Rhapsody in Blue is a 1924 musical composition written by George Gershwin for solo piano and jazz band, which combines elements of classical music with jazz-influenced effects. Commissioned by bandleader Paul Whiteman, the work premiered in a concert titled "An Experiment in Modern Music" on February 12, 1924, in Aeolian Hall, New York City. Whiteman's band performed the rhapsody with Gershwin playing the piano. Whiteman's arranger Ferde Grofé orchestrated the rhapsody several times including the 1924 original scoring, the 1926 pit orchestra scoring, and the 1942 symphonic scoring.
Yusef Abdul Lateef was an American jazz multi-instrumentalist, composer, and prominent figure among the Ahmadiyya Community in America.
Jascha Heifetz was a Russian-born American violinist. Born in Vilnius, he moved while still a teenager to the United States, where his Carnegie Hall debut was rapturously received. He was a virtuoso since childhood. Fritz Kreisler, another leading violinist of the twentieth century, said after hearing Heifetz's debut, "We might as well take our fiddles and break them across our knees." He had a long and successful performing career; however, after an injury to his right (bowing) arm, he switched his focus to teaching.
Howard Harold Hanson was an American composer, conductor, educator, music theorist, and champion of American classical music. As director for 40 years of the Eastman School of Music, he built a high-quality school and provided opportunities for commissioning and performing American music. In 1944, he won a Pulitzer Prize for his Symphony No. 4, and received numerous other awards including the George Foster Peabody Award for Outstanding Entertainment in Music in 1946.
Gunther Alexander Schuller was an American composer, conductor, horn player, author, historian, educator, publisher, and jazz musician.
Samuel L. Manning was a Trinidadian performer and songwriter who was one of the earliest calypsonians to achieve international acclaim.
Joanna Clare MacGregor is a British concert pianist, conductor, composer, and festival curator. She is Head of Piano at the Royal Academy of Music and a professor of the University of London. She is currently artistic director of the International Summer School & Festival at Dartington Hall.
Concerto in F is a composition by George Gershwin for solo piano and orchestra which is closer in form to a traditional concerto than his earlier jazz-influenced Rhapsody in Blue. It was written in 1925 on a commission from the conductor and director Walter Damrosch. It is just over half an hour long.
Sidney Coe Howard was an American playwright, dramatist and screenwriter. He received the Pulitzer Prize for Drama in 1925 and a posthumous Academy Award in 1940 for the screenplay for Gone with the Wind.
John Howard Lawson was an American writer, specializing in plays and screenplays. After starting with plays for theaters in New York City, he worked in Hollywood on writing for films. He was the first president of the Writers Guild of America, West after the Screen Writers Guild divided into two regional organizations.
Alexander Tikhonovich Gretchaninov was a Russian Romantic composer.
The Theatre Guild is a theatrical society founded in New York City in 1918 by Lawrence Langner, Philip Moeller, Helen Westley and Theresa Helburn. Langner's wife, Armina Marshall, then served as a co-director. It evolved out of the work of the Washington Square Players.
The Rochester Philharmonic Orchestra (RPO) is an American orchestra based in the city of Rochester, New York. Its primary concert venue is the Eastman Theatre at the Eastman School of Music.
The music of Baltimore, the largest city in Maryland, can be documented as far back as 1784, and the city has become a regional center for Western classical music and jazz. Early Baltimore was home to popular opera and musical theatre, and an important part of the music of Maryland, while the city also hosted several major music publishing firms until well into the 19th century, when Baltimore also saw the rise of native musical instrument manufacturing, specifically pianos and woodwind instruments. African American music existed in Baltimore during the colonial era, and the city was home to vibrant black musical life by the 1860s. Baltimore's African American heritage to the start of the 20th century included ragtime and gospel music. By the end of that century, Baltimore jazz had become a well-recognized scene among jazz fans, and produced a number of local performers to gain national reputations. The city was a major stop on the African American East Coast touring circuit, and it remains a popular regional draw for live performances. Baltimore has produced a wide range of modern rock, punk and metal bands and several indie labels catering to a variety of audiences.
Nadine Dana Suesse was an American musician, composer and lyricist.
Louis Gruenberg was a Russian-born American pianist and prolific composer, especially of operas. An early champion of Schoenberg and other contemporary composers, he was also a highly respected Oscar-nominated film composer in Hollywood in the 1940s.
Gregory Charles Royal, also known as Chuck Royal, is an American musician, trombonist, composer, writer, co-founder of The BeBop Channel. founder of the New York Jazz Film Festival, a judge on America's Hot Musician. and the artistic director of the American Youth Symphony (AYS) in Washington, D.C.
George Frederick McKay was a prolific modern American composer.
Charles Adams Prince was an American conductor, bandleader, pianist and organist known for conducting the Columbia Orchestra and, later, Prince's Band and Orchestra. He made his first recordings, as a pianist, in 1891 for the New York Phonograph Company. Later in the 1890s he worked as a musical director for Columbia Records. He also conducted the Columbia Orchestra and Columbia Band starting in 1904 as the successor of the cornetist Tom Clark.
Aaron Copland wrote the Symphony for Organ and Orchestra in 1924. It represents a major work in the composer's oeuvre, as it was his first fully realized orchestral work, his first work for organ, and the first piece whose orchestration he heard. It was premiered on January 11, 1925, in New York. In 1928, Copland re-orchestrated the work without organ as his Symphony No. 1, rewriting the organ part in the brass and adding saxophone.
