Arto Lindsay | |
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Background information | |
Birth name | Arthur Morgan Lindsay |
Born | May 28, 1953 |
Origin | Richmond, Virginia, U.S. |
Genres | No wave, noise, avant-garde jazz, MPB, art pop |
Occupation(s) | Composer, musician, record producer |
Instrument(s) | Guitar, vocals |
Labels | ZE, Righteous Babe |
Website | artolindsay |
Arthur Morgan "Arto" Lindsay (born May 28, 1953) is an American guitarist, singer, record producer and experimental composer. [1] He was a member of the pioneering 1970s no wave group DNA, which featured on the 1978 compilation No New York . In the 1980s, he formed the group Ambitious Lovers. He also performed with the Golden Palominos and the Lounge Lizards.
He has a distinctive soft voice and an often noisy, self-taught guitar style consisting almost entirely of unconventional extended techniques, described by Brian Olewnick as "studiedly naïve ... sounding like the bastard child of Derek Bailey". [2]
Although Lindsay was born in the United States, he grew up in Brazil. [3] In the late 1970s, he helped form the no wave band DNA [4] with Ikue Mori and Robin Crutchfield, although Tim Wright of Pere Ubu soon replaced Crutchfield. [5] In 1978, DNA was featured on the four-band sampler No New York (produced by Brian Eno). [5] In the early 1980s, Lindsay performed on early albums by The Lounge Lizards and The Golden Palominos. [6] [7] "He's never lost his interest in weirdness," Robert Christgau wrote, "even ran the Kitchen for a year, and in the eighties his unschooled guitar was in demand all over downtown as he radiated out from the overlapping John Lurie, Anton Fier, John Zorn, and Kip Hanrahan circles to enterprising jazz and funk guys as well as Cuban drummers..." [8]
After the Lounge Lizards, Lindsay and keyboardist Peter Scherer formed the Ambitious Lovers, influenced by pop, samba, and bossa nova. In an interview with Bomb magazine, Linsday said, "the whole idea was Al Green and samba. That against this; this against that; not a blend, a juxtaposition, loud/soft. There's no particular point in putting these things together. The point is what comes out in the end." [9] The band's albums included Envy, Greed, and Lust. [10]
Lindsay began his experience as producer in 1981 working with Italian No wave band Hi-Fi Bros. He has produced recordings by Brazilian musicians Caetano Veloso, Tom Zé, Vinicius Cantuária, Gal Costa, Carlinhos Brown, Marisa Monte, Adriana Calcanhotto, Orquestra Contemporânea de Olinda and Lucas Santtana. He also co-produced the first album of Anarchist Republic of Bzzz, and CHASM by Ryuichi Sakamoto. [11]
Lindsay lent his talents to the 1993 opera Agememnon and to Jun Miyake’s Stolen From Strangers album (2008), providing vocals and guitar on the album’s opener “Alviveride” as well as on “O Fim”, “Turn Back” and “Outros Escuros”. For Performa 09, the third edition of the Performa Biennial, Lindsay created Somewhere I Read collaborating with the choreographer Lily Baldwin. In 2013, Lindsay sang on "I Guess We're Floating" by Stephon Alexander and Rioux. The song was released on the album Here Comes Now in August 2014 by Connect Records. [12]
More or less comprehensive the discography integrates all work as a leader, band projects and contributions on albums of other musicians. Lindsay's own work can simply be singled out by sorting "Leading artist". Minor contributions may only be mentioned in the notes of an earlier album of the respective artist. The No New York compilation is added due to its significance. Later compilations of older material are listed with the recording year followed by the release date in brackets. Within a year the albums are sorted alphabetically by artist not by specified dates. (Leading artist sorts by first name.)
Date | Leading artist or band | Album | Label | Notes |
---|---|---|---|---|
1978 | DNA | No New York | Antilles | compilation by Brian Eno. A single produced by Robert Quine was released the same year: "You & You" (Medical, 1978) |
1978 [2003] | Arto/Neto and Pill Factory | N.Y No Wave - The Ultimate East Village 80's Soundtrack | ZE | compilation with single „Pini Pini“/„Malú“ with S. Neto (=Seth Tillet) and a track by Pill Factory for the film Grutzi Elvis by Diego Cortez |
1979 [1985] | The Lounge Lizards | Live 79-81 | ROIR | only on MC, LP/CD reissue in 1990. Liner notes by Jim Jarmusch |
1980 | Peter Gordon & Love of Life Orchestra | Extended Niceties | Infidelity | plays guitar on two of four tracks (besides David Byrne), 12" single |
1980−83 [2008] | Toy Killers | The Unlistenable Years | ugExplode | project by Mark E. Miller and Charles K. Noyes recorded at The Kitchen, the OAO Studio and elsewhere |
1981 | DNA | A Taste of DNA | American Clave | |
1981 | The Lounge Lizards | The Lounge Lizards | Editions EG | |
1981 | Kip Hanrahan | Coup de tête | American Clave | |
1982 [1993] | DNA | Last Live at CBGB's | Avant | recorded June 25, 1982, at CBGB's |
1983 | The Golden Palominos | The Golden Palominos | Celluloid | Lindsay is also guest on "I.D. (Like a Version)", B-side of single "Omaha", and Visions of Excess both Celluloid, 1985 |
1983 | Kip Hanrahan | Desire Develops an Edge | American Clave | |
1983 | John Zorn | Locus Solus | Rift | reissued on Eva (Jp) in 1991 and on Tzadik in 1997 |
1984 | Ambitious Lovers | Envy | Editions EG | credited as "Arto Lindsay Ambitious Lovers", co-produced by M. E. Miller and Peter Scherer |
1984 | David Moss | Full House | Moers Music | |
1984 | Arto Lindsay, John Zorn, Wayne Horvitz and M. E. Miller | That's the Way I Feel Now - A Tribute to Thelonious Monk | A&M | compilation with "Shuffle Boil" |
1985 | Kip Hanrahan | Vertical's Currency | American Clave | |
1985 | John Lurie | Music from the Original Scores: Stranger Than Paradise and the Resurrection of Albert Ayler | Crammed Discs, Made to Measure | only on "The Resurrection of Albert Ayler" |
1985 | David Moss | Dense Band | Moers Music | |
1985 | Ryuichi Sakamoto | Esperanto | MIDI Inc. | Lindsay plays guitar, also on "Parolibre" of following Futurista (MIDI Inc., 1986) |
1986 | Arto Lindsay | Godard, ça vous chante? | Nato (F) | compilation with two quartet pieces featuring Lucy Hamilton, Clint Ruin and Roli Mosimann (also includes Zorn's "Godard" w/o Lindsay) |
1986 | John Zorn | The Big Gundown | Nonesuch | subtitle John Zorn Plays the Music of Ennio Morricone |
1986 [1990] | John Zorn | Filmworks 1986–1990 | Eva (Jp) | Lindsay on first four tracks for White and Lazy. Also on two tracks from 1990 released on Filmworks III: 1990–1995 |
1987 | John Lurie | Down by Law | Crammed Discs, Made to Measure | Soundtrack to the Jim Jarmush film, featuring Lurie beside Tom Waits and Roberto Benigni as lead actors |
1987 | John Zorn | Cobra | Hat Hut | only studio recording |
1988 | Ambitious Lovers | Greed | Virgin | |
1988 | Heiner Goebbels/Heiner Müller | Der Mann im Fahrstuhl/The Man in the Elevator | ECM | |
1989 | Laurie Anderson | Strange Angels | Warner Bros. | produced in part by Lindsay and Scherer. Lindsay also sings on the title track of her following album Bright Red (1994) |
1989 | Bill Frisell | Before We Were Born | Elektra/Musician | |
1989 | Allen Ginsberg | The Lion for Real | Antilles/Island | Hal Wilner project |
1989 | Seigen Ono | Comme des Garçons, Volume One | Venture | Lindsay also is guest musician and producer on The Green Chinese Table (1988) and Comme des Garçons, Volume Two (1989) |
1989 | Ryuichi Sakamoto | Beauty | Virgin | Lindsay also sings on "Psychedelic Afternoon" of his following album Sweet Revenge (1994) and plays guitar on "Bibounoaozora" of the next, Smoochy (Güt/For Life, 1996) |
1989 | Caetano Veloso | Estrangeiro | Elektra/Musician | produced by Lindsay and Peter Scherer |
1989 | John Zorn | Cynical Hysterie Hour | CBS/Sony (Jp) | on "Bubblin' Singin'"; rereleased on Tzadik in 1997 as Filmworks VII: Cynical Hysterie Hour |
1990 | Ambitious Lovers as Peter Scherer & Arto Lindsay | Pretty Ugly | Crammed Discs, Made to Measure | music for a ballett choreographed by Amanda Miller |
1990 | Marisa Monte | Mais | EMI | produced album |
1990 | Marc Ribot | Rootless Cosmopolitans | Island | |
1990 | They Might Be Giants | Flood | Elektra | Lindsay on one track |
1991 | Ambitious Lovers | Lust | Elektra | |
1991 | Marisa Monte | Mais | EMI/World Pacific | produced by Lindsay, debut album by Monte, features Ribot, Zorn a.o. |
1991 | Caetano Veloso | Circuladô | Elektra/Nonesuch | produced by Lindsay |
1992 | Davis Moss | Dense Band | Moers Music | |
1992 | Tom Zé | The Hips of Tradition - The Return of Tom Zé | Luaka Bop/Warner Bros. | co-produced; translated his songs for 1990 Luaka Bop compilation Brazil Classics 4: Tom Zé |
1993 | Arnaldo Antunes | Nome | RCA | |
1993 | Gal Costa | O Sorriso do Gato de Alice | RCA | produced by Lindsay |
1994 | David Byrne | David Byrne | Luaka Bop/Warner Bros. | |
1994 | Marisa Monte | Verde, Anil, Amarelo, Cor de Rosa e Carvão | EMI | produced album |
1995 | Arto Lindsay Trio | Aggregates 1–26 | Knitting Factory | trio with Melvin Gibbs and Dougie Bowne |
1995 | Arto Lindsay | O Corpo Sutil (The Subtle Body) | Güt/For Life (Jp), Bar/None | first solo album after the Ambitious Lovers, features prominently Bill Frisell |
1996 | Carlinhos Brown | Alfagamabetizado | EMI/Delabel | produced in part by Lindsay (other half by Wally Badarou) |
1996 | Vinicius Cantuaria | Sol na Cara | Gramavision | produced by Lindsay |
1996 | Arto Lindsay | Mundo Civilizado | Güt/For Life (Jp), Bar/None | co-produced by Andres Levin, Camus Celli. Illbient remixes on Hyper Civilizado (Gütbounce/Gramavision) |
1994 | Marisa Monte | Barulhinho Bom | EMI | co-produced with Carlinhos Brown and Monte |
1997 | Arto Lindsay | Noon Chill | Güt/For Life (Jp), Bar/None | co-produced by Andres Levin, Melvin Gibbs, Pat Dillett and 7 Cycle. Rykodisc issued a limited edition in 1998 adding the EP Reentry, first released in Japan on Güt |
1998 | Vinicius Cantuaria | Tucumã | Verve | Lindsay co-wrote "Maravilhar" and "Sanfona", and plays guitar on "Vivo Isolado do Mundo" |
1998 | Seigen Ono | Comme des Garçons + Remix Arto Lindsay | Epic/Sony | re-release with added remixes |
1999 | Arto Lindsay | Prize | Righteous Babe | co-produced by Andres Levin and Melvin Gibbs |
1999 | Piccola Orchestra Avion Travel | Cirano | Sugar | producer |
2000 | Arto Lindsay | Ecomixes | Avex Trax | compilation of remixes and four live tracks |
2000 | Marisa Monte | Memórias, Crônicas, e Declarações de Amor | EMI/Phonomotor | co-produced with Monte |
2002 | Arto Lindsay | Invoke | Righteous Babe | co-produced by Andres Levin and Melvin Gibbs, two tracks by Kassin and Berna Ceppas |
2002 | Jun Miyake | Innocent Bossa in the Mirror | Nektar/Tropical Music | co-produced and sings |
2004 | Arto Lindsay | Salt | Righteous Babe | co-produced by Melvin Gibbs, Kassin and Berna Ceppas |
2008 | Adriana Calcanhotto | Mare | Sony/BMG | co-producer, plays drums and guitar on two tracks |
2008 | Jun Miyake | Stolen from Strangers | Videoarts Music | |
2009 | Anarchist Republic of Bzzz | Anarchist Republic of Bzzz | Sub Rosa | co-producer with head Seb El Zin, and plays guitar |
2013 | Arto Lindsay, Paal Nilssen-Love | Scarcity | PNL | 12"/CD |
2014 | Arto Lindsay | Encyclopedia of Arto | Northern Spy | compilation with a second CD comprising solo live recordings |
2016 | Anarchist Republic of Bzzz | United Diktaturs of Europe | Bzzz | plays guitar |
2017 | Arto Lindsay | Cuidado Madame | Northern Spy/P-Vine (Jp) | again with Melvin Gibbs, features drummer Kassa Overall |
2019 | Arto Lindsay, Ken Vandermark, Joe McPhee, Phil Sudderberg | Largest Afternoon | Corbett vs. Dempsey | |
2022 | Arto Lindsay | Charivari | Corbett vs. Dempsey | solo recording |
Mars were an American, New York City-based no wave experimental noise rock band, formed in 1975 when China Burg and artist Nancy Arlen (drums) brought Mark Cunningham (bass) and vocalist Sumner Crane together to talk about music. They were joined briefly by guitarist Rudolph Grey of Red Transistor. The band played one live gig under the name China before changing it to Mars. They played a mixture of angular compositions and freeform noise music jams, featuring surrealist lyrics and non-standard drumming. All the members were said to be completely untrained in music before forming the band.
DNA was an American no wave band formed in 1977 by guitarist Arto Lindsay and keyboardist Robin Crutchfield, and later joined by drummer Ikue Mori and bassist Tim Wright. They were associated with the late 1970s New York no wave scene, and were featured on the 1978 compilation No New York.
Ikue Mori, also known as Ikue Ile, is a drummer, electronic musician, composer, and graphic designer. Mori was awarded a "Genius grant" from the MacArthur Foundation in 2022.
John Anton Fier III was an American drummer, producer, composer, and bandleader. He led The Golden Palominos, an experimental rock group active from the 1980s to 2010.
The Golden Palominos were an American musical group headed by drummer, producer, arranger and composer Anton Fier, first formed in 1981. Aside from Fier, the Palominos membership has been wildly elastic, with only bassist Bill Laswell and guitarist Nicky Skopelitis appearing on every album through 1996. Their final work, 2012's A Good Country Mile features vocalist Kevn Kinney. The band's early work developed out of the No Wave scene, but later branched out into alternative rock, country rock and electronic music.
No New York is a No Wave compilation album released in 1978 by record label Antilles under the curation of producer Brian Eno. Although it only contains songs by four different artists, it has been considered important in defining and documenting the scene and movement, with the name "no wave" being influenced by that of the album according to some accounts.
The League of Gentlemen were a band active during March–December 1980 that featured King Crimson guitarist Robert Fripp.
Visions of Excess is the second album by the Golden Palominos. The band's line-up was substantially different from their first album. It includes a cover of Moby Grape's "Omaha," with Michael Stipe singing lead.
Trouser Press was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who, Dave Schulps, and Karen Rose under the name "Trans-Oceanic Trouser Press". Publication of the magazine ceased in 1984. The unexpired portion of mail subscriptions was completed by Rolling Stone sister publication Record, which itself folded in 1985. Trouser Press has continued to exist in various formats.
The Blue Mask is the eleventh solo studio album by American rock musician Lou Reed, released in February 1982, by RCA Records. Reed had returned to the label after having left Arista Records. The album was released around Reed's 40th birthday, and covers topics of marriage and settling down, alongside themes of violence, paranoia, and alcoholism.
John Gavanti is a 1980 no wave opera album by members of the bands Mars and DNA. It was written and played by Mark Cunningham, Sumner Crane, China Burg, Ikue Mori and Arto Lindsay. All were prominent members of New York City's short-lived No Wave music scene.
B Stiff is the first EP by American new wave band Devo, released in 1978 by Stiff Records.
Ambitious Lovers were a musical duo composed of guitarist/singer Arto Lindsay and keyboardist Peter Scherer, active from the mid-1980s to the early 1990s. Their music incorporated elements from Brazilian music and funk. Despite strong reviews from critics for their three albums, Ambitious Lovers found little success with mainstream audiences.
Lust is the third album by Ambitious Lovers. It was released in 1991 through Elektra Records. It was the band's final album.
The Sound of Sunbathing is the debut album from The Sinceros, a new wave and power pop band from England. The album, with initial copies pressed on orange vinyl, was released worldwide and achieved moderate commercial success. This is the only album so far released on CD, the follow-up being Pet Rock. The Sunbathing CD was released on 18 May 2009 with the catalogue number CDM RED 396. One track from this album, "Take Me to Your Leader", has appeared on the compilation albums New Wave Hits of the 70's & 80's and Big Hits, Skinny Ties: New Wave in the U.K.
Rootless Cosmopolitans is the debut solo album by American guitarist Marc Ribot, released by Antilles in 1990.
The Lounge Lizards is the first album by the Lounge Lizards. It features hectic instrumental jazz. The songs are mostly composed by band leader and saxophone player John Lurie. The album artwork was designed by the English graphic designer Peter Saville.
O Corpo Sutil (The Subtle Body) is the debut solo album by musician Arto Lindsay, released in 1995.
The Golden Palominos is the debut studio album by the alternative rock band the Golden Palominos. It was released on May 20, 1983, on Celluloid Records.
Erin Rioux is an electronic psychedelic record producer, vocalist, and curator based in Brooklyn who makes music under the stage name Rioux. His work merges technology with traditional instrumentation, particularly guitar and bass guitar, to create a rhythmic yet cerebral sonic environment.