An American in Paris is a jazz-influenced orchestral piece by American composer George Gershwin first performed in 1928. It was inspired by the time that Gershwin had spent in Paris and evokes the sights and energy of the French capital in the Années folles.
George Gershwin was an American composer, pianist and painter whose compositions spanned both popular and classical genres. Among his best-known works are the orchestral compositions Rhapsody in Blue (1924) and An American in Paris (1928), the songs "Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standard "I Got Rhythm" (1930), and the opera Porgy and Bess (1935), which gave birth to the hit "Summertime".
Rhapsody in Blue is a 1924 musical composition by the American composer George Gershwin for solo piano and jazz band, which synthesizes elements of classical music with jazz-influenced effects. The composition was commissioned by bandleader Paul Whiteman. The piece received its premiere in the concert, "An Experiment in Modern Music," which was held on February 12, 1924, in Aeolian Hall, New York City, by Whiteman and his band with Gershwin playing the piano. The work was orchestrated by Ferde Grofé several times, including the original 1924 scoring, the 1926 "theater orchestra" setting, and the 1942 symphony orchestra scoring.
Ferdinand Rudolph von Grofé, known as Ferde Grofé was an American composer, arranger, pianist and instrumentalist. He is best known for his 1931 five-movement tone poem, Grand Canyon Suite.
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946.
Concerto in F is a composition by George Gershwin for solo piano and orchestra which is closer in form to a traditional concerto than his earlier jazz-influenced Rhapsody in Blue. It was written in 1925 on a commission from the conductor and director Walter Damrosch. It is just over half an hour long.
Robert Russell Bennett was an American composer and arranger, best known for his orchestration of many well-known Broadway and Hollywood musicals by other composers such as Irving Berlin, George Gershwin, Jerome Kern, Cole Porter, and Richard Rodgers.
Morton Gould was an American composer, conductor, arranger, and pianist.
Lowell Liebermann is an American composer, pianist and conductor.
Vernon Duke was an American composer/songwriter, who also wrote under his original name, Vladimir Dukelsky. He is best known for "Taking a Chance on Love" with lyrics by Ted Fetter and John Latouche (1940), "I Can't Get Started" with lyrics by Ira Gershwin (1936), "April in Paris" with lyrics by E. Y. ("Yip") Harburg (1932), and "What Is There To Say" for the Ziegfeld Follies of 1934, also with Harburg. He wrote the words and music for "Autumn in New York" (1934) for the revue Thumbs Up! Vernon collaborated with lyricists such as Johnny Mercer, Ira Gershwin, Ogden Nash and Sammy Cahn.
Lawrence Cecil Adler was an American harmonica player. Known for playing major works, he played compositions by George Gershwin, Ralph Vaughan Williams, Malcolm Arnold, Darius Milhaud and Arthur Benjamin. During his later career, he collaborated with Sting, Elton John, Kate Bush and Cerys Matthews.
Darci Kistler is an American ballerina. She is often said to be the last muse for choreographer George Balanchine.
Nadine Dana Suesse was an American musician, composer and lyricist.
Eric Himy is an American-born classical pianist of French-Spanish-Moroccan descent.
Tschaikovsky Piano Concerto No. 2, originally called Ballet Imperial, is a ballet in three movements made by New York City Ballet's co-founder and founding choreographer George Balanchine for his earlier company, American Ballet Caravan, to the version of Peter Ilyitch Tchaikovsky's Piano Concerto No. 2, originally composed in 1879–80, but later revised by Alexander Siloti. The ballet was given a preview performance on 29 May 1941 at the Little Theater of Hunter College in New York City. The premiere took place on 25 June 1941 at Teatro Municipal, Rio de Janeiro.
The Cage is a ballet made by New York City Ballet ballet master Jerome Robbins to Stravinsky's Concerto in D for string orchestra, also known as the "Basel Concerto", which he was commissioned to compose on the twentieth anniversary of the chamber orchestra Basler Kammerorchester; it notably shifts between D major and minor. The premiere took place on Sunday, 10 June 1951 at the City Center of Music and Drama, New York, with décor by Jean Rosenthal, costumes by Ruth Sobatka and lighting by Jennifer Tipton. It was danced as part of City Ballet's 1982 Stravinsky Centennial Celebration.
William Dollar was an American dancer, ballet master, choreographer, and teacher. As one of the first American danseurs nobles, he performed with numerous companies, including the Philadelphia Opera Ballet, the American Ballet, Ballet Caravan, Ballet Society, Ballet Theatre, and New York City Ballet.
Who Cares? is a ballet made by New York City Ballet's co-founder and founding choreographer George Balanchine to songs by George Gershwin in an orchestration by Hershy Kay. The premiere took place on Saturday, February 7, 1970, at the New York State Theater, Lincoln Center with costumes by Barbara Karinska and lighting by Ronald Bates; it was at first performed without décor but from November 1970 with scenery by Jo Mielziner.
Dennis Hennig was an Australian pianist.
Stravinsky Violin Concerto, originally titled Violin Concerto, is a neoclassical ballet choreographed by George Balanchine to Stravinsky's Violin Concerto. Balanchine had previously choreographed another ballet to the concerto in 1941 for the Original Ballet Russe, titled Balustrade, though it was not revived following a few performances. He then reused the concerto for New York City Ballet's Stravinsky Festival in 1972, a tribute to the composer following his death. The ballet premiered on June 18, 1972, at the New York State Theater.
