Massing

Last updated
The Arts Tower in Sheffield, Britain, has a tall, lightweight, cuboid massing. Arts Tower Massing Cuboid.PNG
The Arts Tower in Sheffield, Britain, has a tall, lightweight, cuboid massing.

Massing is a term in architecture which refers to the perception of the general shape and form as well as size of a building. [1] [2]

Massing in architectural theory

Massing refers to the structure in three dimensions (form), not just its outline from a single perspective (shape). [1] [3] Massing influences the sense of space which the building encloses, and helps to define both the interior space and the exterior shape of the building. [1] The creation of massing, and changes to it, may be additive (accumulating or repeating masses) or subtractive (creating spaces or voids in a mass by removing parts of it). [4] Massing can also be significantly altered by the materials used for the building's exterior, as transparent, reflective, or layered materials are perceived differently. [1]

It is widely accepted that architectural design begins by studying massing. [5] From a distance, massing, more than any architectural detail, is what creates the most impact on the eye. [6] Architectural details or ornaments may serve to reinforce or minimize massing. [7] Because it has a direct relation to the visual impact a building makes, massing is one of the most important architectural design considerations. [1]

Massing also has an effect on building energy efficiency. A complex shape can present more opportunities for heat loss through the building envelope. Reducing the number of exterior walls, along with a low vertical surface area to floor area ratio (VFAR) decreases heat loss potential. [8]

Some architectural styles are closely associated with massing. [9] [10] For example, the Prairie School is always low and horizontal, while the Gothic style emphasizes verticality and Georgian architecture focuses on solidity and a sense of permanence. [9]

Related Research Articles

<span class="mw-page-title-main">Skyscraper</span> Tall habitable building

A skyscraper is a tall, continuously habitable building having multiple floors. Modern sources currently define skyscrapers as being at least 100 meters (330 ft) or 150 meters (490 ft) in height, though there is no universally accepted definition, other than being very tall high-rise buildings. Historically, the term first referred to buildings with between 10 and 20 stories when these types of buildings began to be constructed in the 1880s. Skyscrapers may host offices, hotels, residential spaces, and retail spaces.

<span class="mw-page-title-main">Building</span> Structure, typically with a roof and walls, standing more or less permanently in one place

A building or edifice is an enclosed structure with a roof and walls, usually standing permanently in one place, such as a house or factory. Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for numerous factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the concept, see Nonbuilding structure for contrast.

<span class="mw-page-title-main">Window</span> Opening to admit light or air

A window is an opening in a wall, door, roof, or vehicle that allows the exchange of light and may also allow the passage of sound and sometimes air. Modern windows are usually glazed or covered in some other transparent or translucent material, a sash set in a frame in the opening; the sash and frame are also referred to as a window. Many glazed windows may be opened, to allow ventilation, or closed, to exclude inclement weather. Windows may have a latch or similar mechanism to lock the window shut or to hold it open by various amounts.

A Trombe wall is a massive equator-facing wall that is painted a dark color in order to absorb thermal energy from incident sunlight and covered with a glass on the outside with an insulating air-gap between the wall and the glaze. A Trombe wall is a passive solar building design strategy that adopts the concept of indirect-gain, where sunlight first strikes a solar energy collection surface in contact with a thermal mass of air. The sunlight absorbed by the mass is converted to thermal energy (heat) and then transferred into the living space.

<span class="mw-page-title-main">Passive solar building design</span> Architectural engineering that uses the Suns heat without electric or mechanical systems

In passive solar building design, windows, walls, and floors are made to collect, store, reflect, and distribute solar energy, in the form of heat in the winter and reject solar heat in the summer. This is called passive solar design because, unlike active solar heating systems, it does not involve the use of mechanical and electrical devices.

<span class="mw-page-title-main">Thermal mass</span> Use of thermal energy storage in building design

In building design, thermal mass is a property of the mass of a building that enables it to store heat and provide inertia against temperature fluctuations. It is sometimes known as the thermal flywheel effect. The thermal mass of heavy structural elements can be designed to work alongside a construction's lighter thermal resistance components to create energy efficient buildings.

<span class="mw-page-title-main">Earth shelter</span> House partially or entirely surrounded by earth

An earth shelter, also called an earth house, earth bermed house, or underground house, is a structure with earth (soil) against the walls, on the roof, or that is entirely buried underground.

<span class="mw-page-title-main">Curtain wall (architecture)</span> Outer non-structural walls of a building

A curtain wall is an exterior covering of a building in which the outer walls are non-structural, instead serving to protect the interior of the building from the elements. Because the curtain wall façade carries no structural load beyond its own dead load weight, it can be made of lightweight materials. The wall transfers lateral wind loads upon it to the main building structure through connections at floors or columns of the building.

<span class="mw-page-title-main">Low-energy house</span> House designed for reduced energy use

A low-energy house is characterized by an energy-efficient design and technical features which enable it to provide high living standards and comfort with low energy consumption and carbon emissions. Traditional heating and active cooling systems are absent, or their use is secondary. Low-energy buildings may be viewed as examples of sustainable architecture. Low-energy houses often have active and passive solar building design and components, which reduce the house's energy consumption and minimally impact the resident's lifestyle. Throughout the world, companies and non-profit organizations provide guidelines and issue certifications to guarantee the energy performance of buildings and their processes and materials. Certifications include passive house, BBC - Bâtiment Basse Consommation - Effinergie (France), zero-carbon house (UK), and Minergie (Switzerland).

<span class="mw-page-title-main">Sustainable architecture</span> Architecture designed to minimize environmental impact

Sustainable architecture is architecture that seeks to minimize the negative environmental impact of buildings through improved efficiency and moderation in the use of materials, energy, development space and the ecosystem at large. Sustainable architecture uses a conscious approach to energy and ecological conservation in the design of the built environment.

<span class="mw-page-title-main">Noise control</span> Strategies to reduce noise pollution or its impact

Noise control or noise mitigation is a set of strategies to reduce noise pollution or to reduce the impact of that noise, whether outdoors or indoors.

<span class="mw-page-title-main">Cavity wall</span> Type of wall with a hollow center

A cavity wall is a type of wall that has a hollow center. They can be described as consisting of two "skins" separated by a hollow space (cavity). The skins typically are masonry, such as brick or cinder block. Masonry is an absorbent material that can slowly draw rainwater or even humidity into the wall. One function of the cavity is to drain water through weep holes at the base of the wall system or above windows. The weep holes allow wind to create an air stream through the cavity that exports evaporated water from the cavity to the outside. Usually, weep holes are created by separating several vertical joints approximately two meters apart at the base of each story. Weep holes are also placed above windows to prevent dry rot of wooden window frames. A cavity wall with masonry as both inner and outer skins is more commonly referred to as a double wythe masonry wall.

<span class="mw-page-title-main">Passive cooling</span> Building design that reduces inside temperatures without air conditioning

Passive cooling is a building design approach that focuses on heat gain control and heat dissipation in a building in order to improve the indoor thermal comfort with low or no energy consumption. This approach works either by preventing heat from entering the interior or by removing heat from the building.

<span class="mw-page-title-main">Building insulation</span> Material to reduce heat transfer in structures

Building insulation is material used in a building to reduce the flow of thermal energy. While the majority of insulation in buildings is for thermal purposes, the term also applies to acoustic insulation, fire insulation, and impact insulation. Often an insulation material will be chosen for its ability to perform several of these functions at once.

<span class="mw-page-title-main">Passive ventilation</span> Ventilation without use of mechanical systems

Passive ventilation is the process of supplying air to and removing air from an indoor space without using mechanical systems. It refers to the flow of external air to an indoor space as a result of pressure differences arising from natural forces.

<span class="mw-page-title-main">Thermal bridge</span>

A thermal bridge, also called a cold bridge, heat bridge, or thermal bypass, is an area or component of an object which has higher thermal conductivity than the surrounding materials, creating a path of least resistance for heat transfer. Thermal bridges result in an overall reduction in thermal resistance of the object. The term is frequently discussed in the context of a building's thermal envelope where thermal bridges result in heat transfer into or out of conditioned space.

<span class="mw-page-title-main">Vestibule (architecture)</span> Anteroom (antechamber) or small foyer leading into a larger space

A vestibule is a small room leading into a larger space such as a lobby, entrance hall or passage, for the purpose of waiting, withholding the larger space view, reducing heat loss, providing storage space for outdoor clothing, etc. The term applies to structures in both modern and classical architecture since ancient times. In modern architecture, a vestibule is typically a small room next to the outer door and connecting it with the interior of the building. In ancient Roman architecture, a vestibule was a partially enclosed area between the interior of the house and the street.

<span class="mw-page-title-main">Architectural drawing</span> Technical drawing of a building (or building project)

An architectural drawing or architect's drawing is a technical drawing of a building that falls within the definition of architecture. Architectural drawings are used by architects and others for a number of purposes: to develop a design idea into a coherent proposal, to communicate ideas and concepts, to convince clients of the merits of a design, to assist a building contractor to construct it based on design intent, as a record of the design and planned development, or to make a record of a building that already exists.

The Helicoidal Skyscraper was a planned but never materialized, 565 m (1,854 ft) high business center that was to have been built on the tip of Manhattan, New York City. It was a stillborn project developed between 1968 and 1974 by Italian architect Manfredi Nicoletti. It combined its aerodynamic shape with the technology of wired bridges, for the purpose of minimizing both the loads and structural bulk.

<span class="mw-page-title-main">Millwork</span> Decorative woodmill-produced products for building construction

Millwork is historically any wood mill produced decorative materials used in building construction. Stock profiled and patterned millwork building components fabricated by milling at a planing mill can usually be installed with minimal alteration. Today, millwork may encompass items that are made using alternatives to wood, including synthetics, plastics, and wood-adhesive composites.

References

  1. 1 2 3 4 5 Jacoby, Sam (2016). Drawing Architecture and the Urban. Chichester, West Sussex: Wiley. p. 52. ISBN   9781118879405.
  2. Born, George Walter (2006). Preserving Paradise: The Architectural Heritage and History of the Florida Keys. Charleston, S.C.: History Press. p. 149. ISBN   9781596291522.
  3. Thompson, Arthur (1999). Architectural Design Procedures. New York: Routledge. p. 108. ISBN   9780415502849.
  4. Dietsch, Deborah K. (2002). Architecture for Dummies. New York: Hungry Minds. pp. 30–31. ISBN   9780764553967.
  5. Leyton, Michael (2001). A generative theory of shape. Berlin: Heidelberg Springer. p. 366. ISBN   9783540454885.
  6. Charleson, Andrew (2015). Structure As Architecture: A Source Book for Architects and Structural Engineers. New York: Routledge. p. 14. ISBN   9780415644594.
  7. Glassie, Henry H. (2000). Vernacular Architecture. Philadelphia, Pa.: Material Culture. p. 69. ISBN   9780253213952.
  8. "BC Energy Step Code Design Guide" (PDF). BC Housing. July 2019. p. 15. Retrieved 23 August 2021..
  9. 1 2 Yatt, Barry D. (1998). Cracking the Codes: An Architect's Guide to Building Regulations. New York: John Wiley. p. 145. ISBN   9780471169673.
  10. Lanier, Gabrielle M.; Herman, Bernard L. (1997). Everyday Architecture of the Mid-Atlantic: Looking at Buildings and Landscapes. Baltimore: Johns Hopkins University Press. p. 121. ISBN   9780801853241.