Glass Pieces | |
---|---|
Choreographer | Jerome Robbins |
Music | Philip Glass |
Premiere | May 12, 1983 New York State Theater |
Original ballet company | New York City Ballet |
Design | Ben Benson Jerome Robbins Ronald Bates |
Genre | Neoclassical ballet |
Glass Pieces is a ballet choreographed by Jerome Robbins to music by Philip Glass, costumes designed by Ben Benson, lighting designed by Ronald Bates and production designed by Robbins and Bates. The ballet was premiered on May 12, 1983, at the New York State Theater, performed by the New York City Ballet. [1]
Choreographer Jerome Robbins was first invited to direct Philip Glass's opera, Akhnaten . Due to the unusual nature of the opera, Robbins decided to make a ballet with the music first and figure out the stage directions. However, due to scheduling conflict, Robbins withdrew from the opera, but went ahead with the ballet. [2]
Though the score is minimal, Robbins decided to treat it differently. He made charts of the music's structure on graph paper, then worked with Ronald Bates, who also designed the lighting, to make backdrop that looks like a piece of graph paper. [2] Robbins also added "Rubric" and "Façades" from Glass's Glassworks , [3] as the scores "struck him as being markedly different in character". Robbins also claimed that since he was focused on the music during the creative process, he was surprised to see the critics interpret it as "images of urban life". On the entire ballet Robbins said it has a "a ritualistic sense" which may be "inevitable" due to Glass's music. [2]
The ballet was the first New York City Ballet (NYCB) work set to minimalist music and premiered shortly after the company's co-founder George Balanchine's death. [4]
The first part, "Rubric", features dancers in bright color practice wears walking across the stage, [5] and three main couples performing different choreography. [6] Whenever the couples enter the stage, the corps de ballet changes its movements. Robbins said it is like a rondo. [2]
The middle section is set to "Façades", which Robbins described as "a songlike melody repeated five times". The principal couple is the equivalent of the score while an all-female corps dances at the back of the stage in a line, representing the accompaniment. [2] [5]
The third and final movement, danced to "Akhnaten", is called "tribal" by Robbins, with dancers performing in bloc patterns. [2]
Rubric: [5]
Façades: [5]
Other ballet companies that have performed Glass Pieces include the Paris Opera Ballet, Joffrey Ballet and San Francisco Ballet. [7] [8] [9] The former two companies and NYCB all included the ballet in their Robbins Centennial celebrations. [7] [8] [10]
In light of the impact of the COVID-19 coronavirus pandemic on the performing arts, Paris Opera Ballet released a video recording of Glass Pieces as a part of the Tribute to Jerome Robbins program. [11] NYCB released a 2017 video recording of the third movement. [12]
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946.
Jerome Robbins was an American dancer, choreographer, film director, theatre director and producer who worked in classical ballet, on stage, film, and television.
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Susan Coxe Hendl was an American ballet dancer and répétiteur. She danced with the New York City Ballet between 1963 and 1983, then staged and coached works by George Balanchine and Jerome Robbins for both NYCB and other companies.
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Paul Boos is an American dancer, ballet master, archivist, and répétiteur. He danced with New York City Ballet from 1977 until 1990 before becoming a guest teacher for the Royal Danish Ballet. In addition to teaching internationally, he is part of a select group of répétiteurs sanctioned by the Balanchine Trust to set the ballets of George Balanchine. Having previously served as Project Associate since 2016, in 2021, Boos was appointed to Director of the Video Archives for the George Balanchine Foundation.
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Lois Bewley (1934–2012) was an American dancer, choreographer and designer. She studied at the School of American Ballet before joining the Ballet Russe de Monte-Carlo. After touring with the American Ballet Theatre and the dance companies of Alicia Markova and Jerome Robbins, she joined the New York City Ballet in 1960. Regarded as the "clown princess of dance", she co-founded the First Chamber Dance Quartet and choreographed original ballets and dance pieces. She also worked as an opera director, costume designer and set designer.