Royal Swedish Opera is an opera and ballet company based in Stockholm, Sweden.
A ballet master is an employee of a ballet company who is responsible for the level of competence of the dancers in their company. In modern times, ballet masters are generally charged with teaching the daily company ballet class and rehearsing the dancers for both new and established ballets in the company's repertoire. The artistic director of a ballet company, whether a male or female, may also be called its ballet master. Historic use of gender marking in job titles in ballet is being supplanted by gender-neutral language job titles regardless of an employee's gender.
Pehr Christian Johansson was a teacher, choreographer and balletmaster for the Russian Imperial Ballet. He was engaged at the Royal Swedish Ballet in 1829–41, and at the Imperial Russian Ballet in 1841–66.
Elisabeth Olin née Lillström was a Swedish opera singer and a music composer. She performed the leading female role in the inauguration performance of the Royal Swedish Opera in 1773, and is referred to as the first Swedish opera prima donna. She was the first female to be made Hovsångerska (1773), and the first woman to become a member of the Royal Swedish Academy of Music (1782).
Bollhuset, also called Stora Bollhuset, Bollhusteatern, and Gamla Bollhuset at various times, was the name of the first theater in Stockholm, Sweden; it was the first Swedish theater and the first real theater building in the whole of Scandinavia. It was built in 1627 for ball sports and used in this way for forty years. The name Lejonkulan, however, was, in fact, the name of a different building, which was also used by the same theater in the 17th century.
Charlotte Slottsberg was a Swedish ballerina. She was one of the first native members of the Royal Swedish Ballet. She was also known as a courtesan and as the controversial mistress of the future Charles XIII of Sweden. She was the first native star of the Royal Swedish Ballet.
Hedvig "Hedda" Katarina Hjortsberg also known as Hedda Koersner was a Swedish ballerina who starred for the Royal Swedish Ballet. She was the sister of the Swedish actor Lars Hjortsberg.
Ulrika Åberg (1771–1852) was a Swedish ballerina. She was active in the Royal Swedish Ballet in 1782–95. She was one of the first native ballet dancers in the Royal Swedish Ballet.
Louis Joseph Marie Deland was a Swedish ballet dancer, singer, actor, choreographer and ballet master in the Royal Swedish Ballet. He is often considered the first native male star in the Royal Swedish Ballet.
Louis Gallodier was a French ballet dancer and choreographer who spent the majority of his career in Sweden, where he was to have a great importance for the development of the ballet in Sweden as the ballet master of the Royal Swedish Ballet.
Léonne-Julie Alix de la Fay, also known as Julianne Bournonville and Madame Alix, was a French ballet dancer and dance instructor. She played an important part in the development of the Royal Swedish Ballet. She was the sister of the famous ballet dancer Antoine Bournonville and the aunt of August Bournonville.
Beata Sabina Straas or Strass also known as Madame Åberg was a professional stage actress in Sweden. She was a member of the pioneer group of actors in the first Swedish national theatre of Bollhuset.
Sophie Marguerite Daguin was a French ballet dancer and choreographer. She spent her career in Sweden, where she became a star ballerina and ballet mistress of the Royal Swedish Ballet, and the principal of the ballet school.
Anders Selinder, was a Swedish ballet dancer, choreographer and director. He was ballet master of the Royal Swedish Ballet in 1833–1856.
The Stenborg Company was a Swedish Theatre Company, active in Sweden and Finland in the 18th century. It was also called Stenborgska skådebanorna, Svenska komeditruppen and Svenska Comedien ('Swedish Comedy') or Svenska Teatern. It is one of the most famous theatre troupes in its country's history. In the period of 1754–1773, between the closure of the first national Swedish theatre in Bollhuset and the foundation of the next, The Royal Swedish Opera and the Royal Dramatic Theatre, it was the only Theatre performing in the native language in Stockholm. It also has an importance for the history of Finland, being the first professional secular theatre troupe in this country. It was a traveling troupe in 1756–80 and then housed in several buildings.
The Du Londel Troupe was a French 18th-century theatre troupe. From 1753 to 1771, it was active as the French Theatre of Sweden, where it played a great part in that country's theatre history.
Jeanne-Élisabeth Le Clerc Soligny, known also under her stage name Elisabeth Le Clerc, was a French ballet mistress and ballerina. She was a premier dancer at the French Ballet of the Du Londel Troupe in Sweden and of the Royal Swedish Ballet.
Marie-Renée Frossard, née Malter, was a French ballerina with an international career. She was active in Sweden in 1764–76, where she was regarded as one of the stars of the Royal Swedish Ballet.
Johanna Gustafva Sundberg also known as Johanna Gillberg was a Swedish Ballerina and ballet teacher. She was a star of the Royal Swedish Ballet in the mid 19th-century.
Carolina Desideria Granberg also known as Carolina Friebel, was a Swedish ballerina. She was considered as one of the leading members of the Royal Swedish Ballet.
