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A ballet company is a type of dance troupe that performs classical ballet, neoclassical ballet, and/or contemporary ballet in the European tradition, plus managerial and support staff. Most major ballet companies employ dancers on a year-round basis, except in the United States, where contracts for part of the year (typically thirty or forty weeks) are normally offered. A company generally has a home theatre where it stages the majority of its performances, but many companies also tour in their home country or internationally.
Ballet companies routinely make a loss at the box office and depend on external financial support of one kind or another. In Europe, most of this support comes in the form of government subsidies, though private donations are usually solicited as well. In North America, private donations are the main source of external funding.
Many ballet companies have an associated school which trains dancers. Traditionally the school would provide almost all of the company's dancers, something which helped to create clear distinctions in style between companies, but 21st-century ballet has open hiring practices, and many ballet companies have a very international staff.
The head of a ballet company is called the artistic director. He or she is usually a retired dancer, and often they choreograph some of the company's productions themselves. In a large company, they will have one or more assistants. Day-to-day coaching of the dancers is the responsibility of one or more ballet masters and ballet mistresses. Some companies also employ répétiteurs and dance notators. There is often a resident choreographer.
All but the smallest companies divide their dancers into at least three grades. The most common names for the two higher grades in English are principal and soloist and the junior dancers form the corps de ballet. Some companies (especially in North America) have trainees or apprentices, who rank below the corps de ballet and may be unpaid. Some companies further subdivide these grades, and the terminology used varies from company to company. In the 19th century and early to mid-20th century the top female dancer was often recognized as the prima ballerina, but this practice has ceased. Male and female dancers were historically split into separate hierarchies (for more information see ballerina). Today, many companies choose to use a gender-neutral hierarchy. Some companies (mainly in Russia and countries strongly influenced by Russian ballet) employ specialist character dancers: unlike ballerinas female character dancers do not dance en pointe. The largest ballet company in the world is the Bolshoi Ballet of Moscow, which employs over 240 dancers, as of 2010. The largest companies in Western Europe and North America employ around one hundred.
Many companies have a music director, generally a conductor by profession, though this is often a part-time position. The music director has a lower status in ballet than they have in opera, where they are the head of the company. Freelance conductors are hired to conduct specific productions as and when required. Large companies have their own orchestra, which is often shared with an opera company resident in the same theatre or opera house. Smaller companies hire a local orchestra on a contract basis for each season of performances, or hire a scratch orchestra for specific performances, e.g. when they are on tour. During company classes and rehearsals, music is provided by one or more staff or freelance pianists.
All but the smallest companies have a separate administrative staff that deals with marketing, accounts, personnel issues, logistics and so on. Larger companies employ a permanent staff of craftsmen and craftswomen such as prop makers and costume makers, and technical staff such as lighting technicians and stage managers. Smaller companies hire freelancers for these roles as and when required. Some companies also have physiotherapists, masseurs, and physical trainers on the staff.
The term "ballet" is sometimes used to refer to dance styles in any culture's classical tradition, mainly about classical styles of dance performed in parts of Asia. Classical Ramayana Hindu ballet is often performed in Indonesia. The Royal Ballet of Cambodia is an example of a ballet company in the Eastern tradition.
The companies listed below are ballet companies that perform according to the European tradition, although some international companies also perform contemporary ballets that merge Western and Eastern themes and dance techniques.
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A ballet dancer is a person who practices the art of classical ballet. Both females and males can practice ballet. They rely on years of extensive training and proper technique to become a part of a professional ballet company. Ballet dancers are at a high risk of injury due to the demanding technique of ballet.
Russian ballet is a form of ballet characteristic of or originating from Russia.
The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois. It became the resident ballet company of the Royal Opera House in 1946, and has purpose-built facilities within these premises. It was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company.
The Royal Ballet School is a British school of classical ballet training founded in 1926 by the Anglo-Irish ballerina and choreographer Ninette de Valois. The school's aim is to train and educate outstanding classical ballet dancers, especially for the Royal Ballet and the Birmingham Royal Ballet.
The Australian Ballet (TAB) is the largest classical ballet company in Australia. It was founded by J. C. Williamson Theatres Ltd and the Australian Elizabethan Theatre Trust in 1962, with the English-born dancer, teacher, repetiteur and director Dame Peggy van Praagh as founding artistic director. Today, it is recognised as one of the world's major international ballet companies and performs upwards of 150 performances a year.
Natalia Romanovna Makarova is a Russian prima ballerina and choreographer. The History of Dance, published in 1981, notes that "her performances set standards of artistry and aristocracy of dance which mark her as the finest ballerina of her generation in the West."
The New National Theatre, Tokyo (NNTT) is Japan's first and foremost national centre for the performing arts, including opera, ballet, contemporary dance and drama. It is located in the Shinjuku area of Tokyo. Since 1997 more than 650 productions were staged. There are about 300 performances per season with approximately 200,000 theatergoers. The centre has been praised for its architecture and state-of-the-art modern theatre facilities, which are considered among the best in the world. In 2007, the NNTT was branded with the advertising slogan: Opera Palace, Tokyo.
Alessandra Ferri OMRI is an Italian prima ballerina. She danced with the Royal Ballet (1980–1984), American Ballet Theatre (1985–2007) and La Scala Theatre Ballet (1992–2007) and as an international guest artist, before temporally retiring on 10 August 2007, aged 44, then returning in 2013. She was eventually granted the rank of prima ballerina assoluta.
The Prix de Lausanne is an international dance competition held annually in Lausanne, Switzerland. The competition is for young dancers seeking to pursue a professional career in classical ballet, and many former prize winners of the competition are now leading stars with major ballet companies around the world. The competition is managed by a non-profit foundation organised by the Fondation en faveur de l'Art chorégraphique and is maintained by various sponsors, patrons and donors.
Louis Gallodier was a French ballet dancer and choreographer who spent the majority of his career in Sweden, where he was to have a great importance for the development of the ballet in Sweden as the ballet master of the Royal Swedish Ballet.
Maria Olegovna Kochetkova is a Russian ballet dancer. She was a principal dancer with the San Francisco Ballet between 2007 and 2018, and with the American Ballet Theatre between 2015 and 2017. After that, she became a freelance dancer for several years, before joining the Finnish National Ballet in the 2020/21 season.
Tschaikovsky Piano Concerto No. 2, also titled Ballet Imperial, is a ballet choreographed by George Balanchine to Tchaikovsky's Piano Concerto No. 2. Ballet Imperial was choreographed for American Ballet Caravan's 1941 South American tour, and was aimed at showing that the Americans were capable of the classical ballet traditions. The ballet pays tribute to Tchaikovsky, the classical ballet choreographer Marius Petipa, and Imperial Saint Petersburg, where Balanchine received his ballet training. The ballet featured academic steps and alludes to Imperial Russia through the costumes and scenery. Ballet Imperial premiered on June 25, 1941, at Teatro Municipal, Rio de Janeiro.
Viviana Durante is an Italian ballet dancer, considered one of the great dramatic ballerinas of recent times. She was a principal dancer of The Royal Ballet, American Ballet Theatre, Teatro alla Scala and K-Ballet. She is the artistic director of English National Ballet School and of the Viviana Durante Company.
Bruce Marks is an American dancer, performing both in ballet and modern dance. He continues to work as a choreographer, coach and teacher and is a tireless advocate for the art form.
National Ballet of Ukraine from the Taras Shevchenko National Opera of Ukraine performs works of classical ballet and tours internationally. It currently has 24 ballets in its repertory, one of the largest in the world, and has had many notable dancers among its members.
Natalia Matsak is a Ukrainian ballet dancer, prima ballerina in the National Opera House of Ukraine, and an Honored Artist of Ukraine.
Kateryna Ihorivna Kukhar is a Ukrainian prima ballerina of the National Opera of Ukraine. Merited Artiste of Ukraine. People's Artiste of Ukraine.
