West Side Story Suite

Last updated

West Side Story Suite
Choreographer Jerome Robbins
Music Leonard Bernstein
PremiereMay 18, 1995 (1995-05-18)
New York State Theater
Original ballet company New York City Ballet
Design

West Side Story Suite is a ballet suite choreographed by Jerome Robbins. Robbins conceived, directed and choreographed the 1957 musical West Side Story , then co-directed its 1961 film adaptation, before including parts of the choreography in the anthology Jerome Robbins' Broadway . Robbins developed the latter to the ballet West Side Story Suite for the New York City Ballet, which premiered on May 18, 1995, at the New York State Theater. [1]

Contents

Background

Jerome Robbins was credited for conceiving, directing and choreographing the 1957 Broadway musical West Side Story , [2] with music by Leonard Bernstein, lyrics by Stephen Sondheim and book by Arthur Laurents, inspired by William Shakespeare's Romeo and Juliet , set in 1950s New York. [3] In the 1961 film adaptation, he co-directed with Robert Wise. [3] He incorporated the choreography to the 1989 anthology Jerome Robbins' Broadway , which is slightly rechoreographed from the original musical. [4]

Production

In the 1970s, [3] Robbins was invited to make a West Side Story ballet for the American Ballet Theatre. After learning this, George Balanchine encouraged Robbins to accept the offer because "our boys can't fight," though the plan fell through. [5] In 1994, Lincoln Kirstein, a New York City Ballet co-founder, wrote to Robbins and suggested he make a West Side Story as "a choral ballet" because "not only would it be a terrific boost for the company which needs a new Sleeping Beauty , but it would put us in a more stable condition, for continuity." Comparing to The Royal Ballet's Romeo and Juliet , he claimed if the New York City Ballet has a West Side Story ballet, he "would not feel so desperately worried about our repertory and the ageing of our audience." [6]

Robbins claimed that when he choreographed the musical, he did not expect it to be performed as a ballet because ballet dancers "couldn't dance it then," but by the time he made the ballet, "They can jive as well as anybody else can jive, so they can move their bodies in all those different ways. They just have to push the right buttons and release them." [3] The ballet is developed from six excerpts from Robbins' anthology Jerome Robbins' Broadway, and he added "Something's Coming". [5] Peter Gennaro, the co-choreographer of the original musical, [7] was credited as such in the ballet. [8] Since the dancers had no prior acting experience, Robbins had them create biographies for their characters. [5] In rehearsals, Robbins claimed that the dancers were "holding back", so he told them, "Look. Each of you has your own story. You can't just be nice people then scream and yell." [5]

In the original production, guest performers Nancy Ticotin and Natalie Toro were brought in to portray Anita and Rosalia respectively, both singing parts. [6] Danish dancer Nikolaj Hübbe, who played Riff, was able to sing "Cool" himself despite his lack of vocal training. [5] Robert La Fosse, a New York City Ballet dancer who played Tony on Jerome Robbins' Broadway, reprised his role here, [7] though the character's part in "Something's Coming" is performed by a singer in the orchestra pit, [7] as with three chorus girls in "America" and the female solo in "Somewhere". [9] Robbins was concerned that he might need to adapt the songs "because the dancers were not trained for it," but he did not. [2]

Irene Sharaff designed the costumes for the ballet, having previously worked on both the musical and the film. [10] Oliver Smith and Jennifer Tipton designed the sets and lighting respectively. [7]

Original cast

The offstage singers were Rob Lorey, Joan Barber, Stephanie Bast, Donna Lee Marshall and Karen Murphy, with Paul Gemignani conducting. [7]

Musical numbers

The ballet starts with a spoken introduction, and to emphasize the suite form, there are bows between songs. [6]

Revivals

A few years after West Side Story Suite premiered, the New York City Ballet chose to cast their own dancers instead of Broadway actors to perform the singing roles, though the format of having offstage vocalists continues. [6] [9]

In 2005, when original cast member Jock Soto retired from dancing, he included the "Dance at the Gym" scene in his final performance. [11] Nikolaj Hübbe, another original cast member, performed "Cool" in his farewell performance in 2008. [12] Chita Rivera, who created the role of Anita in the musical, served as the MC at a New York City Ballet gala in 2011 where West Side Story Suite was performed. [10]

When ballet companies add West Side Story Suite to their repertory, they must seek permissions from lyricist Stephen Sondheim, book writer Arthur Laurent, and the estates of Robbins and composer Leonard Bernstein, therefore the companies are required to hold singing auditions. [13] In 2007, the National Ballet of Canada became the first company other than the New York City Ballet to perform West Side Story Suite, and according to artistic director Karen Kain, the company acquired the ballet in honour of the tenth anniversary of Robbins' death. [9] A vocal coach was brought in to assess whether the company could perform the ballet in terms of singing, help cast performers for the three singing roles, and give the cast vocal training. As a result, the cast featured dancers across ranks. [9] The San Francisco Ballet, [14] Pacific Northwest Ballet [2] and Houston Ballet have also performed the ballet. [15]

Related Research Articles

<i>West Side Story</i> Musical by Leonard Bernstein, Stephen Sondheim and Arthur Laurents; premiered in 1957

West Side Story is a musical conceived by Jerome Robbins with music by Leonard Bernstein, lyrics by Stephen Sondheim, and a book by Arthur Laurents.

<i>On the Town</i> (musical) 1945 musical by Leonard Bernstein, Betty Comden, and Adolph Green

On the Town is a musical with music by Leonard Bernstein and book and lyrics by Betty Comden and Adolph Green, based on Jerome Robbins' idea for his 1944 ballet Fancy Free, which he had set to Bernstein's music. The musical introduced several popular and classic songs, among them "New York, New York", "Lonely Town", "I Can Cook, Too", and "Some Other Time". The story concerns three American sailors on a 24-hour shore leave in New York City during World War II, 1944. Each of the three sailors meets and quickly connects with a woman.

<span class="mw-page-title-main">Michael Kidd</span> American choreographer

Michael Kidd was an American film and stage choreographer, dancer and actor, whose career spanned five decades, and who staged some of the leading Broadway and film musicals of the 1940s and 1950s. Kidd, strongly influenced by Charlie Chaplin and Léonide Massine, was an innovator in what came to be known as the "integrated musical", in which dance movements are integral to the plot.

<span class="mw-page-title-main">Jerome Robbins</span> American choreographer & director (1918–1998)

Jerome Robbins was an American dancer, choreographer, film director, theatre director and producer who worked in classical ballet, on stage, film, and television.

Herbert David Ross was an American actor, choreographer, director and producer who worked predominantly in theater and film. He was nominated for two Academy Awards and a Tony Award.

<span class="mw-page-title-main">Michael Bennett (theater)</span> American choreographer

Michael Bennett was an American musical theatre director, writer, choreographer, and dancer. He won seven Tony Awards for his choreography and direction of Broadway shows and was nominated for an additional eleven.

<span class="mw-page-title-main">Larry Kert</span> American actor, singer and dancer (1930–1991)

Lawrence Frederick Kert was an American actor, singer, and dancer. He is best known for his role of Tony in the original Broadway production of the musical West Side Story. He was nominated for a Tony Award (1971) for his work in the musical comedy Company (1970).

<i>West Side Story</i> (1961 film) 1961 film directed by Robert Wise and Jerome Robbins

West Side Story is a 1961 American musical romantic drama film directed by Robert Wise and Jerome Robbins, written by Ernest Lehman, and produced by Wise. The film is an adaptation of the 1957 Broadway musical of the same title, which in turn was inspired by Shakespeare's play Romeo and Juliet. It stars Natalie Wood, Richard Beymer, Russ Tamblyn, Rita Moreno, and George Chakiris and was photographed by Daniel L. Fapp in Super Panavision 70. The music was composed by Leonard Bernstein, with lyrics by Stephen Sondheim.

Billion Dollar Baby is a musical with the book and lyrics by Betty Comden and Adolph Green and the score by Morton Gould. Comden and Green were fresh from their success with On the Town, and the production team was something of an On the Town reunion: once again, George Abbott directed and Jerome Robbins choreographed.

Scott Wise is an American theatre actor and dancer. He is known for his performances in the 1989 musical Jerome Robbins' Broadway, which earned him a Tony Award, and in the 2002 film Chicago.

Brandenburg is a neoclassical ballet choreographed by Jerome Robbins to compositions by Johann Sebastian Bach. Danced by a cast of twenty, the plotless ballet is set to Bach's Brandenburg Concerto No. 3, as well as individual movements from Brandenburg Concertos Nos. 1, 2 and 6. The ballet premiered on January 22, 1997, at the New York State Theater, danced by the New York City Ballet. Brandenburg is Robbins' last work.

In the Night is a ballet choreographed by Jerome Robbins to four nocturnes by Frédéric Chopin. It premiered on January 29, 1970 at the New York State Theater, performed by the New York City Ballet.

A Suite of Dances is a ballet choreographed by Jerome Robbins to Johann Sebastian Bach's Cello Suites. The ballet was created for Mikhail Baryshnikov and premiered on March 3, 1994, at the New York State Theater.

Glass Pieces is a ballet choreographed by Jerome Robbins to music by Philip Glass, costumes designed by Ben Benson, lighting designed by Ronald Bates and production designed by Robbins and Bates. The ballet was premiered on May 12, 1983, at the New York State Theater, performed by the New York City Ballet.

<i>Who Cares?</i> (ballet) Ballet by George Balanchine

Who Cares? is a ballet choreographed by George Balanchine to songs by George Gershwin that were orchestrated by Hershy Kay. The ballet is split in two parts, the first danced by an ensemble, and the second focuses on four principal dancers. Who Cares? premiered on February 5, 1970, at the New York State Theater, danced by the New York City Ballet.

<i>Allegro Brillante</i> Ballet by George Balanchine

Allegro Brillante is a ballet choreographed by George Balanchine to Tchaikovsky's Piano Concerto No. 3. The ballet is danced by a principal couple and a corps de ballet of eight. Balanchine said it "contains everything I knew about classical ballet." Allegro Brillante was made for the New York City Ballet, and premiered on March 1, 1956, at the City Center of Music and Drama, with Maria Tallchief and Nicholas Magallanes originating the two principal roles.

<span class="mw-page-title-main">Justin Peck</span> American choreographer, director, and dancer

Justin Peck is an American choreographer, director, and dancer associated with New York City Ballet, of which he was appointed Resident Choreographer in July 2014, being the second person in the history of the institution to hold this title. A two-time Tony Award for Best Choreography recipient, he won in 2018 for the revival of Rodgers and Hammerstein's Carousel and in 2024 for the Sufjan Stevens original dance musical, Illinoise. On film, Peck choreographed the dance sequences for Steven Spielberg musical adaptation West Side Story (2021) and Bradley Cooper's biographical drama Maestro (2023).

<span class="mw-page-title-main">Francisco Moncion</span> Dominican-American ballet dancer

Francisco Moncion was a charter member of the New York City Ballet. Over the course of his long career, spanning some forty years, he created roles in major works by George Balanchine, Jerome Robbins, and others. He was also a choreographer himself and a talented amateur painter.

<span class="mw-page-title-main">Patricia Delgado</span> American ballet dancer

Patricia Delgado is an American ballet dancer, répétiteur and teacher. She joined the Miami City Ballet in 2000, was promoted to principal dancer in 2007 and left in 2017. Since then, she performs as a freelance dancer, stages works by Justin Peck and teaches ballet at The Juilliard School part-time. She served as an associate producer in the 2020 Broadway revival of West Side Story and as associate choreographer of the 2021 film adaptation of the musical.

Margaret Tracey is an American ballet dancer and educator. She joined the New York City Ballet in 1986, was promoted principal dancer in 1991, and retired in 2002. She served as the director of the Boston Ballet School between 2007 and 2021, dean of the Colburn School's Trudl Zipper Dance Institute since 2023, and slated to become the artistic director of Canada's National Ballet School in 2024.

References

  1. "City Ballet to Present 'West Side Story Suite'". New York Times. January 14, 1995.
  2. 1 2 3 Berson, Misha (November 1, 2009). "PNB program has cachet of Bernstein in its choice of 'West Side Story Suite'". Seattle times.
  3. 1 2 3 4 5 Corman, Avery (May 14, 1995). "Dance; Sharks and Jets Are Ready to Rumble Again". New York Times.
  4. Kisselgoff, Anna (July 2, 1995). "Dance View; City Ballet, at the Boiling Point". New York Times.
  5. 1 2 3 4 5 Lawrence, Greg (May 7, 2001). Dance with Demons: The Life Jerome Robbins. ISBN   9781101204061.
  6. 1 2 3 4 Jowitt, Deborah (2004). Jerome Robbins: His Life, His Theater, His Dance. pp. 507–508. ISBN   9780684869858.
  7. 1 2 3 4 5 Kisselgoff, Anna (May 20, 1995). "City Ballet; A Classic Distilled To a Pure Essence". New York Times.
  8. Anderson, Jack (June 9, 2004). "A Gritty 'West Side Story' on Stage". New York Times.
  9. 1 2 3 4 Citron, Paris (November 7, 2007). "So you think you can sing?". The Globe and Mail.
  10. 1 2 La Rocco, Claudia (October 3, 2011). "Ballet Divas Steal Stage From Riff, if Only Briefly". New York Times.
  11. Anderson, Jack (June 21, 2005). "He Moves Expertly Before Moving On". New York Times.
  12. Macaulay, Alastair (February 12, 2008). "A Godlike Dancer's Company Farewell Keeps Adventures Rolling to the End". New York Times.
  13. Blank, Matt (March 28, 2008). "Photo Journal: A Tribute to Jerome Robbins at San Francisco Ballet". Playbill.
  14. Howard, Rachel (March 8, 2008). "Review: Ballet sings in 'West Side Story'". SF Gate.
  15. Glentzer, Molly (March 4, 2016). "Houston Ballet dancers stretch their vocal muscles". Houston Chronicle.