Release and reception
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [10] |
| Pitchfork | 9.5/10 [11] |
The album was commercially successful, introduced Glass's music to a large audience, and gave Glass widespread name recognition. [1]
| Glassworks | |
|---|---|
| by Philip Glass | |
| Style | Postmodern, minimalist |
| Form | Chamber music |
| Composed | 1981 |
| Publisher | Dunvagen Music Publishers |
| Recorded | 1982, studio recording for Sony Classical Records |
Glassworks is a chamber music work of six movements by Philip Glass. Following his larger-scale concert and stage works, it was Glass's successful attempt to create a more pop-oriented "Walkman-suitable" work, with considerably shorter and more accessible pieces written for the recording studio.
The LP and cassette were released in 1982, [1] [2] each with its own separate mix: the record album intended for home listening and the tape for personal cassette players. [3] The headphone-specific mix, previously only available on cassette, was reissued digitally 2016. [4] [5]
Glassworks was intended to introduce my music to a more general audience than had been familiar with it up to then.
— Philip Glass [6]
"Opening" uses triplet eighth notes, over duple eighth notes, over whole notes in 4
4. Formally it consists of three groups of four measure phrases of three to four chords repeated four times each, ABC:||ABC, which then merges with the next movement, "Floe" with the entrance of the horns. [8]
There are two formulaically identical sections to the movement. Although rhythmically driven, the melodic implications of "Floe" occur somewhat coincidentally by orchestration. There is no modulation, but the harmonic progression simply repeats over and over again. The layering of contrasting timbres is characteristic of the piece as a whole. Floe borrows a theme from Jean Sibelius's fifth symphony. [9]
"Rubric" and "Façades" both appeared in the 2008 documentary about Philippe Petit, Man on Wire . "Floe" was featured on the soundtrack of the 1989 Italian horror film The Church.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | [10] |
| Pitchfork | 9.5/10 [11] |
The album was commercially successful, introduced Glass's music to a large audience, and gave Glass widespread name recognition. [1]
Einstein on the Beach is an opera in four acts composed by Philip Glass and directed by theatrical producer Robert Wilson, who also collaborated with Glass on the work's libretto. The opera eschews traditional narrative in favor of a formalist approach based on structured spaces laid out by Wilson in a series of storyboards which are framed and connected by five "knee plays" or intermezzos. The music was written "in the spring, summer and fall of 1975." Glass recounts the collaborative process: "I put [Wilson’s notebook of sketches] on the piano and composed each section like a portrait of the drawing before me. The score was begun in the spring of 1975 and completed by the following November, and those drawings were before me all the time."
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