"Slap That Bass" | ||||
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Song by Fred Astaire | ||||
B-side | "They All Laughed" | |||
Published | 1937 by Chappell & Co. [1] | |||
Released | April 1937 | |||
Recorded | March 21, 1937 [2] | |||
Studio | Los Angeles, California | |||
Genre | Jazz, Pop Vocal | |||
Label | Brunswick 7856 | |||
Composer(s) | George Gershwin | |||
Lyricist(s) | Ira Gershwin | |||
Fred Astaire singles chronology | ||||
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"Slap That Bass" is a song composed by George Gershwin, with lyrics by Ira Gershwin, introduced by Fred Astaire and Dudley Dickerson in the 1937 film Shall We Dance . [3]
The song refers to the slap style of double bass playing that was popular at the time.
"They Can't Take That Away from Me" is a 1937 popular song with music by George Gershwin and lyrics by Ira Gershwin. It was introduced by Fred Astaire in the 1937 film Shall We Dance and gained huge success.
Ella Fitzgerald Sings the George and Ira Gershwin Song Book is a box set by American jazz singer Ella Fitzgerald that contains songs by George and Ira Gershwin with arrangements by Nelson Riddle. It was produced by Norman Granz, Fitzgerald's manager and the founder of Verve Records. Fifty-nine songs were recorded in the span of eight months in 1959.
"Oh, Lady Be Good!" is a 1924 song by George and Ira Gershwin. It was introduced by Walter Catlett in the Broadway musical Lady, Be Good! written by Guy Bolton, Fred Thompson, and the Gershwin brothers and starring Fred and Adele Astaire. The song was also performed by the chorus in the film Lady Be Good (1941), although the film is unrelated to the musical.
"A Fine Romance" is a popular song composed by Jerome Kern with lyrics by Dorothy Fields, published in 1936.
"Nice Work If You Can Get It" is a popular song and jazz standard composed by George Gershwin with lyrics by Ira Gershwin.
"Embraceable You" is a popular jazz song with music by George Gershwin and lyrics by Ira Gershwin. The song was written in 1928 for an unpublished operetta named East Is West. It was published in 1930 and included in the Broadway musical Girl Crazy where Ginger Rogers performed it in a song and dance routine choreographed by Fred Astaire.
"Let's Call the Whole Thing Off" is a song written by George Gershwin and Ira Gershwin for the 1937 film Shall We Dance, where it was introduced by Fred Astaire and Ginger Rogers as part of a celebrated dance duet on roller skates. The music sheet is annotated with the word "Brightly". The song was ranked No. 34 on AFI's 100 Years...100 Songs.
"Fascinating Rhythm" is a popular song written by George Gershwin in 1924 with lyrics by Ira Gershwin.
"Funny Face" is a 1927 song composed by George Gershwin, with lyrics by Ira Gershwin.
"I've Got a Crush on You" is a song composed by George Gershwin, with lyrics by Ira Gershwin. It is unique among Gershwin compositions in that it was used for two different Broadway productions: Treasure Girl (1928), when it was introduced by Clifton Webb and Mary Hay, and Strike Up the Band (1930), when it was sung by Doris Carson and Gordon Smith. It was later included in the tribute musical Nice Work If You Can Get It (2012), in which it was sung by Jennifer Laura Thompson. When covered by Frank Sinatra he was a part of Columbia records.
"They All Laughed" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film Shall We Dance where it was introduced by Ginger Rogers as part of a song and dance routine with Fred Astaire. The lyrics compare those who "laughed at me, wanting you" with those who laughed at some of history's famous scientific and industrial pioneers, asking, "Who's got the last laugh now?" People and advances mentioned are Christopher Columbus's proof the Earth is round; Thomas Edison's phonograph; Guglielmo Marconi's wireless telegraphy; the Wright brothers's first flight; the Rockefeller Center; Eli Whitney's cotton gin; Robert Fulton's North River Steamboat; Milton S. Hershey's Hershey bar chocolate; and Henry Ford's "Tin Lizzy" Model T car.
"A Foggy Day" is a popular song composed by George Gershwin, with lyrics by Ira Gershwin. The song was introduced by Fred Astaire in the 1937 film A Damsel in Distress. It was originally titled "A Foggy Day " in reference to the pollution-induced pea soup fogs that were common in London during that period, and is often still referred to by the full title.
The commercial recording by Astaire for Brunswick was very popular in 1937.
"My One and Only" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1927 musical Funny Face where it was introduced by Fred Astaire, Betty Compton and Gertrude McDonald. It was originally titled "(What Am I Gonna Do) If You Turn Me Down?"
"(I've Got) Beginner's Luck" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film Shall We Dance, it was introduced by Fred Astaire. It's a brief comic tap solo with cane where Astaire's rehearsing to a record of the number is cut short when the record gets stuck. Astaire's commercial recording for Brunswick was very popular in 1937.
"He Loves and She Loves" is a 1927 song composed by George Gershwin, with lyrics written by Ira Gershwin.
"'The Half of it, Dearie' Blues" is a song composed by George Gershwin, with lyrics by Ira Gershwin. It was introduced by Fred Astaire and Kathlene Martyn in the 1924 musical Lady be Good.
"Stiff Upper Lip" is a 1937 song composed by George Gershwin, with lyrics by Ira Gershwin. It references the British expression 'Stiff upper lip'.
"Who Cares?" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for their 1931 musical Of Thee I Sing. It was introduced by William Gaxton and Lois Moran in the original Broadway production.
"I Can't Be Bothered Now" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film A Damsel In Distress, where it was introduced by Fred Astaire.
"Strike Up the Band" is a 1927 song composed by George Gershwin, with lyrics by Ira Gershwin with the collaboration of Millie Raush. It was written for the 1927 musical Strike Up the Band, where it formed part of a satire on war and militaristic music. Although the musical was not successful, the instrumental version of the song, titled the "March from Strike Up the Band", has become quite well known. The song was also used in the Judy Garland-Mickey Rooney 1940 film Strike Up the Band.