Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart and Italian libretto by Lorenzo Da Ponte. It is based on the legends of Don Juan, a fictional libertine and seducer, by Spanish writer Tirso de Molina. It was premiered by the Prague Italian opera at the National Theater, now called the Estates Theatre, on 29 October 1787. Da Ponte's libretto was billed as a dramma giocoso, a common designation of its time that denotes a mixing of serious and comic action. Mozart entered the work into his catalogue as an opera buffa. Although sometimes classified as comic, it blends comedy, melodrama and supernatural elements.
Jean-Baptiste Poquelin, known by his stage name Molière, was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière".
Christoph WillibaldGluck was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them Orfeo ed Euridice and Alceste, he broke the stranglehold that Metastasian opera seria had enjoyed for much of the century. Gluck introduced more drama by using simpler recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera.
Jean-Georges Noverre was a French dancer and balletmaster, and is generally considered the creator of ballet d'action, a precursor of the narrative ballets of the 19th century. His birthday is now observed as International Dance Day.
Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a "noble simplicity" in both the music and the drama.
Iphigénie en Tauride is a 1779 opera by Christoph Willibald Gluck in four acts. It was his fifth opera for the French stage. The libretto was written by Nicolas-François Guillard.
Giselle, originally titled Giselle, ou les Wilis, is a romantic ballet ("ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris, France on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. The ballet was an unqualified triumph. Giselle became hugely popular and was staged at once across Europe, Russia, and the United States.
Idomeneo, re di Creta ossia Ilia e Idamante is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, based on a 1705 play by Crébillion père, which had been set to music by André Campra as Idoménée in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it may have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany. It is now considered as one of the greatest operas of all time.
Dom Juan ou le Festin de pierre is a five-act 1665 comedy by Molière based upon the Spanish legend of Don Juan Tenorio. The aristocrat Dom Juan is a rakehell who seduces, marries, and abandons Elvira, discarded as just another romantic conquest. Later, he invites to dinner the statue of a man whom he recently had murdered; the statue accepts and reciprocates Dom Juan's invitation. In the course of their second evening, the stone statue of the murdered man charms, deceives, and leads Dom Juan to Hell.
Ballet d’action is a hybrid genre of expressive and symbolic ballet that emerged during the 18th century. Retroactively coined in 1855 by theater critic Théophile Gautier, one of its chief aims was to liberate the conveyance of a story from dialogue, relying simply on quality of movement to communicate actions, motives, and emotions. The expression of dancers was highlighted in many of the influential works as a vital aspect of the ballet d’action. To become an embodiment of emotion or passion through free expression, movement, and realistic choreography was one chief aim of this dance. Thus, the mimetic aspect of dance was used to convey what the lack of dialogue could not. Certainly, there may have been codified gestures; however, a main tenant of the ballet d’action was to free dance from unrealistic symbolism, so this remains an elusive question. Often, props and costume object were involved in the performance to help clarify character interaction and passions. An example would be the scarf from La Fille mal gardée, which represents the love of the male character and which the female character accepts after a coy moment. Props were thus used in harmony with dancer movement and expression. Programs for plays were also a place to explain the onstage action; however, overt clarifications were sometimes criticized for sullying the art of the ballet d’action.
Don Quixote is a ballet in 3 acts, based on episodes taken from the famous novel Don Quixote de la Mancha by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented by the Ballet of the Imperial Bolshoi Theatre of Moscow, Russia on 26 December [O.S. 14 December] 1869. Petipa and Minkus revised the ballet into a far more expanded and elaborated edition in five acts and eleven scenes for the Imperial Ballet, first presented on 21 November [O.S. 9 November] 1871 at the Imperial Bolshoi Kamenny Theatre of St. Petersburg.
Ranieri de' Calzabigi was an Italian poet and librettist, most famous for his collaboration with the composer Christoph Willibald Gluck on his "reform" operas.
Gasparo Angiolini, real name Domenico Maria Gasparo, son of Francesco Angiolini and Maria Maddalena Torzi, was an Italian dancer and choreographer, and composer. He was born in Florence and died in Milan.
Nicolas-François Guillard was a French librettist. He was born in Chartres and died in Paris, the recipient of a government pension in recognition of his work writing librettos. He was also on Comité de Lecture of the Paris Opéra. One of the foremost of the French librettist of his generation, he wrote libretti for many noted composers of the day, including Salieri and in particular Sacchini. His most famous work is Iphigénie en Tauride, his first libretto, set by Gluck after the composer had initially rejected it. Gluck collaborated with Guillard to heavily recast the libretto, not only to suit Gluck's artistic preferences, but also to accommodate pre-existing music that Gluck borrowed, both from himself and from other composers, when composing the opera.
Jason et Médée is a ballet d'action choreographed by Jean-Georges Noverre to music by Jean-Joseph Rodolphe. The ballet was first staged in the Stuttgart Opera House on Friday, 11 February 1763, in celebration of the Duke of Württemberg's birthday. The plot follows the myth of Jason and the Golden Fleece, and Medea's murder of her children. Jason et Médée was one of Noverre's greatest successes, with unauthorized productions and adaptations mounted for decades across Europe following its premiere.
Les Fêtes Chinoises is an 18th-century ballet by Jean-Georges Noverre (1727–1810). The exact date of the ballet's composition is unknown but it was probably created in 1751 for Marseilles, where Noverre was ballet master. Revivals followed in Lyon and Strasbourg and the ballet was staged in Paris on Monday, 1 July 1754 at the Opéra-Comique, with decors by François Boucher. Les Fêtes Chinoises had little in the way of plot or theme but instead was a series of danced pictures inspired by the Chinoiserie designs of the Rococo that embroidered upon descriptions of China by travellers and explorers. The ballet was Noverre's first great success. The 1755 London production was completely destroyed by anti-French rioters on the eve of the Seven Years' War.
Henriette Adélaïde Villard or Henriette-Adélaïde de Villars, known under the stage name of Mlle Beaumesnil, was a French opera singer and composer.
Vincenzo Galeotti was an Italian-born Danish dancer, choreographer and ballet master, who was influential as the director of the Royal Danish Ballet from 1775 until his death.
Don Chisciotte alle nozze di Gamace, composed by Antonio Salieri, is an Italian-language opera. The libretto presents the opera as in one act, and the musical score includes a mid-point division, both score, and libretto originally denoted the work a divertimento treatrale. The libretto was written by Giovanni Gastone Boccherini, dancer, poet and stage manager, brother of the composer Luigi Boccherini. The work is loosely adapted from chapters 19 and 21 of Part II of the novel Don Quixote by Miguel de Cervantes. The work was a hybrid opera buffa and ballet, with choreography by Jean-Georges Noverre.
