Galileo Galilei | |
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Opera by Philip Glass | |
Librettist | Mary Zimmerman Arnold Weinstein |
Based on | life of Galileo Galilei |
Premiere | 2002 Goodman Theatre, Chicago |
Galileo Galilei is an opera based on excerpts from the life of Galileo Galilei, which premiered in 2002 at Chicago's Goodman Theatre, as well as subsequent presentations at the Brooklyn Academy of Music's New Wave Music Festival and London's Barbican Theatre. The music is by Philip Glass, with libretto and original direction by Mary Zimmerman and Arnold Weinstein. The piece is presented in one act, consisting of ten scenes without break.
Galileo Galilei is Glass' s 18th opera. The libretto draws from letters of Galileo and his family, and various other documents, to retrospectively journey through Galileo's life. Opening with him as an old, blind man after the trial and Inquisition for his heresy, it explores his religiosity as well as his break with the church. It expands into the greater, oscillating relationship of science to both religion and art. It reaches its end with Galileo — as a young boy — watching an opera composed by his father, Vincenzo Galilei, who was a member of the Florentine Camerata, an association of artists who are credited with creating the art form that came to be known as opera. His father's opera was about the motions of the celestial bodies.
The opera has been revived with new productions in 2012 by Madison Opera and Portland Opera. The Portland Opera production was recorded by Orange Mountain Music. Opera Theatre of Saint Louis is staging it in June 2024.
All genius meets with extreme resistance before it is accepted as truth. In the case of Galileo, it was the mere hypothesis that the Earth revolved around the Sun. The notion was considered heretical and blasphemous by scholars and clergy alike. Much was done to destroy Galileo's reputation. And since they could not do so through scientific proof, they did so through slander and threats of torture. It was not until recently that the Catholic Church finally admitted that they were wrong in persecuting Galileo. It took hundreds of years for them to admit the mistake. Galileo died believing that all of the advancements he had made in science were for naught. His books were banned, and his name was disgraced. All of this, for suggesting a theory that turned out to be true.
In addition to depicting Galileo's trials before the Inquisition, the opera also allows us a glance into Galileo's more personal side. Namely, in showing us his relationship to his daughter Maria Celeste, who was a nun. Maria Celeste shared her father's love of learning and science, but also understood that he was a man of great faith. She recognized that science was the very subject that served to deepen his faith, and she encouraged him on this path. The two met rarely. They were separated not only by distance, but by Galileo's often ailing health. Sadly, they were ultimately separated by her death at the age of 33, a source of incredible sadness for Galileo. However, their connection in this opera serves to give his story a more personal rendering. The story itself is told backwards through time. It begins with an aged Galileo, blinded from having looked at the Sun too often and ends with him as a child. This is related to the function of a telescope, which works by reversing images with lenses. Much of the staging in this production is representative of Galileo's theories and follows the patterns of the discoveries, planets, and constellations that his inventions made known to the world. [1]
Opening Song
In the final days of his life, the now blind Galileo Galilei remembers the things in his life that he can no longer see.
Recantation
The officials of the Catholic Church rebuke the scientist for not relenting on his theory that the Earth revolves around the Sun. The Pope hands down his sentence, and then reminds Galileo of a time when they walked in the garden as friends.
Pears
Maria Celeste, the daughter of Galileo, sends her intense devotion love and support through letters that are accompanied by elements of her garden at the convent.
Trial
Galileo is summoned before two Cardinals of the Catholic Church to answer questions regarding his book "Dialogue Concerning the Two Chief Systems of the World".
Dialogue Concerning the Two Chief Systems of the World
As Galileo pens his book, the fictitious characters come alive to discuss the theories presented. Here, the Older Galileo becomes the Younger Galileo.
Incline Plane
The theories and experiments are put to the test in Galileo's laboratory.
A Walk in the Garden
Galileo and his great friend Cardinal Barberini discuss Galileo's newest book in the Garden. After the Cardinal's feeble attempt at poetry, Galileo expresses his fear of his enemies. Barberini warns Galileo not to continue with his theories regarding the planets.
Lamps
While at mass with his daughter, Galileo observes the swinging of a lamp suspended from the ceiling moving in pendulum fashion and explains his theory to Maria Celeste.
Presentation of the Telescope
Galileo presents his invention to the Duchess and her Ladies in Waiting. The Duchess and Galileo reminisce about a time in their youth when they watched an opera together composed by Galileo's father, Vincenzo.
Opera within the Opera
The Duchess and Galileo, now children, are in the audience as his father's opera is performed. The magical story of the planetary figures becomes the vehicle through which Galileo is reunited with his deceased daughter.
The "Letter to The Grand Duchess Christina" is an essay written in 1615 by Galileo Galilei. The intention of this letter was to accommodate Copernicanism with the doctrines of the Catholic Church. Galileo tried to use the ideas of Church Fathers and Doctors to show that any condemnation of Copernicanism would be inappropriate.
Christina of Lorraine was a French noblewoman of the House of Lorraine who became a Grand Duchess of Tuscany by marriage. She served as Regent of Tuscany jointly with her daughter-in-law during the minority of her grandson from 1621 to 1628.
Vincenzo Galilei was an Italian lutenist, composer, and music theorist. His children included the astronomer and physicist Galileo Galilei and the lute virtuoso and composer Michelagnolo Galilei. Vincenzo was a figure in the musical life of the late Renaissance and contributed significantly to the musical revolution which demarcates the beginning of the Baroque era.
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Sister Maria Celeste was an Italian nun. She was the daughter of the scientist Galileo Galilei and Marina Gamba.
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Francesco Barberini was an Italian Catholic Cardinal. The nephew of Pope Urban VIII, he benefited immensely from the nepotism practiced by his uncle. He was given various roles within the Vatican administration but his personal cultural interests, particularly in literature and the arts, meant that he became a highly significant patron. His secretary was the antiquarian Cassiano dal Pozzo who was also a discerning patron of the arts. Francesco was the elder brother of Cardinal Antonio Barberini and Taddeo Barberini who became Prince of Palestrina.
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Galileo's Daughter: A Historical Memoir of Science, Faith, and Love is a book by Dava Sobel published in 1999. It is based on the surviving letters of Galileo Galilei's daughter, the nun Suor Maria Celeste, and explores the relationship between Galileo and his daughter. It was nominated for the 2000 Pulitzer Prize for Biography or Autobiography.
Villa il Gioiello is a villa in Florence, central Italy, famous for being one of the residences of Galileo Galilei, which he lived in from 1631 until his death in 1642. It is also known as Villa Galileo.
Vincenzo Maculani was an Italian Catholic Cardinal, inquisitor and military architect. He was known as a severe man, harsh and without compassion, who preferred the black cappa of his order to the brighter red he was later entitled to wear as a cardinal.
Galileo di Vincenzo Bonaiuti de' Galilei, commonly referred to as Galileo Galilei or simply Galileo, was an Italian astronomer, physicist and engineer, sometimes described as a polymath. He was born in the city of Pisa, then part of the Duchy of Florence. Galileo has been called the father of observational astronomy, modern-era classical physics, the scientific method, and modern science.
Vincenzo or Vincenzio Gamba (1606–1649), later Vincenzo Galilei (1619), was the illegitimate son of Galileo Galilei (1564–1642) and his mistress Marina Gamba (1570–1612). Vincenzo was legitimated to his father in 1619. Like his grandfather Vincenzo Galilei, the younger Vincenzo became a lutenist.
Galileo is a 1968 Italian–Bulgarian biographical drama film directed by Liliana Cavani. It depicts the life of Galileo Galilei and particularly his conflicts with the Catholic Church over his scientific theories.
Tommaso Rinuccini was an Italian noble, diplomat and friend of Galileo Galilei.
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The Trials of Galileo is an opera-oratorio, copyrighted in 1967, with libretto in English by Joe Darion and music by Ezra Laderman. Commissioned by Pamela Illott, Executive Producer of Cultural Programming of the CBS Television Network, and first performed on that network in May, 1967 under the title The Trials of Galileo. It was modified for staged performance under the new title, Galileo Galilei, performed by the Tri-Cities Opera in cooperation with the State University of New York at Binghamton, on February 3, 1979.