Artistic director

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An artistic director is the executive of an arts organization, particularly in a theatre or dance company, who handles the organization's artistic direction. [1] [2] [3] They are generally a producer and director, but not in the sense of a mogul, since the organization is generally a non-profit organization. The artistic director of a theatre company is the individual with the overarching artistic control of the theatre's production choices, directorial choices, and overall artistic vision. In smaller theatres, the artistic director may be the founder of the theatre and the primary director of its plays. In larger non-profit theatres (often known in Canada and the United States as regional theatres), the artistic director may be appointed by the board of directors.

Overview

The artistic director of a performing arts company is similar to the musical director of an orchestra, the primary person responsible for planning a company's season. The artistic director's responsibilities can include (but are not limited to) choosing the material staged in a season, the hiring of creative/production personnel (such as directors), and other theatre management tasks. He or she may also direct productions for the company. Artistic directors work closely with the general manager of the theatre, and contribute the artistic evaluation of projects and productions to be included in promotional, funding, and press materials. An artistic director also functions as a resource for the directors who are working to mount productions at the theatre and can provide support, counsel, and/or artistic input where requested. [4] The artistic director is usually prepared to assume the production should the director become unable to complete his/her duties. Artistic directors are frequently regarded as the artistic representatives of theatre companies and are often required to speak about their theatre to the press. In the United States, artistic directors often have fundraising responsibilities as well.

In some ensemble companies, the artistic director is responsible for recruiting performers to act as a talent pool for the company's productions. This ensemble may include actors and artists of various disciplines. The artistic director functions as leader of this group, with the aim to create and/or realize various new and established works.

In ballet, the artistic director is the head of a ballet company. They have overall responsibility for training the dancers as well as selecting and mounting productions. They are almost always a retired dancer. Often they also choreograph some of the company's productions.

In some companies, the artistic director may also manage the day-to-day operations of the company, but in many (particularly larger) companies, the artistic director is often exempt from routine administrative duties, freeing him or her to concentrate on the art. In those cases, decisions about administration, business issues, finances, fundraising, board relations, donor relations, publicity, and marketing devolve to the responsibility of the general manager, chief operating officer, managing director, etc. or are discussed collaboratively.

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Theatre director

A theatre director or stage director is a professional in the theatre field who oversees and orchestrates the mounting of a theatre production such as a play, opera, dance,drama, musical theatre performance etc. by unifying various endeavors and aspects of production. The director's function is to ensure the quality and completeness of theatre production and to lead the members of the creative team into realizing their artistic vision for it. The director thereby collaborates with a team of creative individuals and other staff to coordinate research and work on all the aspects of the production which includes the Technical and the Performance aspects. The technical aspects include: stagecraft, costume design, theatrical properties (props), lighting design, set design and sound design for the production. The performance aspects include: acting, dance, orchestra, chants, and stage combat.

Stage management

Stage management is a broad field that is generally defined as the practice of organization and coordination of an event or theatrical production. Stage management may encompass a variety of activities including the overseeing of the rehearsal process and coordinating communications among various production teams and personnel. Stage management requires a general understanding of all aspects of production and offers organisational support to ensure the process runs smoothly and efficiently.

A general manager or GM is an executive who has overall responsibility for managing both the revenue and cost elements of a company's income statement, known as profit & loss (P&L) responsibility. A general manager usually oversees most or all of the firm's marketing and sales functions as well as the day-to-day operations of the business. Frequently, the general manager is responsible for effective planning, delegating, coordinating, staffing, organizing, and decision making to attain desirable profit making results for an organization.

Royal Winnipeg Ballet

The Royal Winnipeg Ballet is Canada's oldest ballet company and the longest continuously operating ballet company in North America.

A theatrical producer is a person who oversees all aspects of mounting a theatre production. The producer is responsible for the overall financial and managerial functions of a production or venue, raises or provides financial backing, and hires personnel for creative positions.

Ross Stretton was an Australian ballet dancer and artistic director. As a dancer, he performed with the Australian Ballet, the Joffrey Ballet and the American Ballet Theatre. He was later Artistic Director of the Australian Ballet (1997–2001) and the Royal Ballet (2001–2002).

Ballet San Jose was a ballet company based in San Jose, California, US, operating from 1985 to 2016.

Ceremonial dancing has a very important place in the Indigenous cultures of Australia. They vary from place to place, but most ceremonies combine dance, song, rituals and often elaborate body decorations and costumes. The different body paintings indicate the type of ceremony being performed. They play an important role in marriage ceremonies, in the education of Indigenous children, as well as story telling and oral history. The term corroboree is commonly used to refer to Australian Aboriginal dances, although this term has its origins among the people of the Sydney region. In some places, Aboriginal people perform corroborees for tourists. In the latter part of the 20th century the influence of Indigenous Australian dance traditions has been seen with the development of concert dance, with the Aboriginal Centre for the Performing Arts (ACPA) providing training in contemporary dance.

Dancenorth is a contemporary dance company based in Townsville, North Queensland, Australia. Founded as the North Queensland Ballet Company in 1969, Dancenorth performs for regional, national and international audiences. It is one of Australia’s leading contemporary dance companies having presented work in over 35 International Arts Festivals and venues around Australia and the world..

Arts administration is a field in the arts sector that facilitates programming within cultural organizations. Arts administrators are responsible for facilitating the day-to-day operations of the organization as well as the long term goals by and fulfilling its vision, mission and mandate. Arts management became present in the arts and culture sector in the 1960s. Organizations include professional non-profit entities. For examples theaters, museums, symphonies, jazz organizations, opera houses, ballet companies and many smaller professional and non-professional for-profit arts-related organizations. The duties of an arts administrator can include staff management, marketing, budget management, public relations, fundraising, program development evaluation, and board relations.

Chicago Festival Ballet is a professional ballet company performing a repertoire of classical, romantic and neoclassical works in venues around the United States. Chicago Festival Ballet is also known as Von Heidecke's Chicago Festival Ballet. Chicago Festival Ballet's sister organization and educational arm is the Von Heidecke School of Ballet.

Northern Ballet, formerly Northern Ballet Theatre, is a dance company based in Leeds, West Yorkshire, England, with a strong repertoire in theatrical dance productions where the emphasis is on story telling as well as classical ballet. The company tours widely across the United Kingdom.

Ballet Theatre of Queensland, founded in 1937 by Phyllis Danaher FRAD, is the oldest continuous dance company in Australia. Ballet Theatre is based in Brisbane in the Australian state of Queensland.

A development director or director of development is the senior fundraising manager of a non-profit organization, company, or corporation. The position works closely with a chief financial officer (CFO) or treasurer. A director of development is chiefly responsible for bringing in revenue streams to a non-profit, and a CFO is responsible for the fiscal management of the organization. A CFO is rarely assigned to write grant narratives, but may oversee the budget section of a grant application or a fiscal report for a grant. Some larger organizations have a grants manager as well as a grant writer/director of development. A grants manager assists the CFO with grant reports and grant-related accounting. A development director is usually remunerated for his or her work, and in best practices for nonprofit organizations, development directors earn salaries. Commissions are still considered unethical by professional organizations such as the Grant Professionals Association (GPA) and the Association of Fundraising Professionals (AFP), but the practice of commission-based remuneration is growing, particularly in the current economy.

Director (business)

The term director is a title given to the senior management staff of businesses and other large organisations.

Greensboro Ballet American ballet company

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References

  1. Stanislavski, Constantin (1936). An Actor Prepares. Theatre Arts Inc. New York.
  2. Rudnitsky, Konstantin, Transl. G. Petrov (1981). Meyerhold the Director. Ardis, Ann Arbor, MI.
  3. Brook, Peter (1972). The Empty Space. Harmondsworth, UK: Pelican.
  4. Lanipekun, Jennifer (2011). Communication in Theatre Directing and Performance from rehearsal to production. Cambria Press, New York. pp. Appendix I: Interview with Director 1, Artistic Director of Opera Company 1.