Springs Mills Building

Last updated

Springs Mills Building
2019 Springs Mills Building.jpg
(2019)
Springs Mills Building
General information
Location104 West 40th Street
Manhattan, New York City
Coordinates 40°45′13″N73°59′09″W / 40.7535°N 73.9858°W / 40.7535; -73.9858
Technical details
Floor count21 [1]
Design and construction
Architect(s)Charles H. Abby of Harrison & Abramovitz
DesignatedApril 13, 2010
Reference no.2385

The Springs Mills Building is a 21-story office building at 104 West 40th Street in Manhattan, New York City, just west of Sixth Avenue and Bryant Park. The Modernist building sits on an L-shaped lot that extends back to 39th Street and rises to a thin glass hexagonal tower. [2] An early example of the International Style in New York, the building was designed by the architectural firm Harrison & Abramovitz and built in 1961–1963. Its northern facade on 40th Street is designed to comply with the 1961 Zoning Resolution, enacted soon after the building's construction started, while its southern facade on 39th Street conforms to the older 1916 Zoning Resolution.

Contents

The tower was built for Springs Mills, Inc., of Lancaster County, South Carolina. The Springs Mills Company only occupied one-fourth of its namesake building; the remaining space was taken up by other textile manufacturers. The building was purchased by RFR Holding in 1999 and subsequently passed to several owners, ultimately being sold to Princeton International Properties in 2012. The building was designated an official city landmark by the New York City Landmarks Preservation Commission (LPC) in 2010.

History

The tower was built for Springs Mills, Inc., of Lancaster County, South Carolina. [3] The company was the United States' largest manufacturer of bedsheets and pillow cases when the Springs Mills Building was built. Its first factory was opened by Samuel Elliott White in 1887 in Fort Mill, South Carolina. [4] [5] White's son-in-law Leroy Springs created the even larger Lancaster Cotton Mill in Lancaster, South Carolina, in the 1890s. [6] The plants later merged under Leroy's control, and his son Elliot W. Springs continued to expand the operations of the company, opening numerous sales offices including the Springs Mills Building. [4] Springs Mills was renamed Springs Global in the 1980s and was merged with a Brazilian company in 2001. [7] It remains among the largest textile manufacturers in the world and includes the brands Springmaid and Wamsutta. [3]

In 1945, Springs Mills opened a sales office at 200 Church Street in Tribeca, Lower Manhattan, [8] which continued to operate until 1959. [4] By the 1950s, textile manufacturers were moving away from their traditional hub in Tribeca, centered around Worth Street. [9] Meanwhile, the formerly blighted Sixth Avenue had become attractive for textile manufacturers, and by 1956 numerous textile companies were erecting skyscrapers in the area around Bryant Park between 40th and 42nd Streets, just southeast of Times Square. [10] These companies included Lowenstein & Sons, which erected a 22-story office building at 1430 Broadway on the block between 39th and 40th Streets, and Deering Milliken & Co., which constructed their seven-story headquarters at 1045 Sixth Avenue. [11]

Planning and construction

Maxine Elliott's Theatre which formerly occupied part of the building's site Maxine Elliott's Theatre LCCN2014681544.jpg
Maxine Elliott's Theatre which formerly occupied part of the building's site

Plans for a 19-floor building occupying the plots at 107-113 West 39th Street and 104-106 West 40th Street were announced in January 1960 by the Cardiff Corporation. [12] At the time, the site was occupied by five structures, including the neoclassical-style Maxine Elliott's Theatre. [11] These plots were acquired in May 1960, and Emery Roth & Sons were designated as the building's architects. At the time, the building was to be completed in late 1961. [13] However, in late December 1960, Springs Mills bought the plot, which resulted in a delay in construction. [11] In February 1961, Springs Mills bought an additional plot of land at 102 West 40th Street. [14] With Harrison & Abramovitz selected as the architects, [11] the updated plans were filed with the New York City Department of Buildings by June. [14] Excavations had started by the time the revised plan for the Springs Mills Tower was announced to the public that November. [15]

The George A. Fuller Company was named as the project's general contractor. [16] Because of the building's location along narrow streets in Midtown, the Fuller Company was faced with numerous logistical issues due to the lack of loading areas on either 39th or 40th Streets. According to The New York Times, as a way to reduce congestion, materials were lifted directly from trucks, which parked at "the exact place in the building where [the materials] will be used". [17] Construction progressed quickly, and the steel structure had been completed by August 1962. [18] : 178  The Springs Mills Building opened in February 1963, coinciding with the company's 75th anniversary. A ten-day celebration with a fashion show and an art-and-photography exhibit was held, and a delegation from South Carolina went to tour the new building. [16] [18] : 180 

Use

The Springs Mills Company only occupied one-fourth of its namesake building, about 45,000 sq ft (4,200 m2) spread over four floors. [16] The remaining space was taken up by other textile manufacturers. By December 1963, ten companies had signed leases for space in the building. [19] The Beacon Manufacturing Company, which sold blankets, signed a lease for the 39th Street storefront in 1964 and used it for a sales headquarters. [20] Later tenants would come to include the Morocco National Tourist Office, as well as law firms and software companies. [21]

In August 1999, RFR Holding bought the Springs Mills Building. [20] Principal Financial Group Inc. and Mermel & McLain bought the building in 2007 for $140 million and subsequently made $15 million worth of improvements to the tower. After the financial crisis of 2007–2008, the partnership accumulated $55 million in debt, including a $46 million mortgage that they had defaulted on. [22] The building was made an official city landmark in April 2010. [21] That November, the Springs Mills Building was sold to real-estate investment firm Savanna Fund for $61.7 million, a price that also included the mortgage. At the time, the building had 150,000 square feet (14,000 m2) of vacant space; only about 25% of the building was occupied. [22] [23] Savanna sold the building to Princeton International Properties in 2012 for $105 million, at which point it was 70% occupied. [24] [25]

Architecture

The planning process was primarily supervised by Max Abramovitz. However, much of the design work was performed by Charles Howson Abbe (1909–1993). Abbe worked with William Lescaze, one of the first architects to design American buildings in the European modernist style, in the 1930s. Abbe's other works included the Corning Glass Building; LaGuardia Airport's main terminal in Queens; the U.S. Steel Tower in Pittsburgh; and the United Nations International School at Kips Bay, Manhattan. [11]

The building's design was impacted by contemporary architectural tastes, a change to zoning ordinances during its construction, and its location within the middle of a block (though the site is much closer to Sixth Avenue than to the other end of the block at Broadway). The lot is roughly L-shaped, with the longer side along 39th Street and the shorter side along 40th Street. [26] The 39th Street side is designed according to the 1916 Zoning Resolution while the 40th Street side conforms to the 1961 Zoning Resolution. [21]

At the time of the tower's construction, the surrounding buildings were relatively short. The Springs Mills Building was abutted on the west by the six-story 108 West 40th Street, which in turn was next to a 25-story building called the World's Tower. Its eastern facade was adjacent to 1057 Sixth Avenue and the Deering Milliken Company Building, which were respectively six and seven stories, giving the building's upper floors a view of Bryant Park. [11] These buildings are now the site of 7 Bryant Park, a 450-foot-tall (140 m) structure built in the 2010s, [27] whose presence blocks the view of Bryant Park. [28]

Form

Graph of the 1916 New York City zoning ordinance with an example elevation for an 80-foot street in a 2 1/2 -times height district NYC 1916 setback principle.svg
Graph of the 1916 New York City zoning ordinance with an example elevation for an 80-foot street in a 2½-times height district

Because the 1961 Zoning Ordinance went into effect during the building's construction, the 39th and 40th Street elevations contain different massings. On the 39th Street side, the base of the building is located right along the lot line, and there are setbacks at the 6th and 12th floors. [29] These setbacks provided sufficient sunlight to the street, and were mandated in the 1916 ordinance. However, the 40th Street side does not contain any setbacks. [30] Instead, that entire portion of the building is recessed from the street, and a plaza is located in front of the main entrance. [29] Even though the presence of a plaza would result in less office space compared to setbacks, it was also seen as a feature that would increase the prominence of the building and the "prestige" of its owners. As such, many late-1950s buildings incorporated plazas rather than setbacks. [31] [16]

The Springs Mills Building's permits were approved before the 1961 Zoning Ordinance took effect. [32] Nonetheless, it incorporates elements of both zoning ordinances. According to the LPC, the design of the 40th Street side "looked towards the future" with its plaza and a slab-like form that rises vertically without interruption. The 39th Street side's design, with its base that abuts onto the sidewalk and multiple setbacks, better resembled the old ordinances. [16]

The building's upper section, above the 13th floor, has a floor plan like an "elongated hexagon" with the longer section aligned north–south. The widest portion of the hexagonal tower is in the middle of the block, while the narrowest portion is along the 39th and 40th Street elevations. The hexagonal shape may have been inspired by Le Corbusier's plans for a redesigned Algiers street grid and the headquarters of the United Nations, as well as the designs of the hexagonal Pirelli Tower and the octagonal MetLife Building. [33]

Facade

The lower portion of the facade. Vertical silver mullions can be seen here, protruding from the building. The black-colored spandrels are located in the space between the green-tinted windows on each floor 104 West 40th Oct 2019 04.jpg
The lower portion of the facade. Vertical silver mullions can be seen here, protruding from the building. The black-colored spandrels are located in the space between the green-tinted windows on each floor

The building's facade is an early example of a glass curtain wall, a non-structural facade in front of the steel structural frame. [29] Its design incorporated elements from similar nearby projects such as the United Nations Secretariat Building at First Avenue (1947), Lever House at Park Avenue (1950–1952), and the Corning Glass Building at Fifth Avenue (1959). [33] The Secretariat Building had used double-glazed green-tinted glass, [34] : 127–128  while the Lever House used both glazed fixed-panel windows as well as interspersed sections of tinted-green and dark-green glass. [35] The Corning Glass Building, another Harris and Abramovitz project, used sheets of "translucent glass in front of painted metal panels" [29] as well as interlocking mullions made of aluminum. [34] : 154, 304  [29]

The Springs Mills Building's elements were most similar to the Corning Glass Building's, using mullions in two shades of gray to subdivide the facade into a grid with vertical bays. There are two windows per bay on each floor except for the first, and below each window in the space between each floor, there are two spandrels that align with the windows. Vertical silver mullions, which separate each of the bays, protrude slightly from the facade. [29] As with the Corning Glass Building, these projecting mullions have the impression of an "elegant vertical direction" and also serve as anchors for window washers' carts. [36] The remaining mullions are dark-gray and are flush with the facade. Vertical dark-gray mullions separate the windows as well as the spandrels in each bay, while horizontal mullions delineate the boundaries between the windows and the mullions. [29] The window panes are anti-glare panels created by PPG Industries (formerly the Pittsburgh Plate Glass Company), [29] who claimed that the panes would absorb heat and reduce fatigue to the eyes. [37] The penthouse level contains mechanical rooms, which are located behind a facade of louvered metal panels. [29]

The building's two entrances are at 39th and 40th Streets, on its southern and northern sides respectively, and are connected by a passageway inside. At 39th Street, the building is 100 feet (30 m) wide. The ground-level entrance is located on the right (or eastern) side, and there are two storefronts. The storefronts are slightly set back behind a set of four columns, which support the floor directly above it. The entrance, set back within a breezeway, contained revolving doors with metal characters spelling out "109 W. 39", the building's alternate address. A terrazzo ramp leads to the lobby. [29] A loading dock is located on the left (western) side of the 39th Street elevation. [20]

Conversely, the 40th Street entrance is located in the center of the facade, behind the plaza. [29] The entrance contains revolving doors that are recessed from the facade of the building, within the lobby. [20] The plaza on the northern side contains limestone-paneled walls and travertine tiling. Initially, it contained metal signs with Springs Mills' company name on the western and eastern walls of the plaza, as well as a small display box of the company's products on the western wall. [16] Metal light fixtures hang from the top of the walls. [20] The plaza was arranged in a minimalist fashion and included tiny plants and rocks. In the original plans, there were two small planters and a black granite plant box on the eastern portion of the plaza, as well as two trapezoidal planters flanking the entrance. [16]

See also

Related Research Articles

<span class="mw-page-title-main">Seagram Building</span> Office skyscraper in Manhattan, New York

The Seagram Building is a skyscraper at 375 Park Avenue, between 52nd and 53rd Streets, in the Midtown Manhattan neighborhood of New York City. Designed by Ludwig Mies van der Rohe along with Philip Johnson, Ely Jacques Kahn, and Robert Allan Jacobs, the high-rise tower is 515 feet (157 m) tall with 38 stories. The International Style building, completed in 1958, initially served as the headquarters of the Seagram Company, a Canadian distiller.

<span class="mw-page-title-main">28 Liberty Street</span> Office skyscraper in Manhattan, New York

28 Liberty Street, formerly known as One Chase Manhattan Plaza, is a 60-story International Style skyscraper between Nassau, Liberty, William, and Pine Streets in the Financial District of Manhattan in New York City. The building, designed by Gordon Bunshaft of Skidmore, Owings & Merrill (SOM), opened in 1961. It is 813 feet (248 m) tall.

<span class="mw-page-title-main">Fuller Building</span> Office skyscraper in Manhattan, New York

The Fuller Building is a skyscraper at 57th Street and Madison Avenue in the Midtown Manhattan neighborhood of New York City. Designed by Walker & Gillette, it was erected between 1928 and 1929. The building is named for its original main occupant, the Fuller Construction Company, which moved from the Flatiron Building.

<span class="mw-page-title-main">Lever House</span> Office skyscraper in Manhattan, New York

Lever House is a 307-foot-tall (94 m) office building at 390 Park Avenue in the Midtown Manhattan neighborhood of New York City. Constructed from 1950 to 1952, the building was designed by Gordon Bunshaft and Natalie de Blois of Skidmore, Owings & Merrill (SOM) in the International Style, a 20th-century modern architectural style. It was originally the headquarters of soap company Lever Brothers, a subsidiary of Unilever. Lever House was the second skyscraper in New York City with a glass curtain wall, after the United Nations Secretariat Building.

<span class="mw-page-title-main">Metropolitan Life Insurance Company Tower</span> Office skyscraper in Manhattan, New York

The Metropolitan Life Insurance Company Tower is a skyscraper occupying a full block in the Flatiron District of Manhattan in New York City. The building is composed of two sections: a 700-foot-tall (210 m) tower at the northwest corner of the block, at Madison Avenue and 24th Street, and a shorter east wing occupying the remainder of the block bounded by Madison Avenue, Park Avenue South, 23rd Street, and 24th Street. The South Building, along with the North Building directly across 24th Street, comprises the Metropolitan Home Office Complex, which originally served as the headquarters of the Metropolitan Life Insurance Company.

<span class="mw-page-title-main">140 Broadway</span> Office skyscraper in Manhattan, New York

140 Broadway is a 51-story International Style office building on the east side of Broadway between Cedar and Liberty streets in the Financial District of Manhattan in New York City. The building was designed by Gordon Bunshaft, of the firm Skidmore, Owings & Merrill, and consists of a mostly smooth black facade on a trapezoidal plot. It is approximately 688 feet (210 m) tall, with approximately 1.17 million rentable square feet (109,000 m2). It is known for the distinctive sculpture at its entrance, Isamu Noguchi's Cube.

<span class="mw-page-title-main">Hearst Tower (Manhattan)</span> Office skyscraper in Manhattan, New York

The Hearst Tower is a building at the southwest corner of 57th Street and Eighth Avenue, near Columbus Circle, in the Midtown Manhattan neighborhood of New York City, United States. It is the world headquarters of media conglomerate Hearst Communications, housing many of the firm's publications and communications companies. The Hearst Tower consists of two sections, with a total height of 597 feet (182 m) and 46 stories. The six lowest stories form the Hearst Magazine Building, designed by Joseph Urban and George B. Post & Sons, which was completed in 1928. Above it is the Hearst Tower addition, designed by Norman Foster and finished in 2006.

<span class="mw-page-title-main">American Radiator Building</span> Hotel skyscraper in Manhattan, New York

The American Radiator Building is an early skyscraper at 40 West 40th Street, just south of Bryant Park, in the Midtown Manhattan neighborhood of New York City. It was designed by Raymond Hood and André Fouilhoux in the Gothic and Art Deco styles for the American Radiator Company. The original section of the American Radiator Building, a 338 ft-tall (103 m), 23-story tower, was completed in 1924. A five-story annex, to the west of the original tower, was built from 1936 to 1937.

<span class="mw-page-title-main">550 Madison Avenue</span> Office skyscraper in Manhattan, New York

550 Madison Avenue is a postmodern skyscraper on Madison Avenue between 55th and 56th Streets in the Midtown Manhattan neighborhood of New York City, New York, U.S. Designed by Philip Johnson and John Burgee with associate architect Simmons Architects, the building is a 647-foot-tall (197-meter), 37-story office tower with a facade made of pink granite. It was completed in 1984 as the headquarters of AT&T Corp. and later became the American headquarters of Sony. A four-story granite annex to the west was demolished and replaced with a shorter annex in the early 2020s.

<span class="mw-page-title-main">CBS Building</span> Office skyscraper in Manhattan, New York

The CBS Building, also known as Black Rock and 51W52, is a 38-story, 491-foot-tall (150 m) tower at 51 West 52nd Street in the Midtown Manhattan neighborhood of New York City. It is the headquarters of the CBS broadcasting network. The building was constructed from 1961 to 1964 and was the only skyscraper designed by Eero Saarinen, who referred to the building as the "simplest skyscraper statement in New York". The interior spaces and furnishings were designed by Saarinen, then Florence Knoll Bassett after the former's death. The building was also the headquarters of CBS Records before the early 1990s.

<span class="mw-page-title-main">500 Fifth Avenue</span> Office skyscraper in Manhattan, New York

500 Fifth Avenue is a 60-story, 697-foot-tall (212 m) office building on the northwest corner of Fifth Avenue and 42nd Street in Midtown Manhattan, New York City. The building was designed by Shreve, Lamb & Harmon in the Art Deco style and constructed from 1929 to 1931.

<span class="mw-page-title-main">712 Fifth Avenue</span> Office skyscraper in Manhattan, New York

712 Fifth Avenue is a 650-foot-tall (200 m) skyscraper at 56th Street and Fifth Avenue in the Midtown Manhattan neighborhood of New York City. Constructed from 1987 to 1990, it was designed by SLCE Architects and Kohn Pedersen Fox Associates. The skyscraper's base includes the Coty Building at 714 Fifth Avenue and the Rizzoli Bookstore building at 712 Fifth Avenue, both of which are New York City designated landmarks.

<span class="mw-page-title-main">Pershing Square Building</span> Office skyscraper in Manhattan, New York

The Pershing Square Building, also known as 125 Park Avenue or 100 East 42nd Street, is a 25-story office building in Midtown Manhattan in New York City. It is located on the eastern side of Park Avenue between 41st and 42nd streets, across from Grand Central Terminal to the north and adjacent to 110 East 42nd Street to the east.

<span class="mw-page-title-main">Pershing Square, Manhattan</span> Plaza in Manhattan, New York

Pershing Square is a public plaza in Manhattan, New York City, located where Park Avenue and 42nd Street intersect in front of Grand Central Terminal. The main roadway of Park Avenue crosses over 42nd Street on the Park Avenue Viaduct, also known as the Pershing Square Viaduct. Two service roads, one northbound and one southbound, connect 42nd Street with the main roadway of Park Avenue, at 40th Street.

<span class="mw-page-title-main">Sven (development)</span> Residential skyscraper in Queens, New York

Sven is a residential building located at 29-59 Northern Boulevard in the Long Island City neighborhood of Queens, New York City. At 762 feet (232 m) tall, Sven is the third-tallest building in Queens behind Skyline Tower and The Orchard, as well as one of the tallest buildings in New York City outside of Manhattan.

<span class="mw-page-title-main">452 Fifth Avenue</span> Office skyscraper in Manhattan, New York

452 Fifth Avenue is an office building at the southwest corner of Fifth Avenue and 40th Street in the Midtown Manhattan neighborhood of New York City. The building primarily consists of the 30-story, 400-foot (120 m) HSBC Tower, completed in late 1985 and designed by Attia & Perkins. The 10-story Knox Building, a Beaux-Arts office building designed in 1902 by John H. Duncan, is preserved at the base of the skyscraper. 452 Fifth Avenue faces Bryant Park immediately to the north.

<span class="mw-page-title-main">500 Park Avenue</span> Mixed-use building in Manhattan, New York

500 Park Avenue is an office and residential condominium building on the southwest corner of Park Avenue and 59th Street in the Midtown Manhattan neighborhood of New York City, composed of the 11-story Pepsi-Cola Building and the 40-story 500 Park Tower. The original Pepsi-Cola Building along Park Avenue was constructed from 1958 to 1960 and designed by Gordon Bunshaft and Natalie de Blois of Skidmore, Owings and Merrill (SOM). The tower along 59th Street was constructed between 1981 and 1984 to designs by James Stewart Polshek & Partners.

<span class="mw-page-title-main">275 Madison Avenue</span> Office building in Manhattan, New York

275 Madison Avenue is a 43-story office building in the Murray Hill neighborhood of Manhattan in New York City. It is along the southeast corner of Madison Avenue and 40th Street, near Grand Central Terminal. The building, constructed from 1930 to 1931, was designed by Kenneth Franzheim in a mixture of the Art Deco and International styles.

<span class="mw-page-title-main">Bryant Park Studios</span> Office building in Manhattan, New York

The Bryant Park Studios is an office building at 80 West 40th Street in the Midtown Manhattan neighborhood of New York City, at the corner of 40th Street and Sixth Avenue. The building, overlooking the southwest corner of Bryant Park, was designed by Charles A. Rich in the French Beaux-Arts style. Built from 1900 to 1901 by Abraham A. Anderson, the building is one of several in Manhattan that were built in the early 20th century as both studios and residences for artists.

<span class="mw-page-title-main">Engineers' Club Building</span> Historic residential co-op in Manhattan, New York

The Engineers' Club Building, also known as Bryant Park Place, is a residential building at 32 West 40th Street in the Midtown Manhattan neighborhood of New York City, United States. Located on the southern edge of Bryant Park, it was constructed in 1907 along with the adjoining Engineering Societies' Building. It served as the clubhouse of the Engineers' Club, a social organization formed in 1888. The building was designed by Henry D. Whitfield and Beverly S. King, of the firm Whitfield & King, in the neo-Renaissance style.

References

Notes

  1. ↑ "Emporis building ID 115109". Emporis . Archived from the original on March 6, 2016.{{cite web}}: CS1 maint: unfit URL (link)
  2. ↑ Landmarks Preservation Commission 2010 , p. 1.
  3. 1 2 "History of Springs Industries, Inc. – FundingUniverse". www.fundinguniverse.com. Archived from the original on October 21, 2012. Retrieved October 3, 2019.
  4. 1 2 3 Landmarks Preservation Commission 2010 , p. 2.
  5. ↑ Brown, Linda (June 29, 1988). "Springs Family Member Recalls Mill's Early Days". The Charlotte Observer. p. 4A.
  6. ↑ Garfield, Matt (October 22, 2008). "Lancaster? America's 'most vulnerable' town?". The Herald . Rock Hill, SC. p. 1A.
  7. ↑ Lee, Gillian May-Lian; Hirsch, Deborah (June 15, 2006). "Springs to Slash 760 Jobs: Company Closing 2 S.C. Plants, Shifting Operations to South America". The Charlotte Observer. p. 1A.
  8. ↑ "BUYS ON CHURCH STREET; Textile Company Gets Building for Own Occupancy". The New York Times. October 20, 1945. ISSN   0362-4331. Archived from the original on May 9, 2022. Retrieved October 3, 2019.
  9. ↑ Callahan, John P. (August 4, 1957). "TEXTILE AREA DUE FOR A NEW CYCLE; Worth Street Is in Transition as Moves Bring In New, Diversified Businesses Relics of The Civil War TEXTILE AREA DUE FOR A NEW CYCLE Distinguished Company". The New York Times. ISSN   0362-4331. Archived from the original on May 9, 2022. Retrieved October 3, 2019.
  10. ↑ Foley, Maurice (March 4, 1956). "Avenue of Americas Benefits From Influx of Textile Firms; AVENUE BENEFITS IN TEXTILE SHIFT". The New York Times. ISSN   0362-4331. Archived from the original on May 9, 2022. Retrieved October 3, 2019.
  11. 1 2 3 4 5 6 Landmarks Preservation Commission 2010 , p. 3.
  12. ↑ "W. 40TH ST. PLANS OFFICE STRUCTURE; Site of Old Maxine Elliott to Be Used for Building in New Textile Area". The New York Times. January 18, 1960. ISSN   0362-4331. Archived from the original on May 9, 2022. Retrieved October 3, 2019.
  13. ↑ "40th St. Plot Acquired for a Textile Building". The New York Times. May 25, 1960. ISSN   0362-4331. Archived from the original on May 9, 2022. Retrieved October 3, 2019.
  14. 1 2 "57TH ST. BUILDING LEASED TO GROUP; Parcel Opposite Carnegie Hall in Long-Term Deal". The New York Times. June 1, 1962. ISSN   0362-4331. Archived from the original on May 9, 2022. Retrieved October 3, 2019.
  15. ↑ "BUILDING PLANNED BY SPRINGS MILLS; 21-Story Structure to Rise at 104 West 40th St". The New York Times. November 20, 1961. ISSN   0362-4331. Archived from the original on May 9, 2022. Retrieved October 3, 2019.
  16. 1 2 3 4 5 6 7 Landmarks Preservation Commission 2010 , p. 6.
  17. ↑ "BUILDING WORK NEEDS LOGISTICS; Frequent Deliveries Used to Ease Congestion Wooden Bridge Built BUILDING WORK NEEDS LOGISTICS". The New York Times. November 18, 1962. ISSN   0362-4331. Archived from the original on October 3, 2019. Retrieved October 3, 2019.
  18. 1 2 Pettus, L.; Bishop, M. (1987). The Springs story: our first hundred years, a pictorial history. Springs Industries. Archived from the original on May 9, 2022. Retrieved October 3, 2019.
  19. ↑ "10 LEASES MADE IN NEW BUILDING; Textile Companies Take Space in 104 W. 40th St. New Lessees Listed". The New York Times. December 5, 1963. ISSN   0362-4331. Archived from the original on October 3, 2019. Retrieved October 3, 2019.
  20. 1 2 3 4 5 Landmarks Preservation Commission 2010 , p. 7.
  21. 1 2 3 Bowen, Alison (April 13, 2010). "Tower on 40th St. Is Named a Landmark". City Room. Archived from the original on October 3, 2019. Retrieved October 3, 2019.
  22. 1 2 "A 'loan-to-own' discount". Crain's New York Business. August 23, 2010. Archived from the original on October 3, 2019. Retrieved October 3, 2019.
  23. ↑ Satow, Julie (November 17, 2010). "Bryant Park Office Market Attracts Buyers After the Crash". The New York Times. Archived from the original on August 10, 2021. Retrieved October 3, 2019.
  24. ↑ "Savanna sells Bryant Park office tower for $105M". The Real Deal New York. September 5, 2012. Archived from the original on October 3, 2019. Retrieved October 3, 2019.
  25. ↑ Loria, Keith (December 18, 2012). "Savanna Completes Sale of Manhattan's 104 West 40th St. for Reported $100M". Commercial Property Executive. Archived from the original on October 3, 2019. Retrieved October 3, 2019.
  26. ↑ For a diagram showing the shape of the lot, see Landmarks Preservation Commission 2010 , p. 17.
  27. ↑ Cui, Carolyn; Huang, Daniel (April 30, 2016). "The Bank of China Takes Manhattan". The Wall Street Journal. Archived from the original on May 18, 2019. Retrieved October 3, 2019.
  28. ↑ "7 Bryant Park Embraces Its Place in the City". The New York Times. November 19, 2015. ISSN   0362-4331. Archived from the original on October 10, 2019. Retrieved October 3, 2019.
  29. 1 2 3 4 5 6 7 8 9 10 11 Landmarks Preservation Commission 2010 , p. 5.
  30. ↑ Dunlap, David W. (July 26, 2016). "Zoning Arrived 100 Years Ago. It Changed New York City Forever". The New York Times. Archived from the original on December 10, 2019. Retrieved October 3, 2019.
  31. ↑ "Find Loss of Revenue Is Balanced by a Rise in Prestige; BUILDING OWNERS FAVORING PLAZAS". The New York Times. July 3, 1960. ISSN   0362-4331. Archived from the original on May 9, 2022. Retrieved October 3, 2019.
  32. ↑ "NEW OFFICES RISE AT A RECORD RATE; 14 Skyscrapers Are Up or Under Way, With Almost 8 Million Feet of Space ZONING FACTOR IN BOOM City Regulations Restrict the Bulk of Structures and Rentable Area 163 New Buildings Zoning a Factor IT'S RECORD YEAR FOR NEW BUILDINGS". The New York Times. April 21, 1963. ISSN   0362-4331 . Retrieved October 3, 2019.
  33. 1 2 Landmarks Preservation Commission 2010 , p. 4.
  34. 1 2 Newhouse, Victoria (1989). Wallace K. Harrison, architect. New York: Rizzoli. ISBN   978-0-8478-0644-7. OCLC   18781732.
  35. ↑ "Shiny New Sight". Life. June 2, 1952. p. 44. Retrieved October 3, 2019.
  36. ↑ Schaal, R. (1962). Curtain Walls: Design Manual. Reinhold Publishing Corporation. p. 160. Retrieved October 3, 2019.
  37. ↑ "Sun-Defying Glass Is Shown Here; It Passes More Light but Less Heat; Green-Tinted Product of Pittsburgh Glass Reduces Eyestrain and Will Be Used in 1952 Windshields, Executive Reports". The New York Times. December 6, 1951. ISSN   0362-4331 . Retrieved October 3, 2019.

Bibliography

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.