The Shubert Organization is a theatrical producing organization and a major owner of theatres based in Manhattan, New York City. It was founded by the three Shubert brothers in the late 19th century. They steadily expanded, owning many theaters in New York and across the United States. Since then it has gone through changes of ownership, but it is still a major theater chain.
Emily Fitzroy was an English theatre and film actress who eventually became an American citizen. She was at one time a leading lady in London for Sir Charles Wyndham.
June Elvidge was an early 20th-century silent film actress. She was of English and Irish descent.
Sidney Bracey was an Australian-born American actor. After a stage career in Australia, on Broadway and in Britain, he performed in more than 320 films between 1909 and 1942.
Josephine Boneparte Crowell was a Canadian film actress of the silent era. She appeared in more than 90 films between 1912 and 1929.
Edward Connelly was an American stage and film actor of the silent era.
Ethel Grey Terry was an American actress of the silent era. She is best remembered for her role in The Penalty with Lon Chaney.
The 44th Street Theatre was a Broadway theater at 216 West 44th Street in the Theater District of Manhattan in New York City from 1912 to 1945. It opened and operated for three years as the Weber and Fields' Music Hall. Its rooftop theatre, the Nora Bayes Theatre, presented many productions of the Federal Theatre Project in the mid-1930s. Its basement club became the Stage Door Canteen during World War II.
Otto F. Hoffman was an American film actor. He appeared in almost 200 films between 1915 and 1944. He was born in New York City and died in Los Angeles, California, from lung cancer.
Warren Cook was an American film actor of the silent era. Cook was born in Boston, Massachusetts. In 1901, he appeared in The Shaughraun at the Castle Square Theatre in Boston. He was part of the stock company based at Castle Square Theatre. On Broadway, Cook appeared in The Conspiracy 1912). He had minor roles and appeared in more than 60 films between 1914 and 1927.
Arnold Peter Kirsch-Korff was an Austrian-born American Hollywood actor and director. He appeared in a number of German and Austrian films before moving to the United States and resuming his career in America. He made his first appearance on the American stage in Denver in 1892.
Harold Richard Atteridge was an American composer, librettist and lyricist primarily for musicals and revues. He wrote the book and lyrics for over 20 musicals and revues for the Shubert family, including several iterations of The Passing Show.
Central Theatre was a Broadway theatre in New York City built in 1918. It was located at 1567 Broadway, at the southwest corner with 47th Street, and seated approximately 1,100 patrons. The architect was Herbert J. Krapp. The theatre was built by the Shubert family on a site previously occupied by the Mathushek & Son piano factory.
The Theatre Comique, formerly Wood's Minstrel Hall, was a venue on Broadway in Manhattan, New York City. It was built in 1862, replacing a synagogue on the site.
The Playhouse Theatre was a Broadway theater at 137 West 48th Street in midtown Manhattan, New York City. Charles A. Rich was the architect. It was built in 1911 for producer William A. Brady who also owned the nearby 48th Street Theatre. After Brady died in 1944, it was sold to the Shubert Organization. From 1949 to 1952, it was an ABC Radio studio.
Jesse C. Huffman (1869–1935) was an American theatrical director. Between 1906 and 1932 he directed or staged over 200 shows, mostly for the Shubert Brothers. Many of them were musical revues, musicals or operettas. He is known for The Passing Show series of revues that he staged from 1914 to 1924 at the Winter Garden Theatre on Broadway, daring alternatives to the Ziegfeld Follies.
The Colonial Theatre in New York City was at Broadway and 62nd Street in what was then the San Juan Hill neighborhood on the Upper West Side, Manhattan. Originally named the Colonial Music Hall, it was opened in 1905 by Frederic Thompson and Elmer "Skip" Dundy. Designed by George Keister, the theater had a seating capacity of 1,293.
The Anco Cinema was a former Broadway theatre turned cinema at 254 West 42nd Street, between 7th and 8th Avenues in Manhattan, New York City. It opened in 1904 and was originally named the Lew Fields Theatre. It continued to operate as a playhouse under various names until it was converted into a movie theatre in 1930. Its block was famous for its concentration of Broadway theatres turned cinemas. After World War II, the street declined and the Anco Cinema eventually became a pornography venue. It closed as a cinema in 1988 and was gutted for retail use. The building was demolished in 1997.
The 39th Street Theatre was a playhouse in New York City located at the corner of 39th Street and Broadway. Originally called Nazimova's 39th Street Theatre after the actress Alla Nazimova, it was in operation from 1910 to 1925 when it was demolished to make way for an office building. Throughout its existence, it was owned by the Shubert family. Its architect was William Albert Swasey, who had designed or remodelled several other Broadway theatres for the family.
George M. Cohan's Theatre was a Broadway theatre at Broadway and West 43rd Street in the Midtown Manhattan neighborhood of New York City. It was built in 1911 and demolished in 1938.
