Kenny Wollesen | |
---|---|
Background information | |
Born | 9 April 1966 |
Genres | Avant-garde jazz, classical, rock |
Occupation(s) | Musician |
Instrument(s) | Drums, vibraphone, percussion |
Labels | Tzadik |
Kenny Wollesen (born 1966) is an American drummer and percussionist.
Wollesen has recorded and toured with Tom Waits, Sean Lennon, Ron Sexsmith, Bill Frisell, Norah Jones, John Lurie, Myra Melford, Steven Bernstein, and John Zorn. He is a founding member of the New Klezmer Trio and a member of the Sex Mob and Himalayas groups. [1]
He grew up in Capitola, California, studying at Aptos High School, and spending many teenage years playing with Donny McCaslin. He spent quality classroom time with flugelhornist and arranger Ray Brown at Cabrillo College. He also arranges and studied vibraphone at Cabrillo.
Wollesen utilizes the Burton grip when playing vibraphone.
With the Himalayas
With Myra Melford
With New Klezmer Trio
With Sexmob
With others
With Steve Beresford
With David Byrne
With Nels Cline
With Crash Test Dummies
With Sylvie Courvoisier
With Trevor Dunn's trio-convulsant
With Bill Frisell
With Ben Goldberg
With Jesse Harris
With Rickie Lee Jones
With Julian Lage
With Sean Lennon
With Rudy Linka
With Kate McGarry
With Ruper Ordorika
With Ellen Reid
With Carrie Rodriguez/Chip Taylor
With Jenny Scheinman
With Tony Scherr
With John Scofield
With Leni Stern
With Rufus Wainwright
With Tom Waits
With John Zorn
With others
John Zorn is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". Zorn's avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music.
Masada is a musical group with rotating personnel led by American saxophonist and composer John Zorn since the early 1990s.
Ikue Mori, also known as Ikue Ile, is a drummer, electronic musician, composer, and graphic designer. Mori was awarded a "Genius grant" from the MacArthur Foundation in 2022.
Wayne Horvitz is an American composer, keyboardist and record producer. He came to prominence in the Downtown scene of 1980s and '90s New York City, where he met his future wife, the singer, songwriter and pianist Robin Holcomb. He is noted for working with John Zorn's Naked City among others. Horvitz has since relocated to the Seattle, Washington area where he has several ongoing groups and has worked as an adjunct professor of composition at Cornish College of the Arts.
Trevor Roy Dunn is an American composer, bass guitarist, and double bassist. He came to prominence in the 1990s with the experimental band Mr. Bungle. While performing with Mr. Bungle, Dunn would dress similar to the St. Pauli Girl. He has since worked in an array of musical styles, including with saxophonist/composer John Zorn, Secret Chiefs 3 and with his own avant-garde jazz/rock ensemble Trevor Dunn's Trio-Convulsant. He is also a member of the band Tomahawk.
Cyro Baptista is a Brazilian percussionist in jazz and world music. He creates many of the percussion instruments he plays.
Greg Cohen is an American jazz bassist who has been a member of John Zorn's Masada quartet and worked with numerous other noted musicians for over four decades.
Eyvindur Y. Kang is an American composer and multi-instrumentalist. His primary instrument is viola, but has also performed on violin, tuba, keyboards and others.
Erik Friedlander is an American cellist and composer based in New York City.
Jamie Saft is an American keyboardist and multi-instrumentalist and composer. He was born in New York City, and studied at Tufts University and the New England Conservatory of Music.
Mark Feldman is an American jazz violinist.
Anthony Coleman is an avant-garde jazz pianist. During the 1980s and 1990s he worked with John Zorn on Cobra, Kristallnacht, The Big Gundown, Archery, and Spillane and helped push modern Jewish music into the 21st century.
John Zorn appears on over 400 recordings as a composer or performer. This is a selection of recordings released under his name, bands he was/is part of, collaborations with other musicians, and significant albums to which he has contributed. The year indicates when the album was first released and any subsequent years if the following release included additional material.
Filmworks VIII: 1997 features two scores for film by John Zorn released on Zorn's own label, Tzadik Records, in 1998. It features the music that Zorn wrote and recorded for The Port of Last Resort (1998), a documentary directed by Joan Grossman and Paul Rosdy examining the experiences of Jewish refugees in Shanghai and Latin Boys Go to Hell (1997) which was directed by Ela Troyano.
This is a discography for guitarist Marc Ribot, including both his own albums and significant recordings to which he has contributed. The year in brackets indicates the date of first release.
This discography features albums released by guitarist Bill Frisell, released recordings of bands and projects he was/is a member of, and albums on which he appears as guest musician. Labels and dates indicate first release.
The Gnostic Preludes is an album composed by John Zorn and released on the Tzadik label in March 2012. It was the first album by Carol Emanuel, Bill Frisell, and Kenny Wollesen who became known as The Gnostic Trio.
Ben Goldberg is an American clarinet player and composer.
Shanir Ezra Blumenkranz is an American bassist and oud player who has recorded and performed extensively with Cyro Baptista's Banquet of the Spirits, Daniel Zamir's Satlah, Rashanim, and Pharaoh's Daughter, and John Zorn. Blumenkranz studied at the Manhattan School of Music, the Rimon School of Music in Israel, and holds a Bachelor of Music in Performance from Berklee College of Music in Boston. In 2012 he released the first album under his leadership Abraxas: Book of Angels Volume 19 featuring compositions by John Zorn.
In Lambeth is an album composed by John Zorn and performed by the Gnostic Trio, recorded in New York City in April 2013 and released on the Tzadik label in December 2013. The album is the third by the trio following The Gnostic Preludes (2012) and The Mysteries (2013). Its title quotes from William Blake's poem Jerusalem.