The Joffrey Ballet | |
---|---|
General information | |
Name | The Joffrey Ballet |
Year founded | 1956 |
Founders | |
Location | Joffrey Tower 10 East Randolph Street, Chicago, IL 60601 |
Website | joffrey |
Artistic staff | |
Artistic Director | Ashley Wheater MBE |
Music Director | Scott Speck, Chicago Philharmonic |
Other | |
Official school | The Joffrey Academy of Dance, Official School of The Joffrey Ballet |
The Joffrey Ballet is an American dance company and training institution in Chicago, Illinois. The Joffrey regularly performs classical and contemporary ballets during its annual performance season at the Civic Opera House, including its annual presentation of The Nutcracker .
Founded in 1956 by dance pioneers Robert Joffrey and Gerald Arpino, the company has earned a reputation for boundary-breaking performances, including its 1987 presentation of Vaslav Nijinsky's The Rite of Spring , which reconstructed the original choreography from the 1913 premiere that was thought to be lost. Many choreographers have worked with the Joffrey, including Paul Taylor, Twyla Tharp, and George Balanchine.
From its foundation in 1956 through the mid-1960s, Joffrey's and Arpino's dance company initially toured the United States and sometimes other parts of the world (for example: the Soviet Union in 1963). The dance company gained its first permanent residency in New York City in 1966, and expanded to Los Angeles in 1982. In Los Angeles in 1987, the group premiered a reconstructed version of Igor Stravinsky's The Rite of Spring, which they performed many times in the subsequent years. The expanded ensemble ended its residency in Los Angeles in 1992, and the company moved from New York City to Chicago in 1995, where it remains to this day.
In 1956, a time during which most touring companies performed only reduced versions of ballet classics, Robert Joffrey and Gerald Arpino formed a six-dancer ensemble that toured the country in a station wagon pulling a U-Haul trailer, performing original ballets created by Joffrey. The original six dancers were Arpino, Dianne Consoer, Brunilda Ruiz, Glen Tetley, Beatrice Tompkins, and John Wilson. [1] While Joffrey stayed in New York City to teach ballet classes and earn money to pay the dancers' salaries, Arpino led the troupe. The ensemble first performed in a major city in Chicago in 1957. The Joffrey Ballet eventually settled down in New York City, under the name the Robert Joffrey Theatre Ballet. In 1962, modern choreographer Alvin Ailey was invited to make a work for the company. Rebekah Harkness was an important early benefactor and she made international touring possible (Soviet Union, 1963), but in 1964 she and Joffrey parted ways.
Joffrey started again, building up a new company that made its debut in 1965 as the Joffrey Ballet. Following a successful season at the New York City Center in 1966, it was invited to become City Center's resident ballet company with Joffrey as artistic director and Arpino as chief choreographer. Arpino's 1970 rock ballet Trinity was well received; Joffrey revived Kurt Jooss's The Green Table in 1967, followed by revivals of Ashton's Façade , Cranko's Pineapple Poll , Fokine's Petrushka (with Rudolf Nureyev in 1979), Nijinsky's Afternoon of a Faun , also with Nureyev, and Massine's Le Tricorne , Le Beau Danube and Parade . In 1973, Joffrey asked Twyla Tharp to create her first commissioned ballet, Deuce Coupe . The company continued as City Center Joffrey Ballet until 1977.
From 1977, it performed as the Joffrey Ballet, with a second home established in Los Angeles from 1982 to 1992. In 1995, the company left New York City for Chicago to establish a permanent residence there. [2]
The first few years in Chicago were financially arduous for the company, nearly causing it to close several times, but audiences later became larger and younger. In 2005, the Joffrey Ballet celebrated its 10th anniversary in Chicago [3] and in 2007 concluded a two-season-long 50th-anniversary celebration, including a "River to River" tour of free, outdoor performances across Iowa, sponsored by Hancher Auditorium at the University of Iowa.
The Joffrey Ballet was the first dance company to perform at the White House at Jacqueline Kennedy’s invitation, the first to appear on American television, the first classical dance company to use multi-media, the first to create a ballet set to rock music, the first to appear on the cover of TIME magazine, and the first company to have had a major motion picture based on it, Robert Altman's penultimate film, The Company . [4] In it, Malcolm McDowell played the ballet company's artistic director, a character based on Gerald Arpino. The film is composed of stories gathered from the actual dancers, choreographers, and staff of the Joffrey Ballet. Most of the roles are played by actual company members.
The Joffrey Ballet appeared in the motion picture Save the Last Dance (2001), when the two protagonists of the story saw the company perform Sea Shadow and Les Présages in Chicago.
In the television series Glee (2012), character Mike Chang is given a scholarship to attend the Joffrey Academy of Dance in Chicago. [5]
In fall 1987, the Joffrey Ballet premiered a reconstructed version of Igor Stravinsky's seminal ballet The Rite of Spring in the city of Los Angeles. The original ballet debuted in 1913 in Paris, France, and was choreographed by Vaslav Nijinsky. Dance experts Millicent Hodson and Kenneth Archer spent 18 years gathering research on the original ballet in order to properly reconstruct it. Eighty percent of the original costumes were located and reconstructed for the performance, and Hodson and Archer were able to consult with Nijinsky's rehearsal assistant Marie Rambert on the original choreography, before her death in 1982.
The company, consisting of 40 dancers, performs its regular September–May season at the Civic Opera House in Chicago, and engages in several domestic and international tours throughout the year. [6] Its repertoire consists of both classical and contemporary pieces, as well as annual December performances of The Nutcracker , presented in conjunction with the Chicago Philharmonic. Since 2016, the company has presented the version of The Nutcracker, commissioned from choreographer Christopher Wheeldon, which is re-set at the time of the 1893 Chicago World's Fair. [7] [8]
In 2007, Gerald Arpino retired from day-to-day operations, becoming artistic director emeritus until his death in 2009. In October 2007, former Joffrey dancer Ashley Wheater, assistant artistic director and ballet master for San Francisco Ballet, became the third artistic director. [9] In 2019, the Joffery presented the world premiere of an entirely new "story ballet" based on Anna Karenina . Choreographed by Yuri Possokhov, the Joffrey and The Australian Ballet also commissioned from composer Ilya Demutsky a new full-length orchestral score, the first in the Joffrey's history. [10]
The Joffrey is located in Joffrey Tower, at 10 East Randolph Street in downtown Chicago. The company has an extensive touring schedule, an education program including the Joffrey Academy of Dance, Official School of The Joffrey Ballet [since renamed], Community Engagement program, [11] and collaborations with other visual and performing arts organizations. In September of 2024, the Joffrey Ballet received a $5 million dollar gift from the Grainger Foundation to support the education of young ballet dancers and the school, which had been founded in 2010, was renamed Grainger Academy of The Joffrey Ballet. [12] [13]
In 2021, the Joffrey moved from the Auditorium Theater—where it had performed since 1998—to the Civic Opera House, as part of a partnership with the Lyric Opera of Chicago. [14] [15] [6]
Lyric Opera of Chicago is an American opera company based in Chicago, Illinois. The company was founded in Chicago in 1954, under the name 'Lyric Theatre of Chicago' by Carol Fox, Nicola Rescigno and Lawrence Kelly, with a season that included Maria Callas's American debut in Norma. Fox re-organized the company in 1956 under its present name. Lyric is housed in a theater and related spaces in the Civic Opera Building. These spaces are now owned by Lyric.
The Company is a 2003 American drama film directed by Robert Altman with a screenplay by Barbara Turner from a story by Turner and star and co-producer Neve Campbell. The film also stars Malcolm McDowell and James Franco, and is set in the company of the Joffrey Ballet.
Nederlands Dans Theater is a Dutch contemporary dance company. NDT is headquartered at the Amare building in The Hague. NDT also performs at other venues in the Netherlands, including Amsterdam's Het Muziektheater and Nijmegen's Stadsschouwburg.
Robert Joffrey was an American dancer, teacher, producer, choreographer, and co-founder of the Joffrey Ballet, known for his highly imaginative modern ballets. He was born Anver Bey Abdullah Jaffa Khan in Seattle, Washington to a Pashtun father from Afghanistan and a mother from Italy.
Gerald Arpino was an American dancer and choreographer. He was the co-founder of the Joffrey Ballet and succeeded Robert Joffrey as its artistic director in 1988.
The Minnesota Ballet is a ballet company and school located in Duluth, Minnesota. Founded in 1965 by Donna Harkins and Jan Gibson as the Duluth Civic Ballet, the company has since expanded into a touring company with seventeen professional artists. From 1992 to 2007 the Artistic Executive Director of the Minnesota Ballet was Allen Fields, who retired to become Artistic Director Emeritus. Fields acquired rights to works by choreographers including Agnes de Mille, Antony Tudor, and George Balanchine. He was succeeded by Robert Gardner. In 2019 Karl von Rabenau was appointed Artistic Director. The Minnesota Ballet entered its 54th season in 2019/20.
John Neumeier is an American ballet dancer, choreographer, and director. He was the Director and Principal Choreographer of Hamburg Ballet from 1973-2024 and the Artistic Director Ballet at Hamburg State Opera from 1996-2024.
The company Ballets Russes de Monte-Carlo was formed in 1932 after the death of Sergei Diaghilev and the demise of Ballets Russes. Its director was Wassily de Basil, and its artistic director was René Blum. They fell out in 1936 and the company split. The part which de Basil retained went through two name changes before becoming the Original Ballet Russe. Blum founded Les Ballets de Monte Carlo, which changed its name to Ballet Russe de Monte Carlo when Léonide Massine became artistic director in 1938. It operated under this name until it disbanded some 20 years later.
Aspen Santa Fe Ballet (ASFB) is a multi-faceted arts organization that nurtures and manifests the love of dance across a spectrum of programs for the cultural enrichment of Aspen, Colorado, and Santa Fe, New Mexico—and beyond.
The New Jersey Ballet is a ballet company based in Livingston, New Jersey in the United States, founded in 1958 by native New Jerseyan Carolyn Clark and her fellow dancer, George Tomal.
The Dayton Ballet is a ballet company based in Dayton, Ohio.
The Oklahoma City Ballet is a professional dance company and school located in Oklahoma City. The company began under the artistic direction of Ballet Russe de Monte Carlo dancers Yvonne Chouteau and Miguel Terekhov in the Science and Arts Foundation building on the Oklahoma City Fairgrounds.
Ann Marie DeAngelo is an American choreographer, director, producer, teacher, consultant and former dancer - an expert in all areas of dance. She was leading ballerina with the Joffrey Ballet, where early on she was pegged by Time magazine as "one of America's most outstanding ballerinas" and where she later served as associate director at the time of the company's move to Chicago in 1995.
The Kansas City Ballet (KCB) is a professional ballet company based in Kansas City, Missouri. The company was founded in 1957 by Russian expatriate Tatiana Dokoudovska. The KCB presents five major performances each season to include an annual production of The Nutcracker. The KCB, its school, and its staff are all housed in, operate from, and rehearse at the Todd Bolender Center for Dance and Creativity, a renovated, seven-studio, office, and rehearsal facility in Kansas City, Missouri, that opened in August 2011. The company performs at and is the resident ballet company at the nearby Kauffman Center for the Performing Arts, a performance venue in downtown Kansas City that opened in September 2011.
The New York International Ballet Competition (NYIBC), was a program providing dance education and employment opportunities for young dancers ages 17 to 24. In 1983 Ilona Copen founded NYIBC, with Igor Youskevitch as first artistic director, in order to fill a void and satisfy a need in the global dance ecosystem. Other international ballet competitions existed, but New York City, considered a dance capital of the world, did not have its own.
Kevin Dreyer is an American lighting designer of dance, theatre, opera and film, Full professor of Theatre at the University of Notre Dame and resident lighting designer for the Notre Dame Shakespeare Festival. Dreyer is also a dance lighting reconstructor for the works of Gerald Arpino, Moses Pendleton and Kurt Jooss.
Lawrence Rhodes was an American premier dancer, dance teacher and director of ballet companies and the dance divisions of New York University and the Juilliard School.
Maia Wilkins is an American ballerina. She was a principal dancer for the Joffrey Ballet from 1991 until 2008. She was the principal of Sacramento Ballet School and is currently the Associate Director of Ballet at Northern California Dance Conservatory. She used to teach ballet and re-stages Joffrey and Arpino works for the Arpino Foundation.
Brunilda Ruiz was a Puerto Rican ballet dancer, teacher, and choreographer. She toured internationally as a founding member of the Joffrey Ballet and Harkness Ballet companies.
Mary Ann Wells was an American dance teacher known for her significant contributions to the field of dance education. Born in Appleton, Wisconsin, Wells began her career as the first ballet teacher at the Cornish School of Music in Seattle. She later established her own studio in c. 1922, where she emphasized a philosophy of artistic exploration and expression over technical precision. Throughout her career, Wells mentored numerous talented dancers, many of whom went on to achieve prominence in the dance world.