The Big Gundown | ||||
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Studio album by John Zorn | ||||
Released | 1986 (2000 - 15th Anniversary Edition) | |||
Recorded | 1984−1985 | |||
Genre | Avant-garde jazz [1] | |||
Length | 49:27 (74:54 - 15th Anniversary Edition) | |||
Label | Nonesuch/Icon, Tzadik | |||
Producer | Yale Evelev | |||
John Zorn chronology | ||||
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15th Anniversary Special Edition | ||||
The Big Gundown is the third studio album by American composer and saxophonist/multi-instrumentalist John Zorn. It comprises radically reworked covers of tracks by the Italian film composer Ennio Morricone.
The album is named after a 1966 Spaghetti Western of the same name, directed by Sergio Sollima, starring Lee Van Cleef, and scored by Morricone. The album was first released in 1985 on the Nonesuch/Icon label. In 2000 a remastered 15th Anniversary Edition with additional tracks was released on CD on Zorn's Tzadik Records label. [2]
In 1985 Zorn had been working in New York City's experimental music scene for almost a decade (the album was originally to be called "Once Upon a Time in the Lower East Side"), but The Big Gundown launched him to wider prominence. In the notes for the 2000 reissued CD, Zorn describes The Big Gundown as representing a creative breakthrough as well for being the first time he worked extensively with multitrack recording, overdubbing and ornate orchestration. Though his main instrument is alto sax, Zorn did not play on most tracks, adding only a few touches of piano, game calls, harpsichord or musical saw.
Review scores | |
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Source | Rating |
AllMusic | [3] |
The Penguin Guide to Jazz | 👑 [4] |
Spin | (favorable) [5] |
Spin Alternative Record Guide | 9/10 [6] |
The Rolling Stone review by Steve Futterman was less enthusiastic, and Futterman stated, "Despite high-spirited contributions from a first rate cast, Zorn's tentative and analytical remakes tend to bleed Morricone's high drama and joyous kitschiness dry". [7]
The AllMusic review by Scott Yanow stated, "There are certainly no dull moments on this often-riotous program". [8] The Penguin Guide to Jazz selected this album as part of its suggested "Core Collection" and awarded it a "crown", calling it "utterly remarkable in every way and one of the essential records of the '80s". [1]
John Zorn is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". His avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, Jewish music, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music. Rolling Stone noted that "[alt]hough Zorn has operated almost entirely outside the mainstream, he's gradually asserted himself as one of the most influential musicians of our time".
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"For Zorn, filmscores have always been a place to experiment, and the FilmWorks Series is in many ways a microcosm of his prodigious output. This original installment of the FilmWorks Series presents three scores ranging from punk-rockabilly ; a jazzy Bernard Herrmann fantasy; to a quirky classical/improv/world music amalgam for Raul Ruiz's bizarre film The Golden Boat. Zorn's infamous one-minute arrangement of Morricone's classic The Good, The Bad and The Ugly, is included as a bonus track. This is the place where it all began."
Naked City Live is a live album recorded by Naked City in 1989 and released on John Zorn's Tzadik label in 2002. All of the songs, with the exception of "Erotico", "The Way I Feel" and "Skate Key", were later recorded in the studio for the band's debut album. To date it is the only official live release by the band.
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Round Midnight is a soundtrack album by Herbie Hancock featuring music recorded for Bertrand Tavernier's film Round Midnight released in 1986 on Columbia Records. The album features performances by Hancock, trumpeter Freddie Hubbard, bassist Ron Carter, drummer Tony Williams, vocalist Bobby McFerrin, tenor saxophonist Dexter Gordon, bassist Pierre Michelot, drummer Billy Higgins, guitarist John McLaughlin, trumpeter/vocalist Chet Baker, vibraphonist Bobby Hutcherson, saxophonist Wayne Shorter, vocalist Lonette McKee, and pianist Cedar Walton, most of whom appear in the film. It won the Academy Award for Best Music, Original Score in 1986, beating Ennio Morricone's The Mission and Jerry Goldsmith's Hoosiers, among others. Additional music recorded during the making of the film was released under Dexter Gordon's name as The Other Side of Round Midnight (1986).
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Freedom Together! is an album by pianist Jaki Byard recorded in 1966 and released on the Prestige label.
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