The Hermetic Organ Vol. 2 | ||||
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Live album by | ||||
Released | January 21, 2014 | |||
Recorded | September 23, 2013 St. Paul's Chapel, Columbia University, NYC | |||
Genre | Improvised music | |||
Length | 47:09 | |||
Label | Tzadik TZ 8312 | |||
Producer | John Zorn | |||
John Zorn chronology | ||||
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The Hermetic Organ Vol. 2 is an album by John Zorn, consisting of a live improvisation on the Aeolian-Skinner pipe organ of St. Paul's Chapel at Columbia University, which was recorded on September 23, 2013 and released on Tzadik Records in January 2014. [1] The performance was part of the Miller Theatre's Zorn @ 60 series. [2] It follows Zorn's first volume of organ improvisations, The Hermetic Organ (2012). [3]
Review scores | |
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Source | Rating |
Free Jazz Collective |
Brian Questa of The Free Jazz Collective stated "In The Hermetic Organ, Vol. 2, the command he has over his own improvisations is remarkable. His instincts lead him to a sensitive balance of colors and expressions. There are no awkward transitions, no embarrassing turns of phrase, nothing to suggest that, for Zorn, the risks inherent in free improvisation produce anything other than quality music". [4]
All compositions by John Zorn
Office Nr 9: The Passion
John Zorn is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". His avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, Jewish music, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music. Rolling Stone noted that "[alt]hough Zorn has operated almost entirely outside the mainstream, he's gradually asserted himself as one of the most influential musicians of our time".
Derek Bailey was an English avant-garde guitarist and an important figure in the free improvisation movement. Bailey abandoned conventional performance techniques found in jazz, exploring atonality, noise, and whatever unusual sounds he could produce with the guitar. Much of his work was released on his own label Incus Records. In addition to solo work, Bailey collaborated frequently with other musicians and recorded with collectives such as Spontaneous Music Ensemble and Company.
Masada is a musical group with rotating personnel led by American saxophonist and composer John Zorn since the early 1990s.
Anthony John Medeski is an American jazz keyboard player and composer. Medeski is a veteran of New York's 1990s avant-garde jazz scene and is known popularly as a member of Medeski Martin & Wood. He plays the acoustic piano and an eclectic array of keyboards, including the Hammond B3 organ, melodica, mellotron, clavinet, ARP String Ensemble, Wurlitzer electric piano, Moog Voyager Synthesizer, Wurlitzer 7300 Combo Organ, Vox Continental Baroque organ, and Yamaha CS-1 Synthesizer, among others. When playing acoustic piano, Medeski usually plays the Steinway piano and is listed as a Steinway Artist.
Erik Friedlander is an American cellist and composer based in New York City.
Filmworks 1986–1990 features the first released film scores of John Zorn. The album was originally released on the Japanese labels Wave and Eva in 1990, on the Nonesuch Records label in 1992, and subsequently re-released on Zorn's own label, Tzadik Records, in 1997 after being out of print for several years.
"For Zorn, filmscores have always been a place to experiment, and the FilmWorks Series is in many ways a microcosm of his prodigious output. This original installment of the FilmWorks Series presents three scores ranging from punk-rockabilly ; a jazzy Bernard Herrmann fantasy; to a quirky classical/improv/world music amalgam for Raul Ruiz's bizarre film The Golden Boat. Zorn's infamous one-minute arrangement of Morricone's classic The Good, The Bad and The Ugly, is included as a bonus track. This is the place where it all began."
Sylvie Courvoisier is a composer, pianist, improviser and bandleader. She was born and raised in Lausanne, Switzerland, and has been a resident of New York City since 1998. She won Germany’s International Jazz Piano Prize in 2022 and was named Pianist of the Year for 2023 in the international critics poll of Spanish jazz publication El Intruso. NPR’s Kevin Whitehead has encapsulated the distinctive character of Courvoisier’s art this way: “Some pianists approach the instrument like it’s a cathedral. Sylvie Courvoisier treats it like a playground.”
John Zorn appears on over 400 recordings as a composer or performer. This is a selection of recordings released under his name, bands he was/is part of, collaborations with other musicians, and significant albums to which he has contributed. The year indicates when the album was first released and any subsequent years if the following release included additional material.
Locus Solus is an album of improvisations by John Zorn and other musicians. Originally released as a double vinyl album on Rift records in 1983 it was re-released as a CD with additional tracks on Eva/Wave in 1990 and on Zorn's Tzadik Records label in 1997.
Songs from the Hermetic Theatre is an album of contemporary classical music by American composer and saxophonist/multi-instrumentalist John Zorn.
Hemophiliac is a limited edition album of improvised experimental music by John Zorn, Ikue Mori and Mike Patton. The album was released as a limited edition 2-CD set of 2,500 copies, personally autographed by Zorn, Patton and Mori, on Zorn's Tzadik label.
Chimeras is an album of contemporary classical music by American composer John Zorn featuring a 12 part piece inspired by Arnold Schoenberg's atonal composition "Pierrot Lunaire". In 2010 the album was revised and re-recorded, with an additional "Postlude".
In Search of the Miraculous is an album by composer John Zorn released as a part of Tzadik's Archival series in 2010.
Templars: In Sacred Blood is an album by John Zorn released in May 2012 on the Tzadik label. It is the sixth album by Zorn's Moonchild project.
The Hermetic Organ is an album by John Zorn, consisting of a single live improvisation on the Aeolian-Skinner pipe organ of St. Paul's Chapel at Columbia University, which was released on Tzadik Records in June 2012. The performance was held at 11 PM on the evening of December 9, 2011, which Zorn has noted was a full moon, as an encore to a "Composer Portrait" ensemble performance of his works held earlier that night at the Miller Theatre. It is the first release by Zorn to exclusively document his solo improvisations on the organ, his first instrument. In 2014, Zorn released a second volume of improvisations, The Hermetic Organ Vol. 2.
Rimbaud is an album by John Zorn. The album was released on Zorn's own label Tzadik Records in August 2012. It was dedicated to French poet Arthur Rimbaud.
@ is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.
A Vision in Blakelight is an album by John Zorn recorded in New York City in December 2011 and released on the Tzadik label in 2012. The album is inspired by the works of William Blake.
In Lambeth is an album composed by John Zorn and performed by the Gnostic Trio, recorded in New York City in April 2013 and released on the Tzadik label in December 2013. The album is the third by the trio following The Gnostic Preludes (2012) and The Mysteries (2013). Its title quotes from William Blake's poem Jerusalem.
Psychomagia is the second album by Abraxas, led by Shanir Ezra Blumenkranz, performing compositions written by John Zorn, which was recorded in December 2013 and released on the Tzadik label.