No wave was an avant-garde music genre and visual art scene which emerged in the late 1970s in Downtown New York City. The term was a pun based on the rejection of commercial new wave music. Reacting against punk rock's recycling of rock and roll clichés, no wave musicians instead experimented with noise, dissonance, and atonality, as well as non-rock genres like free jazz, funk, and disco. The scene often reflected an abrasive, confrontational, and nihilistic world view.
Mars were an American, New York City-based no wave experimental noise rock band, formed in 1975 when China Burg and artist Nancy Arlen (drums) brought Mark Cunningham (bass) and vocalist Sumner Crane together to talk about music. They were joined briefly by guitarist Rudolph Grey. The band played one live gig under the name China before changing it to Mars. They played a mixture of angular compositions and freeform noise music jams, featuring surrealist lyrics and non-standard drumming. All the members were said to be completely untrained in music before forming the band.
Marc Ribot is an American guitarist and composer.
DNA was an American no wave band formed in 1977 by guitarist Arto Lindsay and keyboardist Robin Crutchfield, and later joined by drummer Ikue Mori and bassist Tim Wright. They were associated with the late 1970s New York no wave scene, and were featured on the 1978 compilation No New York.
Arthur Morgan "Arto" Lindsay is an American guitarist, singer, record producer and experimental composer. He was a member of the pioneering 1970s no wave group DNA, which featured on the 1978 compilation No New York. In the 1980s, he formed the group Ambitious Lovers. He also performed with The Golden Palominos and The Lounge Lizards.
Ikue Mori, also known as Ikue Ile, is a drummer, electronic musician, composer, and graphic designer. Mori was awarded a "Genius grant" from the MacArthur Foundation in 2022.
DJ Olive is an American disc jockey and turntablist. He is known for producing music generally in the electronic genre, with strong influences of dub, and free improvisation styles. He is widely credited with coining of the term "Illbient" in 1994. He was a founding member of the immersionist group Lalalandia Entertainment Research Corporation in 1991.
The Golden Palominos were an American musical group headed by drummer, producer, arranger and composer Anton Fier, first formed in 1981. Aside from Fier, the Palominos membership has been wildly elastic, with only bassist Bill Laswell and guitarist Nicky Skopelitis appearing on every album through 1996. Their final work, 2012's A Good Country Mile features vocalist Kevn Kinney. The band's early work developed out of the No Wave scene, but later branched out into alternative rock, country rock and electronic music.
No New York is a No Wave compilation album released in 1978 by record label Antilles under the curation of producer Brian Eno. Although it only contains songs by four different artists, it has been considered important in defining and documenting the scene and movement, with the name "no wave" being influenced by that of the album according to some accounts.
John Zorn appears on over 400 recordings as a composer or performer. This is a selection of recordings released under his name, bands he was/is part of, collaborations with other musicians, and significant albums to which he has contributed. The year indicates when the album was first released and any subsequent years if the following release included additional material.
Robin Lee Crutchfield is an American artist. He is best known as one of the founding musicians of the former New York No Wave scene. He has performed at such hallowed musical grounds as Tier 3, CBGB's, Max's Kansas City and Artists Space; as well as had his work on display at prestigious venues like MoMA and The Whitney Museum of American Art.
Locus Solus is an album of improvisations by John Zorn and other musicians. Originally released as a double vinyl album on Rift records in 1983 it was re-released as a CD with additional tracks on Eva/Wave in 1990 and on Zorn's Tzadik Records label in 1997.
Donald Cunningham Jr. is an American politician who is president and CEO of the Lehigh Valley Economic Development Corporation (LVEDC). He previously served as executive of Lehigh County, Pennsylvania, secretary of the Pennsylvania Department of General Services, and mayor of Bethlehem, Pennsylvania.
Noise Fest was an influential festival of no wave noise music performances curated by Thurston Moore of Sonic Youth at the New York City art space White Columns in June 1981. Sonic Youth made their first live appearances at this show.
Michael Leonhart is an American jazz trumpeter and multi-instrumentalist.
Abby Fairgate is a fictional character from the CBS prime time soap opera Knots Landing, a long-running serial about middle class life on the fictional cul-de-sac known as Seaview Circle in Los Angeles, California. She was played by actress Donna Mills between 1980 and 1989. Abby was created by producer David Jacobs as one of Knots Landing's earliest characters. She debuted in the first episode of the second season. Mills remained a principal actor in the series until she left in its tenth season. She returned for the two-part series finale in 1993, and made her last appearance in 1997 when she appeared in the reunion miniseries Knots Landing: Back to the Cul-de-Sac.
A Taste of DNA is an EP by the no wave band DNA, released in 1981 through American Clavé. It was to be the band's last album to be released before they disbanded the following year.
This is a summary of the year 2013 in British music.
DNA (Last Live at CBGB's) is a live album by DNA, released in 1993 through Avant Records.
Post-no wave is a form of experimental rock music that emerged from, or drew its inspiration from, the no wave scene. It's considered to have arisen after the disintegration of the original scene in 1980, expanding beyond its New York City boundaries. It further differs from no wave by exploring new music genres, making use of modern technology and studio techniques, embracing rock or funk idioms, a greater rhythmic complexity or a tongue-in-cheek nihilistic humor. As a result, post-no wave usually fuses the angular and deconstructive approach of its predecessor with a more song-oriented sound.
