John Neumeier (born February 24, 1939) is an American ballet dancer, choreographer, and director. He was the Director and Principal Choreographer of Hamburg Ballet from 1973-2024 [1] and the Artistic Director Ballet at Hamburg State Opera from 1996-2024. [2]
In 1978 he founded The School of the Hamburg Ballet, [3] which includes a boarding school for 34 students. [4] He has been the General Director and Artistic Supervisor of the German National Youth Ballet since it was founded in 2011. [5] [6]
Neumeier was born in Milwaukee, Wisconsin, where he received his first ballet training. He continued his dance training in Chicago at the Stone-Camyrn School of Ballet and performed with Sybil Shearer and Ruth Page. [7] After completing a BA in English Literature and Theater Studies at Marquette University in 1961, he continued his training in Copenhagen with Vera Volkova and at the Royal Ballet School in London. In 1963 he joined the Stuttgart Ballet under John Cranko, rising to the rank of soloist. [8] In 1969 Neumeier became director of the Frankfurt Ballet, before becoming Director and Principal Choreographer at the Hamburg Ballet in 1973. [9] From 1971-1974 Neumeier was also guest choreographer for the Royal Winnipeg Ballet, where he provided repertoire and staged his version of The Nutcracker .
Neumeier and his partner, German cardiovascular surgeon Hermann Reichenspurner, got married in 2018 after 14 years together. [10] They live in Hamburg. [11]
Neumeier's choreographic output consists of more than 170 works, [12] including many evening-length narrative ballets. [13] [14] Many are drawn from literary sources, such as Don Juan (created for the Frankfurt Ballet, 1972), [15] Hamlet Connotations (1976) [16] The Lady of the Camellias (Stuttgart Ballet, 1978, 2010), [12] [17] A Streetcar Named Desire (Stuttgart Ballet, 1983), [18] Peer Gynt (1989), The Seagull (2002), [19] Death in Venice (2003), [20] The Little Mermaid (Royal Danish Ballet, 2005), [20] Liliom (2011) [21] and Tatiana (2014). [22]
His adaptations of plays by William Shakespeare are of particular importance. They include Romeo and Juliet (Frankfurt Ballet, 1974), A Midsummer Night's Dream (1977), [12] Othello (1985), [23] As You Like It (1985), Hamlet (Royal Danish Ballet, 1985) and VIVALDI, or What You Will (1996). [12] Neumeier has reinterpreted and rechoreographed the seminal classics of the 19th century: The Nutcracker (Frankfurt Ballet, 1971), set in the world of 19th-century ballet, Illusions, like Swan Lake (1976), based loosely on the life of Ludwig II of Bavaria, The Sleeping Beauty (1978) and Giselle (2000).
He has choreographed works on biblical subjects, including The Legend of Joseph (Vienna State Ballet, 1977), St Matthew Passion (1981), [12] Magnificat (Paris Opera Ballet, 1987), [24] Requiem (1991), Messiah (1999) and Christmas Oratorio (2007, 2013), as well as ballets inspired by mythological subjects: Daphnis et Chloe (Frankfurt Ballet, 1972), [25] Sylvia (Paris Opera Ballet, 1997), Orpheus (2009), Tristan (1982), [26] The Legend of King Arthur (1982) and Percival – Episodes and Echo (2006). Neumeier's work is particularly inspired by the life and work of Vaslav Nijinsky [27] and he has produced several ballets about him: Vaslav (1979), [12] the full-length Nijinsky (2000) [20] and Le Pavillon d'Armide (2009). [12] Neumeier has also choreographed a number of ballets to the music of Gustav Mahler, including the biographical Purgatorio (2011), set to Deryck Cooke's reconstruction of Mahler's Tenth Symphony. In addition, Neumeier has choreographed Mahler's First (Lieb' und Leid und Welt und Traum, Ballet of the 20th Century, 1980), Third (1975), Fourth (Royal Ballet, 1977), Fifth (1989), Sixth (1984) and Ninth (In the Between, 1994) symphonies, as well as the Rückert-Lieder (1976), Des Knaben Wunderhorn (Soldier Songs, 1989) and Song of the Earth (Paris Opera Ballet, 2015).
In 2017 he created and directed a new production of Gluck's opera Orfeo ed Euridice for the Lyric Opera of Chicago featuring the Joffrey Ballet. [28] Also in 2017, he premiered the full length ballet Anna Karenina in Hamburg, a co-production with the Bolshoi and the National Ballet of Canada.
Stuttgart Ballet is a leading German ballet company. Dating back to 1609, then the court ballet of the dukes of Württemberg, the modern company was founded by John Cranko and is known for full-length narrative ballets. The company received the Laurence Olivier Award for Outstanding Achievement in Dance in 1981.
The Hamburg Ballet is a ballet company based in Hamburg, Germany. Since 1973, it has been directed by the American dancer and choreographer John Neumeier. In addition there is a ballet school, School of the Hamburg Ballet, established in 1978. The performances of the Hamburg Ballet are usually held at the Hamburg State Opera, while the training and education facility is the "Ballettzentrum Hamburg – John Neumeier".
The Polish National Ballet is the largest and most influential ballet company in Poland. It continues a ballet heritage, dating to the 17th century.
Manuel Legris is a French ballet dancer. He is an étoile with the Paris Opera Ballet for 23 years. On September 1, 2010, he became the director of the Vienna State Ballet. In December 2020, he was appointed artistic director of the La Scala Theatre Ballet.
Heinz Spoerli is a Swiss dance maker, internationally known. After a long career as a ballet dancer and company director, he is now widely considered to be one of the foremost European choreographers of his time.
The Tokyo Ballet is a classical ballet company, based in Tokyo, Japan, founded in 1964.
Marcia Haydée Salaverry Pereira da Silva is a Brazilian ballet dancer, choreographer and ballet director. She was prima ballerina of the Stuttgart Ballet under John Cranko and succeeded him as the company's director, serving from 1976 to 1995. She has been director of the Santiago Ballet since 1992.
Konstanze Vernon was a German ballet dancer, academic teacher and director of a ballet academy and a ballet company. She was from 1963 to 1981 prima ballerina of the ballet at the Bayerische Staatsoper. She taught at the Hochschule für Musik München and founded the ballet academy Heinz-Bosl-Stiftung in memory of her partner on stage Heinz Bosl. After retiring from the stage, she was founding director of the now independent ballet company Bayerisches Staatsballett.
Tatjana Gsovsky was an internationally known ballet dancer and choreographer who was ballet mistress of the Berlin State Opera, Teatro Colón, Deutsche Oper Berlin and Oper Frankfurt. An influential teacher, she is remembered for first choreographies of works by contemporary composers including Boris Blacher, Werner Egk, Hans Werner Henze, Giselher Klebe, Luigi Nono and Carl Orff.
Alexandre Riabko is a Ukrainian ballet dancer, and a principal dancer of the Hamburg Ballet.
Alexandr Trush is a Ukrainian principal dancer of the Hamburg Ballet.
Egon Madsen is a Danish ballet dancer, teacher, ballet master and company director. In 1961, he joined the Stuttgart Ballet, where John Cranko had become the director. Madsen was hired as a soloist but was soon promoted to principal dancer, and created numerous roles for Cranko. He retired from Stuttgart in 1981.
Ray Barra is an American former ballet dancer, a ballet master and ballet director. He was a soloist with the American Ballet Theatre and a principal dancer of the Stuttgart Ballet, where he created parts in creations by John Cranko, including Romeo in Romeo and Juliet with Marcia Haydée as Julia. After retiring from the stage due to an injury, he worked as a ballet master with the Berlin State Ballet, the ballet of the Frankfurt Opera, the Hamburg Ballet and the Spanish National Dance Company.
The Deutscher Tanzpreis is a prestigious prize for artistic dance in Germany. It has been awarded annually since 1983.
Günter Jena is a German choral conductor and musicologist. He was the director of church music at St. Michaelis in Hamburg from 1973 to 1997. He founded the festival Bach-Tage Hamburg, and provided music for ballet performances of choreographer John Neumeier at the Hamburg State Opera, including Bach's St Matthew Passion.
Horst Koegler was a German dance critic, journalist and writer. He was the editor and author of books on the ballet scene in Germany, as well as the author of essays in journals and introductions to illustrated books. As a reviewer of German and English-language books, he formed a bridge between American and German dance research.
Max Niehaus was a German writer, dance researcher and ballet publicist.
Kurt Peters was a German dancer, dance educator, dance critic, dance historian and publisher. In 1948, he founded the Deutsches Tanzarchiv Köln.
Aaron S. Watkin is a Canadian ballet company director and former dancer. He became the artistic director of the English National Ballet in 2023.
Marco Goecke is a German choreographer. He was the director of Hanover State Ballet between 2019 and 2023, and had also held positions at Stuttgart Ballet, Scapino Ballet, Nederlands Dans Theater and Gauthier Dance. He had additionally choreographed works for Paris Opera Ballet, Berlin State Ballet, Les Ballets de Monte-Carlo and Vienna State Ballet, among others. Die Welt's Manuel Brug called him "the most important choreographer in Germany."
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