This article relies largely or entirely on a single source .(April 2016) |
"That Certain Feeling" | |
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Song | |
Language | English |
Released | 1925 |
Genre | Jazz |
Composer(s) | George Gershwin |
Lyricist(s) | Ira Gershwin |
"That Certain Feeling" is a 1925 song composed by George Gershwin, with lyrics by Ira Gershwin. [1]
It was introduced by Allen Kearns and Queenie Smith in the 1925 musical Tip-Toes . [1] It was later used as the title of a 1956 Bob Hope film when it was performed during the opening credits by Pearl Bailey and later reprised by Bob Hope
"Oh, Lady Be Good!" is a 1924 song by George and Ira Gershwin. It was introduced by Walter Catlett in the Broadway musical Lady, Be Good! written by Guy Bolton, Fred Thompson, and the Gershwin brothers and starring Fred and Adele Astaire. The song was also performed by the chorus in the film Lady Be Good (1941), although the film is unrelated to the musical.
"But Not for Me" is a popular song originally written by George Gershwin and Ira Gershwin for the musical Girl Crazy (1930).
"Nice Work If You Can Get It" is a popular song and jazz standard composed by George Gershwin with lyrics by Ira Gershwin.
"Somebody Loves Me" is a popular song, with music written by George Gershwin, and lyrics by Ballard MacDonald and Buddy DeSylva. The song was published in 1924 and featured in George White's Scandals of 1924.
"Fascinating Rhythm" is a popular song written by George Gershwin in 1924 with lyrics by Ira Gershwin.
"'S Wonderful" is a 1927 popular song composed by George Gershwin, with lyrics written by Ira Gershwin. It was introduced in the Broadway musical Funny Face (1927) by Adele Astaire and Allen Kearns.
"Love Is Here to Stay" is a popular song and jazz standard composed by George Gershwin with lyrics by Ira Gershwin for the movie The Goldwyn Follies (1938).
"I've Got a Crush on You" is a song composed by George Gershwin, with lyrics by Ira Gershwin. It is unique among Gershwin compositions in that it was used for two different Broadway productions: Treasure Girl (1928), when it was introduced by Clifton Webb and Mary Hay, and Strike Up the Band (1930), when it was sung by Doris Carson and Gordon Smith. It was later included in the tribute musical Nice Work If You Can Get It (2012), in which it was sung by Jennifer Laura Thompson. When covered by Frank Sinatra he was a part of Columbia Records.
"A Foggy Day" is a popular song composed by George Gershwin, with lyrics by Ira Gershwin. The song was introduced by Fred Astaire in the 1937 film A Damsel in Distress. It was originally titled "A Foggy Day " in reference to the pollution-induced pea soup fogs that were common in London during that period, and is often still referred to by the full title.
The commercial recording by Astaire for Brunswick was very popular in 1937.
"(I've Got) Beginner's Luck" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film Shall We Dance, it was introduced by Fred Astaire. It is a brief comic tap solo with cane where Astaire's rehearsing to a record of the number is cut short when the record gets stuck. Astaire's commercial recording for Brunswick was very popular in 1937.
"Bidin' My Time" is a song composed by George Gershwin, with lyrics by Ira Gershwin. It was introduced by The Foursome in the 1930 musical Girl Crazy. Not to be confused with the Anne Murray song Bidin' My Time from 1969 written by Gene MacLellan.
"He Loves and She Loves" is a 1927 song composed by George Gershwin, with lyrics written by Ira Gershwin.
"Who Cares?" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for their 1931 musical Of Thee I Sing. It was introduced by William Gaxton and Lois Moran in the original Broadway production.
"Love Walked In" is a song composed by George Gershwin, with lyrics by Ira Gershwin. The tune was composed in 1930, but the lyric was not written until 1937, for the movie musical The Goldwyn Follies (1938), where it was sung by Kenny Baker. Hit versions include Sammy Kaye (1938), The Hilltoppers (1953), Ella Fitzgerald (1959), The Flamingos (1959) and Dinah Washington (1960). Artie Shaw recorded the song in the early 1940s.
"Darn That Dream" is a popular song composed by Jimmy Van Heusen with lyrics by Eddie DeLange. It was published in 1939 and ranked No. 1 in 1940 when a recording was released by Benny Goodman in an arrangement by Eddie Sauter with Mildred Bailey singing the vocal. Other popular recordings in 1940 were by Blue Barron & His Orchestra and by Tommy Dorsey.
"Old Devil Moon" is a popular song composed by Burton Lane with lyrics by Yip Harburg for the 1947 musical Finian's Rainbow. It was introduced by Ella Logan and Donald Richards in the Broadway show. The song takes its title from a phrase in "Fun to Be Fooled", a song that Harburg wrote with Harold Arlen and Ira Gershwin for the 1934 musical Life Begins at 8:40.
"I Can't Get Started", also known as "I Can't Get Started with You" or "I Can't Get Started (With You)", is a popular song. It was written in 1936 by Vernon Duke (music) and Ira Gershwin (lyrics) and introduced that year in the revue Ziegfeld Follies of 1936, where it was performed by Bob Hope and Eve Arden.
"Of Thee I Sing" is a 1931 song composed by George Gershwin, with lyrics by Ira Gershwin.
Allen Kearns was a Canadian-born singer and actor. He was born in Brockville, Ontario, Canada and died in Albany, New York. He played the romantic lead role in several Broadway musicals and is especially remembered for introducing two hit songs by George and Ira Gershwin: "'S Wonderful" and "Embraceable You".
Warm and Willing is the tenth studio album by American pop singer Andy Williams and was released in 1962 by Columbia Records. Allmusic's William Ruhlmann explained that Williams and producer Robert Mersey "followed the Sinatra concept-album formula of creating a consistent mood, in this case a romantic one, and picking material mostly from the Great American Songbook of compositions written for Broadway musicals in the 1920s and '30s by the likes of George and Ira Gershwin, then giving them slow, string-filled arrangements over which Williams could croon in his breathy, intimate tenor voice."