Frank Andersen (born 15 April 1953 in Copenhagen) is a former Danish ballet dancer who was twice artistic director of the Royal Danish Ballet. He has been an influential supporter of the Danish choreographer August Bournonville. [1]
Andersen was trained at the Royal Danish Ballet from the age of seven. He also studied under Vera Volkova, Stanley Williams and Nora Kiss. He first danced with the company in 1971 and became a solo dancer in 1977. In 1976, supported by Dinna Bjørn, he was the originator of the Bournonville Group which danced around the world presenting Bournonville's ballets. His first term as artistic director of the Royal Danish Ballet was from 1985–1994. From 1995–1999, he was the artistic director of the Royal Swedish Ballet and from 2002–2008 he was again artistic director of the Royal Danish Ballet. He has directed several productions of August Bournonville's ballets. [2] Since 1997, he has been an advisor to the National Ballet of China, visiting the People’s Republic on many occasions. [3] His dancing has been qualified as conveying love of life, humour and charm in roles such as Geert in The Kermesse in Bruges , Gurn in La Sylphide, Frants in Coppélia , and Puck in John Neumeier's A Midsummer Night's Dream (1980). [4]
In 2010, Andersen, together with his wife Eva Kloborg, also a ballet dancer and choreographer, instructed a group of Vietnamese dancers from the Vietnam National Opera & Ballet in Bournonville's ballet. This culminated in major presentations at the Hanoi Opera House on 29 and 30 May 2010 with performances of Conservatory (1849) and Flower Festival in Genzano (1858). [5]
In 2015 he Frank Andersen held a lecture at the Scandinavian Heritage Foundation. [6]
August Bournonville was a Danish ballet master and choreographer. He was the son of Antoine Bournonville, a dancer and choreographer trained under the French choreographer, Jean Georges Noverre, and the nephew of Julie Alix de la Fay, née Bournonville, of the Royal Swedish Ballet.
The Royal Danish Ballet is an internationally renowned classical ballet company, based at the Royal Danish Theatre in Kongens Nytorv, Copenhagen, Denmark. It is one of the oldest ballet companies in the world and originates from 1748, when the Royal Danish Theatre was founded. It was finally organized in 1771 in response to the great popularity of French and Italian styles of dance. The company was founded with the opening of the Royal Danish Theatre, which has served as its home since that time. The Royal Danish Ballet school was founded in 1771 under the leadership of French ballet teacher Pierre Laurent (1730–1807), then Vincenzo Galeotti developed it and August Bournonville founded his methodology for the school.
Erik Belton Evers Bruhn was a Danish ballet dancer, choreographer, artistic director, actor, and author.
La Sylphide is a romantic ballet in two acts. There were two versions of the ballet; the original choreographed by Filippo Taglioni in 1832, and a second version choreographed by August Bournonville in 1836. Bournonville's is the only version known to have survived and is one of the world's oldest surviving ballets.
Filippo Taglioni was an Italian dancer and choreographer and personal teacher to his own daughter, Romantic ballerina Marie Taglioni. Also, although August Bournonville's version is better known, it was Taglioni who was the original choreographer of La Sylphide, in 1832.
A ballet master is an employee of a ballet company who is responsible for the level of competence of the dancers in their company. In modern times, ballet masters are generally charged with teaching the daily company ballet class and rehearsing the dancers for both new and established ballets in the company's repertoire. The artistic director of a ballet company, whether a male or female, may also be called its ballet master. Historic use of gender marking in job titles in ballet is being supplanted by gender-neutral language job titles regardless of an employee's gender.
The Royal Swedish Ballet is one of the oldest ballet companies in Europe. Based in Stockholm, Sweden, King Gustav III founded the ballet in 1773 as a part of his national cultural project in response to the French and Italian dominance in this field; he also founded the Royal Swedish Opera and the Royal Dramatic Theatre. All of these were initially located in the old theatre of Bollhuset. The troupe was founded with the opening of the Royal Swedish Opera, which has served as its home since that time.
Johan Kobborg is a Danish ballet dancer, choreographer, director and visual artist. He is most noted as a ballet dancer, having been a principal dancer with both the Royal Danish Ballet and the Royal Ballet in London, as well as making guest appearances with other ballet companies. Following his departure from the Royal Ballet in 2013, he was the artistic director of the Romanian National Ballet Company until 2016.
Thomas Lund is the head master of The Royal Danish School of Ballet in Copenhagen. Lund admitted to The Royal Danish School of Ballet in 1986 aged 11. He became apprentice in 1991, member of the corps de ballet of The Royal Danish Ballet in 1993, soloist in 1996 and was appointed principal dancer in 2000. In September 2012 Lund retired as a Principal Dancer to become the head master of The Royal Danish School of Ballet He held that position until June 2022.
Susan Jaffe is an American ballet dancer and arts administrator. She is currently the artistic director of the American Ballet Theatre, where she had danced for 22 years and held the rank of principal dancer. She previously served as the dean of the School of Dance at the University of North Carolina School of the Arts and the artistic director of Pittsburgh Ballet Theatre.
Sorella Englund is a former soloist and character dancer with the Royal Danish Ballet. She has been a keen supporter of August Bournonville, staging a number of his ballets in Denmark and abroad.
Ellen Juliette Collin Price de Plane, better known as Ellen Price, was a Danish ballerina and actress, and a model for the statue The Little Mermaid in Copenhagen.
Paul James Rooney is an English dancer, choreographer & music artist. He has danced with various companies and choreographers around the world, including names such as; Matthew Bourne, Tim Rushton, Will Tuckett, Danish Dance Theatre & has choreographed many productions for Tivoli (Copenhagen)
Bruce Marks is an American dancer, performing both in ballet and modern dance. He continues to work as a choreographer, coach and teacher and is a tireless advocate for the art form.
Dinna Bjørn is a Danish ballet dancer and choreographer. She has specialized dancing and directing the ballets of August Bournonville. Bjørn has also created five Hans Christian Andersen ballets for the Pantomime Theatre in Copenhagen's Tivoli.
Jurgita Dronina is a Russian-Lithuanian ballet dancer. She is a principal dancer with the National Ballet of Canada, having previously danced with Royal Swedish Ballet, Dutch National Ballet and English National Ballet.
Silja Maria Wendrup Schandorff is a Danish ballerina who performed with the Royal Danish Ballet from 1985 to 2009. She has since served the Royal Theatre as ballet instructor and deputy ballet master.
Mona Elly Hou Vangsaae was a Danish ballet dancer, choreographer and instructor. At the Royal Danish Theatre, thanks to her excellent technique and dramatic versatility she became a soloist in 1942, taking roles in Bournonville's productions and in works by the Danish choreographers Nini Theilade and Harald Lander. The roles of Julie in Frederick Ashton's Romeo and Juliet and Aili in Birgit Cullberg's The Moon Reindeer were created for her. After retiring from the stage in 1962, she became an instructor for Bournonville's ballets together with her son Peter Schaufuss.
Toni Lander née Pihl Petersen (1931–1985) was a Danish ballerina who specialized in the ballets of August Bournonville. After becoming a solo dancer with the Royal Danish Ballet in 1950, she was a guest dancer with the Original Ballet Russe in 1951. She was then engaged by the Paris Opera Ballet until 1954. Lander also appeared with the London Festival Ballet in the late 1950s and with the American Ballet Theatre in the 1960s. After a few years back in Denmark in the early 1970s, in 1976 she joined the Ballet West in Salt Lake City. After a short illness, she died there of cancer in May 1985.
Lise la Cour (1944–2016) was a Danish ballerina, choreographer and dance teacher. After training at the company's ballet school, she premièred at the Royal Danish Ballet in 1961 and went on to star in a series of ballets including Bournonville's Napoli, Balanchine's The Four Temperaments and Flemming Flindt's The Young Man Must Marry. From the late 1970s, she was principally a choreographer, creating ballets based on the fairy tales of Hans Christian Andersen's, starting with Hyrdinden og skorstensfejeren in 1988. She was Viceballetmester of the Royal Danish Ballet from 1988-1995 and was involved in several large theatre productions in the following years until she was appointed Administrative Director of the Royal Danish Opera from 1999 to 2001, ensuring a smooth transition between the former opera director Elaine Padmore and newcomer Kasper Holten. In 2002, she moved to San Jose, California, where she was appointed school director of the Ballet San Jose until she established her own school, Lise la Cour's LaCademy of Ballet, in 2012.