Anna Ancher was a Danish artist associated with the Skagen Painters, an artist colony on the northern point of Jylland, Denmark. She is considered to be one of Denmark's greatest visual artists.
Robert Julius Tommy Jacobsen was a Danish sculptor and painter. The Danish Robert Award is named in his honor.
Ghita Nørby is a Danish actress with 117 film credits to her name from 1956 to 2005, making her one of the most active Danish actresses ever.
John Neumeier is an American ballet dancer, choreographer, and director. He has been the director and chief choreographer of Hamburg Ballet since 1973. Five years later he founded the Hamburg Ballet School, which also includes a boarding school for students. In 1996, Neumeier was made ballet director of Hamburg State Opera.
Julius Bomholt was a Danish politician representing the Social Democrats.
Kirsten Simone is a former Danish ballerina. She studied at the Royal Danish Ballet School with Vera Volkova and joined the Royal Danish Ballet Company in 1952. She became their first soloist in 1966. She created roles in Flemming Flindt's The Three Musketeers (1966), Elsa-Marianne von Rosen's Don Juan (1967) and Harald Lander's Fête polonaise (1970). She was a guest artist with several companies including the American Ballet Theatre and London Festival Ballet. Since her retirement she has taught at the Royal Danish Ballet School.
Clara Pontoppidan, also known as Clara Wieth, was a Danish actress. She worked mainly in Swedish and Danish silent films, including A Victim of the Mormons.
Bjørn Nørgaard is a Danish artist who has been active in a variety of fields. He has significantly influenced the art scene in Denmark both through his "happenings" and his sculptures in Danish cities. Although he has specialized in sculpture since 1970, his greatest achievement is perhaps his work in designing Queen Margrethe II's tapestries. Nørgaard was a professor at the Royal Danish Academy of Fine Arts from 1985 to 1994. His main workshop is in the village of Bissinge on the island of Møn.
Peter Ludvig Rudolph Striegler was one of Denmark's early photographers, specialising in portrait photography.
Anne Marie Carl-Nielsen was a Danish sculptor. Her preferred themes were domestic animals and people, with an intense, naturalistic portrayal of movements and sentiments. She also depicted themes from Nordic mythology. She was "one of the first women to be taken seriously as a sculptor," a trend-setter in Danish art for most of her life. She was married to the Danish composer Carl Nielsen.
Anna Kirstine Bloch was a Danish actress.
Adam Fischer was a Danish sculptor, an early contributor of works inspired by Cubism.
Bertha Wegmann (1847–1926) was a Danish portrait painter of Swiss ancestry. She was the first woman to hold a chair at the Royal Danish Academy of Fine Arts.
Bertha Olga Vilhelmine Herlich Dorph née Green was a Danish painter.
Emilie Ulrich was a Danish soprano who sang leading roles at the Royal Danish Opera from 1894 until her retirement from the stage in 1917.
Hans Hartvig Otto Seedorff Pedersen eller Hans Hartvig Seedorff was a Danish lyricist and poet. Seedorff debuted with Hyben in 1918 and over the following 7 decades he wrote songs, screenplays and books. He received numerous awards including Ingenio et Arti (1933), the Order of the Dannebrog (1947) and the Holberg Medal (1950).
Johanne Amalie Stockmarr (1869–1944) was a Danish pianist who was recognized for her virtuosity in Denmark, Britain, Germany, Sweden and Norway, receiving several awards. One of her most notable concerts was in 1906 in London when she played Grieg's Piano Concerto under the composer's leadership.
Elna Eleonora Fobian Ørnberg, also Elna Jørgen-Jensen, was a Danish ballet dancer and instructor who as a soloist starred in Bournonville's productions at the Royal Danish Theatre from 1907. After receiving further training with Mikhail Fokin, she choreographed the once popular but now forgotten Strauss i Paris in 1932. In 1933, she retired as a dancer but continued as a trainer. As a result of her support of the Nazis under the German occupation in World War II, she was imprisoned for six months. In the late 1940s, she left Denmark together with her husband Leif and settled and taught in Madrid.
Ingeborg Nørregaard Hansen (1874–1941) was a Danish operatic soprano who débuted at the Royal Danish Theatre in 1899 as Senta in The Flying Dutchma. In 1901, she was engaged by the company, initially standing in for other singers. Over the years, she developed powerful interpretations of the romantic soprano roles in Wagner's operas, becoming one of the company's leading Wagnerian performers by her retirement in 1926.
Lilly Lamprecht née Camradt (1887–1976) was a Danish operatic soprano. She made her début at the Royal Danish Theatre in 1911 in the title role of Liden Kirsten. Her roles included Madame Butterfly, Cherubino in The Marriage of Figaro and Micaëla in Carmen. She left the company in 1931 but returned in 1933 to perform Marguerite in Faust. Lamprecht was honoured as a Royal Chamber Singer in 1922.
Denmark 
