022.
  186. ↑ Stathos, Harry (June 30, 1978). "Studio 54 to Give Fee Refunds". New York Daily News . p. 16. Archived from the original on September 15, 2022. Retrieved September 15, 2022– via newspapers.com.
  187. 1 2 3 Kates, Brian (January 11, 1979). "Our tres-chic cabarets got a lotta cheek, too, who needs a license?". New York Daily News . p. 9. Archived from the original on September 15, 2022. Retrieved September 15, 2022– via newspapers.com.
  188. ↑ "Follow-Up on the News". The New York Times . November 19, 1978. Archived from the original on September 15, 2022. Retrieved September 15, 2022.
  189. ↑ Hanson, Kitty (March 16, 1978). "The hot spots and cool scenes". New York Daily News . p. 69. Archived from the original on September 15, 2022. Retrieved September 15, 2022– via newspapers.com.
  190. ↑ Hyde, Nina S. (November 13, 1977). "Comings and Goings at Studio 54: Fashion Notes". The Washington Post . p. 135. ProQuest   146609042.
  191. ↑ Dunning, Jennifer (February 2, 1979). "Where To Fine The Latest Disco Steps". The New York Times . Archived from the original on September 15, 2022. Retrieved September 15, 2022.
  192. 1 2 Light, Alan (October 5, 2018). "A History of Studio 54, This Time Told by the Quiet Partner". The New York Times . Retrieved September 23, 2022.
  193. 1 2 3 4 5 Irish, Anni (April 7, 2020). "The Artistic and Cultural Legacy of Studio 54". Art & Object. Archived from the original on October 23, 2021. Retrieved September 18, 2022.
  194. ↑ Haden-Guest 1997 , p. 124.
  195. ↑ Cochrane, Lauren (June 18, 2018). "Inside the real Studio 54: Sex balconies! Liza Minnelli! No hats!". the Guardian. Archived from the original on September 15, 2022. Retrieved September 15, 2022.
  196. ↑ Riedel, Michael (March 10, 1996). "Those were the daze". New York Daily News . p. 178. Archived from the original on September 15, 2022. Retrieved September 15, 2022– via newspapers.com.
  197. ↑ Oppenheim, Carol (September 6, 1979). "Studio 54 dances away its troubles". Chicago Tribune . pp. 1, 4. Archived from the original on September 15, 2022. Retrieved September 15, 2022– via newspapers.com.
  198. ↑ Haden-Guest 1997 , p. 56.
  199. 1 2 Haden-Guest 1997 , p. 56.
  200. ↑ Weber, Bruce (July 10, 2009). "Robert Isabell, Who Turned Events Into Wondrous Occasions, Dies at 57". The New York Times . Archived from the original on February 8, 2013. Retrieved July 14, 2009.
  201. ↑ Roth, Robert (March 3, 1979). "Disco: 'Be My Valentine' A Studio 54 Extra". The Billboard . Vol. 91, no. 9. pp. 44, 58. ProQuest   1286224143.
  202. ↑ Oppenheim, Carol (September 6, 1979). "Studio 54 dances away its troubles". Chicago Tribune . pp. 1, 4. Archived from the original on September 15, 2022. Retrieved September 15, 2022– via newspapers.com.
  203. ↑ Haden-Guest 1997 , p. 113.
  204. 1 2 3 4 5 Robinson, Katie (April 27, 2017). "25 Incredible Photos of Celebrities Partying at Studio 54, photo of Woody Allen and Michael Jackson". Town & Country . Archived from the original on July 24, 2019. Retrieved April 9, 2019.
  205. 1 2 3 4 5 6 7 8 9 Radcliffe, Joe (November 26, 1977). "Discos: New Controversy Snares Studio 54". The Billboard . Vol. 89, no. 47. pp. 66, 90. ProQuest   1286403654.
  206. ↑ "Studio 54 owner looks back at partying with Rick James and others in new book". New York Daily News . August 27, 2017. Archived from the original on July 17, 2022. Retrieved September 17, 2022.
  207. ↑ Cooper, Leonie (April 26, 2017). "On Studio 54's 40th birthday check out these incredible photos of the disco paradise". NME . Archived from the original on July 2, 2018. Retrieved September 17, 2022.
  208. 1 2 Valenti, Lauren (June 16, 2018). "Glitter, Gold And Sequins Galore: The 20 Most Iconic Looks From Studio 54". British Vogue. Archived from the original on June 26, 2018. Retrieved April 9, 2019.
  209. ↑ "Gia's Life: Not a Model Success Story : Movies: Paramount has bought rights to the book on the glamour girl's life. But handling the sensitive subject of a gay heroin addict who died of AIDS is bogging down the project". Los Angeles Times. June 3, 1993. Archived from the original on September 22, 2022. Retrieved September 18, 2022.
  210. 1 2 Hofler, Robert (2010). Party Animals: A Hollywood Tale of Sex, Drugs, and Rock 'n' Roll Starring the Fabulous Allan Carr. Hachette. p. 119. ISBN   9780306818943.
  211. 1 2 3 Feitelberg, Rosemary (August 16, 2011). "Behind the Studio 54 Door". Women's Wear Daily . Archived from the original on August 12, 2020. Retrieved September 17, 2022.
  212. ↑ Barrett, Wayne (March 5, 1979). "The Birthday Boy: Roy Cohn is 52 at 54". The Village Voice . Archived from the original on February 21, 2022. Retrieved February 21, 2022.
  213. ↑ "Alice Cooper Remembers His Encounter with Salvador Dalí". AnotherMan. April 4, 2018. Archived from the original on April 9, 2019. Retrieved April 9, 2019.
  214. 1 2 Morley, Paul (August 20, 2009). "Disco years: Studio 54 and New York City in the 70s". The Guardian . Archived from the original on January 21, 2021. Retrieved April 9, 2019.
  215. ↑ Glasser, Joyce (June 20, 2018). "A riveting biopic of the legendary NYC disco club". Mature Times . Archived from the original on October 25, 2021. Retrieved September 17, 2022.
  216. 1 2 3 4 5 6 Hooton, Christopher (May 31, 2018). "Studio 54: 15 things we learned about the hedonists' mecca from the new documentary" . The Independent . Archived from the original on May 25, 2022. Retrieved September 29, 2019.
  217. 1 2 3 4 5 Platzer, Robin (July 14, 2011). "Party at Studio 54 with Betty Ford May 21, 1979". Northwest Indiana Times . Archived from the original on September 22, 2022. Retrieved September 16, 2022.
  218. ↑ Dowd, Maureen (April 20, 2019). "Tom Ford, Fragrant Vegan Vampire". The New York Times . Archived from the original on August 12, 2022. Retrieved September 16, 2022.
  219. 1 2 Cochrane, Lauren (May 29, 2018). "Cher, Grace Jones and zipless dresses: why Studio 54 still defines dancefloor dressing". the Guardian. Archived from the original on November 9, 2020. Retrieved September 16, 2022.
  220. ↑ Colacello, Bob (August 22, 2017). "Why Studio 54 Still Lives on in Our Imaginations". Vanity Fair . Archived from the original on August 11, 2020. Retrieved August 22, 2017.
  221. ↑ "10 things we learned watching Studio 54". British GQ. May 27, 2018. Archived from the original on January 18, 2022. Retrieved September 18, 2022.
  222. 1 2 3 4 5 6 7 8 9 10 11 12 Persson, Hasse; Loughran, Kim (2014). Studio 54. Stockholm, Sweden. ISBN   978-91-7126-329-2. OCLC   898424693.{{cite book}}: CS1 maint: location missing publisher (link)
  223. 1 2 3 "Studio 54's Cast List: A Who's Who of the 1970s Nightlife Circuit". Vanity Fair. September 4, 2013. Archived from the original on August 4, 2020. Retrieved September 13, 2022.
  224. ↑ Burke, Monte (September 5, 2013). "Going Bankrupt At Age 25 Changed Tommy Hilfiger's Life—For The Better". Forbes. Archived from the original on May 27, 2022. Retrieved September 16, 2022.
  225. 1 2 3 4 5 6 7 Wild, Chris (October 17, 2014). "Studio 54: The Star-Magnet of the 1970s". Mashable. Archived from the original on April 4, 2019. Retrieved April 9, 2019.
  226. ↑ Aletti, Vince (November 26, 2018). "Fran Lebowitz Doesn't Dance Anymore". The Paris Review. Archived from the original on December 20, 2021. Retrieved September 16, 2022; originally in The Village Voice , March 20, 1990.{{cite web}}: CS1 maint: postscript (link)
  227. ↑ Eckardt, Stephanie (July 15, 2017). "That Time Andy Warhol Kissed John Lennon, and More Studio 54-Era Snapshots". W Magazine . Archived from the original on March 13, 2022. Retrieved March 13, 2022.
  228. 1 2 Dool, Steve (October 9, 2017). "Disco and debauchery inside Studio 54". CNN Style. Archived from the original on March 1, 2019. Retrieved April 9, 2019.
  229. ↑ "One Night at Studio 54". Vintage Everyday. April 25, 2016. Archived from the original on April 8, 2022. Retrieved September 17, 2022.
  230. ↑ Gleick, Elizabeth (January 1, 2015). "Geraldo Rivera". People. Archived from the original on December 8, 2015. Retrieved January 1, 2016.
  231. ↑ "Geraldo's Last Laugh". New York. December 14, 1998. Archived from the original on December 8, 2015. Retrieved January 1, 2016.
  232. ↑ "Brooke Shields". Late Night with Jimmy Fallon (Interview). NBC. February 7, 2011. Archived from the original on August 20, 2011. Retrieved November 1, 2016.
  233. ↑ "Interview: Tallulah". Red Bull Music Academy Daily. June 22, 2016. Archived from the original on June 18, 2022. Retrieved September 17, 2022.
  234. ↑ "DJ Tallulah". The Times . April 8, 2008. Archived from the original on January 18, 2022. Retrieved September 17, 2022.
  235. ↑ Kelsey, Colleen; Kaiser, Charles (June 19, 2012). "New Again: Alec Baldwin". Interview Magazine. Archived from the original on November 25, 2018. Retrieved April 9, 2019.
  236. ↑ Haden-Guest 1997, p.  208.
  237. 1 2 Lane, Robert (May 22, 1977). "Cops Raid New Disco, Teach Stars the Scram". New York Daily News . p. 243. Archived from the original on September 15, 2022. Retrieved September 15, 2022– via newspapers.com.
  238. 1 2 Blau, Eleanor (May 22, 1977). "Liquor Authority Head Stops Discotheque's Music". The New York Times . Archived from the original on September 15, 2022. Retrieved September 14, 2022.
  239. 1 2 Haden-Guest 1997 , p. 74.
  240. ↑ "Discos: N.Y. Studio 54 Reopened After Licensing Shutdown". The Billboard . Vol. 89, no. 22. June 4, 1977. p. 54. ProQuest   1286415783.
  241. ↑ "Discos: Studio 54 In N.Y. Resumes Liquor Sales". The Billboard . Vol. 89, no. 41. October 15, 1977. p. 62. ProQuest   1286211529.
  242. ↑ Haden-Guest 1997 , p. 76.
  243. ↑ Raab, Selwyn (November 15, 1977). "S.L.A. Head Criticizes Judge on Studio 54 License". The New York Times . Archived from the original on September 15, 2022. Retrieved September 15, 2022.
  244. 1 2 Gilgoff, Henry (June 1, 1978). "Discotheque Challenged On Fire Code Violations". Newsday . p. 24Q. ProQuest   964374699.
  245. 1 2 "General News: Studio 54 Hearing Due". The Billboard . Vol. 90, no. 26. July 1, 1978. p. 49. ProQuest   1286399546.
  246. ↑ "General News: ASCAP Suing N.Y. Studio 54". The Billboard . Vol. 90, no. 33. August 19, 1978. p. 8. ProQuest   1286277384.
  247. ↑ Roth, Robert (November 18, 1978). "Financial: ASCAP Signs Studio 54". The Billboard . Vol. 90, no. 46. p. 8. ProQuest   1286324917.
  248. ↑ "Disco: NLRB Complaint Vs. Studio 54". The Billboard . Vol. 91, no. 5. February 3, 1979. p. 40. ProQuest   1286384714.
  249. 1 2 Sanders, D. J.; Singleton, Donald (December 16, 1978). "Skim scam tip led feds to raid Studio 54". New York Daily News . p. 5. Archived from the original on September 15, 2022. Retrieved September 15, 2022– via newspapers.com.
  250. 1 2 Haden-Guest 1997 , pp. 130–131.
  251. ↑ Kihss, Peter (December 15, 1978). "I. R. S. Raids Studio 54; 5 Ounces of Cocaine Seized". The New York Times . Archived from the original on September 15, 2022. Retrieved September 15, 2022.
  252. 1 2 Haden-Guest 1997 , p. 132.
  253. ↑ Gupte, Pranay (December 16, 1978). "Studio 54 Inquiry Termed Far-Ranging". The New York Times . Archived from the original on September 15, 2022. Retrieved September 15, 2022.
  254. 1 2 Haden-Guest 1997 , p. 143.
  255. 1 2 3 Kennedy, John (November 3, 1979). "Studio 54 Owners Plead Guilty To Income Tax Evasion Charges". The Washington Post . p. A8. ProQuest   147120062.
  256. ↑ Haden-Guest 1997 , p. 134.
  257. ↑ Taubman, Philip (August 25, 1979). "Jordan Under Inquiry on Cocaine; He Denies the Report by Studio 54". The New York Times . Archived from the original on September 15, 2022. Retrieved September 15, 2022.
  258. ↑ "Disco: Studio 54 In N.Y. Is Expending $1.2 Million For Its Refurbishing". The Billboard . Vol. 91, no. 47. November 24, 1979. p. 51. ProQuest   1505932394.
  259. 1 2 "The City; 2 Studio 54 Owners Admit Tax Evasion Wrong Man Shot By Officer in Holdup State Guard Held In Shooting at Bar Drug Program Audit". The New York Times . November 3, 1979. Archived from the original on September 15, 2022. Retrieved September 15, 2022.
  260. ↑ "Famed US disco may lose licence: New York, Dec 1". South China Morning Post. December 2, 1979. p. 6. ProQuest   1533622727.
  261. ↑ Lubasch, Arnold H. (January 19, 1980). "Two Studio 54 Owners Are Given 3 Years for Evading U.S. Taxes; No Appeal Is Possible 2 Studio 54 Owners Get 3 Years". The New York Times . Archived from the original on December 14, 2021. Retrieved December 14, 2021.
  262. ↑ "Studio 54 Owners Sentenced to Jail". Newsday . January 19, 1980. p. 10. Archived from the original on September 15, 2022. Retrieved September 15, 2022– via newspapers.com.
  263. ↑ Haden-Guest 1997 , pp. 146–147.
  264. ↑ Parker, Jerry (February 4, 1980). "Early to bed for Studio 54 owners". Newsday . p. 103. Archived from the original on December 14, 2021. Retrieved December 14, 2021– via newspapers.com.
  265. ↑ "The City; State Urges Censure Of Civil Court Judge Boy, 3, Is Killed In a Fire in Queens Owners of Studio 54 Begin Prison Terms Fiumara's New Jury". The New York Times . February 5, 1980. Archived from the original on September 15, 2022. Retrieved September 15, 2022.
  266. ↑ "Studio 54's Ex-owners in New York to Finish Sentences in Tax Case". The New York Times . February 1, 1981. Archived from the original on May 24, 2015. Retrieved September 16, 2022.
  267. 1 2 Nir, Sarah Maslin (January 19, 2017). "On Obama's Pardon List: A Hotel Magnate Who Owned Studio 54". The New York Times . Archived from the original on June 16, 2022. Retrieved September 15, 2022.
  268. ↑ Rule, Sheila (February 28, 1980). "Studio 54 Is Rejected By State on Renewal Of Its Liquor License; One-Man Raid in 1977". The New York Times . Archived from the original on September 15, 2022. Retrieved September 15, 2022.
  269. ↑ "Studio 54 Loses Its Liquor License". Los Angeles Times . February 28, 1980. p. 9. Archived from the original on September 15, 2022. Retrieved September 15, 2022– via newspapers.com.
  270. ↑ "Studio 54 Switches From Liquor to Punch". Newsday . March 2, 1980. p. 18. Archived from the original on September 15, 2022. Retrieved September 15, 2022– via newspapers.com.
  271. 1 2 Poster, Tom (March 2, 1980). "54's studious lawyers looking to clean house". New York Daily News . p. 4. Archived from the original on September 15, 2022. Retrieved September 15, 2022– via newspapers.com.
  272. ↑ "The City; 3 More Inmates Escape at Rikers Ex-Owner Fined In Studio 54 Case Flyer Is Acquitted In Extortion Trial Man and Woman Shot to Death Subway Riders Aid Police in a Capture". The New York Times . March 4, 1980. Archived from the original on September 15, 2022. Retrieved September 15, 2022.
  273. ↑ "The City; Subway Offender Slain on D Train State Inquiry Asked Over Foster Care Sale of Studio 54 Under Negotiation". The New York Times . March 29, 1980. Archived from the original on September 15, 2022. Retrieved September 15, 2022.
  274. 1 2 3 "Studio 54's jailed owner offers disco for $5 million". The Austin American Statesman. March 30, 1980. p. A2. ProQuest   2215368335.
  275. 1 2 Radcliffe, Joe (August 22, 1981). "General News: Studio 54 Sets Reopening In N.Y. Under New Owner". The Billboard . Vol. 93, no. 33. pp. 6, 47. ProQuest   1286352965.
  276. 1 2 "Personal Appearance: Eatery Magnate Buys Studio 54 For $5-Mil". Variety. Vol. 298, no. 9. April 2, 1980. p. 83. ProQuest   1438308219.
  277. 1 2 Radcliffe, Joe (April 12, 1980). "Discos: Studio 54 Sold For $5 Mil". The Billboard . Vol. 92, no. 15. p. 39. ProQuest   1286438355.
  278. 1 2 "Personal Appearances: Studio 54 Re-Lit In V.I.; N.Y. Club Awaits Permit; Stein Suit Settled". Variety. Vol. 299, no. 2. May 14, 1980. p. 131. ProQuest   1286416315.
  279. ↑ Radcliffe, Joe (May 24, 1980). "Disco Business: New N.Y. Studio 54 Will Feature Live Concerts". The Billboard . Vol. 92, no. 21. p. 41. ProQuest   1286363679.
  280. ↑ "Personal Appearances: Studio 54 Re-Lit In V.I.; N.Y. Club Awaits Permit; Stein Suit Settled". Variety. Vol. 299, no. 2. May 14, 1980. p. 131. ProQuest   1438310081.
  281. ↑ Radcliffe, Joe (June 6, 1981). "Disco Business: Studio 54 Is Regaining Popularity". The Billboard . Vol. 93, no. 22. pp. 71–72. ProQuest   1286412254.
  282. ↑ "Reality News; Studio 54". The New York Times . August 30, 1981. Archived from the original on April 7, 2020. Retrieved December 14, 2021.
  283. 1 2 3 Duka, John (August 25, 1981). "Notes on Fashion". The New York Times . Archived from the original on January 26, 2018. Retrieved September 16, 2022.
  284. 1 2 3 "Studio 54: dim watted opening". Rolling Stone . No. 354. October 15, 1981. p. 38-39. ProQuest   2686003281.
  285. ↑ Zito, Tom (September 17, 1981). "The Seen Scene: New York's Studio 54 Rises From the Ruins The Seen Scene's Back". The Washington Post. p. C1. ProQuest   147253265.
  286. 1 2 "Stars Dance as Studio 54 Reopens With Lightning Thunder". Los Angeles Times . September 16, 1981. p. 10. Archived from the original on September 22, 2022. Retrieved September 16, 2022– via newspapers.com.
  287. 1 2 3 Haden-Guest 1997 , p. 206.
  288. ↑ Haden-Guest 1997 , p. 205.
  289. ↑ Foti, Laura (January 16, 1982). "Video: Video Taking Hold At New York Discotheques". The Billboard . Vol. 94, no. 2. pp. 32, 42. ProQuest   1286393999.
  290. ↑ "Haoui Montaug; Disco Doorman, 39". The New York Times . June 12, 1991. p. 25. Archived from the original on September 18, 2022. Retrieved September 16, 2022.
  291. ↑ Loverro, Thom (2006). The rise & fall of ECW : extreme championship wrestling. London: Pocket. p. 14. ISBN   978-1-4165-1058-1. OCLC   159489722.
  292. ↑ Hattenstone, Simon (October 25, 2015). "Drew Barrymore: 'My mother locked me up in an institution at 13. Boo hoo! I needed it'". The Guardian . Archived from the original on October 25, 2015. Retrieved September 22, 2022.
  293. ↑ Haden-Guest 1997 , p. 209.
  294. ↑ Coakley, Michael (January 23, 1983). "Rubin's 'radical' route to wealth". Chicago Tribune . pp. 213, 216. Archived from the original on September 22, 2022. Retrieved September 16, 2022– via newspapers.com.
  295. ↑ Thomas, Bill (December 12, 1982). "Survivors of the Sixties: Jerry Rubin from agitator to entrepreneur His weekly 'networking salon' packs Studio 54 at $8 a head". The Sun. p. E1. ProQuest   535750096.
  296. ↑ Berger, Amy (June 13, 1985). "Networking: Big Business for Making Contacts". Business Journal of New Jersey Weekly. Vol. 2, no. 35. p. 1. ProQuest   197997643.
  297. ↑ Kaufman, Joanne (June 21, 1984). "Club Scene: Come to Our Party, Whoever You Are". The Wall Street Journal . p. 1. ProQuest   397941265.
  298. ↑ Haden-Guest 1997 , p. 240.
  299. ↑ Shepard, Richard F. (December 19, 1984). "Going Out Guide". The New York Times . Archived from the original on February 1, 2018. Retrieved September 16, 2022.
  300. 1 2 "Personal Appearances: Bankrupt Studio 54 Reeling In Its Rope". Variety. Vol. 321, no. 4. November 20, 1985. p. 107. ProQuest   1438443702.
  301. 1 2 "End of era: Studio 54 goes belly up". New York Daily News . November 14, 1985. p. 134. Archived from the original on September 22, 2022. Retrieved September 16, 2022– via newspapers.com.
  302. 1 2 Haden-Guest 1997 , pp. 288–289.
  303. ↑ Gelb, Lisa Serene (April 12, 1986). "Personalities". The Washington Post . p. C3. ProQuest   138801516.
  304. ↑ Zampier, Edmund (April 12, 1986). "People in the News". The Hartford Courant. p. AA2. ProQuest   899863232.
  305. 1 2 3 "Manhattan's famed Studio 54 ordered closed for rampant drug use". The Ottawa Citizen. January 27, 1989. p. B3. ProQuest   239230375.
  306. 1 2 Christensen, Deborah (January 27, 1989). "80s Drug Scene Turns 54 Into an Unlucky Number". Los Angeles Times . p. 99. Archived from the original on September 22, 2022. Retrieved September 16, 2022– via newspapers.com.
  307. ↑ Freitag, Michael (May 7, 1989). "Life Style; Neighbors Complain As Nightclub Crowds Turn to Violence". The New York Times . Archived from the original on August 15, 2021. Retrieved September 16, 2022.
  308. 1 2 3 Williams, Stephen (April 2, 1989). "Moving' Up the Ritz". Newsday . p. 71. Archived from the original on September 22, 2022. Retrieved September 16, 2022– via newspapers.com.
  309. 1 2 Duffy, Thorn (April 22, 1989). "Talent: the BEAT – Puttin' On The Ritz At New Midtown Digs; Vandross Sells Out U.K.; Bowie Teams Up". The Billboard . Vol. 101, no. 16. p. 37. ProQuest   1286462312.
  310. 1 2 Pareles, Jon (October 20, 1989). "Pop/Jazz; What's New, What's Hot, On the Live Music Scene". The New York Times . Archived from the original on December 20, 2017. Retrieved September 16, 2022.
  311. ↑ Rule, Sheila (March 17, 1993). "Serious Pop Uptown? The Ritz Gives It a Try". The New York Times . Archived from the original on January 17, 2018. Retrieved September 16, 2022.
  312. ↑ McLane, Daisann (September 4, 1992). "The Beat, The Feet: Viva! Viva!". The New York Times . Archived from the original on January 15, 2018. Retrieved September 16, 2022.
  313. 1 2 Hinckley, David (December 9, 1992). "Putting Off the Ritz". New York Daily News . pp. 41, 46. Archived from the original on September 22, 2022. Retrieved September 16, 2022– via newspapers.com.
  314. 1 2 3 Howe, Marvine (December 19, 1993). "Neighborhood Report: Midtown; A Stripped-Down Studio 54 For the Post-Disco Era". The New York Times . Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  315. ↑ Stasi, Linda (July 20, 1993). "It Sure Looks Like Woody Gets to Drink the Water". New York Daily News . p. 11. Archived from the original on February 6, 2022. Retrieved February 6, 2022– via newspapers.com.
  316. ↑ "Is Nothing Sacred?". New York Daily News . November 28, 1993. p. 649. Archived from the original on February 6, 2022. Retrieved February 6, 2022– via newspapers.com.
  317. 1 2 Rostler, Suzanne (June 5, 1994). "Disco-ing, going, gone at Studio 54". New York Daily News . p. 238. Archived from the original on February 6, 2022. Retrieved February 6, 2022– via newspapers.com.
  318. ↑ "Manhattan Minute". The New York Times . June 5, 1994. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  319. ↑ Deutsch, Claudia H. (June 22, 1994). "Real Estate; A well-received auction of New York properties was a pitchman's dream, and a successful one". The New York Times . Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  320. 1 2 Radomsky, Rosalie R. (July 23, 1995). "Neighborhood Report: Midtown; Old Studio 54 Recycled Again: Virtual Reality". The New York Times . Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  321. ↑ Oser, Alan S. (October 18, 1998). "Tenants as Developer's Partner in a Loft Venture". The New York Times . Archived from the original on November 9, 2020. Retrieved September 17, 2022.
  322. ↑ Riedel, Michael (January 9, 1995). "Not so Secret Service tales on White House". New York Daily News . p. 94. Archived from the original on September 22, 2022. Retrieved September 16, 2022– via newspapers.com.
  323. ↑ "Studio 54's Reopening a Virtual Reality". New York Daily News . August 22, 1996. p. 1140. Archived from the original on February 6, 2022. Retrieved February 6, 2022– via newspapers.com.
  324. ↑ "Studio 54's Last Dance". The Province. May 23, 1996. p. A41. ProQuest   267553051.
  325. ↑ Flick, Larry (June 8, 1996). "Reliving Studio 54's glory days; GLAMAS plays". The Billboard . Vol. 108, no. 23. p. 52. ProQuest   227078925.
  326. ↑ "People in the News". Las Vegas Review – Journal. May 25, 1996. p. 15.B. ProQuest   259981799.
  327. ↑ Bagli, Charles V. (July 19, 1998). "A Hotelier for Jaded Boomers". The New York Times . Retrieved January 18, 2023.
  328. ↑ Robertson, Campbell (May 10, 2007). "Roundabout to Fill a Brand-New 89-Year-Old Theater". The New York Times . Archived from the original on September 15, 2021. Retrieved April 10, 2022.
  329. ↑ Gioia, Michael (April 18, 2015). "Sold! Second Stage Completes Million-Dollar Purchase for the Helen Hayes, Adding Fourth Non-Profit to Broadway". Playbill. Archived from the original on March 30, 2022. Retrieved January 12, 2022.
  330. ↑ Greenhouse, Steven (July 22, 1998). "Construction Collapse in Times Square: the Accident; Scaffold Collapses, Paralyzing Times Square". The New York Times . Archived from the original on September 15, 2021. Retrieved September 16, 2021.
  331. 1 2 Applebome, Peter (August 1, 1998). "The Roundabout Is Struggling But Is Used to It". The New York Times . Archived from the original on May 27, 2015. Retrieved September 17, 2022.
  332. ↑ Isherwood, Charles; Brodesser, Claude (September 28, 1998). "Legit: 'Cabaret' hits road bound for 54". Variety. Vol. 372, no. 7. pp. 185, 187. ProQuest   1505762920.
  333. 1 2 3 McKinley, Jesse (September 25, 1998). "On Stage and Off; Swinging Again At Studio 54". The New York Times . Archived from the original on September 17, 2021. Retrieved September 17, 2021.
  334. ↑ Kirby, David (August 9, 1998). "Neighborhood Reports: Midtown; Life May Soon Be No 'Cabaret' At Kit Kat Klub". The New York Times . Archived from the original on May 9, 2021. Retrieved September 17, 2022.
  335. 1 2 3 Evans, Suzy (July–August 2014). "A Tale of Two Discos". American Theatre. Vol. 31, no. 6. pp. 54–57. ProQuest   1544413668.
  336. 1 2 Blumenthal, Ralph (March 29, 1999). "Suspense Offstage for the Roundabout". The New York Times . Archived from the original on April 7, 2022. Retrieved April 25, 2022.
  337. 1 2 3 ​Cabaret​ (1998 revival) at the Internet Broadway Database; "Cabaret, Broadway @ Kit Kat Klub". Playbill . Archived from the original on August 12, 2021. Retrieved December 13, 2021.
  338. ↑ "Star Power". Newsday . October 1, 1998. p. 105. Archived from the original on September 17, 2021. Retrieved September 17, 2021– via newspapers.com.
  339. ↑ Fink, Mitchell; Guest, Emily (March 26, 1999). "Studio 54 Will Be Nightcrawlin' Again". New York Daily News . p. 15. ProQuest   313703592.
  340. ↑ Kreinin Souccar, Miriam (September 10, 2001). "Roundabout's way". Crain's New York Business. Vol. 17, no. 37. p. 3. ProQuest   219185398.
  341. ↑ Hetter, Katia (February 13, 2002). "Roundabout to Buy Studio 54". Newsday . p. 47. Archived from the original on February 6, 2022. Retrieved February 6, 2022– via newspapers.com.
  342. ↑ Herman, Eric (February 13, 2002). "City to aid Roundabout buy". New York Daily News . p. 61. ProQuest   305682088.
  343. 1 2 3 Jacobs, Leonard (February 28, 2002). "Boogie-down roundabout". Back Stage. Vol. 43, no. 8. p. 2. ProQuest   221075697.
  344. ↑ McKinley, Jesse (July 23, 2003). "An Expanding Theater and a Healing Director". The New York Times . Archived from the original on April 11, 2022. Retrieved September 17, 2022.
  345. ↑ Hernandez, Ernio (July 24, 2003). "Roundabout Buys Former Disco Studio 54 as Its New Musical Home". Playbill. Archived from the original on February 7, 2022. Retrieved September 17, 2022.
  346. ↑ McKinley, Jesse (July 23, 2003). "An Expanding Theater and a Healing Director". The New York Times . Archived from the original on April 11, 2022. Retrieved April 10, 2022.
  347. 1 2 ​Assassins​ (Original) at the Internet Broadway Database; "Assassins, Broadway @ Studio 54". Playbill. Archived from the original on December 8, 2021. Retrieved December 13, 2021.
  348. 1 2 Green, Jesse (April 11, 2004). "Theater; Surviving Assassins". The New York Times . Archived from the original on February 7, 2022. Retrieved February 7, 2022.
  349. 1 2 ​Pacific Overtures​ (2004 revival) at the Internet Broadway Database; "Pacific Overtures, Broadway @ Studio 54". Playbill. Archived from the original on December 19, 2021. Retrieved December 13, 2021.
  350. 1 2 Gates, Anita (December 24, 2004). "The Listings; 'Welcome to Kanagawa'". The New York Times . Archived from the original on February 7, 2022. Retrieved February 7, 2022.
  351. ↑ "Roundabout Theatre Company 04-05 Annual Report". Roundabout Theatre Company. 2005. Archived from the original on February 7, 2022. Retrieved February 7, 2022– via Issuu.
  352. 1 2 ​A Streetcar Named Desire​ (2005 revival) at the Internet Broadway Database; "A Streetcar Named Desire, Broadway @ Studio 54". Playbill. Archived from the original on December 19, 2021. Retrieved December 13, 2021.
  353. 1 2 Brantley, Ben (April 27, 2005). "A Weak Erotic Charge Flickers in the New Orleans Heat". The New York Times . Archived from the original on February 7, 2022. Retrieved February 7, 2022.
  354. 1 2 ​A Touch of the Poet​ (2005 revival) at the Internet Broadway Database; "A Touch of the Poet, Broadway @ Studio 54". Playbill. Archived from the original on December 13, 2021. Retrieved December 13, 2021.
  355. 1 2 Brantley, Ben (December 9, 2005). "The Transformation of a Poseur, and the Loved Ones Who Suffer the Consequences". The New York Times . Archived from the original on February 7, 2022. Retrieved February 7, 2022.
  356. 1 2 ​The Threepenny Opera​ (2006 revival) at the Internet Broadway Database; "Threepenny Opera, Broadway @ Studio 54". Playbill. Archived from the original on October 19, 2021. Retrieved December 13, 2021.
  357. 1 2 Brantley, Ben (April 21, 2006). "'Threepenny Opera' Brings Renewed Decadence to Studio 54". The New York Times . Archived from the original on April 25, 2022. Retrieved April 25, 2022.
  358. 1 2 Jones, Kenneth (August 30, 2011). "Mr. No Jangles: Dancin' Will Not Step Into Broadway's Studio 54". Playbill. Archived from the original on July 6, 2022. Retrieved September 17, 2022.
  359. ↑ Healy, Patrick (February 16, 2011). "Fosse Revival Coming to Roundabout". ArtsBeat. Archived from the original on September 22, 2022. Retrieved September 17, 2022.
  360. ↑ Healy, Patrick (December 17, 2011). "Nonprofit Companies Enjoying, Well, Profits". The New York Times . Archived from the original on March 30, 2022. Retrieved September 17, 2022.
  361. 1 2 ​Harvey​ (2012 revival) at the Internet Broadway Database; "Harvey, Broadway @ Studio 54". Playbill. Archived from the original on December 13, 2021. Retrieved December 13, 2021.
  362. 1 2 Isherwood, Charles (June 15, 2012). "Hope Is a Thing With Long, Fuzzy Ears". The New York Times . Archived from the original on December 7, 2017. Retrieved September 17, 2022.
  363. 1 2 ​The Mystery of Edwin Drood​ (2012 revival) at the Internet Broadway Database; "The Mystery of Edwin Drood, Broadway @ Studio 54". Playbill. Archived from the original on June 7, 2020. Retrieved December 13, 2021.
  364. 1 2 Isherwood, Charles (November 14, 2012). "Raising the Dickens in All of Us". The New York Times . Archived from the original on November 24, 2021. Retrieved September 17, 2022.
  365. ↑ Healy, Patrick (April 24, 2013). "Willkommen, Again? Roundabout Planning Another 'Cabaret' Revival". ArtsBeat. Archived from the original on September 22, 2022. Retrieved September 17, 2022.
  366. 1 2 ​Cabaret​ (2014 revival) at the Internet Broadway Database; "Cabaret, Broadway @ Studio 54". Playbill. Archived from the original on December 13, 2021. Retrieved December 13, 2021.
  367. 1 2 Brantley, Ben (April 25, 2014). "Old Chums Return, Where Club Is Home". The New York Times . Archived from the original on September 19, 2022. Retrieved September 17, 2022.
  368. ↑ Holcomb-Holland, Lori (January 5, 2015). "'Cabaret' to Close March 29, and Emma Stone Extends Her Run". ArtsBeat. Archived from the original on September 22, 2022. Retrieved September 17, 2022.
  369. 1 2 ​An Act of God​ (Original) at the Internet Broadway Database; "An Act of God, Broadway @ Studio 54". Playbill. Archived from the original on December 13, 2021. Retrieved December 13, 2021.
  370. 1 2 Isherwood, Charles (May 29, 2015). "Review: 'An Act of God,' With Jim Parsons as an Almighty Comedian". The New York Times . Archived from the original on October 14, 2016. Retrieved September 17, 2022.
  371. ↑ Rooney, David (December 8, 2015). "Broadway's 2015–16 Season: Revived Classics and Bold New Works". The Hollywood Reporter. Archived from the original on April 11, 2022. Retrieved April 11, 2022.
  372. ↑ Lee, Ashley (June 29, 2016). "All the Broadway Shows of the 2016–2017 Season". The Hollywood Reporter. Archived from the original on April 1, 2022. Retrieved April 11, 2022.
  373. ↑ Rooney, David (June 5, 2017). "All the Broadway Shows of the 2017–2018 Season". The Hollywood Reporter. Archived from the original on April 11, 2022. Retrieved April 11, 2022.
  374. ↑ Rooney, David (July 10, 2018). "All the Broadway Shows of the 2018–2019 Season". The Hollywood Reporter. Archived from the original on April 11, 2022. Retrieved April 11, 2022.
  375. 1 2 ​The Sound Inside​ (Original) at the Internet Broadway Database; "The Sound Inside, Broadway @ Studio 54". Playbill. Archived from the original on October 23, 2021. Retrieved December 13, 2021.
  376. 1 2 Green, Jesse (October 18, 2019). "Review: Mary-Louise Parker in the Subliminal, Sublime 'Sound Inside'". The New York Times . Archived from the original on June 19, 2022. Retrieved September 17, 2022.
  377. 1 2 Selleck, Emily (January 1, 2020). "Preview the Rest of the 2019–2020 Broadway Season". Playbill. Archived from the original on May 19, 2021. Retrieved September 17, 2022.
  378. 1 2 Paulson, Michael (August 19, 2019). "'Caroline, or Change' and 'A Soldier's Play' to Be Revived on Broadway". The New York Times . Archived from the original on February 20, 2022. Retrieved September 17, 2022.
  379. ↑ Paulson, Michael (March 12, 2020). "Broadway, Symbol of New York Resilience, Shuts Down Amid Virus Threat". The New York Times . Archived from the original on September 16, 2021. Retrieved September 17, 2021.
  380. ↑ Clement, Olivia (June 26, 2020). "Roundabout Pushes 2020 Shows to Next Year; Adds Alice Childress Play to Broadway Lineup". Playbill. Archived from the original on April 11, 2022. Retrieved April 11, 2022.
  381. ↑ Gans, Andrew (May 10, 2021). "Roundabout Reveals New Broadway Dates for Caroline, or Change, Trouble in Mind, Birthday Candles". Playbill. Archived from the original on April 11, 2022. Retrieved April 11, 2022.
  382. 1 2 ​Caroline, or Change​ (2021 revival) at the Internet Broadway Database; "Caroline, or Change, Broadway @ Studio 54". Playbill. Archived from the original on December 18, 2021. Retrieved December 13, 2021.
  383. 1 2 Green, Jesse (October 28, 2021). "Review: Caroline, or Change Makes History's Heartbreak Sing". The New York Times . Archived from the original on February 5, 2022. Retrieved February 5, 2022.
  384. 1 2 ​The Minutes​ (Original) at the Internet Broadway Database; "The Minutes, Broadway @ Studio 54". Playbill. Archived from the original on November 10, 2021. Retrieved December 13, 2021.
  385. 1 2 Green, Jesse (April 18, 2022). "Review: The Minutes, an Official History of American Horror". The New York Times . Archived from the original on April 25, 2022. Retrieved April 25, 2022.
  386. 1 2 ​Pictures From Home​ (Original) at the Internet Broadway Database; "Pictures From Home (Broadway, Studio 54, 2023)". Playbill. October 25, 2022. Retrieved February 10, 2023; Green, Jesse (February 10, 2023). "Review: How to Shoot Your Parents, in 'Pictures From Home'". The New York Times . Retrieved February 10, 2023.
  387. 1 2 ​Days of Wine and Roses​ (Original) at the Internet Broadway Database; "Days Of Wine And Roses (Broadway, Studio 54, 2024)". Playbill. September 13, 2023. Retrieved September 13, 2023.
    "How 'Days of Wine and Roses' became a musical about love, and addiction". Washington Post. January 26, 2024. Retrieved January 28, 2024.
  388. ↑ Evans, Greg (March 6, 2024). "'Days Of Wine And Roses' Sets Closing Notice, The Latest Broadway Production To Bow Out Before Spring Crush". Deadline. Retrieved April 1, 2024.
  389. 1 2 ​The Louis Armstrong Musical​ (Original) at the Internet Broadway Database; "A Wonderful World (Broadway, Studio 54, 2024)". Playbill. February 28, 2024. Retrieved April 18, 2024; Paulson, Michael (February 28, 2024). "Louis Armstrong Musical 'A Wonderful World' Set for Broadway". The New York Times . Retrieved April 18, 2024.
  390. ↑ "Studio 54 (1998) New York, NY". Playbill. March 9, 2016. Retrieved January 3, 2023.
  391. ↑ "Revival Full of Laughs; Grant Mitchell and Fine Company Please in "A Tailor-Made Man."". The New York Times . October 22, 1929. Archived from the original on September 22, 2022. Retrieved September 18, 2022.
  392. ↑ The Broadway League (December 26, 1930). "Electra – Broadway Play – 1930 Revival". IBDB. Archived from the original on November 11, 2021. Retrieved September 18, 2022.
    "Electra (Broadway, Studio 54, 1930)". Playbill. December 14, 2015. Archived from the original on September 13, 2022. Retrieved September 18, 2022.
  393. ↑ The Broadway League (April 20, 1931). "Young Sinners – Broadway Play – 1931 Revival". IBDB. Archived from the original on November 24, 2021. Retrieved September 18, 2022.
    "Young Sinners (Broadway, Studio 54, 1931)". Playbill. December 14, 2015. Archived from the original on May 19, 2022. Retrieved September 18, 2022.
  394. ↑ ​The Apple Tree​ (2006 revival) at the Internet Broadway Database; "The Apple Tree, Broadway @ Studio 54". Playbill. Archived from the original on December 7, 2021. Retrieved December 13, 2021.
  395. ↑ Brantley, Ben (December 15, 2006). "Adam, She's Ms. Madam". The New York Times . Archived from the original on March 28, 2022. Retrieved April 25, 2022.
  396. ↑ ​110 in the Shade​ (2007 revival) at the Internet Broadway Database; "110 in the Shade, Broadway @ Studio 54". Playbill. Archived from the original on October 20, 2021. Retrieved December 13, 2021.
  397. ↑ Brantley, Ben (May 10, 2007). "Neither Rain Nor Love, Till a Guy Promises Both". The New York Times . Archived from the original on April 25, 2022. Retrieved April 25, 2022.
  398. ↑ ​The Ritz​ (2007 revival) at the Internet Broadway Database; "The Ritz, Broadway @ Studio 54". Playbill. Archived from the original on December 13, 2021. Retrieved December 13, 2021.
  399. ↑ Brantley, Ben (October 12, 2007). "Good, Clean Fun". The New York Times . Archived from the original on April 25, 2022. Retrieved April 25, 2022.
  400. ↑ ​Sunday in the Park with George​ (2008 revival) at the Internet Broadway Database; "Sunday in the Park with George, Broadway @ Studio 54". Playbill. Archived from the original on December 5, 2021. Retrieved December 13, 2021.
  401. ↑ Brantley, Ben (February 22, 2008). "Down by the Blue Purple Yellow Red Water". The New York Times . Archived from the original on April 25, 2022. Retrieved April 25, 2022.
  402. ↑ ​Pal Joey​ (2008 revival) at the Internet Broadway Database; "Pal Joey, Broadway @ Studio 54". Playbill. Archived from the original on December 13, 2021. Retrieved December 13, 2021.
  403. ↑ Brantley, Ben (December 19, 2008). "The Cad! (Dames Could Write a Book)". The New York Times . Archived from the original on April 25, 2022. Retrieved April 25, 2022.
  404. ↑ ​Waiting for Godot​ (2009 revival) at the Internet Broadway Database; "Waiting for Godot, Broadway @ Studio 54". Playbill. Archived from the original on November 16, 2021. Retrieved December 13, 2021.
  405. ↑ Brantley, Ben (April 30, 2009). "Tramps for Eternity". The New York Times . Archived from the original on May 4, 2015. Retrieved April 25, 2022.
  406. ↑ ​Wishful Drinking​ (Original) at the Internet Broadway Database; "Wishful Drinking, Broadway @ Studio 54". Playbill. Archived from the original on October 27, 2021. Retrieved December 13, 2021.
  407. ↑ Brantley, Ben (October 4, 2009). "Just Me and My Celebrity Shadows". The New York Times . Archived from the original on April 25, 2022. Retrieved April 25, 2022.
  408. ↑ ​Sondheim on Sondheim​ (Original) at the Internet Broadway Database; "Sondheim on Sondheim, Broadway @ Studio 54". Playbill. Archived from the original on December 5, 2021. Retrieved December 13, 2021.
  409. ↑ Brantley, Ben (April 22, 2010). "Hymn to Himself: Something Hummable". The New York Times . Archived from the original on November 28, 2021. Retrieved September 17, 2022.
  410. ↑ ​Brief Encounter​ (Original) at the Internet Broadway Database; "Brief Encounter, Broadway @ Studio 54". Playbill. Archived from the original on December 13, 2021. Retrieved December 13, 2021.
  411. ↑ Brantley, Ben (September 29, 2010). "Arm's-Length Soul Mates, Swooning but Stoically Chaste". The New York Times . Archived from the original on May 15, 2022. Retrieved September 17, 2022.
  412. ↑ ​The People in the Picture​ (Original) at the Internet Broadway Database; "The People in the Picture, Broadway @ Studio 54". Playbill. Archived from the original on December 13, 2021. Retrieved December 13, 2021.
  413. ↑ Brantley, Ben (April 29, 2011). "What Bubbie Did During the War". The New York Times . Archived from the original on April 27, 2021. Retrieved September 17, 2022.
  414. ↑ ​Thérèse Raquin​ (Original) at the Internet Broadway Database; "Thérèse Raquin, Broadway @ Studio 54". Playbill. Archived from the original on December 13, 2021. Retrieved December 13, 2021.
  415. ↑ Brantley, Ben (October 30, 2015). "Review: In 'Thérèse Raquin,' Keira Knightley as a Baleful Adulteress". The New York Times . Archived from the original on June 16, 2022. Retrieved September 17, 2022.
  416. ↑ ​She Loves Me​ (2016 revival) at the Internet Broadway Database; "She Loves Me Broadway @ Studio 54". Playbill. Archived from the original on November 25, 2021. Retrieved December 13, 2021.
  417. ↑ Brantley, Ben (March 18, 2016). "Review: 'She Loves Me' Is a Daydream of the Ordinary". The New York Times . Archived from the original on March 1, 2021. Retrieved September 17, 2022.
  418. ↑ ​Holiday Inn, The New Irving Berlin Musical​ (Original) at the Internet Broadway Database; "Holiday Inn, The New Irving Berlin Musical, Broadway @ Studio 54". Playbill. Archived from the original on December 10, 2021. Retrieved December 13, 2021.
  419. ↑ Isherwood, Charles (October 7, 2016). "Review: 'Holiday Inn': It's Beginning to Look a Lot Like a Recycled Movie". The New York Times . Archived from the original on August 14, 2022. Retrieved September 17, 2022.
  420. ↑ ​Sweat​ (Original) at the Internet Broadway Database; "Sweat, Broadway @ Studio 54". Playbill. Archived from the original on December 20, 2021. Retrieved December 13, 2021.
  421. ↑ Brantley, Ben (March 27, 2017). "Review: 'Sweat' Imagines the Local Bar as a Caldron". The New York Times . Archived from the original on August 16, 2022. Retrieved September 17, 2022.
  422. ↑ ​Latin History for Morons​ (Original) at the Internet Broadway Database; "Latin History for Morons, Broadway @ Studio 54". Playbill. Archived from the original on November 9, 2021. Retrieved December 13, 2021.
  423. ↑ Green, Jesse (November 16, 2017). "Review: John Leguizamo Goes for Easy Laughs in 'Latin History'". The New York Times . Archived from the original on April 20, 2022. Retrieved September 17, 2022.
  424. ↑ ​Children of a Lesser God​ (2018 revival) at the Internet Broadway Database; "Children of a Lesser God, Broadway @ Studio 54". Playbill. Archived from the original on February 5, 2021. Retrieved December 13, 2021.
  425. ↑ Green, Jesse (April 12, 2018). "Review: Sound, or Silence? A Passionate Debate in 'Children of a Lesser God'". The New York Times . Archived from the original on December 21, 2021. Retrieved September 17, 2022.
  426. ↑ ​The Lifespan of a Fact​ (Original) at the Internet Broadway Database; "The Lifespan of a Fact, Broadway @ Studio 54". Playbill. Archived from the original on November 22, 2021. Retrieved December 13, 2021.
  427. ↑ Green, Jesse (October 19, 2018). "Review: A Three-Way Smackdown Over 'The Lifespan of a Fact'". The New York Times . Archived from the original on April 19, 2022. Retrieved September 17, 2022.
  428. ↑ ​Kiss Me, Kate​ (2019 revival) at the Internet Broadway Database; "Kiss Me, Kate, Broadway @ Studio 54". Playbill. Archived from the original on November 28, 2021. Retrieved December 13, 2021.
  429. ↑ Green, Jesse (March 15, 2019). "Review: A Fair Fight Makes 'Kiss Me, Kate' Lovable Again". The New York Times . Archived from the original on February 19, 2022. Retrieved September 17, 2022.
  430. ↑ Flynn, Paul (July 21, 2020). "The inside story of Studio 54, Manhattan's most legendary club ever". British GQ. Archived from the original on September 15, 2022. Retrieved September 15, 2022.
  431. ↑ Lattanzio, Ryan (July 9, 2015). "How '54: The Director's Cut' Was Resurrected From 1998 Disaster to New Gay Cult Classic". IndieWire. Archived from the original on December 26, 2021. Retrieved June 30, 2022.
  432. ↑ Jordan, Louis (February 16, 2015). "54 Bombed in 1998. Now It's Been Resurrected as a Cult Gay Classic". Vulture. Archived from the original on July 31, 2019. Retrieved June 30, 2022.
  433. ↑ Lang, Brent (May 21, 2018). "Studio 54 Sells to Zeitgeist Films and Kino Lorber (Exclusive)". Variety . Archived from the original on October 16, 2018. Retrieved October 16, 2018.
  434. ↑ Kenny, Glenn (October 4, 2018). "Review: Against the Odds, Studio 54 Sheds Light on the Club". The New York Times . Archived from the original on October 16, 2018. Retrieved October 16, 2018.
  435. ↑ Turchiano, Danielle (August 13, 2021). "FX Orders American Love Story and American Sports Story Anthologies, Has Studio 54: American Crime Story Officially in Development". Variety . Archived from the original on August 16, 2021. Retrieved August 16, 2021.
  436. ↑ Kelly, David (April 13, 1997). "Behind the Velvet Rope". The New York Times . Archived from the original on November 23, 2016. Retrieved September 16, 2022.
  437. ↑ Fleischman, Mark; Chatman, Denise; Fleischman, Mimi (September 23, 2017). "'Inside Studio 54' Takes You Behind The Velvet Rope, And Into Some Dark Corners". NPR.org. Archived from the original on August 29, 2022. Retrieved September 17, 2022.
  438. ↑ Evans, Greg (June 27, 2024). "'Studio 54 The Musical' In Development For Broadway By Producers Robert Greenblatt & Neil Meron; Sergio Trujillo Directing & Choreographing". Deadline. Retrieved September 19, 2024.
  439. ↑ Daniels, Karu F. (June 28, 2024). "Broadway musical about Studio 54 currently in the works". New York Daily News. Retrieved September 19, 2024.
  440. ↑ "Studio 54". Cue New York. Vol. 48, no. 7–12. 1979. p. 20. Archived from the original on June 30, 2022. Retrieved June 30, 2022.
  441. ↑ Bessman, Jim (March 23, 2002). "Heartland Music". Billboard . Vol. 114, no. 12. p. 80. Archived from the original on September 22, 2022. Retrieved June 30, 2022.
  442. ↑ Carlin, Richard (March 10, 2016). Godfather of the Music Business: Morris Levy. Mississippi: University Press of Mississippi. ISBN   978-1-4968-0570-6. Archived from the original on June 30, 2022. Retrieved June 30, 2022.
  443. ↑ Ryzik, Melena (August 10, 2011). "Got to Boogie on the Disco 'Round: Studio 54 Radio on SiriusXM". ArtsBeat. Archived from the original on September 22, 2022. Retrieved September 17, 2022.
  444. ↑ Bain, Katie (May 21, 2020). "Studio 54 to Launch Record Label Focused on Modern Disco". Billboard . Archived from the original on June 25, 2021. Retrieved February 8, 2022.
  445. 1 2 Hinton, Patrick (May 15, 2020). "Legendary New York club Studio 54 is starting a label". Mixmag. Archived from the original on September 22, 2021. Retrieved February 8, 2022.
  446. 1 2 Bain, Katie (May 21, 2020). "Studio 54 Is Launching a Record Label Focused on Modern Disco". Billboard . Archived from the original on July 25, 2020. Retrieved July 25, 2020.
  447. ↑ "Label of the month: Studio 54 Music Carrying the torch". International DJ Mag. August 10, 2021. Archived from the original on February 8, 2022. Retrieved February 8, 2022.
  448. ↑ Petridis, Alexis (November 27, 2020). "Dua Lipa: Studio 2054 live stream review – perfect escapist pop". The Guardian . Archived from the original on November 28, 2020. Retrieved November 28, 2020.
  449. ↑ Johnson, Ken (July 23, 2015). "'The Last Party' Celebrates New York Club Culture". The New York Times . Archived from the original on July 29, 2015. Retrieved September 16, 2022.
  450. ↑ Martoccio, Angie (October 21, 2020). "'Studio 54: Night Magic': See Photos from Brooklyn Museum's Exhibit". Rolling Stone . Archived from the original on February 8, 2022. Retrieved February 8, 2022.
  451. ↑ Clark, Evan (October 10, 2019). "Still Partying With Studio 54". Women's Wear Daily . Archived from the original on October 19, 2019. Retrieved October 19, 2019.
  452. ↑ Chaplin, Julia (June 10, 2001). "Once So Hot and Now, Can It Be Again?". The New York Times . Archived from the original on January 5, 2022. Retrieved September 15, 2022.
  453. ↑ "'Hotel Scarface' recounts glamorous, infamous epicenter of Miami's cocaine days". PBS NewsHour . December 27, 2017. Archived from the original on November 9, 2020. Retrieved May 7, 2022.
  454. ↑ "Studio 54 to glitter again at MGM Grand". Los Angeles Times . October 26, 1997. p. 376. Archived from the original on September 22, 2022. Retrieved September 16, 2022– via newspapers.com.
  455. ↑ Adams, Mark (November 16, 2011). "54 days to go until Studio 54 Las Vegas closes". Las Vegas Weekly . Archived from the original on March 22, 2012. Retrieved September 15, 2022.
  456. ↑ Itzkoff, Dave (January 16, 2013). "Selling Some Old Sparkle From Nights at Studio 54". The New York Times . Archived from the original on June 17, 2022. Retrieved September 14, 2022.
  457. ↑ "Studio 54 items auctioned off". UPI. January 20, 2013. Archived from the original on April 28, 2017. Retrieved September 14, 2022.
  458. ↑ Salisbury, Susan (January 20, 2013). "Studio 54 memorabilia auction in West Palm Beach attracts crowd". Palm Beach Post. Archived from the original on September 22, 2022. Retrieved September 14, 2022.
  459. 1 2 Itzkoff, Dave (January 22, 2013). "Disco Inferno at Fire-Sale Prices as Studio 54 Items Go On the Block". ArtsBeat. Archived from the original on September 22, 2022. Retrieved September 14, 2022.
  460. ↑ Salisbury, Susan (January 23, 2013). "Studio 54 collection brings $316,680 at auction in West Palm Beach". Palm Beach Post. Archived from the original on September 22, 2022. Retrieved September 14, 2022.
  461. ↑ Dunlap, David W. (October 20, 1982). "Landmark Status Sought for Theaters". The New York Times . Archived from the original on October 29, 2021. Retrieved October 29, 2021.
  462. ↑ Shepard, Joan (August 28, 1985). "Is the final curtain near?". New York Daily News . pp. 462, 464. Archived from the original on September 21, 2021. Retrieved September 16, 2021– via newspapers.com.
  463. ↑ Dunlap, David W. (November 22, 1987). "The Region; The City Casts Its Theaters In Stone". The New York Times . Archived from the original on October 16, 2021. Retrieved October 16, 2021.
  464. ↑ Purdum, Todd S. (March 12, 1988). "28 Theaters Are Approved as Landmarks". The New York Times . Archived from the original on October 30, 2021. Retrieved November 20, 2021.

Sources

Further reading

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.