Gershwin Theatre

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Gershwin Theatre
Uris Theatre, George Gershwin Theatre
Gershwin Theatre - Wicked (54077363135).jpg
Gershwin Theatre
Former namesUris Theatre
Address222 West 51st Street
Manhattan, New York City
United States
Coordinates 40°45′45″N73°59′06″W / 40.76250°N 73.98500°W / 40.76250; -73.98500
OwnerParamount Group
Operator Nederlander Organization
Type Broadway theatre
Capacity 1,933 [a]
Production Wicked
Construction
OpenedNovember 28, 1972(52 years ago) (1972-11-28)
Architect Ralph Alswang
Website

The Gershwin Theatre (originally the Uris Theatre) is a Broadway theater at 222 West 51st Street, on the second floor of the Paramount Plaza office building, in the Midtown Manhattan neighborhood of New York City. Opened in 1972, it is operated by the Nederlander Organization and is named after brothers George and Ira Gershwin, who wrote several Broadway musicals. The Gershwin is Broadway's largest theater, with approximately 1,933 seats [a] across two levels. Over the years, it has hosted musicals, dance companies, and concerts.

Contents

The Gershwin was designed by Ralph Alswang. It was one of the first theaters constructed under the Special Theater District amendment of 1967. The theater's main entrances are from a midblock passageway that runs between 50th and 51st Streets. There are escalators leading from the ground floor to the second-story lobby and rotundas. The American Theater Hall of Fame, which contains inscriptions of the names of over 500 notable theatrical personalities, is placed within the lobby and rotundas. The Gershwin's orchestra level, which has about 1,300 seats, is more than double the size of the mezzanine level, which has about 600 seats.

The Uris Buildings Corporation built the theater within the Uris Building, now Paramount Plaza, in the 1960s in exchange for several additional floors of office space. The Uris opened on November 28, 1972, with a performance of the musical Via Galactica. Following several flops, the theater was rented out for concerts and dance specials in the 1970s. The musicals The King and I and Sweeney Todd had relatively long runs at the end of the decade. The theater was renamed the Gershwin during the 37th Tony Awards in 1983, the first of six Tony Awards ceremonies to be hosted there. In the 1980s, the theater hosted concerts; its first straight plays; and musicals such as Singin' in the Rain and Starlight Express . The theater continued to host concert appearances in the early 1990s, as well as musicals such as Show Boat , and was renovated in 1993. The Gershwin has been home to the musical Wicked since 2003.

Description

The Gershwin Theatre is on the second floor of Paramount Plaza, also known as 1633 Broadway, north of Times Square in the Midtown Manhattan neighborhood of New York City. [1] Ralph Alswang designed the theater, which opened in 1972 as the Uris Theatre, [2] [3] while Emery Roth and Sons designed Paramount Plaza. [4] It is one of two theaters in Paramount Plaza; the other is the Circle in the Square Theatre in the building's basement. [5] [6] The Gershwin, Circle in the Square, Minskoff, and American Place theaters were all constructed under the Special Theater District amendment of 1967 as a way to give their respective developers additional floor area. [7]

The Gershwin was decorated in what Alswang described as an Art Nouveau style. [2] [8] The theater covers 50,000 sq ft (4,600 m2) and has bronze velour decorations throughout its major public spaces. [9] Originally decorated in white and gold, the Gershwin was redecorated in a blue-and-white color scheme in 1993. [10] The theater is operated by the Nederlander Organization. [11] [12]

Lobbies and Hall of Fame

At the base of Paramount Plaza is a promenade that connects 50th and 51st Streets, providing entry to the Gershwin and Circle in the Square theaters. [7] [13] There are marquees for the theaters' entrances on both 50th and 51st Streets. [9] The box office is at ground level. [14] Escalators lead from the ground floor to the Gershwin Theater. [2] [15] [14] The names of 90 celebrities who were active between 1860 and 1930 are inscribed in bronze-gold lettering along the escalators. [15]

The second floor contains the American Theater Hall of Fame, where the names of notable theatrical personalities are inscribed in gold letters. [15] [16] Eligible inductees have had a career in American theater for at least 25 years and at least five major Broadway production credits. [17] [18] The lobby contains a white wall behind the orchestra seats and measures 220 ft (67 m) wide. [9] The Hall of Fame's names stretch across the four-story-high wall of the lobby. [16] The theater also has two rotundas, one of which originally contained the music and theater collections of the Museum of the City of New York. [9] [14] The hall's names stretch into the rotundas. [14] [19]

Auditorium

Playbill cites the theater as having 1,926 seats, [11] while The Broadway League gives a figure of 1,933 seats. [12] [20] The Gershwin's seats are spread across two levels: an orchestra with about 1,300 seats and a smaller mezzanine with about 600 seats. [2] [21] [b] This was based on Alswang's observation that most people wanted orchestra seats. [2] [8] The seats in the Gershwin are spaced 36 in (910 mm) apart from row to row, compared to in older theaters where each row was only 32 to 33 in (810 to 840 mm) apart. [7] [22] The balcony has 14 rows. [22] Like traditional Broadway houses (and unlike the contemporary Minskoff Theatre), the theater had aisles in the center and along the sides. [22] [21] The orchestra level is ADA-accessible via an elevator from the ground story. [11] [23]

The mezzanine level has protrusions on the side walls instead of box seats. The proscenium arch is designed with light bars, which could be removed if necessary. [2] The wall panels also contains panels that can be removed for the installation of speakers. [22] The stage was also designed with a flexible layout in that it could be disassembled or extended forward. [2] [22] When the stage was extended forward, it basically functioned as a thrust stage, covering the orchestra pit. [21] [22] With a 65 ft-wide (20 m) adjustable proscenium arch and an 80 ft-wide (24 m) stage, it is one of the largest Broadway stages, ideal for very large musical productions. [24]

Unlike older theaters in New York City, the Minskoff and Gershwin theaters were subject to less stringent building codes. For example, the Gershwin was designed without fire curtains, since the city had allowed sprinkler systems to be installed in both theaters. [22] The theater also used Hydra-Float, a computerized rigging system. [2] [8] [25] This made it the first commercial theater in the U.S. to be completely automated. [21] [25] Backstage, there were eight large dressing suites for lead performers, which were equipped with air conditioning, green rooms, and private bathrooms. [26]

History

Construction

The Gershwin was built as part of the Uris Building (now Paramount Plaza). Paramount Plaza Uris Building New York.jpg
The Gershwin was built as part of the Uris Building (now Paramount Plaza).

In September 1967, Uris Buildings Corporation leased the site of the Capitol Theatre on Broadway, between 50th and 51st Streets, for 100 years. Uris announced it would build an office tower and a Broadway theater on the site. [27] The Broadway theater would have 1,500 to 2,000 seats. [27] [28] In October 1967, the New York City Planning Commission (CPC) proposed the Special Theater District Zoning Amendment, which gave zoning bonuses to office-building developers who included theaters. [29] [30] [31] The proposed legislation would directly allow theaters in One Astor Plaza and the Uris Building, [32] [33] which would be the first completely new Broadway theaters since the Mark Hellinger Theatre was completed in 1930. [34] [35] [c] The CPC approved the theater amendment that November, [32] [37] and the New York City Board of Estimate gave final approval to the proposal the next month. [38] [39] A second theater, which subsequently became the Circle in the Square, was announced in February 1968. [40] [41]

In April 1968, the CPC scheduled a public hearing to determine whether the Astor and Uris theater permits should be approved. [39] Six parties testified in favor; the Shubert Organization, the largest operator of Broadway theaters, was the only dissenting speaker. [42] The CPC approved the theaters over the Shuberts' objections, [35] [43] as did the Board of Estimate. [44] That September, Uris Buildings Corporation made a tentative deal with James M. Nederlander and Gerard Oestricher to operate the larger of the building's two theaters. [4] [45] The larger venue was renamed for Percy Uris, head of the Uris Buildings Corporation, in 1971. [46] The New York Daily News subsequently said that the Uris family's decision to name the theater for themselves "became an object of ridicule in theatrical circles". [47]

Meanwhile, civic group Broadway Association had proposed constructing a theatrical hall of fame in a median island of Broadway several blocks north. [48] Earl Blackwell then suggested that the Nederlanders include a theatrical hall of fame at the Uris Theatre. [2] Plans for the hall were announced in March 1972, as the building and theater were being completed. [15] [49] The first names were inducted that October, just before the theater opened. [19]

1970s

The Uris Theatre was dedicated on November 19, 1972, [9] [50] and hosted its first show on November 28, a performance of the musical Via Galactica starring Raul Julia. [51] [52] The theater was cited as having 1,840, [53] 1,870, [54] [55] 1,900, [2] [3] or 1,940 seats when it was completed. [56] Alswang estimated the theater's total cost at $12.5 million. [2] [56] Despite a top ticket price of $12.75 (lower than the typical top price of $15), [53] [56] it flopped with seven performances [3] [57] and was the first Broadway show to lose a million dollars. [58] The next show was Cy Coleman and Dorothy Fields's musical Seesaw , which opened in March 1973 [59] [60] and transferred to the Hellinger that August, ultimately running for 296 performances. [61] A revival of the Sigmund Romberg operetta The Desert Song premiered at the Uris in September 1973 [62] [63] but closed after only 15 performances. [64] [65] This was followed that November by the Lerner and Loewe musical Gigi , [66] [67] which lasted 103 performances. [68] For the most part, the Uris lost money during its first two seasons, since it was dark most of the time. [69] The Uris also hosted annual ceremonies when people were inducted into the Theatrical Hall of Fame. Due to a lack of money, there were no new inductions between 1973 and 1979. [70]

There were no new legitimate shows in 1974. [3] [71] After singer Sammy Davis Jr. had a highly profitable concert that May, James M. Nederlander decided to book concerts at the theater for the remainder of the year, citing its acoustic qualities. Nederlander said the theater could also be used for musicals if there was demand in the future. [69] [72] A New York Times critic said the Uris Building, which had just gone into foreclosure, might be a "monument to its mortality" instead of "a leader in the revitalization of Broadway". [73] Musicians who appeared in 1974 included Mott the Hoople (performing with Queen [74] ); Enrico Macias and his La Fete Orientale Co.; Andy Williams with Michel Legrand; Anthony Newley with Henry Mancini; Johnny Mathis and the Miracles; The 5th Dimension; and Raphael. [71] The 17th Annual Grammy Awards were presented at the Uris in March 1975, [75] and the Dance Theatre of Harlem performed at the theater that May. [76] Frank Sinatra, Ella Fitzgerald, and Count Basie had a limited concert appearance that September, [77] [78] and the Houston Grand Opera Association presented the opera Treemonisha the next month. [79] [80] This was followed by performances from ballet dancers Margot Fonteyn and Rudolf Nureyev, singer-songwriter Paul Anka, and the American Ballet Theatre. [71]

The Dance Theatre of Harlem returned to the theater in March 1976. [81] The D'Oyly Carte Opera Company presented three Gilbert and Sullivan operettas at the Uris that May, [82] followed the next month by a concert appearance from Al Green and Ashford & Simpson. [83] [84] That October, the Houston Grand Opera presented the musical Porgy and Bess. [85] [86] The theater went back to hosting concerts, with appearances by Bing Crosby and Barry Manilow in December 1976. [71] The Dance Theatre of Harlem canceled a planned 1977 season at the Uris due to a financial deficit. [87] Instead, Nureyev returned in March 1977 for a ballet performance, [88] [89] and Béjart: Ballet of the Twentieth Century performed the same month. [90] [91] The musical The King and I , with Yul Brynner and Constance Towers, opened in May 1977 [92] [93] and ran for 719 performances, becoming the theater's longest-running show. [94] Another long-lasting show was Stephen Sondheim and Hugh Wheeler's musical Sweeney Todd with Angela Lansbury, which opened in March 1979 [94] [95] and ran for 557 performances over the next year. [96]

1980s

The theater as seen from 51st Street Gershwin Theatre NYC.jpg
The theater as seen from 51st Street

In 1980, the Uris mostly hosted performances by ballet companies. [97] The following January, the New York Shakespeare Festival produced Gilbert & Sullivan's The Pirates of Penzance , [98] [99] which relocated to the Minskoff in August 1981. [100] This was followed immediately afterward by a revival of Lerner and Loewe's My Fair Lady , with Rex Harrison, [97] [101] which lasted 124 performances. [102] [103] That November, the musical Annie transferred to the Uris; [97] [104] it ran for over a year, concluding its run of 2,377 performances there. [105] [106] Next, Nureyev performed with the Boston Ballet in early 1983, [97] [107] and the Houston Grand Opera presented Jerome Kern and Oscar Hammerstein II's musical Show Boat that April. [108] [109] At that time, Tony Awards producer Alexander H. Cohen announced that the 37th Tony Awards ceremony would be hosted there and that the Uris would be renamed after musical-writing brothers Ira and George Gershwin. [110] During the ceremony on June 5, 1983, the theater was rededicated. [111] [112] Show Boat closed shortly thereafter [113] [114] and was followed in July by Mame , featuring Lansbury. [115] [116]

The Gershwin hosted a memorial for Ira Gershwin after he died in August 1983, two months after the theater's renaming. [117] The theater continued to face issues with booking extended runs of large musicals. In January 1984, Nederlander announced he would again use it as a concert hall for a year. [118] This time, the theater hosted performances from Shirley MacLaine; [119] [120] Twyla Tharp; [121] [122] Rudolf Nureyev; [123] [124] and Gladys Knight & the Pips with Kashif. [125] [126] In addition, the theater hosted the 38th Tony Awards in June 1984. [127] The Royal Shakespeare Company presented Much Ado about Nothing and Cyrano de Bergerac in repertory for ten weeks starting in October 1984. [97] [128] The theater was acoustically modified for these plays, as it was the first time the theater had hosted straight plays. [128] This was followed in early 1985 by concert appearances from Patti LaBelle [129] [130] and Smokey Robinson. [131] [132] Next, the musical Singin' in the Rain opened in July 1985 [133] [134] and ran for 367 performances over the next ten months. [135] [136]

After Andrew Lloyd Webber's musical Starlight Express was announced for the theater in mid-1986, [137] the theater was renovated to accommodate the technologically complex set. [138] Starlight opened in March 1987 [139] [140] and ran for two years, [141] closing at a loss. [142] Afterward, the Nederlanders announced plans to use the Gershwin as a concert hall for the 1989–1990 season. At the time, six of the Nederlanders' nine Broadway theaters were dark, and there was a shortage of new musicals. [143] Only one live performance happened this time: [144] a set of concerts by Barry Manilow in mid-1989. [145] [146] That November, the musical comedy Meet Me in St. Louis opened, [147] running for 253 performances. [148] [149]

1990s

The concert special Bugs Bunny on Broadway appeared briefly in late 1990, [150] [151] followed by a revival of the musical Fiddler on the Roof . [152] [153] A special appearance by the Moscow Circus then opened at the Gershwin in late 1991. [154] [155] The musical Grand Hotel moved to the Gershwin in February 1992, [144] [156] ending a run of over 1,000 performances there. [157] [158] The Gershwin hosted the 46th Tony Awards in June 1992, [159] and the theater hosted a $1 million launch party that October for Windows for Workgroups. [160] This was followed by concert appearances from Tommy Tune in December 1992, [161] [162] Raffi in April 1993, [163] [164] and Yanni in June 1993. [165] [166] The theater was renovated in mid-1993 [10] prior to its hosting the 47th Tony Awards. [167]

A revival of Lerner and Loewe's Camelot opened in June 1993 [168] [169] and ran for two months. [170] The musical The Red Shoes opened that December, [171] [172] but it was one of Broadway's biggest flops, closing after three days at a loss of $8 million. [173] By the mid-1990s, there was high competition for large Broadway houses. [174] Less than a week after The Red Shoes closed, production company Livent booked a revival of Show Boat for the theater. [175] The theater once again hosted the 48th Tony Awards in 1994. [176] The awards ceremonies subsequently relocated to Radio City Music Hall, as that theater was much larger (allowing the public to attend) and did not require shutting down Broadway productions. [177] Show Boat opened in October 1994 [178] [179] and ran for 949 performances over two years. [180]

Following this, in January 1997, John Gray performed a monologue of his book Men Are from Mars, Women Are from Venus . [181] [182] Livent's revival of the operetta Candide opened that April. [183] [184] and ran for 103 performances. [185] [186] The Roundabout Theatre Company then transferred the musical 1776 , its most popular production, to the Gershwin that November, [187] where it ran until June 1998. [188] [189] The New York Shakespeare Festival's production of the musical On the Town opened at the Gershwin in November 1998, [190] [191] but it was unprofitable and closed after 65 performances. [192] [193] The Gershwin also hosted the 53rd Tony Awards in 1999, [194] since Radio City Music Hall was undergoing renovation. [195] [196] Also in 1999, the theater hosted the musicals Peter Pan [197] and Tango Argentino. [198] [199]

2000s to present

The entrance seen in 2022 Gershwin2022.jpg
The entrance seen in 2022

The dance revue Riverdance on Broadway opened at the Gershwin in March 2000, [200] [201] running for 605 performances through the following August. [202] After Riverdance closed, the Rodgers and Hammerstein musical Oklahoma! was booked at the Gershwin. [203] Additionally, Linda Eder performed at the theater at the end of 2001. [204] [205] Oklahoma! opened in March 2002 [206] [207] and ran for 388 performances for the next year. [208] [209] For Oklahoma!, the first five rows of seats in the orchestra level were removed to make way for a temporary thrust stage. [210] In June 2002, the theater hosted a party celebrating what would have been the 100th birthday of Richard Rodgers, one of the composers of Oklahoma!. [211]

The next production at the Gershwin Theatre was Stephen Schwartz's musical Wicked , which opened in October 2003. [212] [213] David Stone, one of Wicked's producers, was initially reluctant to book the Gershwin because of the theater's reputation for short-lived productions, as well as its size. [214] Despite initial negative reviews, Wicked became so popular that it continued at the Gershwin indefinitely. [215] The theater's large seating capacity also turned out to be suitable for the musical's popularity. [214] As part of a settlement with the United States Department of Justice in 2014, the Nederlanders agreed to improve disabled access at their nine Broadway theaters, including the Gershwin. [216] [217] Wicked was still playing when the theater closed on March 12, 2020, due to the COVID-19 pandemic. [218] The theater reopened on September 14, 2021, with performances of Wicked. [219] [220]

Notable productions

Productions are listed by the year of their first performance. [11] [12]

Box office records

When Starlight Express opened in 1987, it had the highest single-week gross of any show in both the Gershwin Theatre's history and Broadway history. Starlight Express broke this record several times, [248] ultimately grossing $617,022 during the last week of 1987. [142] Fiddler on the Roof set the record for the highest number of tickets sold for a Broadway production in a single week during the last week of 1990. From October 4 to 9, 1994, Show Boat sold $842,636 worth of tickets. This was the highest single-week ticket sale for any Broadway production, in terms of monetary profit, as well as the second-highest in number of tickets sold. [249]

Wicked set the box office record for the Gershwin Theatre multiple times. [250] [251] In 2010, the musical became the first Broadway show to gross over $2 million in a single week. [214] Wicked held the record for the highest single-week gross of any Broadway show from its opening until 2011, when the musical Spider-Man: Turn Off the Dark earned $58 more during a single week (both shows had earned $1.5 million). [252] The theater's current record was set in 2018, when Wicked grossed $3,411,819 over nine performances for the week ending December 30, 2018. [253]

See also

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References

Notes

  1. 1 2 This capacity is approximate and may vary depending on the show.
  2. ↑ According to Back Stage magazine, the theater has 1,296 seats in the orchestra and 599 in the mezzanine. [21] However, Alswang cited the orchestra as having 1,280 seats and the mezzanine as having 660 seats. [2]
  3. ↑ The Hellinger was initially a movie theater and did not become a Broadway venue until 1949. The Lunt-Fontanne Theatre and Palace Theatre were converted from movies to Broadway theaters afterward, but both theater buildings are physically older than the Hellinger. [34] The last venue to be built as a Broadway theater, operating continuously in that capacity, was the Ethel Barrymore Theatre, completed in 1928. [36]

Citations

  1. ↑ White, Norval; Willensky, Elliot; Leadon, Fran (2010). AIA Guide to New York City (5th ed.). New York: Oxford University Press. p. 303. ISBN   978-0-19538-386-7.
  2. 1 2 3 4 5 6 7 8 9 10 11 12 Botto & Mitchell 2002 , p. 321.
  3. 1 2 3 4 Bloom 2007 , p. 92.
  4. 1 2 Zolotow, Sam (September 11, 1968). "Uris Arranges Deal for New Theater". The New York Times. ISSN   0362-4331. Archived from the original on April 8, 2022. Retrieved April 3, 2022.
  5. ↑ Botto & Mitchell 2002 , p. 313.
  6. ↑ Botto & Mitchell 2002 , p. 315.
  7. 1 2 3 Calta, Louis (August 3, 1971). "4 Office Theaters Are Taking Shape". The New York Times. ISSN   0362-4331. Archived from the original on February 5, 2022. Retrieved February 5, 2022.
  8. 1 2 3 Stern, Alfred (December 2, 1970). "New Uris Theatre (Ex-B'way Capitol) Augurs Automated Legit Economies". Variety. Vol. 261, no. 3. pp. 1, 48. ProQuest   963021973.
  9. 1 2 3 4 5 Phillips, McCandlish (November 20, 1972). "Broadway Adds a New Face — the Uris". The New York Times. ISSN   0362-4331. Archived from the original on March 11, 2018. Retrieved April 4, 2022.
  10. 1 2 "Gershwin Renovation Aims for Intimacy". Deseret News. May 29, 1993. Archived from the original on April 8, 2022. Retrieved April 6, 2022.
  11. 1 2 3 4 "Gershwin Theatre (1983) New York, NY". Playbill. Archived from the original on February 1, 2022. Retrieved April 5, 2022.
  12. 1 2 3 The Broadway League (October 30, 2003). "Gershwin Theatre – New York, NY". IBDB. Archived from the original on March 2, 2020. Retrieved April 5, 2022.
  13. ↑ Kayden, Jerold S. (June 11, 2018). "1633 Broadway - Paramount". Privately Owned Public Space (APOPS). Archived from the original on April 23, 2021. Retrieved April 3, 2022.
  14. 1 2 3 4 "New Broadway Theatre Features Hall of Fame". Back Stage. Vol. 14, no. 30. July 27, 1973. p. 24. ProQuest   963044750.
  15. 1 2 3 4 Calta, Louis (March 7, 1972). "A Hall of Fame for the Theater To Honor Outstanding Figures". The New York Times. ISSN   0362-4331. Archived from the original on April 8, 2022. Retrieved April 4, 2022.
  16. 1 2 Coe, Richard L. (November 21, 1972). "Painting Gold Stars on the Wall: Painting Gold Stars On a Wall in New York". The Washington Post. p. B1. ISSN   0190-8286. ProQuest   148256714.
  17. ↑ "The Official Website - History - Preserve the Past • Honor the Present • Encourage the Future". Theater Hall of Fame. Archived from the original on October 7, 2021. Retrieved April 4, 2022.
  18. ↑ Hodges, Ben (2009). The Theater Hall of Fame. Theatre World (2008-2009). Vol. 65. Hal Leonard Corporation. pp. 393–394. ISBN   978-1423473695. Archived from the original on April 4, 2022. Retrieved April 7, 2022.
  19. 1 2 "Uris Hall of Fame Names First Group". The New York Times. October 27, 1972. ISSN   0362-4331. Archived from the original on April 8, 2022. Retrieved April 5, 2022.
  20. ↑ "Seating Chart". The Gershwin Theater. Archived from the original on November 20, 2017. Retrieved October 29, 2014.
  21. 1 2 3 4 5 Harmon, Charlotte (July 14, 1972). "New Legit Theatres". Back Stage. Vol. 13, no. 28. p. 24. ProQuest   963171357.
  22. 1 2 3 4 5 6 7 "Legitimate: New--And Adaptable--Theatre Design For Capitol And Astor Site Playhouses". Variety. Vol. 254, no. 3. March 5, 1969. p. 77. ProQuest   1505789519.
  23. ↑ "Gershwin Theatre". Nederlander Organization. Archived from the original on December 10, 2021. Retrieved December 10, 2021.
  24. ↑ Turner, Adrienne; Barbara Janowitz (1999). Stage Specs: a technical guide to theatres. League of American Theatres and Producers. pp. 354–355. ISBN   978-0962584411.
  25. 1 2 Wallach, Allan (January 20, 1971). "Skyscraper theater: Broadway looks". Newsday. p. 68. ISSN   2574-5298. Archived from the original on April 8, 2022. Retrieved April 4, 2022– via newspapers.com.
  26. ↑ McHarry, Charles (October 17, 1972). "On the Town". New York Daily News. p. 93. ISSN   2692-1251. Archived from the original on April 8, 2022. Retrieved April 4, 2022– via newspapers.com.
  27. 1 2 Whitehouse, Franklin (September 22, 1967). "Broadway to Get a Drama Theater; It Is Planned in Tower to Rise on Capitol Site". The New York Times. ISSN   0362-4331. Archived from the original on April 3, 2022. Retrieved April 3, 2022.
  28. ↑ "Capitol Theatre to Go". New York Daily News. September 22, 1967. p. 86. ISSN   2692-1251. Archived from the original on April 8, 2022. Retrieved April 3, 2022– via newspapers.com.
  29. ↑ "City Planning Comm. Proposes More New Midtown Theatres". Back Stage. Vol. 8, no. 40. October 6, 1967. pp. 17–18. ProQuest   963261958.
  30. ↑ Esterow, Milton (October 1, 1967). "City Proposes More Theaters To Revitalize Midtown District; City Planners Proposing More Theaters to Revitalize Midtown District". The New York Times. ISSN   0362-4331. Archived from the original on February 4, 2022. Retrieved February 4, 2022.
  31. ↑ "Legitimate: N.Y. City Urges New Legit Houses". Variety. Vol. 248, no. 7. October 4, 1967. p. 57. ProQuest   964067553.
  32. 1 2 Miele, Alfred (November 2, 1967). "OK Space Bonus For New Theaters". New York Daily News. pp. 721, 722. ISSN   2692-1251. Archived from the original on February 5, 2022. Retrieved February 5, 2022– via newspapers.com.
  33. ↑ "Miscellany: Hope for More B'way Legit Theatres With Bldg. Code Changes". Variety. Vol. 248, no. 8. October 11, 1967. p. 2. ProQuest   964074887.
  34. 1 2 Fried, Joseph P. (November 12, 1967). "New Footlights May Brighten Rialto". The New York Times. ISSN   0362-4331. Archived from the original on February 5, 2022. Retrieved February 4, 2022.
  35. 1 2 "City Planners OK 3 Theaters". Newsday. April 18, 1968. p. 98. ISSN   2574-5298. Archived from the original on February 5, 2022. Retrieved February 5, 2022– via newspapers.com.
  36. ↑ Zolotow, Sam (August 29, 1968). "Astor Lot Owner Assigns Theater; Lease Going to Producer of 'Man of La Mancha'". The New York Times. ISSN   0362-4331. Archived from the original on February 5, 2022. Retrieved February 5, 2022.
  37. ↑ "Planning Body Acts to Spur Theater Construction". The New York Times. November 2, 1967. ISSN   0362-4331. Archived from the original on February 5, 2022. Retrieved February 5, 2022.
  38. ↑ Sibley, John (December 8, 1967). "Board of Estimate Approves Measure to Encourage Theater Construction". The New York Times. ISSN   0362-4331. Archived from the original on February 5, 2022. Retrieved February 5, 2022.
  39. 1 2 "City Planners to Mull Office Bldg. Theaters". Newsday. April 1, 1968. p. 68. ISSN   2574-5298. Archived from the original on February 5, 2022. Retrieved February 5, 2022– via newspapers.com.
  40. ↑ "2d Theater Planned For Office Building To Rise in Midtown". The New York Times. February 13, 1968. ISSN   0362-4331. Archived from the original on April 8, 2022. Retrieved April 3, 2022.
  41. ↑ "N.Y. Seeks Co-Op On Scalper Curbs". Variety. Vol. 249, no. 13. February 14, 1968. pp. 1, 70. ProQuest   963113256.
  42. ↑ Bennett, Charles G. (April 11, 1968). "Shuberts Oppose 2 New Theaters; Minskoff and Uris Plans Are Fought at City Hearing". The New York Times. ISSN   0362-4331. Archived from the original on February 5, 2022. Retrieved February 5, 2022.
  43. ↑ "Permits Approved for 2 Theaters; Playhouses Will Be First on Broadway in 35 Years". The New York Times. April 18, 1968. ISSN   0362-4331. Archived from the original on February 5, 2022. Retrieved February 5, 2022.
  44. ↑ Bennett, Charles G. (April 26, 1968). "Board Approves 3 New Theaters; Estimate Members Reject Shubert Opposition". The New York Times. ISSN   0362-4331. Archived from the original on February 5, 2022. Retrieved February 5, 2022.
  45. ↑ Hummler, Richard (September 4, 1968). "Legitimate: Rising Market for B'way Theatres; Selden, Osterman Vs. Nederlanders". Variety. Vol. 252, no. 3. pp. 49, 52. ProQuest   1017161365.
  46. ↑ "Uris Or Minskoff Or Merrick Or You Name-It Theatre". Variety. Vol. 264, no. 4. September 8, 1971. pp. 1, 56. ProQuest   1017163783.
  47. ↑ Feiden, Douglas (March 2, 2000). "B'way Drama: Theater Sells Its Name to Airline". New York Daily News. p. 46. ISSN   2692-1251. ProQuest   313740076.
  48. ↑ Whitehouse, Franklin (December 5, 1967). "A Hall of Fame for Stage Urged; Broadway Mall Proposed as Site of Theater Tribute No Buildings Planned Under Parks Department". The New York Times. ISSN   0362-4331. Archived from the original on April 8, 2022. Retrieved April 5, 2022.
  49. ↑ Davis, James (March 7, 1972). "New Theater to House the Legit Hall of Fame". New York Daily News. p. 143. ISSN   2692-1251. Archived from the original on April 8, 2022. Retrieved April 4, 2022– via newspapers.com.
  50. ↑ Kramer, Marcia (November 20, 1972). "Spectacle on B'way is Legit". New York Daily News. p. 237. ISSN   2692-1251. Archived from the original on April 8, 2022. Retrieved April 4, 2022– via newspapers.com.
  51. ↑ Watt, Douglas (November 29, 1972). "'Via Galactica' Is Lost in Space". New York Daily News. p. 47. ISSN   2692-1251. Archived from the original on April 8, 2022. Retrieved April 5, 2022– via newspapers.com.
  52. 1 2 Barnes, Clive (November 29, 1972). "The New Uris Opens With 'Via Galactica': Space-Age Musical Set to a MacDermot Score Raul Julia Is Winning as Garbage Collector". The New York Times. p. 33. ISSN   0362-4331. ProQuest   119515896.
  53. 1 2 "$12.75 Top Ticket Set for Musical: 'Galactica,' at the New Uris, Is Priced Lower Than Most". The New York Times. September 5, 1972. ISSN   0362-4331 . Retrieved April 5, 2022.
  54. ↑ Zwerdling, Allen (August 20, 1971). "Legit Coming Alive". Back Stage. Vol. 12, no. 34. pp. 20, 24. ProQuest   963137522.
  55. ↑ Calta, Louis (November 9, 1971). "First Office Theater's Opening Near". The New York Times. ISSN   0362-4331 . Retrieved April 5, 2022.
  56. 1 2 3 Beaufort, John (November 5, 1972). "A step up for N.Y. theater". The Sun. p. D7. ProQuest   541455048.
  57. 1 2 The Broadway League (November 28, 1972). "Via Galactica – Broadway Musical – Original". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
    "Via Galactica (Broadway, Gershwin Theatre, 1972)". Playbill. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  58. ↑ Calta, Louis (November 30, 1972). "'Via Galactica' Ends Saturday". The New York Times. ISSN   0362-4331. Archived from the original on November 2, 2012. Retrieved April 5, 2022.
  59. 1 2 Barnes, Clive (March 19, 1973). "Stage: Musical 'Seesaw'". The New York Times. ISSN   0362-4331 . Retrieved April 5, 2022.
  60. ↑ Watt, Douglas (March 19, 1973). "'Seesaw' is Comedy and Musical". New York Daily News. p. 252. ISSN   2692-1251 . Retrieved April 5, 2022– via newspapers.com.
  61. 1 2 The Broadway League (March 18, 1973). "Seesaw – Broadway Musical – Original". IBDB. Archived from the original on December 14, 2021. Retrieved February 6, 2022.
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  62. 1 2 Gussow, Mel (September 6, 1973). "Theater: 'Desert Song'". The New York Times. ISSN   0362-4331. Archived from the original on February 10, 2018. Retrieved April 5, 2022.
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  64. ↑ "Briefs on the Arts". The New York Times. September 19, 1973. ISSN   0362-4331 . Retrieved April 5, 2022.
  65. 1 2 The Broadway League (September 5, 1973). "The Desert Song – Broadway Musical – 1973 Revival". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
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  66. 1 2 Barnes, Clive (November 14, 1973). "'Gigi' is Here Again as Stage Musical". The New York Times. ISSN   0362-4331. Archived from the original on August 29, 2018. Retrieved April 5, 2022.
  67. ↑ Watt, Douglas (November 14, 1973). "'Gigi' Returns as a Stage Musical". New York Daily News. p. 113. ISSN   2692-1251 . Retrieved April 5, 2022– via newspapers.com.
  68. 1 2 The Broadway League (November 13, 1973). "Gigi – Broadway Musical – Original". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
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  69. 1 2 Gaver, Jack (July 28, 1974). "Spectacular New Uris Turns Now to Concerts". The Atlanta Constitution. p. 8F. ProQuest   1644050163.
  70. ↑ Johnston, Laurie (November 19, 1979). "Theater Hall of Fame Enshrines 51 Artists". The New York Times. ISSN   0362-4331. Archived from the original on June 21, 2018. Retrieved April 5, 2022.
  71. 1 2 3 4 Botto & Mitchell 2002 , p. 322.
  72. ↑ Calta, Louis (June 23, 1974). "News of the Stage". The New York Times. ISSN   0362-4331 . Retrieved April 5, 2022.
  73. ↑ Gussow, Mel (June 25, 1974). "Profits More Elusive on Broadway". The New York Times. ISSN   0362-4331. Archived from the original on February 7, 2018. Retrieved April 5, 2022.
  74. 1 2 Rockwell, John (May 9, 1974). "Mott the Hoople at Uris". The New York Times. p. 56. ISSN   0362-4331 . Retrieved November 23, 2022.
  75. ↑ Rockwell, Joan (March 4, 1975). "Record Industry Is Taking a Hard Look At How Representative Grammys Are". The New York Times. ISSN   0362-4331. Archived from the original on April 11, 2022. Retrieved April 11, 2022.
  76. ↑ Kisselgoff, Anna (May 3, 1975). "Dance: Harlem at Its Vibrant Best". The New York Times. ISSN   0362-4331. Archived from the original on April 11, 2022. Retrieved April 11, 2022.
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  78. 1 2 Wilson, John S. (September 10, 1975). "Sinatra, Basie and Ella Fitzgerald Appear for Audience of Old Admirers". The New York Times. ISSN   0362-4331 . Retrieved April 5, 2022.
  79. 1 2 The Broadway League (October 21, 1975). "Treemonisha – Broadway Musical – Original". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
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  80. 1 2 Henahan, Donal (October 22, 1975). "Treemonisha, the Legend Arrives". The New York Times. ISSN   0362-4331 . Retrieved April 5, 2022.
  81. ↑ Barnes, Clive (March 10, 1976). "Dance: Harlem Troupe Offers New Bill at Uris". The New York Times. ISSN   0362-4331 . Retrieved April 5, 2022.
  82. 1 2 Roffman, Frederick S. (May 2, 1976). "D'Oyly Carte Tradition vs. 'The Hot Mikado'". The New York Times. ISSN   0362-4331. Archived from the original on March 19, 2022. Retrieved April 5, 2022.
  83. 1 2 The Broadway League (June 3, 1976). "Al Green / Ashford & Simpson – Broadway Special – Original". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
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  84. 1 2 Rockwell, John (June 5, 1976). "Al Green Has Up Night Singing at Uris Theater". The New York Times. ISSN   0362-4331 . Retrieved April 5, 2022.
  85. ↑ Barnes, Clive (September 27, 1976). "Whether It's a Musical or an Opera, It's a First-Rate 'Porgy and Bess'". The New York Times. ISSN   0362-4331 . Retrieved April 5, 2022.
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  93. ↑ McMorrow, Tom (May 1, 1977). "King Yul of Siam: At last the crown fits". New York Daily News. p. 291. ISSN   2692-1251 . Retrieved April 5, 2022– via newspapers.com.
  94. 1 2 Botto & Mitchell 2002 , p. 323.
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  97. 1 2 3 4 5 Botto & Mitchell 2002 , p. 325.
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  101. ↑ Gussow, Mel (August 19, 1981). "The Stage: 'My Fair Lady' Returns". The New York Times. ISSN   0362-4331. Archived from the original on November 12, 2017. Retrieved April 5, 2022.
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  104. ↑ "'Annie,' at Last, Finds a Home at Uris; 'Annie' Finds A Home at Uris". The New York Times. November 19, 1981. ISSN   0362-4331. Archived from the original on December 23, 2021. Retrieved December 23, 2021.
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  107. ↑ Kisselgoff, Anna (January 19, 1983). "Dance: Rudolf Nureyev Boston Ballet's 'Quixote'". The New York Times. ISSN   0362-4331. Archived from the original on February 5, 2018. Retrieved April 5, 2022.
  108. ↑ Rich, Frank (April 25, 1983). "The Stage: 'Show Boat,' a Theatrical Treasure". The New York Times. ISSN   0362-4331. Archived from the original on June 25, 2021. Retrieved April 5, 2022.
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  110. ↑ Lawson, Carol (April 15, 1983). "Broadway; A Broadway revue from the man who clicked at O'Neals'". The New York Times. ISSN   0362-4331. Archived from the original on May 24, 2015. Retrieved April 5, 2022.
  111. ↑ "Legitimate: 'Cats' Meows With 7 Tony Awards; 'Torch Song' Voted Best Play; Uris Now Gershwin Theatre". Variety. Vol. 311, no. 6. June 8, 1983. pp. 76, 80. ProQuest   1438389959.
  112. ↑ O'Connor, John J. (June 7, 1983). "TV: The Tony Awards With Gershwin Tribute". The New York Times. ISSN   0362-4331. Archived from the original on May 24, 2015. Retrieved April 5, 2022.
  113. 1 2 The Broadway League (April 24, 1983). "Show Boat – Broadway Musical – 1983 Revival". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
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  114. ↑ "'Showboat' to Close". The New York Times. June 22, 1983. ISSN   0362-4331. Archived from the original on May 24, 2015. Retrieved April 5, 2022.
  115. ↑ Rich, Frank (July 25, 1983). "Stage: Angela Lansbury Stars in 'Mame' Revival". The New York Times. ISSN   0362-4331. Archived from the original on September 24, 2021. Retrieved April 5, 2022.
  116. 1 2 The Broadway League (July 24, 1983). "Mame – Broadway Musical – 1983 Revival". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
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  117. ↑ "Ira Gershwin Tribute Planned With Broadway Dignitaries". The New York Times. August 24, 1983. ISSN   0362-4331. Archived from the original on February 6, 2018. Retrieved April 6, 2022.
  118. ↑ Lawson, Carol (January 27, 1984). "Gershwin Theater is set to reopen as entertainment hall". The New York Times. ISSN   0362-4331. Archived from the original on May 24, 2015. Retrieved April 5, 2022.
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  121. 1 2 The Broadway League (July 11, 1984). "Twyla Tharp Dance on Broadway – Broadway Special – Original". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
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  125. 1 2 The Broadway League (August 28, 1984). "Gladys Knight & the Pips & Kashif – Broadway Special – Original". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
  126. 1 2 Pareles, Jon (September 3, 1984). "Concert: Gladys Knight at Gershwin Theater". The New York Times. ISSN   0362-4331. Archived from the original on May 24, 2015. Retrieved April 6, 2022.
  127. ↑ Freedman, Samuel G. (June 4, 1984). "'Real Thing' and 'La Cage' Dominate the Tony Awards". The New York Times. ISSN   0362-4331. Archived from the original on December 29, 2021. Retrieved April 6, 2022.
  128. 1 2 3 4 Anderson, Susan Heller; Carroll, Maurice (October 17, 1984). "New York Day by Day; Sounds". The New York Times. ISSN   0362-4331. Archived from the original on May 24, 2015. Retrieved April 6, 2022.
  129. 1 2 The Broadway League (September 11, 1984). "Patti LaBelle on Broadway: The 'Look to the Rainbow' Tour – Broadway Special – Original". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "Patti LaBelle on Broadway (Broadway, Gershwin Theatre, 1984)". Playbill. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
  130. 1 2 Nemy, Enid (January 25, 1985). "Broadway". The New York Times. ISSN   0362-4331. Archived from the original on November 28, 2017. Retrieved April 6, 2022.
  131. 1 2 The Broadway League (February 12, 1985). "An Evening with Smokey Robinson – Broadway Special – Original". IBDB. Archived from the original on December 2, 2021. Retrieved April 6, 2022.
  132. 1 2 Holden, Stephen (February 15, 1985). "Pop/jazz; Smokey Robinson Comes to Broadway". The New York Times. ISSN   0362-4331. Archived from the original on November 28, 2017. Retrieved April 6, 2022.
  133. 1 2 Rich, Frank (July 3, 1985). "The Stage: 'Singin' in the Rain' Opens". The New York Times. ISSN   0362-4331. Archived from the original on September 29, 2017. Retrieved April 6, 2022.
  134. ↑ Watt, Douglas (July 3, 1985). "'Singin' ' down the drain". New York Daily News. p. 591. ISSN   2692-1251 . Retrieved April 6, 2022– via newspapers.com.
  135. 1 2 The Broadway League (July 2, 1985). "Singin' in the Rain – Broadway Musical – Original". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "Singin' in the Rain (Broadway, Gershwin Theatre, 1985)". Playbill. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
  136. ↑ "'Singin' in Rain' to Close". The New York Times. May 15, 1986. ISSN   0362-4331. Archived from the original on May 24, 2015. Retrieved April 6, 2022.
  137. ↑ Nemy, Enid (July 9, 1986). "Broadway Opening Set for ' Starlight Express'". The New York Times. ISSN   0362-4331. Archived from the original on February 3, 2018. Retrieved April 6, 2022.
  138. ↑ Bennetts, Leslie (February 23, 1987). "A Transformed 'Starlight Express' Strives Toward Broadway Opening". The New York Times. ISSN   0362-4331. Archived from the original on April 16, 2019. Retrieved April 6, 2022.
  139. ↑ Rich, Frank (March 16, 1987). "Stage: Andrew Lloyd Webber's 'Starlight Express'". The New York Times. ISSN   0362-4331. Archived from the original on July 17, 2021. Retrieved April 6, 2022.
  140. ↑ Wallach, Allan (March 16, 1987). "'Express': It's the Musical on Wheels". Newsday. p. 107. ISSN   2574-5298 . Retrieved April 6, 2022– via newspapers.com.
  141. 1 2 The Broadway League (March 15, 1987). "Starlight Express – Broadway Musical – Original". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "Starlight Express (Broadway, Gershwin Theatre, 1987)". Playbill. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
  142. 1 2 Rothstein, Mervyn (August 20, 1988). "'Starlight Express' Out of the Tunnel?". The New York Times. ISSN   0362-4331. Archived from the original on February 23, 2020. Retrieved April 6, 2022.
  143. ↑ Rothstein, Mervyn (May 24, 1989). "Empty Theaters Bringing Concerts to Broadway". The New York Times. ISSN   0362-4331. Archived from the original on December 19, 2017. Retrieved April 6, 2022.
  144. 1 2 Botto & Mitchell 2002 , p. 326.
  145. 1 2 The Broadway League (April 18, 1989). "Barry Manilow at the Gershwin – Broadway Special – Original". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "Barry Manilow at the Gershwin (Broadway, Gershwin Theatre, 1989)". Playbill. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
  146. 1 2 Holden, Stephen (April 20, 1989). "Reviews/Music; Manilow Recounts a Tale Of Brooklyn to Broadway". The New York Times. ISSN   0362-4331. Archived from the original on December 20, 2017. Retrieved April 6, 2022.
  147. 1 2 Rich, Frank (November 3, 1989). "Review/Theater; 'Meet Me in St. Louis': Movie Brought to Stage". The New York Times. ISSN   0362-4331. Archived from the original on December 26, 2021. Retrieved April 6, 2022.
  148. 1 2 The Broadway League (November 2, 1989). "Meet Me in St. Louis – Broadway Musical – Original". IBDB. Archived from the original on December 26, 2021. Retrieved January 31, 2022.
    "Meet Me in St. Louis (Broadway, Gershwin Theatre, 1989)". Playbill. Archived from the original on January 29, 2022. Retrieved January 31, 2022.
  149. ↑ "'Meet Me' to Close". The New York Times. June 7, 1990. ISSN   0362-4331. Archived from the original on May 25, 2015. Retrieved April 6, 2022.
  150. 1 2 The Broadway League (October 4, 1990). "Bugs Bunny on Broadway – Broadway Special – Original". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "Bugs Bunny on Broadway (Broadway, Gershwin Theatre, 1990)". Playbill. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
  151. 1 2 Gelder, Lawrence Van (October 5, 1990). "Review/Cartoons; When Tunes Are Loony". The New York Times. ISSN   0362-4331. Archived from the original on May 25, 2015. Retrieved April 6, 2022.
  152. 1 2 The Broadway League (November 18, 1990). "Fiddler on the Roof – Broadway Musical – 1990 Revival". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "Fiddler on the Roof (Broadway, Gershwin Theatre, 1990)". Playbill. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
  153. 1 2 Gussow, Mel (November 19, 1990). "Review/Theater; 'Fiddler' Returns, With a Heritage of Its Own". The New York Times. ISSN   0362-4331. Archived from the original on February 6, 2018. Retrieved April 6, 2022.
  154. 1 2 The Broadway League (November 6, 1991). "Moscow Circus – Cirk Valentin – Broadway Special – Original". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "Moscow Circus – Cirk Valentin (Broadway, Gershwin Theatre, 1991)". Playbill. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
  155. 1 2 Gussow, Mel (November 8, 1991). "Review/Circus; For Moscow Daredevils, All the Air's A Stage". The New York Times. ISSN   0362-4331. Archived from the original on March 7, 2016. Retrieved April 6, 2022.
  156. ↑ Collins, Glenn (January 25, 1992). "Two Shows Will Lower Some Prices". The New York Times. ISSN   0362-4331. Archived from the original on January 16, 2022. Retrieved April 6, 2022.
  157. 1 2 The Broadway League (November 12, 1989). "Grand Hotel – Broadway Musical – Original". IBDB. Archived from the original on January 11, 2022. Retrieved January 11, 2022.
    "Grand Hotel (Broadway, Al Hirschfeld Theatre, 1989)". Playbill. Archived from the original on January 13, 2022. Retrieved January 11, 2022.
  158. ↑ "'Grand Hotel' Closes". The New York Times. April 30, 1992. ISSN   0362-4331. Archived from the original on January 15, 2018. Retrieved April 6, 2022.
  159. ↑ Collins, Glenn (June 1, 1992). "'Dancing at Lughnasa' And 'Crazy for You' Win Top Tony Awards". The New York Times. ISSN   0362-4331. Archived from the original on May 27, 2021. Retrieved April 6, 2022.
  160. ↑ "New Microsoft Software Opens On Broadway". The Courier-News. October 28, 1992. p. 32. Retrieved April 6, 2022– via newspapers.com.
  161. 1 2 The Broadway League (December 28, 1992). "Tommy Tune Tonite! – Broadway Special – Original". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "Tommy Tune Tonite! (Broadway, Gershwin Theatre, 1992)". Playbill. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
  162. 1 2 Holden, Stephen (December 29, 1992). "Review/Theater; Tommy Tune's Dream of Yesterday's Broadway". The New York Times. ISSN   0362-4331. Archived from the original on January 15, 2018. Retrieved April 6, 2022.
  163. 1 2 The Broadway League (April 7, 1993). "Raffi – Broadway Special – Original". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "Raffi (Broadway, Gershwin Theatre, 1993)". Playbill. Archived from the original on April 20, 2021. Retrieved January 31, 2022.
  164. 1 2 Maslin, Janet (April 9, 1993). "A Superstar for the Nursery-School Set". The New York Times. ISSN   0362-4331. Archived from the original on January 18, 2018. Retrieved April 6, 2022.
  165. 1 2 The Broadway League (June 8, 1993). "Yanni – Broadway Special – Original". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "Yanni (Broadway, Gershwin Theatre, 1993)". Playbill. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
  166. 1 2 Holden, Stephen (June 10, 1993). "Pop and Jazz in Review". The New York Times. ISSN   0362-4331. Archived from the original on January 21, 2018. Retrieved April 6, 2022.
  167. ↑ Collins, Glenn (June 7, 1993). "'Spider Woman' and 'Angels' Win Top Honors in Tony Awards". The New York Times. ISSN   0362-4331. Archived from the original on February 15, 2018. Retrieved April 6, 2022.
  168. 1 2 Gussow, Mel (June 22, 1993). "Review/Theater; 'Camelot' Returns With Goulet as King". The New York Times. ISSN   0362-4331. Archived from the original on August 7, 2020. Retrieved April 6, 2022.
  169. ↑ Stuart, Jan (June 22, 1993). "With This Arthur, It's All in the Voice". Newsday. p. 47. ISSN   2574-5298 . Retrieved April 6, 2022– via newspapers.com.
  170. 1 2 The Broadway League (June 21, 1993). "Camelot – Broadway Musical – 1993 Revival". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "Camelot (Broadway, Gershwin Theatre, 1993)". Playbill. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
  171. 1 2 The Broadway League (December 16, 1993). "The Red Shoes – Broadway Musical – Original". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "The Red Shoes (Broadway, Gershwin Theatre, 1993)". Playbill. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
  172. 1 2 Richards, David (December 17, 1993). "Review/Theater: The Red Shoes; Ambition vs. Romance in a Pas de Trois". The New York Times. ISSN   0362-4331. Archived from the original on March 19, 2022. Retrieved April 6, 2022.
  173. ↑ "'Red Shoes' Closing Tomorrow". The New York Times. December 18, 1993. ISSN   0362-4331. Archived from the original on May 26, 2015. Retrieved April 6, 2022.
  174. ↑ Marks, Peter (January 17, 1996). "Turning Two Historic Theaters Into One Big One". The New York Times. ISSN   0362-4331. Archived from the original on January 28, 2018. Retrieved April 6, 2022.
  175. ↑ Weber, Bruce (December 24, 1993). "On Stage, and Off". The New York Times. ISSN   0362-4331. Archived from the original on January 18, 2018. Retrieved April 6, 2022.
  176. ↑ Weber, Bruce (June 13, 1994). "'Passion' Wins Tony As Best New Musical; 'Angels' Wins Again". The New York Times. ISSN   0362-4331. Archived from the original on June 19, 2021. Retrieved April 6, 2022.
  177. ↑ Healy, Patrick (June 15, 2010). "The Tonys Need a New Home". ArtsBeat. Archived from the original on October 2, 2019. Retrieved April 7, 2022.
  178. 1 2 Richards, David (October 3, 1994). "Theater Review: Show Boat; Classic Musical With a Change in Focus". The New York Times. ISSN   0362-4331. Archived from the original on October 26, 2021. Retrieved April 6, 2022.
  179. ↑ Winer, Linda (October 3, 1994). "The Living Colors of a Princely 'Show Boat'". Newsday. pp. 58, 75. ISSN   2574-5298 . Retrieved April 6, 2022– via newspapers.com.
  180. 1 2 The Broadway League (October 2, 1994). "Show Boat – Broadway Musical – 1994 Revival". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "Show Boat (Broadway, Gershwin Theatre, 1994)". Playbill. Retrieved January 31, 2022.
  181. 1 2 The Broadway League (January 27, 1997). "Men are from Mars, Women are From Venus – Broadway Special – Original". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "Men Are from Mars, Women Are from Venus (Broadway, Gershwin Theatre, 1997)". Playbill. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
  182. 1 2 Marks, Peter (January 29, 1997). "Give 2 Hugs and Call Him in the Morning". The New York Times. ISSN   0362-4331. Archived from the original on February 16, 2018. Retrieved April 6, 2022.
  183. ↑ Kissel, Howard (April 30, 1997). "'Candide' Still No Can Do". New York Daily News. p. 638. ISSN   2692-1251 . Retrieved April 6, 2022– via newspapers.com.
  184. ↑ Brantley, Ben (April 30, 1997). "High-Voltage Voltaire". The New York Times. ISSN   0362-4331. Archived from the original on November 4, 2021. Retrieved April 6, 2022.
  185. 1 2 The Broadway League (April 29, 1997). "Candide – Broadway Musical – 1997 Revival". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "Candide (Broadway, Gershwin Theatre, 1997)". Playbill. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
  186. 1 2 "'Candide' to Close". The New York Times. July 23, 1997. ISSN   0362-4331. Archived from the original on December 26, 2017. Retrieved April 6, 2022.
  187. ↑ Lyman, Rick (October 30, 1997). "'1776' Will Make It to Broadway". The New York Times. ISSN   0362-4331. Archived from the original on June 21, 2020. Retrieved April 6, 2022.
  188. 1 2 The Broadway League (August 14, 1997). "1776 – Broadway Musical – 1997 Revival". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
  189. 1 2 "'1776' Is to Close". The New York Times. June 11, 1998. ISSN   0362-4331. Archived from the original on May 27, 2015. Retrieved April 6, 2022.
  190. 1 2 Canby, Vincent (November 29, 1998). "Theater; An Exhilarating 'On the Town' Spreads Some Joy". The New York Times. ISSN   0362-4331. Archived from the original on January 24, 2022. Retrieved April 6, 2022.
  191. ↑ Winer, Linda (November 23, 1998). "Refreshing Night 'On the Town'". Newsday. pp. 62, 63, 69. ISSN   2574-5298 . Retrieved April 6, 2022– via newspapers.com.
  192. ↑ Botto & Mitchell 2002 , p. 328.
  193. ↑ McKinley, Jesse (January 13, 1999). "Money-Losing 'On the Town' to Close". The New York Times. ISSN   0362-4331. Archived from the original on September 18, 2017. Retrieved April 6, 2022.
  194. ↑ Pogrebin, Robin (June 7, 1999). "A Revival of 'Salesman' Takes 4 Tony Awards; 'Side Man,' 'Fosse,' Judi Dench and Brian Dennehy Win Top Honors". The New York Times. ISSN   0362-4331. Archived from the original on February 26, 2021. Retrieved April 6, 2022.
  195. ↑ O'Haire, Patricia (April 3, 1999). "Tony Awards Find a (Smaller) Home". New York Daily News. p. 26. ISSN   2692-1251 . Retrieved April 6, 2022– via newspapers.com.
  196. ↑ McKinley, Jesse (April 23, 1999). "On Stage and Off". The New York Times. ISSN   0362-4331. Archived from the original on September 14, 2017. Retrieved April 6, 2022.
  197. 1 2 The Broadway League (April 7, 1999). "Peter Pan – Broadway Musical – 1999 Revival". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "Peter Pan (Broadway, Gershwin Theatre, 1999)". Playbill. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
  198. 1 2 The Broadway League (November 16, 1999). "Tango Argentino – Broadway Musical – 1999 Revival". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "Tango Argentino (Broadway, Gershwin Theatre, 1999)". Playbill. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
  199. 1 2 Marks, Peter (November 18, 1999). "Theater Review; The Argentine Heart: Part Song, All Tango". The New York Times. ISSN   0362-4331. Archived from the original on September 18, 2017. Retrieved April 6, 2022.
  200. 1 2 Dunning, Jennifer (March 17, 2000). "Dance Review; With Fast Feet and Fiddles, An Irish Perennial Returns". The New York Times. ISSN   0362-4331. Archived from the original on November 16, 2018. Retrieved April 6, 2022.
  201. ↑ "Inventive Irish 'Dancing'". New York Daily News. March 10, 2000. p. 66. ISSN   2692-1251 . Retrieved April 6, 2022– via newspapers.com.
  202. 1 2 The Broadway League (March 16, 2000). "Riverdance – On Broadway – Broadway Musical – Original". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "Riverdance – on Broadway (Broadway, Gershwin Theatre, 2000)". Playbill. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
  203. ↑ Guettel, Adam (September 9, 2001). "The New Season/Theater; In Praise of Melody, and Rodgers". The New York Times. ISSN   0362-4331. Archived from the original on February 11, 2021. Retrieved April 6, 2022.
  204. 1 2 The Broadway League (December 26, 2001). "Linda Eder at the Gershwin – Broadway Special – Original". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "Linda Eder at the Gershwin (Broadway, Gershwin Theatre, 2001)". Playbill. Archived from the original on April 20, 2021. Retrieved January 31, 2022.
  205. 1 2 "Waters' 'Hairspray' Is Beginning to Gel". Newsday. December 20, 2001. p. 97. ISSN   2574-5298 . Retrieved April 6, 2022– via newspapers.com.
  206. 1 2 Brantley, Ben (March 22, 2002). "Theater Review; This Time, A Beautiful Mornin' With A Dark Side". The New York Times. ISSN   0362-4331. Archived from the original on June 18, 2021. Retrieved April 6, 2022.
  207. ↑ Kissel, Howard (March 22, 2002). "Oh, what a beautiful revival of a pure prairie classic!". New York Daily News. p. 57. ISSN   2692-1251 . Retrieved April 6, 2022– via newspapers.com.
  208. 1 2 The Broadway League (March 21, 2002). "Oklahoma! – Broadway Musical – 2002 Revival". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "Oklahoma! (Broadway, Gershwin Theatre, 2002)". Playbill. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
  209. ↑ O'Haire, Patricia (February 5, 2003). "Not Doing Fine, 'Oklahoma!' to Close". New York Daily News. p. 36. ISSN   2692-1251 . Retrieved April 6, 2022– via newspapers.com.
  210. ↑ "Gershwin Theatre Reconfigured to Suit Oklahoma!". Playbill. Archived from the original on May 15, 2021. Retrieved April 6, 2022.
  211. ↑ McKinley, Jesse (June 29, 2002). "Tribute to Richard Rodgers Fills the House on His 100th". The New York Times. ISSN   0362-4331. Archived from the original on January 29, 2018. Retrieved April 6, 2022.
  212. ↑ Brantley, Ben (October 31, 2003). "Theater Review; There's Trouble In Emerald City". The New York Times. ISSN   0362-4331. Archived from the original on March 23, 2022. Retrieved April 6, 2022.
  213. ↑ Winer, Linda (October 31, 2003). "Bewitched and Bothered, Too". Newsday. pp. 82, 96. ISSN   2574-5298 . Retrieved April 6, 2022– via newspapers.com.
  214. 1 2 3 Healy, Patrick (April 28, 2010). "In Broadway Lights: No Vacancy". The New York Times. ISSN   0362-4331. Archived from the original on January 26, 2021. Retrieved April 6, 2022.
  215. ↑ Kreinin Souccar, Miriam (February 16, 2004). "Witches of Oz work their magic". Crain's New York Business. Vol. 20, no. 7. p. 1. ProQuest   219147822.
  216. ↑ "9 Broadway theaters to gain disabled accessibility". Times Union. January 29, 2014. Archived from the original on December 30, 2021. Retrieved December 30, 2021.
  217. ↑ "9 Broadway theaters to gain disabled accessibility". Yahoo Finance. February 11, 2015. Archived from the original on December 30, 2021. Retrieved December 30, 2021.
  218. ↑ Paulson, Michael (March 12, 2020). "Broadway, Symbol of New York Resilience, Shuts Down Amid Virus Threat". The New York Times. ISSN   0362-4331. Archived from the original on September 16, 2021. Retrieved September 17, 2021.
  219. ↑ Paulson, Michael (September 14, 2021). "Broadway's Biggest Hits Reopen in Festive Night of Theater". The New York Times. ISSN   0362-4331. Archived from the original on January 4, 2022. Retrieved September 24, 2021.
  220. ↑ Gans, Andrew (September 14, 2021). "Wicked Flies Back Into Broadway's Gershwin Theatre September 14". Playbill. Archived from the original on September 15, 2021. Retrieved September 24, 2021.
  221. ↑ The Broadway League (April 23, 1974). "Sammy – Broadway Special – Original". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
    "Sammy (Broadway, Gershwin Theatre, 1974)". Playbill. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  222. ↑ The Broadway League (May 7, 1974). "Mott the Hoople – Broadway Special – Original". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
    "Mott the Hoople (Broadway, Gershwin Theatre, 1974)". Playbill. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  223. ↑ The Broadway League (September 23, 1974). "Enrico Macias and his La Fete Orientale Co. – Broadway Special – Original". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
    "Enrico Macias and His La Fete Orientale Co. (Broadway, Gershwin Theatre, 1974)". Playbill. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  224. ↑ The Broadway League (October 16, 1974). "Andy Williams with Michel Legrand – Broadway Special – Original". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
    "Andy Williams with Michel Legrand (Broadway, Gershwin Theatre, 1974)". Playbill. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  225. ↑ The Broadway League (October 31, 1974). "Anthony Newley / Henry Mancini – Broadway Special – Original". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
    "Anthony Newley / Henry Mancini (Broadway, Gershwin Theatre, 1974)". Playbill. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  226. ↑ The Broadway League (November 13, 1974). "Johnny Mathis and The Miracles – Broadway Special – Original". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
    "Johnny Mathis and the Miracles (Broadway, Gershwin Theatre, 1974)". Playbill. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  227. ↑ The Broadway League (November 27, 1974). "The Fifth Dimension with Jo Jo's Dance Factory – Broadway Special – Original". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
    "The Fifth Dimension with Jo Jo's Dance Factory (Broadway, Gershwin Theatre, 1974)". Playbill. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  228. ↑ The Broadway League (December 19, 1974). "Raphael in Concert with The Voices of New York – Broadway Special – Original". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
    "Raphael in Concert with the Voices of New York (Broadway, Gershwin Theatre, 1974)". Playbill. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  229. ↑ The Broadway League (November 18, 1975). "Fonteyn & Nureyev on Broadway – Broadway Special – Original". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
    "Fonteyn & Nureyev on Broadway (Broadway, Gershwin Theatre, 1975)". Playbill. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  230. ↑ The Broadway League (December 4, 1975). "Paul Anka – Broadway Special – Original". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
    "Paul Anka (Broadway, Gershwin Theatre, 1976)". Playbill. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  231. ↑ The Broadway League (December 22, 1975). "American Ballet Theatre – Broadway Special – Original". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  232. ↑ Kisselgoff, Anna (December 23, 1975). "Dance: American Ballet Does 'Giselle'". The New York Times. ISSN   0362-4331. Archived from the original on April 9, 2022. Retrieved April 9, 2022.
  233. 1 2 3 4 5 6 7 8 9 Bloom 2007 , p. 93.
  234. ↑ The Broadway League (December 7, 1976). "Bing Crosby on Broadway – Broadway Special – Original". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
    "Bing Crosby on Broadway (Broadway, Gershwin Theatre, 1976)". Playbill. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  235. ↑ Wallach, Allan (December 8, 1976). "Still Bing—and that's enough". Newsday. p. 125. ISSN   2574-5298 . Retrieved April 5, 2022– via newspapers.com.
  236. ↑ The Broadway League (December 21, 1976). "Barry Manilow on Broadway – Broadway Special – Original". IBDB. Archived from the original on December 6, 2020. Retrieved February 6, 2022.
    "Bing Crosby on Broadway (Broadway, Gershwin Theatre, 1976)". Playbill. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  237. ↑ Rockwell, John (December 23, 1976). "Barry Manilow Sings Ballads And Pop in 2-Week Run at Uris". The New York Times. ISSN   0362-4331. Archived from the original on March 22, 2022. Retrieved April 5, 2022.
  238. ↑ The Broadway League (May 2, 1977). "The King and I – Broadway Musical – 1977 Revival". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
    "The King and I (Broadway, Gershwin Theatre, 1977)". Playbill. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  239. ↑ The Broadway League (February 25, 1980). "Dance Theatre of Harlem – Broadway". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
    "Dance Theatre of Harlem (Broadway, Gershwin Theatre, 1980)". Playbill. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  240. ↑ The Broadway League (August 20, 1980). "The Bat – Broadway Special – 1980 Revival". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
    "The Bat (Broadway, Gershwin Theatre, 1980)". Playbill. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  241. ↑ The Broadway League (September 9, 1980). "Coppelia – Broadway Special – Original". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
    "Coppelia (Broadway, Gershwin Theatre, 1980)". Playbill. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  242. ↑ The Broadway League (October 7, 1980). "Makarova and Company – Broadway Special – Original". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
    "Makarova and Company (Broadway, Gershwin Theatre, 1980)". Playbill. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  243. ↑ The Broadway League (November 6, 1980). "Boston Ballet Company – Broadway Special – Original". IBDB. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
    "Boston Ballet Company (Broadway, Gershwin Theatre, 1980)". Playbill. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  244. ↑ The Broadway League (October 14, 1984). "Much Ado About Nothing – Broadway Play – 1984 Revival". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "Much Ado About Nothing (Broadway, Gershwin Theatre, 1984)". Playbill. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
  245. ↑ The Broadway League (October 16, 1984). "Cyrano de Bergerac – Broadway Play – 1984 Revival". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "Cyrano de Bergerac (Broadway, Gershwin Theatre, 1984)". Playbill. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
  246. ↑ The Broadway League (November 19, 1998). "On the Town – Broadway Musical – 1998 Revival". IBDB. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
    "On the Town (Broadway, Gershwin Theatre, 1998)". Playbill. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
  247. ↑ The Broadway League (October 30, 2003). "Wicked – Broadway Musical – Original". IBDB. Archived from the original on January 27, 2021. Retrieved January 31, 2022.
    "Wicked (Broadway, Gershwin Theatre, 2003)". Playbill. Archived from the original on January 22, 2022. Retrieved January 31, 2022.
  248. ↑ "New 'Starlight' Record". The New York Times. April 22, 1987. ISSN   0362-4331. Archived from the original on November 1, 2017. Retrieved April 6, 2022.
  249. ↑ "'Show Boat' Breaks A Box-Office Record". The New York Times. October 13, 1994. ISSN   0362-4331. Archived from the original on May 26, 2015. Retrieved April 6, 2022.
  250. ↑ McKinley, Jesse (January 4, 2006). "Arts, Briefly; Great White Way Turns Green". The New York Times. ISSN   0362-4331 . Retrieved April 6, 2022.
  251. ↑ "8 years in, 'Wicked' breaks its box-office record". Boston.com. January 3, 2011. Archived from the original on August 20, 2014. Retrieved April 6, 2022.
  252. ↑ Healy, Patrick (January 10, 2011). "The Witch Is Dead? 'Spider-Man' Outgrosses 'Wicked' on Broadway". ArtsBeat. Archived from the original on March 25, 2021. Retrieved April 6, 2022.
  253. ↑ "Production Gross". Playbill. January 6, 2019. Retrieved December 30, 2021.

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