Filmworks VIII: 1997 | ||||
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Soundtrack album by | ||||
Released | 1998 | |||
Recorded | July 22 & November 9, 1997 | |||
Genre | avant-garde, jazz, classical | |||
Length | 65:08 | |||
Label | Tzadik TZ 7318 | |||
Producer | John Zorn | |||
Filmworks chronology | ||||
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John Zorn chronology | ||||
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Filmworks VIII: 1997 features two scores for film by John Zorn released on Zorn's own label, Tzadik Records, in 1998. [1] It features the music that Zorn wrote and recorded for The Port of Last Resort (1998), a documentary directed by Joan Grossman and Paul Rosdy examining the experiences of Jewish refugees in Shanghai and Latin Boys Go to Hell (1997) which was directed by Ela Troyano.
The tracks for Port of Last Resort are performed by the Masada String Trio with the addition of Min Xiao-Fen (pipa), Marc Ribot (guitar) and Anthony Coleman (piano). [2] Tracks for Latin Boys Go to Hell feature the percussion of Cyro Baptista and Kenny Wollesen.
Review scores | |
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Source | Rating |
Allmusic | [3] |
The Allmusic review by Joslyn Layne awarded the album 4½ stars noting that "The sophisticated music of Film Works 8 stands apart for its cosmopolitan assuredness, high level of musicianship, and beauty". [3]
1. "Teqiah" - 3:07
2. "Shanghai" - 2:35
3. "Emunim" - 3:32
4. "Ruan (guitar version)" - 4:37
5. "Ebionim" - 3:00
6. "Ahavah" - 3:42
7. "Ruan (pipa version)" - 3:37
8. "Livant" - 1:54
9. "Or Ne'erav" - 6:58
10. "Shanim" - 2:03
11. "Ruan (solo piano)" - 3:42
12. "Deseo" - 2:28
13. "Mentiras" - 2:15
14. "Ansiedad" - 2:55
15. "Locura" - 2:47
16. "Sangre" - 1:02
17. "Olvido" - 2:21
18. "Engano" - 2:25
19. "Traicion" - 2:25
20. "Ilusion" - 2:43
21. "Lagrimas" - 4:14
John Zorn is an American composer, arranger, record producer, saxophonist, and multi-instrumentalist. His music crosses genres that include jazz, rock, hardcore, classical, surf, metal, soundtrack, ambient, and improvised music. Zorn incorporates diverse styles and compositional methods in his works, which he identifies as avant-garde or experimental. In 2013, Down Beat described Zorn as "one of our most important composers".
Masada is a musical group with rotating personnel led by American saxophonist and composer John Zorn since the early 1990s.
Jamie Saft is an American keyboardist and multi-instrumentalist and composer. He was born in New York City, and studied at Tufts University and the New England Conservatory of Music.
Bar Kokhba Sextet brings together six core members of the Masada family under the leadership of John Zorn. The music act is an improvisational group from New York's best downtown artists, including Cyro Baptista on percussion, Marc Ribot on guitar, Greg Cohen on bass, Joey Baron on drums and Mark Feldman / Erik Friedlander on strings. According to Tzadik, John Zorn's music label, the band's music is "Sephardic exotica for young moderns".
Filmworks VII: Cynical Hysterie Hour is a 1989 album by John Zorn featuring music written for a series of Japanese animated shorts that were created by Kiriko Kubo. It features Zorn's first music for cartoons and was originally released on the Japanese Sony label in limited numbers. In late 1996 Zorn finally attained the rights for his music and remastered and re-released the album on his own label, Tzadik, in 1997.
The Circle Maker is a double album by John Zorn featuring Zorn's Masada compositions performed by the Masada String Trio and the Bar Kokhba Sextet which was released in 1998 on the Tzadik label.
At the Mountains of Madness is a 2005 double live album by American composer and saxophonist John Zorn's Electric Masada featuring performances recorded in Moscow and Ljubljana. It is the second release by Electric Masada.
Filmworks II: Music for an Untitled Film by Walter Hill features the second release of scores for film by John Zorn. The album was originally released on the Japanese Toys Factory label in 1995 and subsequently re-released on Zorn's own label, Tzadik Records, in 1996. It features the music that Zorn wrote and recorded for Trespass which was not used in favor of a score by Ry Cooder.
Filmworks III: 1990–1995 features the scores for film and advertisements by John Zorn. The album was originally released on the Japanese labels Evva in 1995 and Toys Factory in 1996 and subsequently re-released on Zorn's own label, Tzadik Records, in 1997. It features the music that Zorn wrote and recorded for Thieves Quartet (1993), directed by Joe Chappelle, which was performed by the group that would become Masada; nine cues for Kiriko Kubo's Music For Tsunta (1988); eleven tracks for Hollywood Hotel (1994), directed by Mei-Juin Chen; and thirty-two pieces for advertisements by Wieden & Kennedy.
Filmworks IV: S/M + More features film scores by John Zorn. The album was released in Japan on Eva Records in 1996 and on Zorn's own label, Tzadik Records, in 1997. It features the music that Zorn wrote and recorded for Maria Beatty's The Elegant Spanking, Beatty and M.M. Serra's A Lot of Fun for the Evil One, "Credits Included" written for the film of the same name directed by Jalal Toufic and "Maogai," written for a piano scene in a film by Hiroki Ryuichi.
Filmworks V: Tears of Ecstasy is a film score by John Zorn. The album was released on Zorn's own label, Tzadik Records, in 1996. It features the music that Zorn wrote and recorded for the movie Tears of Ecstasy (1995) by director Oki Hiroyuki.
Filmworks IX: Trembling Before G-d is the ninth album of film scores by John Zorn. The album was released on Zorn's label, Tzadik Records, in 2000 and features the music that Zorn wrote and recorded for the documentary Trembling Before G-d which was directed by Sandi Simcha Dubowski. Five of the tracks are pieces from Zorn's Masada songbook.
Filmworks XII: Three Documentaries is an album containing three scores by John Zorn for documentary films released on Zorn's own label, Tzadik Records, in 2002. It features music that Zorn wrote and recorded for Homecoming (2002), a tribute documentary about the dance program at Performance Space 122 in New York by Charles Dennis, Shaolin Ulysses (2002) a film by Mei-Juin Chen and Martha Burr that follows Shaolin monks living and training in the United States, and Family Found (2002), a portrait of outsider artist Morton Bartlett which was directed by Emily Harris.
Filmworks XIV: Hiding and Seeking features a score for film by John Zorn. The album was released on Zorn's own label, Tzadik Records, in 2003 and contains music that Zorn wrote and recorded for, Hiding and Seeking (2003), a documentary directed by Menachem Daum and Oren Rudavsky.
Filmworks XVII: Notes on Marie Menken/Ray Bandar: A Life with Skulls features scores by John Zorn for two documentary films. The album was released on Zorn's own label, Tzadik Records, in 2006 and contains music that Zorn wrote and recorded for, Notes on Marie Menken (2006), directed by Martina Kudláček and a percussion score for Ray Bandar: A Life with Skulls directed by Beth Cataldo.
50th Birthday Celebration Volume 4 is a live album by Electric Masada documenting their performance at Tonic in September 2003 as part of John Zorn's month-long 50th Birthday Celebration.
Filmworks XXI: Belle de Nature/Rijksmuseum features a score for film by John Zorn. The album was released on Zorn's own label, Tzadik Records, in 2008 and contains music that Zorn wrote and recorded for film director Maria Beatty's Belle de Nature (2008) and a documentary on the renovation of the Rijksmuseum Amsterdam.
Interzone is an album by American composer John Zorn developed to pay tribute to the influence of writers William S. Burroughs and Brion Gysin and released on Zorn's Tzadik label in 2010.
A Dreamers Christmas is an album of Christmas music by John Zorn released in October 2011 on the Tzadik label. It was produced by John Zorn and released on his own label Tzadik Records. It was Zorn's 5th album in 2011.
Ipos: Book of Angels Volume 14 is an album by the Dreamers performing compositions from John Zorn's second Masada book, The Book of Angels.